11. Preetorius, Emil / [Heidegger, Martin].

Sammlung von zwei originalen Typoskripten von Emil Preetorius, Entwuerfe von Texten mit handschriftlichen Korrekturen; eines der Typoskripte von Preetorius voll signiert: I. “Vom Geheimnis des Sichtbaren” – Fuer die Festschrift “Martin Heidegger zum 70.Geburtstag”. 3- seitiges Typoskript mit handschriftlichen Ergaenzungen und Korrekturen Preetorius’. / II. “Zum Geleit”. 3-seitiges Typoskript zu den Anfaengen der Kunstmesse in Muenchen. Es handelt sich hier wohl um einen Vortrag zum 2.Jahr der “Deutschen Kunst – und Antiquitaeten-Messe im Muenchner Haus der Kunst” (c.1957). Scharfe Kritik am deutschen Kunsthandel, von Emil Preetorius voll signiert und mit zahlreichen handschriftlichen Einschueben und Korrekturen. / III. Kopie eines Vortrages des Rotarieres Preetorius am 30.September 1930 ueber “Das Problem der kuenstlerischen Qualitaet”.

[Muenchen], c.1957. A 4. 6 Seiten original typoskripte; 4 Seiten Kopien. Original Softcover. Sehr guter Zustand dieser Autographen.

12. Rinpoche, Lama Zopa / Lama Yeshe / Schultheis, Rob / Pir Vilayat Inayat Khan.

Collection of belongings from a british citizen who was a follower of Lama Yeshe and Lama Zopa Rinpoche and who became a Tibetan Monk / Buddhist Monk in the 1970’s under Lama Zopa Rinpoche and Lama Yeshe.

Bodhgaya, c.1972. Octavo. Softcover. Very good condition with only minor signs of external wear. From the library of a tibetan / buddhist monk.

13. [Clerke, Agnes Mary].

Collection of eight publications by and about Agnes Mary Clerke plus one autographed / signed manuscript-letter by Agnes Clerke [The letter answers the request of a fellow german Astronomer who complimented her on her History of Astronomy and asked for her permission to translate her latest work). The recipient is possibly german astronomer R.Engelmann who wrote about Nebula. The letter dates from 1891 and is written in perfect german (Agnes Clerke was known to have written reviews and letters in French, German, Greek and Italian). This rare collection includes the following books: 1. A.M.Clerke – Geschichte der Astronomie während des neunzehnten Jahrhunderts. Gemeinfasslich dargestellt. (Autorisierte deutsche Ausgabe von H.Maser) – First german edition of “A popular History of Astronomy during the 19th century” from 1889 – with a signed, contemporary manuscript letter by Agnes Clerke in german (!) regarding this publication / 2. Agnes Clerke – Familiar Studies in Homer (London, 1892) / 3. Agnes Clerke – “The Herschels and Modern Astronomy” (with a loosely inserted portrait of Sir William Herschel) (London, 1895) / 4. Agnes Clerke – “A popular History of Astronomy during the 19th century” (The important Fourth Edition, revised and corrected by the author) (London, Adam and Charles Black, 1902) – Famously: With the vintage photographs pasted to frontispiece and titlepage / 5. Agnes Clerke – “The System of the Stars” – Second Edition (London, 1905) / 6. Agnes Clerke – Modern Cosmogonies (London, 1905) / 7. Agnes Clerke – “A popular History of Astronomy during the 19th century” 1908-Reprint of the important Fourth Edition, revised and corrected by the author) (London, Adam and Charles Black, 1908) / 8. Mary Brueck / Mary Brück – Agnes Mary Clerke & The Rise of Astrophysics (Cambridge University Press, 2002).

A mixture of first and later editions. Berlin / London, Springer / Cassell / Longmans & Green and others, 1889 – 1908. Octavo. More than 2500 pages with many illustrations and diagrams etc. / The vintage letter has two pages filled and signed by Clerke in ink / The only modern publication within the collection is a very important monograph on Clerke by scientist Mary Brueck / Mary Brück, published by Cambridge University Press (275 pages). Original Hardcovers in bespoke protective collector’s Mylar. Very good condition with only minor signs of external wear. A stunning collection of all the major publications by this important woman astronomer. Agnes Clerke paved the way for women in science and must be seen as the pioneer female astronomer. The price includes worldwide free shipping of the collection per UPS Express Courier.

14. Grossman, Henryk / Grossman, Henryk / Meyer, Gerhard.

Originales, hektagrophiertes Typoskript mit Manuskript – Eintraegen und handschriftlichen Ergaenzungen von Henryk Grossmann: “Marx und die Klassische Oekonomie oder Die Lehre vom Kapitalfetisch” – Von Henryk Grossmann signiert und an seinen Exil – Kollegen, den Ökonom Gerhard Meyer gesendet. [Beiliegend: 11-seitige Kritik von Meyer an Grossman’s Arbeit / Meyer (dokumentiert wurde der Erhalt der Kritik mit einem handschriftlichen Vermerk “received July 3, 1937) / Auf dem Typoskript der Kritik befinden sich bereits auf der ersten Seite handschriftliche Anmerkungen z.B. zu Grossmann’s Buch “Akkumulations- und Zusammenbruchsgesetz des kapitalistischen Systems” nimmt] /

[New York], [1937]. A 4. Paginierung: Das Typoskript hat 192 Seiten, die Arbeit von Gerhard Meyer 11 Seiten, ausserdem beiliegende handschriftliche Aufgabenstellung (3 Seiten). Original Softcover. Sehr selten ! Es handelt sich hier wahrscheinlich um einen Vorlaeufer des hektographierten Typoskripts “Marx, die klassische Nationalökonomie und das Problem der Dynamik” (New York: Institut für Sozialforschung, 1941).

15. Viereck, George Sylvester / [Frederick Franklin Schrader] / [Mentioning of Oscar Wilde / Lord Alfred Douglas].

Collection of early Manuscript Material (which is a Manuscript Ballad / Poem), a two-page Manuscript Letter (which is a MLS mentioning Oscar Wilde, Lord [Alfred] Douglas, Viereck’s literary tastes etc.) and the personal copy of “House of the Vampire”, all by the controversial german-american author George Sylvester Viereck. The collection includes: 1. One six-page, hitherto unpublished Manuscript – Ballad [Poem], called “Die Ballade vom Sündigen Glück” [Translates: “The Ballad of sinful Pleasure”]/ 2. A lengthy and extremely insightful Two-Page Manuscript Letter, signed in New York, 1902, which accompanied and talks about the enclosed Six-Page Manuscript – Ballad [The letter and Poem was not conclusively but very likely addressed by Viereck to Frederick Franklin Schrader, then editor of the New York Dramatic Mirror and shortly thereafter co-founder with George Sylvester Viereck of “The Fatherland” / 3. The collection also includes Viereck’s personal copy of his publication “The House of the Vampire” with handwritten, manuscript entry of his name, address in New York City as well as a pasted statement on the endpaper by the author Viereck: “Concerning “The House of the Vampire” : This book went through several editions when it was first published and was dramatized. It played for eight weeks in New York and for two years on the road under the management of the Shuberts. Critics have compared it to such books as Dr.Jekyll and Mr.Hyde, Lady Into Fox, and Dorian Gray”]. The two-page letter is of great value and touches on Viereck’s admiration for Schrader and his “Blatt” [Newspaper]. Viereck is advertising himself to Schrader by introducing himself as a critical admirer with substantial references (Viereck details his working for numerous newspapers in America). Viereck mentions his secessionist tendencies and name-drops Oscar Wilde, Rosetti and Lord Douglas (whom he claims to know personally). This amazing, autographed/signed Manuscript-Material was created by Viereck directly during his transition from writer to propagandist and is an example of his early, bullish personality, which wants to be heard, which needs attention and it is here, in 1912, where his career begins to develop. This large Archive of manuscript material [8 pages in total] is stunning and unpublished (see partial Transcription of the original german material on our website). Viereck’s close friends included Nikola Tesla and even Theodore Roosevelt was among his acquaintances.

New York, Moffat, Yard & Company, 1902-1912. Play and Letters: 20.3 cm x 25.3 cm / Book: 13 cm x 19,5 cm. Pagination: Balld (Poem): 6 pages / Manuscript Letter (MLS): 2 pages / Book: 190 pages. Original Hardcover / Blue publisher’s cloth with gilt lettering on spine in protective collector’s mylar / The play protected in clear folder. The manuscript pages overall in excellent condition besides page IV of the play which has two abrasions with small parts of the text missing only. The book in excellent condition with only minor signs of external wear. Viereck’s usual vanity made him add the lovely littel note of critical success. The personal copy of this controversial author’s most interesting book is a unique possibility for each collector of unusual Vampire material. Extraordinary collection !

16. [Justinian].

Corpus Juris Civilis. [The Blaeu – Edition from 1663-1664 with an interesting alteration in form of the most delicate addition of an alphabetized register to the pages and even more interesting a manuscript-dedication [annotation] from a Tutor to his pupil, as well as a manuscript evaluation of this edition and a loosely inserted piece of paper with legal notations].

Editio Nova. Prioribus correctior. Two Parts in One Volume (complete). Amsterdam & Leiden, Apud Ioannem Blaeu et Dan. Elzevirios / Apud Franciscum Hackium [Ludwig & Daniel Elzevier, Frans Hack], MDCLXIV [1663-1664]. Octavo. Pagination: Volume I: (24), 1037 pages / Volume II: 820, (2) pages. Original Hardcover with illustrated dustjacket. Very good condition with only minor signs of wear.

17. Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive information like “Sold to:…..” / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

18. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

19. [Gore-Booth, Colum Robert] / [Lady Eva Selina Laura Gore-Booth] / [Constance Georgine Markievicz née Gore-Booth] / [Lissadell House County Sligo].

Two Manuscript Sketch-Books [12” x 10”] bearing the Bookplate “Lady Gore Booth – Lissadell, Sligo [No.43]”. Both Folio-Size Sketch Books titled ‘The “Wood” Sketch Book’, both issued by ‘St. John’s Wood Art School’: 29, Elm Tree Road, London, NW 8. [Founded 1878]. Each Sketch-Book has 50 pages and most pages have manuscript sketches with a few loose sketches tipped in. The very accomplished drawings all appear to be in pencil and show landscapes, trees, horses, portraits, male and female figures, skulls. They all appear to be in the same hand. Also, tipped in is a b/w photo, 6” x 4” mounted on a card. It is signed in pencil by Roberts of Paris. Stamped on the back is “Roberts” 11, Rue du Havre. In pencil, it states “Elizabeth aged 11, May 1922”. From our research it is certain, that Colum Robert Gore-Booth (1913-1959) attended St.John’s Wood Art School and these appear to be his Sketch-Pads, the only other member of the Gore-Booth family who went to London in order to become an artist was Colum’s aunt, Constanze Markiewicz, who attended Slade School of Art at the turn of the century but the drawings do not fit her style.

Two Volumes. London, St.John’s Wood Art Schools / Lissadell House County Sligo, c.1920 – 1930. Folio. Volume I: 118 pages (59 perforated sheets), with 87 studies, often with sketching on both sides of the sheets / Volume II: 100 pages (50 perforated sheets), with 46 studies inside the sketch-book plus two portrait-sketches loosely inserted, plus the photograph of one “Elizabeth”, dated May 1922 and signed by photographer “Roberts” 11, Rue du Havre, Paris. Publisher’s illustrated Hardcover. Very good condition with only minor signs of wear.

20. Levy, Arthur Joseph / Zangwill, Israel.

Archive / Collection of more than 350 items, letters, documents, ephemera, pamphlets, manuscript notes, receipts , manuscript letters from the private library of Providence (Rhode Island) lawyer, Arthur (Art) Joseph Levy. The collection includes an important, controversial typescript-essay (8 pages) on Israel Zangwill’s address before the American Jewish Congress at Carnegie Hall on October 14th, 1923 (″Watchmen, what of the Night ?”); with manuscript annotations and remarks on Israel Zangwill’s position “the hopes of Jewry for the establishment of a Jewish State in Palestine are doomed to disappointment”. The collection includes a plethora of interesting letterheads of jewish organizations and also important documentation of Levy’s contribution to and support for the “Palestine Foundation Fund”, (receipt from Boston, Mass. June 1923). Levy, who was a graduate of Brown and Boston University Law School, practiced law in Providence, Rhode Island and led an active life as a member and leader of several Jewish civic organizations, such as the Jewish Family and Children’s Service, which he established and led for twenty years, Rhode Island Jewish Historical Society, the Temple Beth-El Brotherhood, the Miriam Hospital, the Touro Fraternal Association and the Jewish Home for the Aged of Rhode Island. He was also a prominent member of the American Bar Association, the Brown University Alumni Association and the Brown Club of Rhode Island. Highly regarded as a jurist, he was a member of the Commission to Consolidate State Laws, a member of the Advisory Committee of the Federal Tax Institute of New England and an editor of the Rhode Island Bar Journal. Included in this archive are a group of letters written during World War I discussing his role in the Jewish Welfare Board of the United States Army and Navy, an invitation to a fund-raising dinner for the Jewish Orphanage of Rhode Island, a group of documents and letters discussing the establishment of a Jewish country club in Providence, several documents from the early 1920s concerning the mostly Jewish fraternity Phi Epsilon Pi and several items relating to Levy’s personal life, such as personal letters, bills from clothiers and invitations to social events. (Main source of the description of this archive is the research of our colleague Greg Talbot from The Lawbook Exchange).

Providence (Rhode Island), Cambridge (Massachusetts), New York, 1917 – 1931. Octavo and A4. Two heavy folders with original documents. Very good condition with only minor signs of external wear.