La Fotografia di Ansel Adams – Vol. I – La Fotocamera / Vol II – Il Negativo / Vol III – La Stampa. Con la collaborazione di Robert Baker.
Edizione Italiano / Italian Edition. 3 Volumes (complete set). Bologna, Nicola Zanichelli Editore S.p.A, 1989. 25,5 cm x 19,5 cm. Vol I, 201 pages / Vol II, 273 pages / Vol III, 212 pages. With black-and-white photographs and illustrations. Original Hardcover with dustjackets in original slipcase. Excellent condition with only minor signs of external wear. Including free UPS worldwide !
Includes the following chapters:
Vol I (La Fotocamera) : Visualizzazione / Fotocamere di piccolo formato / Fotocamere di medio formato / Fotocamere di grande formato / Gli obiettivi / Gli otturatori / Gestione elementare dell ‘immagine / Uso delle fotocamere a mano libera / Uso della fotocamera sul treppiedi / Regolazioni delle fotocamere a corpi mobili / Esposimetri e accessori / Attrezzature e tecniche speciali.
Vol II (Il Negativo) : Visualizzazione e valori dell ‘immagine / Luce e pellicola / L’esposizione / Il sistema zonale / Filtri e preesposizione / Fotografia in luce diurna / Fotografia in luce artificiale / Procedimenti di camera obscura / Atrezzature e procedimenti di camera oscura / Controllo dei valori durante il trattamento.
Vol III (La Stampa) : Visualizzazione e immagine espressiva / Progetto e attrezzatura della camera obscura / Materiali da stampa / Provini e stampe di lavoro: la stampa e l’ingrandimento / La stampa fine art: controllo dei valori / Trattamenti finali; sensitometria / Finitura, Montaggio, Archiviazione, Mostre / Procedure speciali di stampa.
Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating “pure” photography which favored sharp focus and the use of the full tonal range of a photograph. He and Fred Archer developed an exacting system of image-making called the Zone System, a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed during exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography.
Adams was a life-long advocate for environmental conservation, and his photographic practice was deeply entwined with this advocacy. At age 12, he was given his first camera during his first visit to Yosemite National Park. He developed his early photographic work as a member of the Sierra Club. He was later contracted with the United States Department of the Interior to make photographs of national parks. For his work and his persistent advocacy, which helped expand the National Park system, he was awarded the Presidential Medal of Freedom in 1980.
Adams was a key advisor in establishing the photography department at the Museum of Modern Art in New York, an important landmark in securing photography’s institutional legitimacy. He helped to stage that department’s first photography exhibition, helped found the photography magazine Aperture, and co-founded the Center for Creative Photography at the University of Arizona. (Wikipedia)