1. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°31 – Juillet 1950 – Exposition Alexander Calder [52 Mobiles] / [With two colour-lithographs (this being the frontcover and the rear cover of this first CALDER-issue of Maeght’s “Derrière Le Miroir”)].

First Edition. Paris, Editions Pierre A Feu – Maeght Editeur [Aimé et Marguerite Maeght], 1950. Folio (27.8 cm wide x 37.8 cm high). 8 pages (including cover). With two Lithographs. Original, illustrated softcover / brochure. Tear with smaller missing space to frontcover. Otherwise in very good condition with only minor signs of wear.

2. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°69-70 – Octobre-Novembre 1954. [With three (3) fantastic double-page Colour-Lithographs (including cover)][Poeme Offert a Alexander Calder et a Louisa (par Henri Pichette)] / With an Essay: “″Calder” par Frank Elgar.

First Edition. Paris, Editions Pierre A Feu – Maeght Editeur [Aimé et Marguerite Maeght], 1954. Folio (27.8 cm wide x 37.8 cm high). Two double-pages with Lithographic frontcover and rear cover. Plus two double-page Lithographs loosely inserted. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

3. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°113 – 1959. [With two (2) fantastic, original double-page lithographs of “Stabiles”]. Avec Essais: “STABILES” par Georges Salles / “LE LURON AUX PROTEGE-GENOUX” par Jean Davidson.

First Edition. Paris, Editions Pierre A Feu – Maeght Editeur [Aimé et Marguerite Maeght], 1959. Folio (27.8 cm wide x 37.8 cm high). 28 pages (Text paginated and each double-page-Lithograph counts as 4 pages). Plus photographic front- and rear-cover with portrait-photograph of Alexander Calder. Original, illustrated softcover / brochure. Very good condition with only minor signs of wear.

4. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°141 – Novembre 1963 [With 8 lithographes originales, including cover / 3 of the lithographs are fantastic double-page lithographs of Stabiles]. Avec Essais: “L’ombre de l’avenir” par James Jones (Traduction d’Henri de Turenne) / Essais: “Qu’est-ce qu’un calder ?” par Michel Ragon / Avec “Comment faire by Calder (juxtaposed to his portrait) / With photographic section of seven pages showing “Stabiles dans l’atelier” (″Tamanoir” / “Tamanoir et Bucephale”.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1963. Folio (27.8 cm wide x 37.8 cm high). 32 pages plus 2 pages of lithographed Cover. (Text paginated up to page 16 and then continued without pagination). Including an excellent full-page-colour-photograph of Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear. One of the most exciting CALDER – editions of Derrière le Miroir.

5. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°156 – Fevrier 1966 [With 8 lithographes originales, including cover / 3 of the lithographs are fantastic double-page lithographs (including cover)]. Avec Essais: “Oiseleur du Fer” (Solomon Grundy) par Jacques Prevert / Essai: “Alexander Calder” [Biographical Essay on Calder and his Mobiles] par Meyer Schapiro / Essai: “Les Gouaches de Calder” par Nicholas Guppy / Essai: “De L’Art’s Students League aux Totems…” par Alexander Calder.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1966. Folio (27.8 cm wide x 37.8 cm high). 28 pages plus 4 pages of lithographed Cover. (Text partially paginated up to page 15 and then continued without pagination). This Volume also includes a large section of black-and-white-photographs of Totems and Gouaches of Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

6. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°173 – Octobre 1968 [With 8 lithographes originales (including front and rear cover) / Two (2) of these lithographs are fantastic double-page lithographs)]. Avec Essais: “Un geant enfant” par Giovanni Carandente / “Note sur les “fleches” par Jacques Dupin /

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1968. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus 4 pages of lithographed Cover. (Text partially paginated up to page 14 and then continued without pagination). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

7. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°190 – Février 1971 [With 5 lithographes originales of “Stabiles” et “Animobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Calder : La Liberté” / “Aux portes de L’Enfer” par Carlos Franqui (Traduction Jean-Franci Reille) / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1971. Folio (27.8 cm wide x 37.8 cm high). 28 pages including lithographed Cover. (In this edition the Text was paginated including the covers until page 26, with covers and front pastedown as well as rear paste-down and rear cover not paginated. Clearly; by the early 1970s, Aimé and Marguerite Maeght must have realized the lithographic covers were part of the appeal for collectors and they followed suit with the same pagination book-publications were paginated with this standard (first page after title is paginated as “3”). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

8. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°201 – Janvier 1973 [With 6 lithographes originales of “Mobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Retour au Mobile” par Maurice Besset et Essai: Calder ou le Poids de L’Air” par Andre Balthazar / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1973. Folio (27.8 cm wide x 37.8 cm high). 30 pages including lithographed Cover (In this edition the Text reverts back to being paginated excluding the cover). This Volume also includes a section of colour-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

9. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°212 – Janvier 1975 [With 8 lithographes originales (including front and rear cover) / Two of these lithographs are fantastic double-page colour-lithographs of which one is figurative (card-players “Les Joueurs de Cartes”)]. Avec Essais: “Un Tournant chez Calder” par Mario Pedrosa.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1975. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus lithographed Cover (In this edition the Text reverts back to being paginated (until page 11 only) excluding the cover). This Volume also includes a section of black-and-white as well as colour-photographs of Sculpture by Calder, all photographs by Clovis Prévost. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

10. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°221 – Decembre 1976 [With 7 lithographes originales of “Mobiles” et “Stabiles” including front cover, rear cover and the Duck) / Two (2) of these lithographs are fantastic double-page colour-lithographs)]. With a special suite (unpaginated) of a portrait-photo of CALDER and an essay by Jean Davidson “Forme Humaine”. Othher Essays are included: “L’Art et la comédie” par Jean Fremon, avec le poeme “La complainte du mobile”.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1976. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus lithographed Cover and 4 pages of suite with Calder’s portrait and Jean Davidson’s homage (In this edition the Text reverts back to being paginated excluding the cover). This Volume also includes a section of colour-photographs of Mobile-Sculpture by Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear. All Lithographs in excellent condition.