851. [John Minihan Collection] – [Minihan, John].

“John Minihan’s Beckett Photographs” [in: Magazine “Ireland of the Welcomes” / SIGNED by John Minihan].

2001. Quarto. Fantastic 8-page article with beautifully reproduced colour-photographs of a happy Samuel Beckett. Softcover. From the personal library of John Minihan !

852. [Minihan, John / Mahon, Derek].

“Resistance Days” A Book of Poetry with the printed dedication by Derek Mahon “For John Minihan” [No. 157 of 175 numbered and signed copies / Signed by poet Derek Mahon / Signed by Artist & Illustrator Michael Kane / Signed twice by John Minihan (once under the dedication and once with poet and artist in the colophon)].

Oldcastle, The Gallery Press, 2001. Octavo. 16 pages. Softcover / Stitched binding. Excellent condition.

853. [John Minihan Collection] – [Minihan, John / Beckett, Samuel].

“Samuel Beckett – A Celebration” – Wonderful piece of Ephemera / Printed Program for the Special Collections Department of the university of Delaware, using photographs of John Minihan to exhibit and celebrate first editions of Beckett’s “Waiting for Godot” etc. [Signed by John Minihan].

University of Delaware Library, 2003. 8°. 6 pages. Softcover. Signed by John Minihan. From the personal library of John Minihan !

854. [John Minihan Collection] – [Minihan, John / Beckett, Samuel].

“Samuel Beckett – A Celebration” – Wonderful piece of Ephemera / Printed Program for the Special Collections Department of the university of Delaware, using photographs of John Minihan to exhibit and celebrate first editions of Beckett’s “Waiting for Godot” etc. [Signed by John Minihan].

University of Delaware Library, 2003. 8°. 6 pages. Softcover. Signed by John Minihan. From the personal library of John Minihan !

855. [John Minihan Collection] – [Minihan, John].

Bacon – Beckett – Burroughs [Signed and inscribed by John Minihan in the year 2000].

London, The October Gallery, 1990. Small Quarto (20.2 cm wide x 20.2 cm high). 32 pages. Illustrated with Minihan’s photographs throughout. Original Softcover. SIGNED by John Minihan. Loosely inserted is also the Advertising – Leaf by Olympus for this publication.

856. [John Minihan Collection] – [Minihan, John] Loewenstein, F.E.

Bernard Shaw through the Camera. 238 photographs, including many taken by Mr.Shaw, selected and introduced by his Bibliographer and Remembrancer F.E. Loewenstein.

London, B. & H. White, 1948. Octavo. 128 pages with photographs throughout. Original Hardcover (blue cloth). Very good condition with only minor signs of external wear (some stains to binding) and few stains to some pages only. From the library of irish photographer John Minihan.

857. [John Minihan Collection] – [Minihan, John] Heaney, Seamus / Nash, Graham / Jimi Hendrix / Samuel Beckett / Christie’s / Sotheby’s etc.

Stunning collection of more than 100 items of Books and Extra-Large [XXL] signed vintage photographs from John Minihan’s personal library and collection [Samuel Beckett (several Beckett – Photographs, Francis Bacon, Seamus Heaney, Jimi Hendix, Michael Longley, President Michael D. Higgins, etc.]. [See full list with images and description on our website under the section “LIBRARIES & COLLECTIONS”]. The collection holds signed books, unsigned books, inscribed books, reference-works (catalogues etc.) on old cameras and photographic equipment as well as signed original photographs from the personal library of irish photographer John Minihan. Full details under “Libraries & Collections” on our website. The collection also includes a signed original essay on Francis Bacon, an original self-portrait of Minihan in form of a reflection-photograph during his visit to Argentina, a stunning self-portrait of Minihan, taken shortly after he took the iconic photograph of Samuel Beckett in the Cafe in Paris, a signed Seamus Heaney – First Day-Cover, signed and inscribed books, a signed book with printed Beckett – Images, a signed original Vinyl with an early photographic cover-image by Minihan (Michael Mannion), more than 30 reference works which inspired John Minihan / catalogues / publications on the History and Technology of Photography, publications on the value and evaluation of photographs and rare auction records on vintage and rare photographs of the19th and 20th century, etc.

New York / London / Dublin / Ballydehob (West Cork) / Skibbereen (West Cork), Christie’s / Sotheby’s / etc., 1977 – 2022. Octavo / Quarto etc. More than 4500 pages with photographic records, descriptions and illustrations, framed photographs, signed books. Original Softcover and Hardcover – publications. Very good condition with only minor signs of external wear. The price includes an upgrade to worldwide free shipping of the collection per UPS Express Courier.

858. [John Minihan Collection] – [Minihan, John / Bacon, Francis].

Francis Bacon: Face-Peeler. – Five (5) – page-essay by John Minihan [SIGNED].

8°. Original printed essay. Stapled. Signed by John Minihan. Very rare essay on Francis Bacon by his friend, irish photographer John Minihan. From the personal library of John Minihan !

859. [John Minihan Collection] – [Minihan, John] Bacon, Francis.

Invitation card to John Minihan’s “In Retrospect” – Exhibition, 11th of September 2009 / Waterford [Signed Francis Bacon Image – Postcard by John Minihan].

Waterford, Greyfriars Gallery / Waterford Fringe fetsival, 2009. Oblong Octavo (21 cm wide x 14.8 cm high). 1 page. Softcover. SIGNED by John Minihan.

860. [John Minihan Collection] – [Minihan, John].

Literary Lives – Portraits from the Crawford Art Gallery and Abbey Theatre, Ireland [With John Minihan’s iconic photograph of Samuel Beckett on page 70 / Signed and inscribed by John Minihan]

Cork, Crawford Gallery, 2010. Quarto. 95 pages. Illustrated with stunning images of irish literary figures. Original, illustrated Softcover. Excellent condition. SIGNED and Inscribed by John Minihan on the titlepage.

861. [John Minihan Collection] – [Minihan, John] Mannion, Michael B.

Michael B. Mannion – The Bard of Kensington – Vintage Vinyl with an early cover – photograph of Mannion by John Minihan. Including John Minihan’s signature and brief titleing of the Record.

London, Tuba Press, 1982. Original Vinyl with original Vinyl in protective sleeve. Some signs of wear but overall in very good condition. SIGNED by John Minihan.

862. [John Minihan Collection] – [Minihan, John] McDonnell, Kevin.

Newspaper-clipping of a very early article about “John Minihan – Poet and Photographer”. Signed and dated by John.

c.1971. A4. 3 pages. Softcover. SIGNED by John Minihan.

863. [John Minihan Collection] – [Minihan, John].

Photographs of John Minihan at Auction in 1994 [Original Catalogue of Phillips, London, September 1994 – showing Minihan’s Photograph of Beckett on the cover and two more on pages 41 and 42 inside].

Cork, Crawford Gallery, 2010. Quarto. 95 pages. Illustrated with stunning images of irish literary figures. Original, illustrated Softcover. Excellent condition. With notation of auction results by John Minihan, next to the catalogue-entry. From the personal library of John Minihan.

864. [John Minihan Collection] – [Minihan, John] Mackay Brown, George.

Signed Birthday-Xerox-Poem, dedicated by George Mackay Brown to John Minihan on March 15th 1996: “John Minihan aetat 50 – 15 March 1996” [Signed by John Minihan].

1996. 8°. 1 page. Signed by John Minihan. From the personal library of John Minihan !

865. [John Minihan Collection] – [Minihan, John].

Suite of six (6) signed Proofs for a John Mimihan Publication. Each page signed beneath a bilingual poem (Gaeilge – English).

c.2005. 6 pages. Softcover. SIGNED by John Minihan.

866. [Minihan, John].

The London Magazine – A Review of Literature and the Arts. December / January 2003 [Including: John Minihan – Six photographs” – Photographs of Desmond O’Grady / William Trevor / William Burroughs / John Betjeman / Allen Ginsberg & Hugh MacDiarmid / Samuel Beckett].

8°. 127 pages. Original Softcover. Excellent condition. From the library of irish photographer John Minihan this is Johns reference – copy.

867. [Minihan, John].

Vintage Photographe of Venice by irish Photographer John Minihan.

Venice, 2007. (20.3 cm wide x 25.2 cm high). 1 page. On vintage archival paper. Excellent condition. Signed and dated with copyright-stamp by John Minihan verso.

868. [Mirabeau, Honoré Gabriel Riqueti, Count of] Pipitz, Franz Ernst.

Mirabeau – Eine Lebensgeschichte.

2 Bände in einem Band. Leipzig, F.A.Brockhaus, 1850. 8°. X, 315, 302 Seiten. Originaler Ganzleinenband mit vergoldetem Rückentitel. Sehr guter Zustand mit nur geringen äußerlichen Gebrauchsspuren. Oberes und unteres Kapital etwas bestossen. Breitrandiges, unbeschnittenes Exemplar (Seiten sind aufgeschnitten). Sehr gutes Papier ! KEINE Anstreichungen.

869. [Miró, Joan] Kennedy Graphics Inc.

Kennedy Graphics / Catalogue No. 3.

New York, Kennedy Graphics, 1972. 28 cm x 21,5 cm. 23 pages. With 20 full color plates. Original Softcover. Very good condition with only minor signs of external wear.

870. [Mirror Club, The] / Henry Mackenzie / William Craig / Alexander Abercromby / Alexander Fraser Tytler.

The Mirror – A Periodical Paper, Published at Edinburgh in the Years 1779 and 1780 [″Veluti in Specula”].

Fourth Edition overall [First Dublin Edition]. In Two Volumes (complete set). Dublin, Printed by T.Henshall for T.Walker, 1782. Small Octavo (10 cm x 18 cm). VI, 288, VIII, 288 pages. Hardcover / Original 18th century leather with new spinelabels, made to style. Both Volumes now in protective Mylar. Some minor wormhole-damage to the last 20 pages of Volume Two.Minor lesions to some pages only. Faded dampstain to both Volumes. Still, both Volumes firm and complete. Important scottish enlightenment publication. From the library of one “John Courtenay”, with his name in ink on the titlepages of both Volumes. This is possibly John Courtenay (22 August 1738 – 24 March 1816), who was an Irish officer in the British Army, later becing a politician in England. He was a Whig member of Parliament (MP) at Westminster from 1780 to 1807, and again in 1812. (Wikipedia)

871. [Mises, Ludwig von] Muthesius, Volkmar.

Geld und Geist. Kulturhistorische und wirtschaftspolitische Aufsätze. [Signiert / Widmungsexemplarvon Muthesius an Ludwig von Mises].]

Frankfurt, Fritz Knapp Verlag, 1961. 21.2cm x 13.5cm. 180 Seiten. Originales Leinen mit Schutzumschlag. Aus der Bibliothek des bedeutenden Philosophen Ludwig von Mises. Mit handschriftlicher Widmung von Muthesius an von Mises. Der Band selbst in sehr gutem Zustand. Der Schutzumschlag mit Gebrauchsspuren. / Beautifullly inscribed in near fine publisher’s cloth and dust-jacket. Inscribed by Muthesius in German to Prof. Dr. L. von Mises: “Fuer Herrn Prof. Dr. L. von Mises in steter Verehrung und Dankbarkeit !– V. Muthesius”.

872. [Moddel, Paula & Philip] Mikes, George.

Milk and Honey – Israel explored. Nicolas Bentley drew the pictures.

London and new York, Wingate, c.1950. 12.5 cm x 19 cm. 159 (1) pages. Original Hardcover. Excellent condition with only minor signs of external wear. Slight discolouration on spine. Inscribed on front endpaper by preowner. From the library of Paula & Philip Moddel.

873. [Monaghan] Brindley, Anna L.

Archaeological Inventory of County Monaghan. Compiled by Anna L. Brindley.

Dublin, Published by the Stationery Office, 1986. Folio (22 cm x 31 cm). X, 131 pages with diagrams and illustrations. Original Hardcover with dustjacket in protective collector’s mylar. Excellent, as new condition with only minor signs of external wear.

874. [Monahan, Philip] Quinlivan, Aodh.

Philip Monahan – A man apart : the life and times of Ireland’s first local authority manager.

Dublin, Institute of Public Administration, 2006. 22 cm. x, 275 pages with 7 pages of plates. Softcover. Excellent condition with only minor signs of external wear. Inscribed and signed by the author ! Very Rare !

875. [Mondriaan, Piet] Friedman, Mildred (Editor).

De Stijl 1917-1931. Stedelijk Museum Amsterdam. Rijksmuseum Kröller-Müller Otterlo.

Amsterdam, Meulenhoff / Landshoff, 1982. 28 cm x 23 cm. 254 pagina’s / pages. Met talrijke illustraties in kleur en zwart-wit / With many black-and-white and colour illustrations throughout the book. Original Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar / Very good condition with only minor signs of external wear.

876. [Monet, Claude] Geelhaar, Christian.

Claude Monet: Nympheas. Impression Vision.

Zürich, SV International, 1986. 28cm x 23.5cm. 181 pages. Original Softcover (Paperback). Very good condition with only minor signs of wear. German Edition / Deutsche Ausgabe.

877. [Money, Keith] / [Secretariat (Horse)] / [Mill Reef – (Horse)] / [Brigadier Gerard (Horse)].

Equestrian Art and Racing Memorabilia at Park Paddocks, Newmarket – Friday, 5 May 1989. [With Paintings listed of “Secretariat”, “Mill Reef” and “Brigadier Gerard” by eminent Ballet-Photographer and Equestrian Painter, Keith Money.

London / Newmarket, Christie’s, 1989. Quarto. 124 pages plus Index. Illustrated Softcover. Some pages loosened. Otherwise in very good condition with only minor signs of wear. From the private library of Keith Money with name of a relative on endpaper (D.A.Money).

878. [John Montague Collection] – [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.″

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

879. [Moore, George] Gerber, Helmut E.

George Moore On Parnassus – Letters (1900-1933) to Secretaries, Publishers, Printers, Agents, Literati, Friends, and Acquaintances. Edited, with notes and critical-biographical commentary.

Newark, University of Delaware Press, 1988. Octavo (16 cm wide x 23.5 cm). 896 pages. Original Hardcover with original dustjacket. The dustjacket in poor condition. The Volume itself in very good condition with only minor signs of wear.

880. [Moore, Henry] Ullrich, Ferdinand / Schwalm, Hans-Jürgen (Redaktion).

Henry Moore.

Köln, Wienand, 1999. 23,5 cm x 30,5 cm. 240 seiten. Mit original zeichnungen und photographischen aufnahmen. Original Hardcover. In presentation slipcase. Aus der Bibliothek des niederländischen Modedesigners Frans Molenaar. Sehr guter Zustand mit nur geringen Gebrauchsspuren.

881. [Moore, Henrey] Lingen, Charlotte van (Editor).

Henry Moore. Sculptuur en architectuur.

Arnhem, Terra Lannoo, 2006. 27 cm x 23 cm. 125 pagina’s / pages. Met talrijke illustraties in kleur en zwart-wit / With many black-and-white and colour illustrations throughout the book. Original Softcover. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

882. [Moore, Leonard] Rolfe, Frederick Baron Corvo.

Letters to Leonard Moore. Edited and with an Introduction by Cecil Woolf and Rabbi Bertram W. Korn and Epilogue by Leonard Moore.

First edition / Limited Edition: One of only 290 copies. London, Nicholas Vane, 1960. 16 x 24 cm. 76 pages. Hardcover / Original cloth. Excellent, near Fine condition of a very rare book. [The Centenary Edition of the Letters of Frederick William Rolfe: II].

883. [More, Sir Thomas / Thomas Morus] Rowse, A.L. (Edited)

A Man Of Singular Virtue. Being A Life of Sir Thomas More by his Son-In-Law William Roper and a Selection of More’s Letters.

London, The Folio Society, 1980. 17 cm x 25 cm. 128 pages with illustrations. Original hardcover. Very good condition with only very minor signs of external wear.

884. [More, Hannah] & [Sherwood, Mary Martha] / [Society for Promoting Christian Knowledge].

Sammelband / Collection with 18 rare Children’s Books bound in One Miniature Volume. The Volume includes [chronologically]: 1. Hannah More – “The Lancashire Collier Girl – A True Story”. London, 1847. (29 pages with Frontispice and three text-illustrations) / 2. “The Obedient Child” – Luke II.40-52 (Prayer in Poetry-Form) / 16 pages. No Titlepage. No year of Printing / 3. “Martha Brown; or, The Industrious Daughter”. London, 1847. (16 pages with Frontispice) / 4. “The Deaf and Dumb Girl”. London, 1847. (16 pages with Frontispice) / 5. “The Effects of Disobedience”. London, 1847. (16 pages with Frontispice) / 6. “The Baker’s Boy”. London, 1847. (15 pages with Frontispice) / 7. “Dick and his Mother”. London, 1847. (16 pages with Frontispice) / 8. “The Sun behind the Cloud”. 8 pages (text complete but without titlepage and year) / 9. “The Cockchafers”. 8 pages. (Text complete with Text-illustration but without titlepage and year) / 10. “The Blind Sailor”. 8 pages. (Text complete with Text-illustration but without titlepage and year) / 11. “Good-Nature Rewarded”. London, 1847. (16 pages with Frontispice) / 12. “Robin Red-Breast”. 8 pages. (Text complete with Text-illustration but without titlepage and year) / 13. Mrs. Sherwood [That is: “Mary Martha Sherwood”] – “Soffrona and her Cat Muff”. New Edition. London, Printed for Houlston and Co., 1850 – Bound with the two beautiful printed wrappers and including the Frontispice and six text-illustrations / 14. [Hannah More] – “The Ostrich”. London, 1845. (16 pages with Frontispice-Illustration of an Ostrich and an additional text-illustration of a running Ostrich) / 15. “Effects of the Love of Finery; or. The Two Servant Girls”. London, 1847. (16 pages with Frontispice) / 16. “The Cottage on the Cliffs”. London, 1847. (16 pages with Frontispice) / 17. “The History of Tom White The Postilion”. In Two Parts. New edition. London, no year [c.1847]. Complete in two Parts. 80 pages with Frontispice and 14 Text-Illustrations. Minor staining to edge. Two pages with a minor tear. / 18. “The Barbary Doves”. London, [no year, c.1847]. 31 pages with Frontispice. Minor staining to edge.

London, Published for Promoting Christian Knowledge, 1847. Miniature Binding: 7.5 cm wide x 10 cm high. Hardcover / 19th century half-leather with gilt lettering on spine [″Stories”] and marbled-paper-covered boards. Binding firm. Bottom Spine with minor damage. Page 17 repaired. Receding Ink-stain to endpapers, Frontispice and first 29 pages. Interior otherwise very good. Very rare collection of moralizing 19th century children’s stories.

885. [Morgan, Charles] Duffin, Henry Charles.

The Novels and Plays of Charles Morgan.

London, Bowes & Bowes, 1959. Octavo. 221 pages. Original Hardcover with original, price-clipped dustjacket. Very good condition with only minor signs of external wear. The dustjacket with some fraying in protective Mylar.

886. [Morisot, Berthe] Mongan, Elizabeth.

Berthe Morisot. Drawings / Pastels / Watercolors.

New York, Shorewood Publishing Co., Inc., 1960. 28 cm x 22 cm. 35 pages. With many black-and-white and colour illustrations throughout the book. Original Softcover. Very good condition with only minor signs of external wear.

887. [Moses, Robert] Caro, Robert A.

The Power Broker – Robert Moses and the Fall of New York.

New York and Toronto, Random House, 1974. 15.5 cm x 23 cm 1246, XXXIV pages. With index. With many photographs and several maps. Original softcover. Excellent condition with only very minor signs of external wear. Inscription by preowner. Otherwise clean inside with solid binding.

888. [Mozart, Wolfgang Amadeus] King, A. Hyatt.

Mozart Chamber Music.

London, BBC Publications, 1968. 8°. 68 pages. Original Softcover. Very good condition with only minor signs of external wear.

889. [MS Estonia].

Original Advertising Pamphlet for the Motor Ship “Estonia” Paqueboat [Sister-Ship to the M.S.LITVA] / [Not to be mixed-up with the Estonia Car Ferry !!!]

Bilingual Prospect in English – French. Wismar, Mathias-Thesen-Werft [Morflot], no year [c.1960]. Quarto (20.9 cm wide x 22.9 cm High). 12 pages in colour. Original Softcover (Stapled). Very good condition with only minor signs of wear. Extremely Rare Prospect advertising the Voyages of the “Estonia” and its many travels to Asian and African Countries.

890. [Muhammad Ali] Remnick, David.

King of the World: Muhammad Ali and the Rise of an American Hero.

London, Picador, 1999. 16 x 24cm. (17), 326 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition.

891. [Muir, Richard / Hobhouse, Penelope and others / The Sunday Times].

The Making of the English Garden.

London, Macmillan, 1988. 23.5 cm x 29 cm. 224 pages. Hundreds of colour illustrations, drawings and photographs throughout. Original Hardcover with illustrated dustjacket in protective collector’s Mylar. Very good+ condition with only minor signs of external wear.

892. [Müller, Max] Ruiz-Pesce, Ramón Eduardo.

Metaphysik als Metahistorik oder Hermeneutik des unreinen Denkens. Die Philosophie Max Müllers.

Freiburg (Breisgau)/München, Alber, 1987. 8°. 329 Seiten. Softcover / Broschiert. Sehr guter Zustand. KEINE Anstreichungen. [Symposion ; 79].

893. [Mumford, Lewis] Newman, Elmer S.

Lewis Mumford: A Bibliography 1914 – 1970. With an Introduction by Lewis Mumford.

First Edition. New York, Harcourt Brace Jovanovich, 1971. Octavo. XXIII, 167 pages. Original Hardcover with original dustjacket in protective collector’s mylar. The dustjacket design by James and Ruth McCrea. The rear jacket-flap shows a photograph of Lewis Mumford’s desk by Jonas Goodman. Excellent, FINE condition.

894. [Munch, Edvard]. Wood, Mara-Helen.

Munch and the Workers.

Newcastle, Polytechnic Gallery, 1984. 21 cm x 23.5 cm. 93 pages. Original Softcover. Excellent condition with only very minor signs of external wear.

895. [Murray Smith, T.] Wykes, Alan.

Nimrod Smith – A Profile of T. Murray Smith, M.C. Professional Big Game Hunter. [Signed / Inscribed] Illustrated.

London, Hamish Hamilton, 1961. 14.3 cm x 22 cm. Frontispiece, XI, 207 pages. 11 illustrations (black-and-white photographs). Hardcover [publisher’s original green cloth] with gilt lettering on spine. Very good condition with only minor signs of external wear. Interior bright and clean and sharp cornered. Signed and inscribed by Big Game Hunter T. Murray Smith: “Tom Johnson, Wishing you good Hunting – T. Murray Smith – June 1961”. Including Erratum note, identifying Smith as photographer of nearly all included images. Signed copies by Old-Time Professional Hunter T. Murray Smith are extremely scarce !

896. [Murray, Peter / Brooke, Peter / Kissane, Sean / Kennedy, Roisin / Coulter, Riann / Hall, Dickon / Crawford Art Gallery].

Analysing Cubism.

First and only edition of this rare Exhibition Catalogue. Cork, Ireland, IMMA / Crawford Art Gallery, 2013. 30 cm. 149 pages. With illustrations, mainly in colour. Original, illustrated Hardcover. Excellent, close to new condition with only minor signs of wear.

897. [Nabokov, Vladimir] Rampton, David.

Vladimir Nabokov – A Critical Study of the Novels.

Cambridge, Cambridge University Press, 1984. 13.5 cm x 21.5 ccm. X, 233 pages. Softcover. Cover design by Jan van de Watering with a cover photograph of Vladimir Nabokov in Montreux, 1968. Very good condition with only minor signs of external wear.

898. [John Minihan Collection] – [Nadar] Barret, Andre.

NADAR – 50 Photographies de ses illustes contemporains.

Paris, Julliard, 1994. 4°. 155 pages. Illustrated softcover. 1994-Edition Francaise / 1994 Reprint of the 1975 – French Edition. Original Softcover with dustjacket. Excellent condition. From the library of irish photographer John Minihan.

899. [Nagle, Nano] O’Farrell, Sr Mary Pius.

Nano Nagle – Woman of the Gospel.

Cork, Cork Publishing Limited, 1996. 13.5 cm x 21.5 cm. XII. 305 pages. Original Softcover. Excellent condition. Very Rare. Signed and inscribed by the author.

900. [Nares, James] Cox, Beatrice (editor)

Exploring the Arts. [James Nares’ personal copy – received as “Robb Art Prize – Senior Section – Lent, 1965”].

London, Longacre Press, 1961. 21 cm x 26.5 cm. 191 pages with numerous monochrome illustrations throughout. Hardcover [publisher’s original maroon cloth] with gilt lettering on spine. Very good condition with only minor signs of external wear. Some foxing to endpapers and hint of browning to leaf edges but interior otherwise bright and clean. Front endpapers carry inked inscription ‘Robb Art Prize Senior Section, James Nares, Lent 1965.’