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Catalogue No.10 – International Literature (184 items)

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many and related items

113. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

EUR 2.800,-- 

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Mathers, The Eastern Anthology- Anthology of Eastern Love.

120. Mathers, E. Powys.

The Eastern Anthology – Anthology of Eastern Love. Eastern Love: Volumes I & II & III: The Lessons of a Bawd and Harlot’s Breviary. English Versions of the Kuttanimatam of Damodaragupta and Samayamatrika of Kshemendra. Volume I: The Lessons of a Bawd of Damodaragupta. Volume II: The Harlot’s Breviary of Kshemendra. Volume III: The Book of Women and The Education of Wives.

3 Volumes in one (complete set). London, John Rodker For Subscribers, 1927. 15.2 cm x 23.5 cm. Pagination: Vol I: Colour frontispiece with tissue guard, 92 pages / Vol II: Colour frontispiece with tissue guard, 100 pages / Vol III: Colour frontispiece with tissue guard, 152 pages. Hardcover / Beautiful, actually stunning, private full morocco in Art Deco – Style (see images), Excellent condition with only minor signs of external wear. Deckled edges. Top edge gilt. Gilt on spine and red leather hardcover. Minor discolouration and staining to front and rear pastedown enpapers and endpapers. This edition of the Kuttanimatam of Damodaragupta, the Samayamatrika of Kshemendra, the Zenan-Nameh of Fazil-Bey, and Ta’Dib Ul-Nisvan, being Volume I, II and III of the “Eastern Art of Love”, are here translated into English for the first time, by E. Powys Mathers. This edition of 1,000 copies on all rag paper was printed by Messrs. Molyneux, 3 & 4, New Street Hill, London. The copper plate engravings are by Hester Sainsbury and have been printed and hand coloured by Messrs. A. Alexander and Sons, Ltd. This copy is No. 695.

EUR 160,-- 

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Viereck, Collection of Manuscript Material by the author Georg Sylvester Viereck.

172. Viereck, George Sylvester / [Frederick Franklin Schrader] / [Mentioning of Oscar Wilde / Lord Alfred Douglas].

Collection of early Manuscript Material (which is a Manuscript Ballad / Poem), a two-page Manuscript Letter (which is a MLS mentioning Oscar Wilde, Lord [Alfred] Douglas, Viereck’s literary tastes etc.) and the personal copy of “House of the Vampire”, all by the controversial german-american author George Sylvester Viereck. The collection includes: 1. One six-page, hitherto unpublished Manuscript – Ballad [Poem], called “Die Ballade vom Sündigen Glück” [Translates: “The Ballad of sinful Pleasure”]/ 2. A lengthy and extremely insightful Two-Page Manuscript Letter, signed in New York, 1902, which accompanied and talks about the enclosed Six-Page Manuscript – Ballad [The letter and Poem was not conclusively but very likely addressed by Viereck to Frederick Franklin Schrader, then editor of the New York Dramatic Mirror and shortly thereafter co-founder with George Sylvester Viereck of “The Fatherland” / 3. The collection also includes Viereck’s personal copy of his publication “The House of the Vampire” with handwritten, manuscript entry of his name, address in New York City as well as a pasted statement on the endpaper by the author Viereck: “Concerning “The House of the Vampire” : This book went through several editions when it was first published and was dramatized. It played for eight weeks in New York and for two years on the road under the management of the Shuberts. Critics have compared it to such books as Dr.Jekyll and Mr.Hyde, Lady Into Fox, and Dorian Gray”]. The two-page letter is of great value and touches on Viereck’s admiration for Schrader and his “Blatt” [Newspaper]. Viereck is advertising himself to Schrader by introducing himself as a critical admirer with substantial references (Viereck details his working for numerous newspapers in America). Viereck mentions his secessionist tendencies and name-drops Oscar Wilde, Rosetti and Lord Douglas (whom he claims to know personally). This amazing, autographed/signed Manuscript-Material was created by Viereck directly during his transition from writer to propagandist and is an example of his early, bullish personality, which wants to be heard, which needs attention and it is here, in 1912, where his career begins to develop. This large Archive of manuscript material [8 pages in total] is stunning and unpublished (see partial Transcription of the original german material on our website). Viereck’s close friends included Nikola Tesla and even Theodore Roosevelt was among his acquaintances.

New York, Moffat, Yard & Company, 1902-1912. Play and Letters: 20.3 cm x 25.3 cm / Book: 13 cm x 19,5 cm. Pagination: Balld (Poem): 6 pages / Manuscript Letter (MLS): 2 pages / Book: 190 pages. Original Hardcover / Blue publisher’s cloth with gilt lettering on spine in protective collector’s mylar / The play protected in clear folder. The manuscript pages overall in excellent condition besides page IV of the play which has two abrasions with small parts of the text missing only. The book in excellent condition with only minor signs of external wear. Viereck’s usual vanity made him add the lovely littel note of critical success. The personal copy of this controversial author’s most interesting book is a unique possibility for each collector of unusual Vampire material. Extraordinary collection !

EUR 2.400,-- 

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Peter Viereck, Collection of very interesting offprints, pamphlets and reviews

173. Viereck, Peter.

Collection of very interesting offprints, pamphlets and reviews by Peter Viereck and on Peter Viereck (all from Peter Viereck’s personal library). The Collection includes: 1. “Peter Viereck – Profile” – Article by E.V. Griffith in “Poetry Now”, Vol, VI, No. 2 [Issue 32] – With three excellent photographs of Viereck, shown throughout the article. Griffith discusses Viereck’s genesis as a writer, his time in Harvard and his important contribution to conservatism etc. / 2. Peter Viereck – “The Last Decade in Poetry- New Dilemmas and New Solutions” (In this 1954 – Offprint from “Literature in the Modern World”, Nashville, George Peabody College for Teachers, Viereck discusses Wallace Stevens (″Wallace Stevens’ is the sorcery of surfaces. For this he pays a price: the sacrifice of deep feeleing″and Robert Lowell) / 3. Peter Viereck – “Decorum and Terror: Homage to Goethe and Hart Crane” – Original Offprint from “Essays in Criticism”, with a manuscript correction by Viereck / 4. Peter Viereck – “New Views on Metternich” (Offprint from “The Review of Politics”) / 5. Peter Viereck – “The Rootless ‘Roots’: Defects in the New Conservatism (Original Offprint from “″The Antioch Review”, Summer 1955, issue) / 6. Galleyproof Review for NY Times Sunday Book section of Russell Kirk, by Peter Viereck – With two manuscript notes on the Galley by Peter Viereck to american philosoper and Leo Strauss admirer, Harvey Mansfield: “Harvey, many thanks for your piece on Spitzer + Auerbach which meant a lot to me (I’d known Spitzer). Warm regards to both of you – Peter” and a second manuscript entry by Viereck: “Saw Brodsky …..Finishing a new book…poems – Peter” [Mansfield and Viereck must have sent the Galley back and forth between each other]. / 7. Peter Viereck – “First Advance Reviews on “McCarthy and the Communists” by James Rorty and Moshe Decter – With a highlighting of the review-citation of Peter Viereck’s opinion “All conservative and liberals reading this irrefutable indictment of McCarthy’s methods should unite to conserve our traditional Constitutional framework against subversion by McCarthyism as well as by Communism” / 8. “Peter Viereck – A List of his principal works” / 9. Peter Viereck – “Unlaughing and Untragic” – (Original Offprint from “American Quarterly” with some markings by Viereck, ticking off each paragraph) / 9. Peter Viereck – “Reply to a critique of one of Viereck’s publications” / 10. Peter Viereck – “Ogling through Ice: The Sullen Lyricism of Georg Heym” [Original Offprint from “Books abroad”, April 1971, 11 pages – Including Peter Viereck’s Translation of Georg Heym’s poem “Letze Wache” (″Final Vigil”)] / 11. Original Book Review by Jacques Barzun of Peter Viereck’s Masterpiece: “Metapolitics – From the Romantics to Hitler” – Original Offprint from “Journal of the History of Ideas, January 1942, Vol. VIII., No.1” – Including Peter Viereck’s Reply to Barzun’s “passionate” Review, calling Viereck’s book “an ardent attempt to psycho-analyze the religion of the Nazis”. 6 pages/

Notre Dame / New York and others, 1951 – c. 1955 Octavo. Original Offprints and loose pages etc. Very good condition with some minor signs of wear only. From the library of Peter Viereck.

EUR 480,-- 

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