1. Powdermaker, Hortense.

Hollywood, the Dream Factory. An Anthropologist Looks at the Movie-Makers.

Boston, Little, Brown and Company, 1950. 13 cm x 19,5 cm. 342 pages. Original Softcover. Staining to covers, othwerwise in Very good condition with only minor signs of wear.

2. Monaco, J.

How to Read a Film – The World of Movies, Media, and Multimedia. Language, History, Theory.

New York, Oxford University Press, 2000, 16.5 cm x 23.5 cm, 672 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes.

3. Epstein, Jean.

L’Intelligence d’une Machine.

No. 24 / 100 exemplaires / No.24 of only 100 printed copies. Place of Printing, Jacques Melot, 1946. 22.7cm x 14cm. 193 (2) pages. Hardcover / Beautiful modern half morocco with marbled paper – covered boards. Gilt lettering on spine. Original softcover bound in. The excellent new binding preserves this early classic of Cinema well. Nice collector’s edition. [″Les Classiques du Cinéma”].

4. Tyler, Parker.

Magic and Myth of the Movies.

London, Secker & Warburg, 1971. 14,5 cm x 21 cm. 252 pages, illustrated throughout. Original Softcover. Creasing to spine, slight staining to edges, otherwise in Very condition with only minor signs of wear.

5. Boorman, John.

Money into Light: The Emerald Forest A Diary.

London / Boston, Faber & Faber, 1985. 13.5 cm x 21 cm. XIII, 241 pages with illustrations. Original softcover. Very good condition with minor signs of external wear. Back cover clipped on bottom left hand corner. Writing on title page. Clean inside.

6. [Stone, Oliver] Beaver, Frank.

Oliver Stone – Wakeup Cinema.

New York, Twayne Publisher, 1994. 22 x 14 cm. vi, 238 Pages. Original Hardcover with original dustjacket. Excellent condition with only minor signs of external wear.

7. Parker, Juli L.

Representations of Murderous Women in Literature, Theatre, Film, and Television. Examining the Patriarchal Presuppositions Behind the Treatment of Murderesses in Fiction and Reality.

Lewiston, Edwin Mellen Press, 2010. XVIII, 424 pages. Original Hardcover. Some staining to the rear board. Otherwise in very good condition with only minor signs of wear.

8. Cripps, Thomas.

Slow Fade to Black. The Negro in American Film, 1900-1942.

First Edition. New York, Oxford University Press, 1977. 24 cm. XI, 447 pages. With illustrations in black and white throughout. Original hardcover. Very good condition, ex-libris edition with only very minor signs of external wear. [Galaxy book ; GB484].

9. Auster, Paul.

Smoke & Blue in the Face – Two Films written by Paul Auster.

New York, Hyperion, 1995. 15 cm x 23.5 cm. VIII, 290 pages. Original Softcover. Very good condition with only minor signs of external wear. First Edition. Signed by Paul Auster.

10. Winner, Michael.

Winner Takes All: A Life of Sorts.

London, Robson Books, 2004. Octavo. 360 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear.