8281. [Cardiac catheterization / Nobel Price Lecture] – Forssmann, Dr. Werner.

Collection of important offprints, publications and correspondence (signed letters etc.) by Nobel Laureate Werner Forssmann, many of which are inscribed and signed by Forssmann to his colleague, irish cardiologist and clinical scientist, Eoin O’Brien. The collection includes: 1. A signed / inscribed version of Forssmann’s first offprint-edition of his Nobel-Lecture: “Die Rolle der Herzkatheterung und Angiocardiographie in der Entwicklung der Modernen Medizin” (pages 177 – 181, Stockholm, 1957, SIGNED and beautifully inscribed to O’Brien in July 1976) / 2. A signed, original Offprint: “The Evolution of Modern Cardiology” (11 pages, SIGNED Offprint from “Perspectives in Biology and Medicine – Vol.12, No.1, Autumn 1968) / 3. A Signed / Inscribed Offprint: “Die Sondierung des Rechten Herzens”, 1957-Reprint of the original 1929 – publication, (4 pages with portrait of Forssmann, published in “Therapeutische Berichte”, 29, 5, 1957) / 4. A Signed, original Offprint: “Euthanasie” (with minor tear), (7 pages, SIGNED, Offprint from Deutsche Apotheker-Zeitung Heft 31, Seiten 1127-1133, 1975) / 5. Signed TLS (Typed Letter Signed by Forssmann to Eoin O’Brien, fellow cardiologist in Ireland). / 5. First english edition of Werner Forssmann – “Experiments on Myself – Memoirs of a Surgeon in Germany”, together with two TLS (Typed Letters Signed) by Translator Hilary Davies to Eoin O’Brien, who Peer-reviewed the book. Hilary Davies also included a press-release for the book and gave Eoin O’Brien access to Forssmann by alerting him to Forssmann’s address in Germany. Included are Eoin O’Brien’s typescripts of his correspondence with Forssmann.

Germany, 1956 – 1976. Octavo. Very good condition with only minor signs of wear. Signed and inscribed items by Forssmann are of great rarity. The Nobel Lecture alone is very scarce and very rarely available signed.

8282. Street, Evelyn.

Beara Hills / Caha Mountains with Hungry Hill and Sugarloaf [West Cork].

Oil on Canvas. Bantry (West Cork), 1971. Framed: 159 cm wide x 129 cm high. Canvas: 152 cm wide x 122 cm high. Unusually excellent condition of this striking XXL – Painting with only minor signs of wear. Signed and dated verso by Evelyn Street in June, 1971. Provenance: Naylor Collection. Price includes boxed shipping worldwide per Courier. The painting is now beautifully framed.

8283. Vallancey, Charles / Piers, Sir Henry [Provenance: Abraham Abell (Cork City)].

Collectanea de Rebus Hibernicis – Five-Volume-Set with thirteen (13) Numbers (I – XIII) plus “A Vindication of the Ancient History of Ireland” and “Anecdotes of Chess in Ireland”. [See full list of Numbers, Chapters and Illustrations below and detailed images on our website].

Dublin, Thomas Ewing, 1770 – 1790. Octavo (13,5 cm wide x 21,5 cm high). Pagination: Volume I (contains Numbers I, II, III, IV): Frontispiece-Portrait, XIV, [6 unnumbered pages of “Contents”], 636 pages, [2] pages with the contents-page misbound [2], and 24 pages on “The Brehon Laws of Ireland” to the rear of the Volume. Volume I includes three illustrations (including the Large Folding-Map of Meath)/ Volume II (contains Numbers V, VI, VII, VIII, IX): 562 pages and 10 illustrations (including the Large Folding-Plan of the City of Kilkenny) / Volume III (contains Numbers X, XI, XII): LXX, 682 pages with one illustration (being the Large Fold-Out-Map of “Antient Ireland” by William Beauford) and VI Tables on two large sheets in the rear of the Volume (containing Orthography/Names of Numbers in different Languages, Names of Numbers of some of the Indians of America etc. etc. compared to the antient Irish) / Volume IV (contains Number XIII of Collectanea de Rebus Hibernicis and “A Vindication of the Ancient History of Ireland” by Charles Vallancey”): LX, 161 pages (being the end of Number XIII), plus Pagination for “The Vindication of the Ancient History of Ireland”: Frontispiece-Map of Europe and Asia, XLVIII, 551 pages, followed by 16 unnumbered pages of an Index for “The Ancient History of Ireland”, followed by X (10) Plates (mainly fold-out plates with numerous illustrations for the “Ancient History of Ireland”, aslo included is a text-illustration “Inscription in the Cave of New Grange (page 212). / Volume V of Collectanea de Rebus Hibernicis: 368 pages plus Hardcover / Original 19th century full-leather with gilt lettering and ornament to spine. Very good condition with only minor signs of wear. Spine of Volume Three is coming apart. From the library of Cork Antiquarian Abraham Abell, with an inscription and original manuscript letter by his friend and “Brother Antiquarian”, John Bennett, 9 Academy St., 18th September, 1841.

8284. [Gore-Booth, Colum Robert] / [Lady Eva Selina Laura Gore-Booth] / [Constance Georgine Markievicz née Gore-Booth] / [Lissadell House County Sligo].

Two Manuscript Sketch-Books [12” x 10”] bearing the Bookplate “Lady Gore Booth – Lissadell, Sligo [No.43]”. Both Folio-Size Sketch Books titled ‘The “Wood” Sketch Book’, both issued by ‘St. John’s Wood Art School’: 29, Elm Tree Road, London, NW 8. [Founded 1878]. Each Sketch-Book has 50 pages and most pages have manuscript sketches with a few loose sketches tipped in. The very accomplished drawings all appear to be in pencil and show landscapes, trees, horses, portraits, male and female figures, skulls. They all appear to be in the same hand. Also, tipped in is a b/w photo, 6” x 4” mounted on a card. It is signed in pencil by Roberts of Paris. Stamped on the back is “Roberts” 11, Rue du Havre. In pencil, it states “Elizabeth aged 11, May 1922”. From our research it is certain, that Colum Robert Gore-Booth (1913-1959) attended St.John’s Wood Art School and these appear to be his Sketch-Pads, the only other member of the Gore-Booth family who went to London in order to become an artist was Colum’s aunt, Constanze Markiewicz, who attended Slade School of Art at the turn of the century but the drawings do not fit her style.

Two Volumes. London, St.John’s Wood Art Schools / Lissadell House County Sligo, c.1920 – 1930. Folio. Volume I: 118 pages (59 perforated sheets), with 87 studies, often with sketching on both sides of the sheets / Volume II: 100 pages (50 perforated sheets), with 46 studies inside the sketch-book plus two portrait-sketches loosely inserted, plus the photograph of one “Elizabeth”, dated May 1922 and signed by photographer “Roberts” 11, Rue du Havre, Paris. Publisher’s illustrated Hardcover. Very good condition with only minor signs of wear.

8285. Palmer, Brooke.

Descent to Atlantis

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Descent to Atlantis’ is one of the stunning signature works of Canadian artist Brooke Palmer. Here he is in his element. He grips you and shakes you and twirls you and twists you……like a flying object from outer space he takes you on a ride into the Abyss of emotions. Stand in front of it and enjoy the ride. “Descent to Atlantis”, is the third painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

8286. Palmer, Brooke.

Harbingers of Springtime

Acrylic on Canvas. Toronto, 2023. Canvas: 122 cm wide x 122 cm high. ‘Harbingers of Springtime’ is one of the beautiful recent works of Canadian artist Brooke Palmer. In this painting, Brooke revisits his early stages of creating light and reflection of joy and curiosity which is already evident in his earliest work “Hudson River Reflections”. This new piece, “Harbingers of Springtime”, is the second painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular.

8287. Palmer, Brooke.

Unfurling Heavenbound

Acrylic on Canvas. Toronto, 2023. Canvas: 153 cm wide x 92 cm high. ‘Unfurling Heavenbound’ is one of the remarkable recent works of Canadian artist Brooke Palmer. It is the first painting Brooke painted in the series of art he has dedicated for the collaboration with ‘Inanna Modern’. Inanna Modern has invited Brooke to venture into the european art market because his work is exactly what art should be: singular. From conversations with the artist we know that all his latest work is inspired by exactly what the title of this painting promises, an unfurling of new emotions and the excitement for new beginnings, manifested in shapes and colour.

8288. Palmer, Brooke.

The Wild Atlantic Way – [SOLD]

Epoxy resigned, circular Wood Panel. Toronto, 2023. Dimensions of Wood Panel: 44” (112 cm in Diameter, on 5 cm thick panel). ‘The Wild Atlantic Way’ is one of the latest works of Canadian artist Brooke Palmer, inspired by Ireland’s spectacular coastal Route of the same name. It is one of the paintings Brooke painted in the series of Art he has dedicated for the collaboration with ‘Inanna Modern’. What is incredible about this particular artwork is the resemblance to everything a personal trip along ‘The Wild Atlantic Way’ would encounter: Narrow Boreen’s with broad and spectacular views, the meeting of different characters reflected in the texture and feel of ocean and clouds, the four seasons in one day, the merry-go-round of life and the deep love we all feel for all shades of blue. With this remarkable piece, Brooke takes you on a journey along “The Wild Atlantic Way”. Come and pick up this memorable piece of Canadian-Irish-Art by from our little Gallery in the Southwest of this Celtic Land.

8289. Evans-Freke, John [Lord Carbery] / Castle Freke [Rathbarry] / Castlefreke Library Bookplate.

Collection of Books and Art with a relation to Castle Freke. Some of the books being from the historical library of Castle Freke with the original Exlibris / Bookplate / Some of the books from the libraries and private collections of relatives to the Freke Family / Some of the books by famous writer Mary Carbery, wife of Algernon [″Algy”] William George Evans-Freke, 9th Baron Carbery of Castle Freke, County Cork, Ireland, until his death in 1898. At least one book with direct connections to “Algy” Evans-Freke and Mary Carbery.

Ireland, 1811 – c. 1950 Octavo. Hardcover Editions. Find detailed descriptions and many photographs on all these titles on our website under “Library & Collections” [Castle Freke Collection”].

8290. [Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.