[Arabian Nights] Forster, Edward / [Provenance: Daniel Callaghan of Lotabeg].

The Arabian Nights, in Five Volumes. [Including “The History of Aladdin, or the Wonderful Lamp” / The History of Ali Baba and of the Forty Robbers, killed by one Slave” / etc.] Translated by The Reverend Edward Forster [based on the French version of Antoine Galland]. With [24] Engravings, from Pictures by Robert Smirke.

First Edition [Large Paper Quarto Edition]. Five Volumes (complete set with all engravings). London, Printed for William Miller, 1802. Quarto (21.5 cm x 27.5 cm). Volume I: LXI, (7), 385 pages with 5 copper-engravings including Errata-Leaf and “Directions for placing the Plates” for all four volumes / Volume: 432 pages with 5 copper-engravings / 405 pages with 5 copper-engravings / 461 pages with 5 copper-engravings / 474 pages with 5 copper-engravings. Hardcover / Original, early 19th century full leather with gilt lettering and date on lower spine [″London, 1802”]. Beautiful, richly ornamented master-bindings. All Volumes in strong, protective collector’s Mylar, which invites the reader/collector to use the work without fear of handling. Armorial Bookplates / ExLibris of Daniel Callaghan, Esquire of Lotabeg (MP for Cork City 1830-1849) to all five pastedowns (Motto: “Fidus et Audax”). Marbled endpapers a little dusty but beautiful. Volume 1, 2 and 5 with some weakening to the spine (slightly cracked), but holding and still firm overall. All plates present. As known and always found with this scarce edition, the original, titled tissue-guards all in place, have created stronger signs of foxing to the plates but in sharp contrast the text in all the five Volumes in bright and clean condition with only occasional faint staining. Endpapers with some minor browning. Very good+ condition overall with some rubbing and minor bumping to the Volumes but really only minor signs of external wear. Extremely sought after publication, not to be confused with the later, much more common Octavo Editions !

Atwood, Margaret.

Collection of four important association copies of poetry by Margaret Atwood (plus two signed Novels), given to her friend Jerome Hamilton Buckley, influential Professor of English Literature. All four association copies in first edition and all beautifully inscribed. The Novel only signed. The collection includes: 1. The Animals in that Country (1968 / Hardcover) [Signed and with the printed dedication “For J.” and a personal inscription on the halftitle to Jerome Buckley] / 2. The Journals of Susanna Moodie (1970 / Softcover) [Signed and inscribed] / 3. You are Happy (1973 / Hardcover) [Signed and inscribed] / 4. Murder in the Dark – Short Fictions and Prose Poems (1983 / Softcover) [Signed and inscribed]. / 5. The collection also includes a signed copy of Atwood’s “The Robber Bride” (1993 / Softcover) / 6. The collection also includes a signed and inscribed copy of “The Tent” (signed as “Margaret Atwood”).

Toronto / New York, Oxford University Press / Harper & Row / Coach House Press / Doubleday, 1968 – 1993. Octavo. 69, 64, 96, 62, 466, 155 pages. Original Hardcover and Softcover – publications with the rare illustrated dustjackets in protective collector’s Mylar. Very good+ condition with only minor signs of external wear. All inscriptions beautifully signed as Peggy or Peggy A. or in one case even Peggy Atwood.

[Auerbach, Frank] Hughes, Frank.

Frank Auerbach. With 174 illustrations in duotone and 80 in color.

London, Thames & Hudson, 1990. 4°. 240 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition.

[Beatles, The] Sansom, Clive A. / Marchbank, Pearce / Coke, Jane.

Pocket Beatles Complete. [Easy to Read Arrangements of 184 Beatles Songs, Including a Complete Discogrpahy of British Record Releases].

London, New York, Sydney, Tokyo, Cologne, Wise Publications, 1979. 14 cm x 20 cm. 383 pages. Illustrated with eight black-and-white portrait photographs of The Beatles and one black-and-white group photograph (on inside front pastedown). Original Hardcover (yellow cloth with embossed black lettering on cover and spine). Designed by Peace Marchbank. Very good condition with only minor signs of external wear.

Beaulieu, Mad. Mallès de / [Robinson Crusoe].

Le Robinson de douze ans – Histoire intéressante d’un jeune Mousse Français abondonné dans une ile déserte. Ornée de Gravures par Mme Mallès de Beaulieu, Auteur des Coules d’une Mère à sa Fille.

Paris, P.-C. Lehuby, no date (approx. 1818). Small – Octavo. Engraved frontispiece, Titlevignette, 288 pages with two further engravings (4 in total). Hardcover. Original, blue paper-covered boards, extensively decorated with gilt floral motifs and an inset illustration of the young Robinson and his dog on a beach. Very good condition. Interior remarkably clean. Fine example of a so-called Robinsonade, a fashionable adaptation of the original Robinson Crusoe story, in this case based on another “Robinsonade”, this is a somewhat modified and inspired version of Johann David Wyss’ famous publication “The Swiss Family Robinson”, which he published initially “to teach his sons about family values, good husbandry, the uses of the natural world and self-reliance” (Wikipedia). In her publication “History and the Construction of the Child in Early British Children’s Literature”, Jackie C. Home writes that “The Bibliothèque Nationale de France online catalogue lists 35 French language editions of Mallès de Beaulieu’s novel, published between 1818 and 1923, suggesting that the novel was one of the most popular titles fro children in nineteenth-century France.”

[Beethoven, Ludwig van] Leitzmann, Albert.

Beethoven’s Briefe. In Auswahl herausgegeben von Albert Leitzmann.

Leipzig, Insel-Verlag, 1924. Octavo. XIX, 307 Seiten. Hardcover / Originaler Leinenband mit verziertem und vergoldetem Einbandrücken. Außergewöhnlich guter Erhaltungszustand. Namenseintrag und Adresse des Vorbesitzers auf dem Vorsatzblatt.

[Brassai] (that was Gyula Halász).

The Secret Paris of the 30’s. Translated from the French by Richard Miller.

First American Edition. New York, Pantheon Books, 1976. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May, 1977.

Burne-Jones, Sir Edward / Morris, William / Hastings, Percy / Whistler, L. McNeill and many others.

The Architectural Review : For the Artist & Craftsman. Volumes 1 – 30 (uninterrupted set of the first 30 Volumes published : Volume I (November – May – 1897 ) – Volume XXX (July – December 1911). The complete 15 years from 1897 to 1911 of the Art Nouveau period is resembled in these beautiful first 30 Volumes. With hundreds of illustrations on architecture and design and including several original lithographs by famous designers and artists of the time (Burne-Jones, Whistler etc.).

First Edition. 30 Volumes. London, Effingham House / Caxton House, 1897 – 1911. 23.5 cm x 32.5 cm. More than 8000 pages with hundreds of illustrations and original artwork. Original Hardcover (Green Publisher’s cloth with beautiful gilted ornament and lettering on spine). Excellent condition with only minor signs of external wear. All the Volumes firm and only very few Volumes with minor signs of external wear and some darkening to the spines. Important Source for the Arts and Crafts Movement //.

Caesar, Gaius Julius.

Portrait Plaque of Caesar – DIVI IULI.

[Italy], c.1920. 43 cm x52 cm. Oval shaped Plaque. Excellent condition with only minor signs of external wear.

Cervantes De Saavedra, Miguel [Jarvis Edition with an excellent provenance, being from the library of John Fane, (Lord Burgersh) the Earl of Westmoreland].

The Life and Exploits of the Ingenious Gentleman Don Quixote de la Mancha. Translated from the Original Spanish by Charles Jarvis, Esq. [Bound with: “The Life of Michael de Cervantes Saavedra” and an “Advertisement concerning the Plates”].

Second issue of the First Jarvis Edition. Two Volumes (complete set). London, J. & R. Tonson and R. Dodsley, 1738-1742. Quarto. Pagination: Volume I: Frontispiece, XXIV, (8), I – [XXIV], (interrupted with 8 unnumbered pages: “Supplement to the Translator’s Preface,” on the origin of books of chivalry, [by Wiliam Warburton]), continued pagination [XXV-XXXII], Second Frontispiece (Portrait of Cervantes by George Vertue after G. Kent), V, (2), 355 pages with 28 copperplates (including the two frontispieces). Volume II: XII, 388 pages with 41 copperplate illustrations. In total 69 copperplate engravings, all drawn by John Vanderbank and engraved by Gerard van der Gucht / Vandergucht. Modern Hardcover bindings by an english masterbinder, styled to the 18th century period and with new endpapers that carry the original bookplates / Exlibris of John Fane, (Lord Burgersh) the Earl of Westmoreland. Excellent condition with only minor signs of foxing to the outer margins of the pages. All illustrations in strong and fresh imprint. An excellent set from a famous library.

[Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.

Christ, Hans D. / Dressler, Iris / Peters, Christine.

Acts of Voicing.

Leipzig, Spector Books in conjuction with Wurttembergischer Kunstverein/Total Museum of Contemporary Art, Seoul. 2014. 17.5 cm x 25 cm. 555 pages. Original Hardcover. (Blue cloth with an embossed illustration in black on front board. Title in black embossed lettering on spine). Very good condition with only minor signs of external wear.

[Clarke, Harry] de Burca, Eamonn.

The Harry Clarke Collection – [Catalogue with] A selection of fine watercolours, books, manuscripts, photographs and ephemera items from our Harry Clarke Collection.

Dublin, de Burca Rare Books, 2010. 21 cm x 27 cm. 46 pages with many illustrations. Original, illustrated Softcover. Excellent, as new condition. Wonderful catalogue with 160 numbers, many references, prices and well described books and ephemera. Important reference work for all collectors and lovers of Harry Clarke.

[Cooper, Jane] Olson, Charles / Frost, Robert / Lewis, Janet / Waldrop, Keith / Eshleman, Clayton / Levine, Philip / Wakoski, Diane / Snyder, Gary / Simic, Charles / Rich, Adrienne / Olds, Sharon / Bly, Robert and many others.

Collection of 200 books / pamphlets of american poetry, some from the collection of Jane Cooper, often inscribed and signed to her; some from the collection of Clayton Eshleman, some from the library of Carolee Schneemann and many of these books in the collection with some nice associations. Several publications with no inscriptions or signatures but those being mainly first editions. The collection includes several landmark publications of american 20th century poetry and also several publications of still unknown, undiscovered and upcoming american poets.

New York / Boston / Ann Arbor and many others, 1953-1997. Octavo. More than 5000 pages. A mixture of original Hardcovers with the dustjackets and several softcover publication. Many of the publications in protective collector’s Mylar. Most of the publications in very good+ condition with only minor signs of external wear / Many of the publications signed or inscribed, either to Jane Cooper or other american poets or collectors.

Cover Art Design – Fante, John / MacDonald, John D. / Rice Burroughs, Edgar / and many others.

A wonderful collection of over 900 vintage paperbacks, fastidiously hand-picked from all parts of North America by an avid and knowledgeable collector. The collection is still intact and has not been ‘robbed’ of its outstanding and often signed publications. (Please ask for detailed list). / Lovingly curated, with a particular eye for unusual titles, this collection represents mid 20th century American pop art at its best. From hard-boiled detective stories to alien invasions, from femme fatales to teenage angst, from swashbuckling buccaneers to gritty westerns, these books were collected for two reasons; their excellent condition, and their lurid, ‘one of a kind’ cover art and outrageous tag lines. The collection also contains some very scarce copies of highly collectible books, including John D Macdonald’s first book, ‘The Brass Cupcake’ and John Fante’s first paperback edition of ‘Ask the Dust’. The great paperback publishing houses are all represented here; Signet, Popular Library, Pocketbook, Penguin, Pan, Lion, Fawcett Gold Medal, and so on. This is a unique opportunity to own a highly respectable collection of 20th century publishing history.

New York and others, Signet, Popular Library, Pocketbook, Penguin, Pan, Lion, Fawcett Gold Medal, and so on, 1945 – Small Octavo. 100000 pages and more. Original, illustrated softcover. Very good+ condition with only minor signs of external wear. Price includes free courier shipment worldwide.

[Cullen, Stephen] Anonymus.

The Haunted Priory: or, The Fortunes of The House of Rayo. A Romance founded partly on historical Facts.

The Second Edition / [Original Edition – This is NOT a reprint]. London, Printed for J. Bell, 1794. Small Octavo. 256 pages. Hardcover / Modern half-leather with gilt lettering on spine and paper-covered boards. In bespoke made clamshell-box / solander-box. Beautifully restored and bound by a master bookbinder. Including the original endpapers and the original half-title. Front free endpaper and halftitle with dampstain to lower corner only. Dampstain in lower corner of the titlepage only faintly present. One of the rarest titles of Irish Literature and one of the rarest, early gothic-novels / horror-novels. Absolutely scarce and in excellent condition after the beautiful restoration.

[de Man, Paul] Durling, Robert M. / Rosiek, Jan / Weiss, T.[Theodore Russell Weiss] / Hughes, Langston / Levin, Harry.

Collection of five books from the library of Paul de Man and Pat de Man. Three of the books inscribed/signed by the author’s. The Collection includes: 1. Robert M. Durling – The Figure of the Poet in Renaissance Epic. [Inscribed by Durling: “For Paul de Man – with fond regards – Bob”] / 2. Jan Rosiek – Figures of Failure – Paul de Man’s Criticism 1953-1970 [Unsigned / Not inscribed] / 3. T. Weiss – The Catch – The Twayne Library of Modern Poetry [Inscribed by Weiss: “To Pat + Paul, for real friendship + a book of their own soon. Ted”] / 4. Edward J. Mullen – Langston Hughes in the Hispanic World and Haiti [Inscribed by Langston Hughes: “Ma cheri Pat, may this slight token of appreciation for your past (and hopefully) future, intellectual ministrations to your petit frère recall to you fond memories of your peregination. Love, Langston – Chritmas, 1979 (Late, as usual)”] / 5. Karry Levin – Grounds for Comparison [Unsigned / Not inscribed].

Cambridge (Mass.) / Aarhus / New York and others, Harvard University Press / Archon Books / Twayne Publishers / Aarhus University Press, 1951 – 1992. 8°. Volume I.: VIII, 280 pages / Volume II: 247 pages / Volume III: 77 pages / Volume IV: 193 pages / Volume V: 423 pages. Three Volumes in original Hardcover with original dustjacket in protective Mylar / One Volume in Softcover / One Volume in Hardcover. Very good condition. From the library of Paul de Man. Especially the Durling – Volume of interest. Inscribed by the author: “For Paul de Man with fond regards – Bob”.

[Defoe, Daniel].

Bibliographical account / Robinson Crusoe Collection / Robinson Crusoe Bibliography – Privately documented and bound collection of 576 different versions of Robinson Crusoe editions in 40 languages. Among them Gaelic, Hindi, Afrikaans, Arabic etc. etc. / The Life and Strange surprising Adventures of Robinson Crusoe.

Germany, c.1998. Folio. c. 580 pages. (Xeroxed coverpages with bibliographical accounts attached). Hardcover (half cloth). Very good condition with only minor signs of external wear. Minor dampstain to lower spine. This xerox compilation was done in preparation of selling a private collection in the 1990’s by a german antiquarian bookdealer. Very Rare, probably unique account / bibliography (we are not aware of more copies of this record).

[Duffy, Charles Gavan / Davis, Thomas] / Grattan Flood, W.H.

The Spirit of the Nation or, Ballads and Songs by The Writers of “The Nation” with Original and Ancient Music, arranged for the Voice and Pianoforte.

New Edition, with preface and Introduction by W.H.Grattan Flood. Dublin, James Duffy and Co., 1911. Quarto. XXII, 368 pages – including the often missing Corrigenda Leaf (Errata). Original, illustrated Hardcover. Beautifully illustrated clothbinding that has been recently professionally restored. All edges gilt. New endpapers. Besides a 6 cm smudged repair to the front board in excellent condition with only minor signs of external wear. A very rare and sought after publication.

Frost, Robert.

Aforesaid.

New York, Henry Holt, 1954. 8°. 114 pages. Modern Hardcover / Full green modern morocco masterbinding with gilt lettering and ornament on spine. First edition of this limited edition. One of only 650 copies issued [of which only 500 were for sale] in commemoration of the poet’s 80th birthday. Recently beautifully rebound in a modern design in full green Maroquin (Morocco), with gilt lettering on spine and signed by Robert Frost on the limitation page.

Frost, Robert.

The Letters of Robert Frost to Louis Untermeyer. With a Foreword and Postscript by Louis Untermeyer.

London, Jonathan Cape, 1964. 16 cm x 23.5 cm. 388 pages. Original Hardcover with dustjacket. Design and typography by Ernst Reichl. Besides some very minor staining to the edge in excellent condition with only minor signs of external wear. Inscription of previous owner to front-free endpaper.

Fry, Christopher.

Autographed Manuscript Dialogue from “Venus Observed” – One full – page manuscript, signed.

England, c. 1990. Octavo. 1 pages. Original Softcover. Very good condition with only minor signs of external wear.

[Gibbings, Robert] Andrews, Martin J.

The Life and Work of Robert Gibbings.

Bicester, Primrose Hill Press, 2003. 23cm x 29cm. XII, 426 pages with 396 illustrations. Original Hardcover with original dustjacket in protective Mylar. Excellent, close to new condition with only minor signs of wear. Stunning publication !

Giraud, Jean “Moebius” / Jodorowsky, Alexandro.

The Incal. Complete First Edition – set of Volume I / Volume II / Volume III.

All Volumes are First Titan Editions from September, October and November 1988. 3 Volumes (complete set). London, Titan Books, 1988. Octavo. Each Volume with c. 90 pages (Total of c. 270 pages). Original Softcover. Excellent condition with only minor signs of external shelfwear to the Volumes (corners and lower edges very slightly frayed) . All Volumes appear to be nearly unread. Very rare Collection !

Grabner, Sabine / Krapf, Michael.

Aufgeklärt bürgerlich. Porträts von Gainsborough bis Waldmüller 1750 – 1840. Eine Ausstellung der Österreichischen Galerie Belvedere vom 25.10.06 – 18.02.07; [… anläßlich der Ausstellung “Aufgeklärt Bürgerlich: Porträts von Gainsborough bis Waldmüller 1750 – 1840” …].

München, Hirmer, 2006. 322 Seiten. Zahlreiche Illustrationen. Original Hardcover / Illustrierter Pappband. Sehr guter Zustand mit nur geringen Gebrauchsspuren / Excellent condition with only minor signs of wear. [Wechselausstellung der Österreichischen Galerie Belvedere in Wien Bd. 289].

[Grandville] Böttger, Adolf.

Die Pilgerfahrt der Blumengeister [The Pilgrimage of the Fairy Spirits / “Les Fleurs animées”]. Mit 36 colorirten Bildern nach Grandville. Mit 36 colorirten Bildern nach Grandville / With 36 handcoloured pictures of flower fairies from his famous illustration cycle: “Les Fleurs animées”.

Zweite, umgearbeitete und verbesserte Auflage. Leipzig, Friedrich Fleischer, 1854. Octav. Handcoloriertes Frontispiece, (4), 296 Seiten mit 36 handkolorierten Stahlstichen. Moderner Meistereinband in rotem Maroquin mit vergoldetem Rueckentitel und feiner Ornamentik. Dreiseitig vergoldeter Schnitt. Das hier gezeigte Bild ist die tatsaechliche Ausgabe ! Exzellente Bindung. Die handkolorierten Tafeln in sehr guter Erhaltung. Das Buch wie immer etwas staerker stockfleckig ! Der Buchblock fest und sehr gut erhalten. Private Widmung des 19.Jahrhunderts auf dem Titelblatt.

Haacken, Frans. (1911 – 1979).

Totentanz / [Danse Macabre / Dance of Death – A cycle of nine original Woodcuts – A Danse Macabre] – Einige der Holzschnitte betitelt: Rex Tremendae Majestatis / Agnus Dei / Lux Perpetua / Domine Jesu / Lacrymosa / Dies Irae / Tuba.

Neun originale, signierte Holzschnitte / Holzschnittfolge von Haacken’s Handpresse mit Totentanz – Motiven. [Aachen], c.1950. Gerahmt: c. 28 cm x 35 cm. Holzschnitt: 16 cm x 22 cm. Alle Holzschnitte gerahmt. Sehr guter Zustand mit nur einigen kleineren Gebrauchsspuren an den Rahmen.

Hamsun, Knut.

La Faim. Traduit du Norvegien.

Première Édition originale française / [First French Edition of ‘Hunger’]. Paris, Albert Langen / Nilsson, 1895. Octavo. 322 pages. Reliure privée du 19ème siècle / Original private Hardcover with gilt lettering on spine. Bon etat / Very good condition with only minor signs of external wear.

[Hamsun, Knut] Hansen, Thorkild.

Processen mod Hamsun. [Signed by Thorkild Hansen]

3 Volumes (complete set). Denmark, Gyldendal, 1978. Large Octavo. 375, 157, 305 pages. Original Hardcover with illustrated dustjackets. The complete set in the original slipcase. Very good condition with only minor signs of external wear to the slipcase. Signed by Thorkild Hansen on the endpaper of the first Volume. The rare first edition of this groundbreaking biography of Norway’s most famous writer.

Heaney, Seamus.

Collection of signed books by Seamus Heaney (some in german, some bilingual, some in english only) / Sammlung signierter Buecher des irischen Poeten Seamus Heaney. Die Sammlung enthaelt: 1.Die Hagebuttenlaterne – The Haw Lantern – Gedichte (zweisprachig). Signiert. Dritte Auflage. Muenchen, DTV, 1996 / 2. Die Amsel von Glanmore – Gedichte 1965 – 2006. Signiert. Frankfurt, Fischer, 2011 / 3. The Rattle Bag – Edited by Seamus Heaney and Ted Hughes. Signiert von Seamus Heaney. 7th edition. London, faber and faber, c. 1990 / 4. The Nation’s Favourite Poems – Foreword by Griff Rhys Jones. Signiert von Seamus Heaney [signed at his poem ‘Blackberry-Picking’]. London, BBC Books, 2004 / 5. Cork Review 99 – including Seamus Heaney Poem ‘Screenplay’. Signed by Seamus Heaney. Cork, [1999]//

Frankfurt / Muenchen / Cork / London, faber and faber / DTV / Fischer etc., 1990 – 2004. Octavo. 109, 429, 498, 192, 59 Seiten. Softcover. Alle Ausgaben in sehr guter Erhaltung. Jede Ausgabe von Seamus Heaney signiert. / Very good condition with only minor signs of external wear. Each Volume signed by Seamus Heaney.

Hirschfeld, Albert (″Al”).

The American Theatre as seen by Hirschfeld.

First Ediiton. New York, George Braziller, 1961. Oblong-Quarto. [254 pages]. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition of the volume itself with only minor signs of wear. The rare dustjacket with very few minor tears and one small piece of the jacket (1 inch) missing). All illustrations in stunning condition. Beautiful publication.

[Homer] / Pope, Alexander [with William Broome and Elijah Fenton].

[Pope’s Homer] The Iliad of Homer / The Odyssey of Homer / [Stunning 18th century set of all 20 Volumes of Pope’s Works in their original, contemporary bindings with 26 full-page-engravings plus 1 large, folded Map of Greece, 1 large, folded illustration of the Battle of Troy, 1 folded illustration of Achilles Shield as well as 84 text-vignettes illustrating the Iliad and Odyssey / The engravings also include a frontispiece – portrait of Alexander Pope after a painting of Jean-Baptiste van Loo]. The set of Pope’s Homer is followed by “The Works of Pope – In Nine Volumes, Complete. With his last corrections, additions and Improvements: Together with the Commentary and Notes of his Editor”.

20 Volumes (complete set of Pope’s Homer and Pope’s Works). London, Charles Rivington / A.Millar and others, 1760 – 1766. Octavo (14 cm x 21 cm). Collation of Pope’s Homer and Pope’s Works follows here: Collation of Pope’s Homer: Volume One includes: an Essay on Homer by Pope, Book I and Book II of the Iliad with two Frontispiece – illustrations, CLI, 175 pages with five Text-Vignettes and one folded map of Greece [and “Phrygia” / Kingdom of Muska] / Volume Two includes: An Essay on Homer’s Battles, Book II – Book VII of the Iliad, 341 pages with five Text-Vignettes and with a stunning, folded map of Troy and the battlefield: “Troja cum Locis pertingentibus” / Volume Three includes: Book VIII to Book XII of the Iliad with ten Text-Vignettes on 304 pages / Volume Four includes: Book XIII to Book XVI of the Iliad with eight Text-Vignettes on 301 pages / Volume Five includes: Book XVII to Book XXI of the Iliad with ten Text-Vignettes and a stunning, folded engraving, showing the Shield of Achilles as described in Homer’s 18th Ilias, [added is a multi-page “Observation on the Shield of Achilles”], on 287 pages / Volume Six includes: Books XXII to Book XXIV of the Iliad with five Text-Vignettes, a two-page Epilogue for the Iliad by Alexander Pope [dated 1720], and “A Comparison between the Games of Homer and Virgil”, an “Index of Persons and Things”, “A Poetical Index to Homer’s Iliad”, an “Index of Arts and Sciences” with “a View of Homer’s Theology” [outlined in the Index are also Music, Geography, Physick, Military Art Astronomy, Architecture, Gymnastics, Agriculture and Rural Arts, Policy, Oratory etc.], on 212, [75], pages including the sectioning of Allegorical Fables in Homer, Allegorical and Fictitious Persons in Homer, The Marvellous or Supernatural Fictions in Homer, Characters of the Gods of Homer, as acting in the Physical or Moral capacities of those Deities [Jupiter, Juna, Apollo, Mars, Minerva, Venus, Neptune, Vulcan], Characters of the Heroes Achilles and Aeneas, Agamemnon, Ajax, Diomed, Hector, Idomeneus Menelaus, Nestor, Priam, Paris, Patroclus, Sarpedon, Ulysses and much more // Volume VII [being Volume One of The Odyssey]: Includes “A General View of the Epick [sic] Poem and of the Iliad and Odyssey, extracted from Bossu” and Book I to Book IV of the Odyssey with eight Text-Vignettes and some minor wormhole-damage decreasing from the titlepage to the end of the Volume, 240 pages / Volume VIII [being Volume Two of the Odyssey]: Includes Book V to Book IX of the Odyssey with nine Text-Vignettes on 272 pages / Volume IX [being Volume Three of the Odyssey]: Includes Book X to Book XIV of the Odyssey with nine Text-Vignettes on 316 pages / Volume X [being Volume Four of the Odyssey]: Includes Book XV to Book XIX of the Odyssey with eight Text-Vignettes on 277 pages with a faded dampstain to the core of the lower book-block / Volume XI [being Volume Five of the Odyssey]: Includes Book XX to Book XXIV of the Odyssey with an Epilogue [″Postscript”] by Alexander Pope, an Index to the Odyssey and an Addenda: “Homer’s Battle of the Frogs and Mice – by Mr.Archdeacon Parnel, corrected by Mr.Pope” with eight Text-Vignettes on 280, [20], 28 pages [one layer ever so slightly loosened, but still attached to the book-block// Collation of Pope’s Works: Volume I includes: Juvenile Poems / Pastorals etc. with Frontispice, Advertisement, Preface, [XLV], 288 pages with an additional two plates [Engravings for “Windsor Forest” and “The Rape of the Lock”] Faded dampstain to the illustration for “The Rape of the Lock” / Volume II includes: Pope’s Translations and Imitations, 272 pages with four plates, illustrating “Eloisa to Abelard”, “The Temple of Fame”, “January and May”, “The Wife of Bath” / Volume III includes: Moral Essays, Essays on Man and Essay on Satire, 362 pages, illustrated with eight plates of which one is detached and loosely inserted in its dedicated space verso page 203 / Volume IV includes: Satires and Epistles of Horace imitated, Satires of Dr.John Donne, etc., 336 pages, illustrated with three plates / Volume V includes the Dunciad in Four Books with a Frontispiece and five additional engravings (of which one engraving only covers half a page), 345 pages plus 14 pages of an Index / Volume VI includes Pope’s Miscellaneous Pieces in Verse and Prose, [including his Prefaces to Homer and Shakespeare], with 407 pages and one engraving faded dampstain to lower bookblock) / Volume VII includes the first Volume of Alexander Pope’s Letters, XXXII, 367 pages / Volume VIII includes the second Volume of Alexander Pope’s Letters, XI, 280 pages / Volume IX includes the third [and last] Volume of Alexander Pope’s Letters [including the 88 (!) letters to and from Jonathan Swift] XV, 372 pages //. Original Hardcover / 18th century full calf with gilt lettering and ornament on spine. Condition of the eleven Volumes of Pope’s Homer: An original set of all eleven volumes of Homer with their original patina, unaltered in 18th-century-condition and with very few Volumes with minor damage to the spines and some of the leather slightly rubbed and minimally loosened from the boards. Minor, faded dampstain to one Volume and decreasing wormhole-damage to one other Volume. All Volumes firm with one layer inside the Odyssey ever so slightly loosened. All illustrations, maps, folded engravings and allegorical Text-Vignettes within Pope’s Homer present and in excellent condition. Very good condition with only minor signs of external wear. / Condition of the additional set of nine Volumes of Pope’s works: Overall very good with all Volumes firm but two Volumes with some minor damage to the spines (Volumes I and IV). Occasionally some dampstaining in three of the nine Volumes but overall this nine volume-set of Poepe’s works is in still very good- condition with some pages being a little dusty and only one of the 24 engravings/ illustrations detached and loosely inserted. One of the rare opportunities to buy Alexander Pope’s Homer and collected works in an entire, original 18th century private library-set. From the collection of Daniel Conner, with his Exlibris / Bookplate to the pastedown //

Hsingyuan, Tsao / Naizheng, Zhu.

Transforming Pictures – A contemporary (Re)presenting of Traditional Thoughts. [Including the essays: A Hundred Years of Oil Painting in China / Understanding and Transforming of Being / Transforming Things into Mindimage / Meaning Beyond Image / Visualizing the Poetic Statement / Transforming Oil Painting(s) / With Transcriptions from the Preparation Workshop / Remarks on Translation].

Bilingual Edition in English / Chinese. Beijing, Foreign Language Press, 2009. Quarto (25.5 cm x 29 cm). 250 pages with illustrations throughout the book. Original Softcover. Excellent, close to new condition with only minor signs of external wear. From the library of philosopher Graham Parkes.

[Inanna / Ishtar] De Shong Meador, Betty / Grahn, Judy.

Inanna, Lady of Largest Heart : Poems of the Sumerian High Priestess.

Austin, University of Texas Press, 2001. Octavo. 225 pages. Original, illustrated Softcover. New / Excellent condition.

[Inanna / Ishtar] Wolkstein, Diana / Kramer, Samuel Noah.

Inanna, Queen of Heaven and Earth – Her Stories and Hymns from Sumer.

Harper Perennial, 1983. Octavo. 256 pages. Original, illustrated softcover. New / Excellent condition.

[John Minihan Collection] – [Heaney, Seamus] Minihan, John.

First Day Cover of the commemorative stamp for Seamus Heaney. Signed by irish photographer John Minihan, whose portrait of Heaney was used for the stamp. The first day cover is illustrated with a quote from Heaney’s “Bogland”: “We have no prairies – To slice a big sun at evening – Everywhere the eye concedes to – Encroaching horizon…”

Dublin, Anpost, 2014. 19 cm x 13 cm. 1 page. Original Softcover. Excellent condition. Signed and dated by John Minihan on August 28th, 2014.

[Jones, David] Blamires, David.

David Jones: Artist and Writer.

Second Edition. Manchester, Manchester University Press, 1971. Octavo. 220 pages. Illustrated with six plates: 1. The Chester Play of the Deluge / 2. The Rime of the Ancient Mariner / 3. Portraits of a Boy / 4. The Terrace / 5. Thorn Cup / 6. Vexilla Regis. Original Softcover. Excellent condition with only minor signs of external wear.

[Kandinsky, Wassily] Weiss, Peg.

Kandinsky in Munich – The Formative Jugendstil Years [The Formative Art Nouveau Years].

Princeton, Princeton University Press, 1985. 8°. XXI, 268 pages text and 156 illustrations on plates. Original Softcover. Excellent condition with only minor signs of external wear.

Kirk, Malcolm / Strathern, Andrew.

Man as Art – New Guinea. [With an essay by Andrew Strathern: “Dress, Decoration and Art in New Guinea”]. Photographs by Malcolm Kirk.

San Francisco, Chronicle Books, 1993. Quarto. 144 pages with photographs throughout the whole book. Original Softcover. Very good condition with only minor signs of external wear. Private giftinscription !

Lawrence, D. H.

St.Mawr – Mockup – This is not the book but a unique Furniture Drawer (Toolbox) made by a D.H.Lawrence enthusiast. The Drawer was made in bookform and has the St.Mawr Emblemata on the cover and the title on the spine. Excellent craftsmanship. Leather covered board.

no place, c. 1930. Folio. Original Hardcover with leather covered boards. Hard to qualify this exceptional piece as Ephemera, but that is what it is. Very good condition with only minor signs of external wear. Dimensions are 45,5cm (high), 34cm (wide), 13cm (thick).

Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive information like “Sold to:…..” / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

Liszt, Franz. (Hungarian composer, Pianist, Conductor 1811 – 1886).

Original, signed photograph of famous composer Franz Liszt, in a suit with pocket watch and chain, signed by the Hungarian musician in black ink on lower mount.

Cabinet-Photograph / Carte-de-visite photograph. Brussels, J.Ganz, c.1880. 6,3 cm x 10,3 cm. Excellent condition. Very rare, signed by the elderly Liszt. Signed portraits by Liszt, one of the greatest composers of the Romantic Era, are of great rarity.

Mackenzie, Compton / Stone, Christopher.

The Gramophone / Collection of c.785 Issues of the influential classical music magazine from October 1935 – December 2002 including several Index – Volumes and special issues. This being one of the largest known, nearly complete runs of this magazine with some Issues missing here and there only. [From the George Hitching Music Collection]

England, 1935 – 2003. Octavo. More than 20000 pages of secret classical music knowledge. Original Softcovers. Very good condition with only minor signs of external wear and some of the early volumes with some fraying only. The price includes an upgrade to worldwide free shipping of the collection per UPS or DHL Express Courier.

[Manzur, David] Roberto Burgos Cantor / Fernando Cruz Kronfly / Jaime Duarte French / Gonzalo Hernández Alba / Bernardo Hoyos / Gonzalo Mallarino / Jorge Orlando Melo / Pilar Moreno de Ángel / R.H. Moreno-Durán / Laura Restrepo / Daniel Samper Pizano / Luis Zalamea.

Del Amor y del Fuego. Obra exclusivamente realizada para la presente edición por el maestro David Manzur.

Colombia, Tercer Mundo Editores, 1991. 4°. 270 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, close to new condition. Very Rare !

Martin, Benjamin.

Lingua Britannica Reformata: Or, A New Universal English Dictionary, under the following Titles, VIZ. I. Universal / II. Etymological / III. Orthographical / IV. Orthoepical / V. Diacritical / VI. Philological / VII. Mathematical / VIII. Philosophical.

The Second Edition, greatly improved and augmented. London / Bath / Salisbury, Printed for C.Hitch and L. Hawes, J.Hodges et. al. / W. Frederick / B. Collins, 1754. Octavo. Titlepage, XIII pages preface plus 724 unnumbered pages and 4 plates with mathematical and astronomical figures to the rear (collation complete). Hardcover / Professionally rebacked full leather by an english masterbinder. Gilt lettering on spine. Original endpapers preserved. Very good and firm condition with only minor signs of external wear. Name of 19th century preowner “Robert Osman’s book 1844” on endpaper. Text with only very occasional and minor staining. A wonderful example of this extremely scarce second edition of Martin’s english dictionary, published one year prior to Samuel Johnson’s dictionary.

McCulloch, Susan.

Contemporary Aboriginal Art – A guide to the rebirth of an ancient culture.

Australia, Allen & Unwin, 2001. 18.5 cm x 26 cm. 247 pages. Lavishly illustrated with colour plates throughout. Original, illustrated Softcover. Very good condition with only minor signs of external wear.

Mendelssohn Bartholdy / Jakob Ludwig Felix.

Collection / Sammelband of original, printed scores. The Volume contains the following scores: I. “Symphony No. 3” – Composed and Dedicated by Permission to her most gracious Majesty Queen Victoria, by Felix Mendelssohn Bartholdy, arranged as a Piano Forte Duett, by the author. Op. 56 (67 pages) London, Published by J.J.Ewer & Co., [c. 1860] / II. “Overture to Melusine”. Arranged for Piano Forte, composed by Felix Mendelssohn Bartholdy. Op. 32 (17 pages) London, Cramer, Addison & Beale, [c. 1839] / III. “Caprice”, for the Piano Forte, composed by Felix Mendelssohn Bartholdy. (15 pages) London, Cramer, Addison and Beale, [c. 1840] / IV. “Fantasia” on a Favourite Irish Melody for the Piano Forte. Composed by F. Mendelssohn Bartholdy (Op. 15) – 8 pages, London, Cramer, Addison & Beale, [c. 1840] / V. “Two Musical Sketches” for the Piano Forte. Composed by F. Mendelssohn Bartholdy. 7 pages – London, Cramer, Addison & Beale, [c. 1840] / VI. “Capriccio for the Piano Forte. Composed & Dedicated to Miss Honoria Taylor. By F. Mendelssohn Bartholdy (Op. 16) No. 2; 4 pages – London, Cramer, Addison & Beale, [c. 1840] / VII. “The Rivulet” Rondino for the Piano Forte. Composed and Dedicated to Miss Susan Taylor, by F. Mendelssohn Bartholdy (Op. 16) – No. 3; 4 pages – London, Cramer, Addison & Beale, [c.1840] / VIII. “Twenty-Seven Melodies” by Felix Mendelssohn Bartholdy, arranged for the Piano – Forte from his Ops. 8 and 9. In Four Books:– Book I, II, III and IV (13, 13, 13, 13 pages) – London, Ewer & Co., [c. 1840] All the four books have separate titlepages / IX. “Six two-part Songs, for Female Voices with Accompaniments of the Piano – Forte, composed by Felix Mendelssohn Bartholdy (Op. 63) – 29 pages; London, J.J.Ewer * Co., [c. 1840] / X. “The Garland”, by Thomas Moore Esq. Set to Music by Felix Mendelssohn Bartholdy. 5 pages; London, J.J.Ewer & Co., [c. 1840] //

London, Ewer / Addison / Beale and others, [c.1840 – 1863]. Folio. c 180 pages. Modern Hardcover, beautiful half morocco with gilt lettering on spine and marbled paper covered boards. Original Softcover, engraved scores bound in. Very good condition with only minor signs of external wear. Only three of the scores with some tears, one with a dampstain ! Overall an extremely attractive compilation of Mendelssohn’s work in a recent mster-binding. Highly collectable and a beautiful gift ! Ask for multiple images.

[Mielziner, Joseph “Jo”] Henderson, Mary C.

Mielziner – Master of Modern Stage Design. Foreword by Frank Rich.

New York, Back Stage Books, 2001. Oblong-Quarto. 320 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear. Rare Out-of-Print-title !

[Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

Montemayor, Jorge de.

Los Siete Libros de la Diana de George de Montemajor. Où sous le nom de Bergers & Bergeres sont compris les amours des plus signalez d’Espagne. Traduicts [sic] d’Espagnol en François, & conferez és deux langues. P.S.G.P. [édition bilingue française and castellane de ‘Diana’ de Jorge de Montemajor].

[Bilingual French-Castellan / Edição bilingue castelhano-francês]. Paris, De l’imprimerie d’Anthoine du Brueil, 1613. Small Octavo. Collated complete: Engraved titlepage, [6], 347, [21] pages. [Pagecount of 347 is incorrect and should be “694”, because only every second page is imprinted with progressing numeration]. Beautiful, recent Hardcover / Modern half-leather with gilt lettering on spine and marbled, paper-covered boards. New endpapers. Bookblock and interior in very good and firm condition. Faded dampstain to some of the text only. Very rare and important renaissance-publication.