Kompleks Polski – Powiesc.
Lipiec, 1977. Octavo. 163 pages. Original illustrated softcover in protective collector’s mylar. Excellent condition with only minor signs of external wear. [Zapis 3]
Tadeusz Konwicki (22 June 1926 – 7 January 2015) was a Polish writer and film director, as well as a member of the Polish Language Council. Konwicki was born in 1926 as the only son of Jadwiga Kiezun and Michal Konwicki in Nowa Wilejka, where he spent his early childhood. His father died early and Konwicki lived with his great-aunt and great-uncle who he later depicted in his novels. He attended a local King Zygmunt August gymnasium. Immediately following the outbreak of World War II, Wilno was occupied by the Soviet Union and subsequently by Nazi Germany, and all education for Poles was discontinued. Konwicki continued his studies underground and joined the eighth Oszmiana Brigade of the Home Army that took part in the nationwide guerrilla operation code-named Operation Tempest and Operation Ostra Brama. He later disarmed and went into hiding from the Soviet Army. In November 1944, he joined Tur’s (Witold Turonek) unit and fought until April 28, 1945 – one of the last guerrilla units in the area. After the war Wilno (retrieving its name as Vilnius in the process) was annexed by the Soviet Union and Konwicki was expatriated.
In the spring of 1945 Konwicki moved to Kraków, where he enrolled at Jagiellonian University. He also started to work as a journalist at Odrodzenie weekly, moving to Warsaw in 1947 to continue his work for the magazine. In the capital, he was one of the leading advocates for Socialist Realism in literature. In 1948 he finished his memoirs of his partisan years (Rojsty), but the book was not published until 1956. His literary debut was the production novel Construction Site (1950, Przy budowie), which was followed by the novel Power (1954, Wladza). His 1956 novel From a Besieged City (1956, Z oblezonego miasta) also became quite popular.
In the years 1952–1966 he was a member of Polish United Workers’ Party. By the mid-1950s, Konwicki had become disillusioned by the communist regime in Poland and fell out of grace with the party. His later works (beginning with A Hole in the Sky (1959, Dziura w niebie), are mostly concerned with the author’s childhood and the semi-mythical, romantic land of his youth.
At this time Konwicki became the head of the Kadr Film Studio and has since been recognized as one of the most notable members of the Polish Film School. However, his work veered away from the style pursued by his contemporaries, due to its uniquely bitter quality. As a filmmaker he is known for his Venice’58 Grand Prix winner The Last Day of Summer (Ostatni dzien lata, 1958), All Souls’ Day (Zaduszki, 1961), as well as for his masterpieces Salto (1962) and How Far Away, How Near (Jak daleko stad, jak blisko, 1973), as well as film adaptations: of Nobel Prize Winner Czeslaw Milosz’s book Issa Valley (Dolina Issy, 1982), and of Adam Mickiewicz’s drama Forefather’s Eve – Lava (1989).
He is widely known for two novels, published by the Polish underground press: The Polish Complex (1977) and A Minor Apocalypse (1979). The latter work, a bitter satire about a washed-up writer who is asked to burn himself in front of the Soviet-built Palace of Culture and Science, Warsaw; the novel was adapted as a 1993 French feature film, directed by Costa-Gavras. A Minor Apocalypse is a post-Orwellian parody that refers to specific historical events, such as self-immolation protests against the communist regime by Ryszard Swiec in Poland and Jan Palach in Czechoslovakia. (Wikipedia)