1. Beckett, Samuel / John Montague.

Collection of interesting and rare publications, an early spoken word radio play by Beckett (Embers), a signed poetry book in english (Limited Edition of only 100 copies) as well as a stunning exchange of letters between the irish writer John Montague and irish artist Louis Le Brocquy, in which John Montague refers to Beckett: “The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. The Montague – connection is meaningful. John Montague was Beckett’s neighbour in Paris, became his friend and not only lectured on Beckett but wrote the most significant and revealing obituary upon Beckett’s death in the Guardian: “An Appreciation of Samuel Beckett” (Wednesday, 27th of December 1989) / [See images and full descriptions of each single item in this Beckett-Collection on our Homepage under “Libraries & Collections” – look for “Samuel Beckett Collection”].

London / Ballydehob (Ireland) / France / New York, Calder / BBC / Grove Press, 1959 – 1981. Octavo. Original Softcover / Stapled / Hardcover (differing bindings in this collection). Very good condition with only minor signs of wear. Extremely rare collection of interesting titles, letters by irish writer John Montague to Louis le Brocquy on Beckett, a signed book of poems by Beckett, etc.

2. [Alexander Calder Collection] – [Calder, Alexander].

“Calder’s Universe” – Large Collection of seventyone (71) Books and Lithograph-Portfolios on and by American Artist Alexander “Sandy” Calder. The collection includes not only rare Volumes with original Lithographs, some very rare Exhibition-catalogues, Autobiographies and a collection of wonderful issues of eleven Derriere Le Mirroir, most of them with original Lithographs by Calder, but also the rare, signed Artist Book: “A BESTIARY” – [One of 50 copies on luxurious Rives-mould, signed by Calder and Wilbur]. The collection includes early monographs as well as later catalogues and is a perfect chance to acquire some good understanding of his works in Mobiles, Stabiles, Oil Paintings, Gouches, Toys and other art. See detailed descriptions and images of every single item within this collection listed under “Libraries & Collections” on our website.

Quarto. The collection includes books in different bindings: Original Hardcover with illustrated dustjacket / Original Softcover / Hardcover without dustjacket. Very good condition with only minor signs of wear. Most books in excellent condition. The price of this collection includes traceable, international UPS Express Saver shipping.

3. [Homer] / Pope, Alexander [with William Broome and Elijah Fenton].

[Pope’s Homer in 20 Volumes complete] The Iliad of Homer / The Odyssey of Homer / [Stunning 18th century set of all 20 Volumes of Pope’s Works in their original, contemporary bindings with 26 full-page-engravings plus 1 large, folded Map of Greece, 1 large, folded illustration of the Battle of Troy, 1 folded illustration of Achilles Shield as well as 84 text-vignettes illustrating the Iliad and Odyssey / The engravings also include a frontispiece – portrait of Alexander Pope after a painting of Jean-Baptiste van Loo]. The set of Pope’s Homer is followed by “The Works of Pope – In Nine Volumes, Complete. With his last corrections, additions and Improvements: Together with the Commentary and Notes of his Editor”.

20 Volumes (complete set of Pope’s Homer and Pope’s Works). London, Charles Rivington / A.Millar and others, 1760 – 1766. Octavo (14 cm x 21 cm). Collation of Pope’s Homer and Pope’s Works follows here: Collation of Pope’s Homer: Volume One includes: an Essay on Homer by Pope, Book I and Book II of the Iliad with two Frontispiece – illustrations, CLI, 175 pages with five Text-Vignettes and one folded map of Greece [and “Phrygia” / Kingdom of Muska] / Volume Two includes: An Essay on Homer’s Battles, Book II – Book VII of the Iliad, 341 pages with five Text-Vignettes and with a stunning, folded map of Troy and the battlefield: “Troja cum Locis pertingentibus” / Volume Three includes: Book VIII to Book XII of the Iliad with ten Text-Vignettes on 304 pages / Volume Four includes: Book XIII to Book XVI of the Iliad with eight Text-Vignettes on 301 pages / Volume Five includes: Book XVII to Book XXI of the Iliad with ten Text-Vignettes and a stunning, folded engraving, showing the Shield of Achilles as described in Homer’s 18th Ilias, [added is a multi-page “Observation on the Shield of Achilles”], on 287 pages / Volume Six includes: Books XXII to Book XXIV of the Iliad with five Text-Vignettes, a two-page Epilogue for the Iliad by Alexander Pope [dated 1720], and “A Comparison between the Games of Homer and Virgil”, an “Index of Persons and Things”, “A Poetical Index to Homer’s Iliad”, an “Index of Arts and Sciences” with “a View of Homer’s Theology” [outlined in the Index are also Music, Geography, Physick, Military Art Astronomy, Architecture, Gymnastics, Agriculture and Rural Arts, Policy, Oratory etc.], on 212, [75], pages including the sectioning of Allegorical Fables in Homer, Allegorical and Fictitious Persons in Homer, The Marvellous or Supernatural Fictions in Homer, Characters of the Gods of Homer, as acting in the Physical or Moral capacities of those Deities [Jupiter, Juna, Apollo, Mars, Minerva, Venus, Neptune, Vulcan], Characters of the Heroes Achilles and Aeneas, Agamemnon, Ajax, Diomed, Hector, Idomeneus Menelaus, Nestor, Priam, Paris, Patroclus, Sarpedon, Ulysses and much more // Volume VII [being Volume One of The Odyssey]: Includes “A General View of the Epick [sic] Poem and of the Iliad and Odyssey, extracted from Bossu” and Book I to Book IV of the Odyssey with eight Text-Vignettes and some minor wormhole-damage decreasing from the titlepage to the end of the Volume, 240 pages / Volume VIII [being Volume Two of the Odyssey]: Includes Book V to Book IX of the Odyssey with nine Text-Vignettes on 272 pages / Volume IX [being Volume Three of the Odyssey]: Includes Book X to Book XIV of the Odyssey with nine Text-Vignettes on 316 pages / Volume X [being Volume Four of the Odyssey]: Includes Book XV to Book XIX of the Odyssey with eight Text-Vignettes on 277 pages with a faded dampstain to the core of the lower book-block / Volume XI [being Volume Five of the Odyssey]: Includes Book XX to Book XXIV of the Odyssey with an Epilogue [″Postscript”] by Alexander Pope, an Index to the Odyssey and an Addenda: “Homer’s Battle of the Frogs and Mice – by Mr.Archdeacon Parnel, corrected by Mr.Pope” with eight Text-Vignettes on 280, [20], 28 pages [one layer ever so slightly loosened, but still attached to the book-block// Collation of Pope’s Works: Volume I includes: Juvenile Poems / Pastorals etc. with Frontispice, Advertisement, Preface, [XLV], 288 pages with an additional two plates [Engravings for “Windsor Forest” and “The Rape of the Lock”] Faded dampstain to the illustration for “The Rape of the Lock” / Volume II includes: Pope’s Translations and Imitations, 272 pages with four plates, illustrating “Eloisa to Abelard”, “The Temple of Fame”, “January and May”, “The Wife of Bath” / Volume III includes: Moral Essays, Essays on Man and Essay on Satire, 362 pages, illustrated with eight plates of which one is detached and loosely inserted in its dedicated space verso page 203 / Volume IV includes: Satires and Epistles of Horace imitated, Satires of Dr.John Donne, etc., 336 pages, illustrated with three plates / Volume V includes the Dunciad in Four Books with a Frontispiece and five additional engravings (of which one engraving only covers half a page), 345 pages plus 14 pages of an Index / Volume VI includes Pope’s Miscellaneous Pieces in Verse and Prose, [including his Prefaces to Homer and Shakespeare], with 407 pages and one engraving faded dampstain to lower bookblock) / Volume VII includes the first Volume of Alexander Pope’s Letters, XXXII, 367 pages / Volume VIII includes the second Volume of Alexander Pope’s Letters, XI, 280 pages / Volume IX includes the third [and last] Volume of Alexander Pope’s Letters [including the 88 (!) letters to and from Jonathan Swift] XV, 372 pages //. Original Hardcover / 18th century full calf with gilt lettering and ornament on spine. Condition of the eleven Volumes of Pope’s Homer: An original set of all eleven volumes of Homer with their original patina, unaltered in 18th-century-condition and with very few Volumes with minor damage to the spines and some of the leather slightly rubbed and minimally loosened from the boards. Minor, faded dampstain to one Volume and decreasing wormhole-damage to one other Volume. All Volumes firm with one layer inside the Odyssey ever so slightly loosened. All illustrations, maps, folded engravings and allegorical Text-Vignettes within Pope’s Homer present and in excellent condition. Very good condition with only minor signs of external wear. / Condition of the additional set of nine Volumes of Pope’s works: Overall very good with all Volumes firm but two Volumes with some minor damage to the spines (Volumes I and IV). Occasionally some dampstaining in three of the nine Volumes but overall this nine volume-set of Poepe’s works is in still very good- condition with some pages being a little dusty and only one of the 24 engravings/ illustrations detached and loosely inserted. One of the rare opportunities to buy Alexander Pope’s Homer and collected works in an entire, original 18th century private library-set. From the collection of Daniel Conner, with his Exlibris / Bookplate to the pastedown //

4. [Joyce, James].

Collection of interesting and important publications by and on James Joyce. Including a portrait of Joyce, First editions and essential Textversions of his Masterpieces and literary criticism etc. etc. [Please enquire for access to excellent photographs and descriptions to each title, included in this collection]. The collection includes: 1. Ulysses [The Corrected Text]. The Corrected Text – Edited by Hans Walter Gabler with Wolfhard Steppe and Claus Melchior and with a New Preface by Richard Ellmann. Corrected Edition of the critical and synoptic edition from 1984. / 2. Ulysses [A Reader’s Edition]. Edited by Danis Rose. Completely revised edition. / 3. McHugh, Roland. Annotations to Finnegans Wake. / 4. The Restored Finnegans Wake. Edited and with a Preface and Afterword by Danis Rose and John O’Hanlon. Note by Seamus Deane. / 5. Ellmann, Richard. James Joyce. New and Revised Edition [The First Revision of the 1959 Classic]. / 6. Ellmann, Richard. Selected Letters of James Joyce. / 7. Joyce, James. Chamber Music. / 8. Eco, Umberto. The Middle Ages of James Joyce – The Aesthetics of Chaosmos. Translated from the Italian by Ellen Esrock. / 9. Freund, Gisèle. Three Days with Joyce – Photographs by Gisèle Freund. Preface by Richard Ellmann. / 10. Bowker, Gordon. James Joyce – A Biography. / 11. James Joyce – Poems and Shorter Writings – Including ‘Epiphanies’, ‘Giacomo Joyce’ and ‘A Portrait of the Artist’. Edited by Richard Ellmann, A Walton Litz and John Whittier-Ferguson. / 12. [Joyce, James] Synge, John Millington. Riders to the Sea. La Cavalcata al Mare. Italian translation James Joyce and Nicolo Vidacovich. Introduction and Notes Dario Calimani. / 13. [Joyce, James] Krewani, Angela [Hrsg.]. Artefacts, artefictions. crossovers between contemporary literatures, media, arts and architectures = Artefakte, Artefiktionen ; for Christian W. Thomsen on the occasion of his 60th birthday [Including articles on Joyce: Kurt Otten – James Joyce and the Rise of Early Modernism in English Literature / Ralf Schnell – Beuys and Joyce]. Articles in english and german. / 14. Gilbert, Stuart. James Joyce’s Ulysses. A Study. / 15. [Joyce, James] Beach, Sylvia / Laughlin, James (Introduction). Shakespeare and Company. New Edition. Lincoln, 1991. / Joyce, James. Pomes Penyeach. London, Faber & Faber, 1952. / 16. Joyce, James. The Mime of Mick, Nick and the Maggies – A Fragment from Work in Progress. [The Initial Letter, Tail-Piece and Cover were specially designed by the author’s daughter, Miss Lucia Joyce]. No. 564 of a limited edition of 1000 copies. The Hague / New York, The Servire Press / Gotham Book Mart, 1934. /

London and other places, Penguin / Picador / Oxford University Press / etc., 1975 – 1997. Octavo. More than 2000 pages. Original Hardcover / Original Softcover. Very good condition with only minor signs of wear. The price of the collection includes free international shipping per UPS Express.

5. Dickens, Charles.

Collection of six First Editions, all bound uniformely around 1850 and all in their original state. A stunning set with nearly all of the books in their First state of First Edition printing and with all plates complete. The collection includes: Bleak House / Little Dorrit / Nicholas Nickleby / Martin Chuzzlewit / Dombey and Son / David Copperfield. A very rare occasion in which a contemporary 19th-century lover of Dickens’ Literature had all Novels in their first edition bound to his/her liking. The mid-19th-century bindings beautiful in their simplicity and uniform style.

London, Chapman and Hall, 1839 – 1857. Octavo. Hardcover / Mid-19th-century Half-Leather with gilt lettering on spine. Original marbled endpapers. Very good condition with only few layers and illustrations loosened and the usual tanning to the illustrations. Very good condition with only minor signs of wear. [The David Copperfield Volume has a defect (see detailed description below)]. Perfect collection of first editions to start a Dickens-Collection in contemporary, 19th-century bindings.

6. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

7. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

8. [Homer] Lectius, Jacobus.

Poetae Graeci Veteres Carminis Heroici Scriptores, Qui Extant, Omnes / Homerus [Iliad and Odysseae Bilingual in Greek and Latin], Hesiodus, Orpheus, Callimachus, Aratus, Nicander, Theocritus, Moschus, Bion, Dionysus, Coluthus, Tryphiodorus, Musaeus, Theognis, Phocyclides, Pythagorae aurea carmina cum fragmentis alioru, Apollonius Rhodius, Oppianus, Cointus, Smyrnaeus, Nonni Dionysiaca. Apposita Est E Regione Latina Interpretatio. Nota item & variae lectiones margini adscriptae, Cura & recensione Iac. Lectii V.CL [Jacobi Lectii]. Accessit & Index verum & verborum locupletissimus. / [Dedication: “Illustrissimo et Potentissimo Principittera Ac D. Domino Mauritio Landgravio Hassiae, Comiti In Katzenelnbogen, Dietz, Zigenhaim [Ziegenhain], Nidda, &c. Domino suo Clementissimo].

[Bilingual Edition / Greek / Latin / Parallel text in Greek and Latin]. Avreliae Allobrogum [Genève/Geneva/Genf], Petrus De la Rouiere, 1606. Quarto (24 cm wide x 35 cm high). Titlepage (in red and black), [22 unnumbered pages of Dedicatio etc.], 739, 624, [46 unnumbered pages including Colophon] pages. Hardcover / Original 17th century full leather with original spine-label and embossed gilted supralibros to both boards. Binding firm and with only minor signs of wear. Interior with some minor browning. Overall in a very much very good+ condition. Wonderful bilingual edition of the classics, published still during Shakespeare’s lifetime.

9. Cervantes De Saavedra, Miguel [Jarvis Edition with an excellent provenance, being from the library of John Fane, (Lord Burgersh) the Earl of Westmoreland].

The Life and Exploits of the Ingenious Gentleman Don Quixote de la Mancha. Translated from the Original Spanish by Charles Jarvis, Esq. [Bound with: “The Life of Michael de Cervantes Saavedra” and an “Advertisement concerning the Plates”].

Second issue of the First Jarvis Edition. Two Volumes (complete set). London, J. & R. Tonson and R. Dodsley, 1738-1742. Quarto. Pagination: Volume I: Frontispiece, XXIV, (8), I – [XXIV], (interrupted with 8 unnumbered pages: “Supplement to the Translator’s Preface,” on the origin of books of chivalry, [by Wiliam Warburton]), continued pagination [XXV-XXXII], Second Frontispiece (Portrait of Cervantes by George Vertue after G. Kent), V, (2), 355 pages with 28 copperplates (including the two frontispieces). Volume II: XII, 388 pages with 41 copperplate illustrations. In total 69 copperplate engravings, all drawn by John Vanderbank and engraved by Gerard van der Gucht / Vandergucht. Modern Hardcover bindings by an english masterbinder, styled to the 18th century period and with new endpapers that carry the original bookplates / Exlibris of John Fane, (Lord Burgersh) the Earl of Westmoreland. Excellent condition with only minor signs of foxing to the outer margins of the pages. All illustrations in strong and fresh imprint. An excellent set from a famous library.

10. Meister, Ernst.

Ausstellung – Gedichte von Ernst Meister [Originalausgabe / wahrscheinlich das originale Korrekturexemplar des Autors oder Verlags].

Erste Ausgabe. Marburg, Verlag Marburger Flugblätter, 1932. Oktav. 64 Seiten. Original Softcover (cremefarbene Englisch-Broschur mit roter Betitelung). Der Buchblock minimal von der Broschur gelöst. Sonst in sehr gutem Zustand, mit Merkmalen eines Korrekturexemplars: Der obere Schnitt etwas uneben, einige Seiten mit handschriftlicher, zusätzlicher Numerierung (und auch Anmerkung) die eine andere Paginierungsfolge oder Reihenfolge der Gedichte suggeriert. Einige Textstellen mit handschriftlicher Änderung einzelner Buchstaben. Kurze Widmung auf dem Vorsatzblatt: “f. Ulla” (nicht verifizierbar ob von Meister). Das Gedicht “Der Gebückte” mit einer handschriftlichen Anmerkung die eine eventuelle, dreimalige Wiederholung des ersten Teiles (‘Er geht’) mit zwei Fragezeichen erwägt. Sehr seltene, erste Veröffentlichung von Ernst Meister. Der Fund dieser Ausgabe ist eine kleine Sensation da Ernst Meister die Auflage persönlich vernichtete nachdem der Verlag Ihm die Bücher zurückgesendet hatte. Seine Ehefrau Else Meister rettete, laut einigen Quellen, nur einige wenige Exemplare aus der Mülltonne. / Als Zugabe zu der Ausgabe liegt dem Band eine Sammlung von sehr seltenen “Mitteilung[en] für Freunde” bei. Ernst Meister hat diese “Im Handsatz als Manuskript gedruckt”. Beiliegen No.2 – 6 der Mitteilungen”. Diese sind signiert mit dem Namenszug “Ernst Meister” versehen und der Jahreszahl der Herausgabe auf der Titelbroschur.