51. [Cumberbatch, Benedict] Cumberbatch, Henry Arnold / Rees, Helen / Basil Benwell Rees / William Benwell Rees / Etheldreda Blanche Barker / [Sir Winston Churchill / Sir Anthony Arthur Duncan Montague Browne [Private Secretary to Sir Winston Churchill]].

Large Family Archive of the Benwell Rees – Family, including William Benwell Rees (brother to actor Benedict Cumberbatch’s grandmother Helen Rees, by marriage to British Diplomat Henry Arnold Cumberbatch, who was Consul in Romania, Turkey and Lebanon ). The archive includes at least one manuscript letter by Henry Arnold Cumberbatch and around one thousand documents chronicling the lives of the ex-patriate Benwell Rees family from 1890-1970 in Alexandria and Monaco, including William Benwell Rees, whose marriage to Etheldreda Blanche Barker cemented the family’s role in the highest circles of Alexandria life. The archive also charts their son Basil Rees’ decade in Monaco under Princess Grace and Prince Rainer III where he served as President of the British Association in the 1950’s-‘60s and solicited a letter written by Sir Anthony Arthur Duncan Montague Browne, on Winston Churchill’s behalf on Chartwell headed paper in which the former Prime Minister declined to attend an event in Monaco [signed by Montague Browne]. The archive is held in five heavy volumes, bursting with a plethora of amazing and wonderful historical letters, ephemera, emotional messages and telegrams, old images, theatre-programmes, and especially also includes programmes of plays in which ancestors of Benedict played (J.M.Barrie, Shakespeare etc.). The original letters and documents paint an interesting picture of Benedict Cumberbatch’s grandmother’s side of the family history in the Levant, their service in the Middle East and their social lives. The five volumes are bound in bespoke red morocco over textured paper-covered-boards and they contain at least one reference to Helen Rees next to a newspaper-clipping and dozens of wonderful handwritten letters and cards. Each volume about four inches across spine with title in gilt to upper cover and around 100 leaves in each with documents mounted recto and verso throughout, with photographs, invitations, business materials and clippings that chart the family’s life in their service for the British Colonial Office. The five Volumes include for example: Volume 1: The Benwell Rees’: begins with Egyptian Gazette, 1890 and a programme for a performance c1900 at the Port Theatre, Marina, Alexandria of Rumpelstilkskin; visiting cards and contemporary reports of the marriage of W B Rees and Etheldreda Blanche Barker in Alexandria, February 1901; Windsor Hotels prospectus and flyer (a WBR enterprise); 1913 Casino de Monte Carlo ticket for Ethel Rees; Kings School Canterbury ephemera and St Johns’ College, Cambridge for Basil Rees from 1920’s, graduated June 1924. Volume 2: The Benwell Rees’ Vol II, 1920’s-1990’s: includes J M Barrie, Quality Street programme for English Girls’ School, Alexandria, 1941; invitations from Princess Grace of Monaco etc Volume 3: Basil Rees Vol III, cover nearly detached, 1953- Basil Rees living at 2 Rue Origene, Alexandria, and covering period of move to Palais Majestic, Monaco after which he served as President of the British Association and his sudden death in 1967. Invitations to dinner and place settings with the Prince and Princess of Monaco. Birthday greetings; international stamp collecting societies. Photographic ‘Permis de Sejour’ for William Benwell Rees in Monaco, October 1918. Volume 4: Basil Rees Vol. IV Begins with telegram from Rees to the Queen; mostly very extensive formal correspondence concerned with Rees’ Presidency of he British Association in Monaco; invitations, notes, printed volume of Statutes of association from 1950, royal correspondence with Monaco and Britain. Volume 5 and 6 (two large Volumes): Basil Rees 4-5-1902 AND Basil Rees 4-5 1902 [William Basil Benwell Rees ; Birth: 4 May 1902. Alexandria, Al Iskandariyah, Egypt ; Death: 10 Feb 1967 (aged 64). Monaco]. Volume I covers the early days of the Alexandria – Period and beautiful ephemera of a Rees-wedding (Miss Elaine Trevitt Briggs to Charles Owen Benwell Rees, social life in Alexandria, Theatre and Dinners etc. as well as the many Freemason – Engagements of the “Alexandria Lodge No.4184” in the year 1942 and also a rare Volume of Bye-Laws for the District Grand Lodge of Egypt and the Sudan Volume II covers William Basil Benwell Rees; Royal Navy ID card, British Forces, September 1943 – other material relating to Rees’ work as Duty Defence Officer at the Royal Navy Defence Base in Alexandria, HMS Nice. Volume begins in 1902 and includes Alexandria Dog Show, W B B Rees at Jesus College, Cambridge; Egypt NAAFI permits; lock of Basil Rees’ hair, aged 2 etc.

Alexandria / Monaco / etc., c. 1902 – 1967. Octavo. Six Volumes with hundreds of pieces of Ephemera, an original Theatre Couplet, photographs, newspaper-clippings, Theatre Programmes etc. Half Morocco. Bindings stronger rubbed and slightly damaged.

52. [Tey, Josephine / Daviot, Gordon] / [Gielgud, John].

Josephine Tey – John Gielgud Collection of stunning Association copies of Plays which crucially defined both of their careers as writers and actors. The collection includes important, signed and inscribed association – copies of the two significant productions “Richard of Bordeaux” and “Queen of Scots”, both from John Gielgud’s personal library and with manuscript inscriptions to John Gielgud [and Laurence [Larry] Olivier] by Josephine Tey, aka Gordon Daviot, aka Elizabeth MacKintosh. The collection includes: 1. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux – A Play in Two Acts” – With John Gielgud’s Bookplate (Ex Libris). The ultimate Association-copy, warmly and lengthy inscribed by Josephine Tey to John Gielgud. First Edition. London, Victor Gollancz, 1933 / 2. “Richard of Bordeaux” – Original Programme of “The Streatham Hill Theatre”, 1934. Signed by John Gielgud / 3. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – Original File-copy with dustjacket and Publisher’s wrapper “The Play of the Year” at the New Theatre” – First Edition, 1933 / 4. Gordon Daviot [Josephine Tey] Gordon Daviot – “Richard of Bordeaux – A Play in Two Acts” – [Fifth Edition, 1933] – Special Cast, Producer and Production-Signed copy and inscribed to one “Eileen Grainger”, with the most interesting dedications in manuscript signatures – Signed and inscribed by lead actor and producer John Gielgud [Richard II], Signed and inscribed by leading Lady, actress Gwen Ffrangcon-Davies, Signed and inscribed by Gordon Daviot [Josephine Tey], Also beautifully signed and inscribed with a musical score by Shakespeare-composer and Musical Director for John Gielgud, Herbert Menges OBE ! / 5. “Queen of Scots – A Play in Three Acts” – The Ultimate Association-copy, inscribed by Josephine Tey to her producer: “John Gielgud – from ‘his Gordon Daviot’ / July 1934” / 6. Gordon Daviot – “Queen of Scots – A Play in Three Acts” – Association-copy, signed and warmly and lengthy inscribed by Josephine Tey to Laurence Olivier / 7. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – A Softcover-Version of the Play in Fourth Impression, 1933 / 8. Josephine Tey – “The Daughter of Time” – First Edition, Second Impression (Second Printing). London, Peter Davies, July 1951 [The First Edition was in June 1951]. Original Hardcover with the slightly frayed original dustjacket in Mylar / 9. John Gielgud – “Early Stages” – New and Revised Edition. London, The Falcon Press, 1948. With pages of detail about the work of John Gielgud with Gordon Daviot [Josephine Tey] / 10. Jennifer Morag Henderson – “Josephine Tey – A Life” – With a Foreword by Val McDermid. Sandstone Press, 2015 //

London, Victor Gollancz, 1933 – 1948. Octavo. Hardcover / Original Publisher’s cloth. Very good condition with only minor signs of wear.

53. [West Highland Line] / [Scottish Railway Line Glasgow to Mallaig] / [Rathad Iarainn nan Eilean – “Iron Road to the Isles”]

Massive Photographic Documentation of The Western Highland Line [Glasgow to Mallaig] in 900 [ninehundred] vintage Photographs, taken over a period of 30 Years by a Railway and Nature-Explorer and placed in four massive XXL Folders with extensive, beautiful and detaild annotations and explanations. The photographs range from smaller formats (10 cm wide x 15.2 cm high) to a huge amount of Extra-Large Vintage Photographs (39.2 cm wide x 29.4 cm high) and many even measure 40 cm x33 cm, filling entire leaves. Many of the photographs are impeccably applied inside these High-End-Archival-Folders with often numerous captions in the handwriting of the Photographer / Highland Explorer. An inexplicably stunning and absolutely unique documentation of the scottish landscape along the West Highland Line between the years 1974 – 2002. The images document Scottish rivers, Lochs and Roads, Mountains and Hills alongside the Railway-Lines but landscapes are also often shown without the Railway present. Besides the nature we also find photographs of architectural features like overpasses or industrial buildings and railway-track-imagery masterfully photographe, bordering on the abilities of a New Objectivity – photographer like Albert Renger-Patzsch. An important, maybe even singular photographic Impact-study of Railway to the Scottish Highlands. The anonymous photographer has injected himself occasionally in the images, beautifully showing his pitched tent and motorcycle in order let the viewer understand the dedication his travels have cost him. The masterful photographer also showcases his love for detail and artistry by ever so often partially and sparsely coloring Railway-Waggons or Locomotives within his black-and-white-photography, highlighting the technology in the vulnerable landscape, giving the whole collection an artistic and critical component of focusing the viewer on the object of his desire, yet contrasting how lost even a magnificent Locomotive and its carriages seems when vanishing in front of the majestic scottish landscape. The documentation is meticulous, often allowing for multiple vintage photographs on one page showing the same location during different times, exhausting all questions of functionality of the Railway opposed to the landscape with or without Railway in the shots. For the conservation-movement of the Scottish Highlands this collection is an unbelievable chance to preserve the memory of this landmark Railway-Line, connecting the extreme remote with the urban. For those who research the scottish landscape this is a unique opportunity to acquire the life’s work of one man’s obsession with “Railway and Landscape” in the Scottish Highland.

Scotland, 1974-2002. Oblong-Folio (44 cm wide x 36 cm high). Hardcover / Original Full-Leather Folders with stong, black cardboards and original tissue-guards. Excellent condition with only minor signs of wear. With hundreds of manuscript annotations on the photography, the photography-technique, film used and with extensive elaborations on each photograph in these albums. More images on request !