Illustrated Books (194 items)

[Calder, Derrière Le Miroir N°190 - Février 1971 [With 5 lithographes originales

105. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°190 – Février 1971 [With 5 lithographes originales of “Stabiles” et “Animobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Calder : La Liberté” / “Aux portes de L’Enfer” par Carlos Franqui (Traduction Jean-Franci Reille) / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1971. Folio (27.8 cm wide x 37.8 cm high). 28 pages including lithographed Cover. (In this edition the Text was paginated including the covers until page 26, with covers and front pastedown as well as rear paste-down and rear cover not paginated. Clearly; by the early 1970s, Aimé and Marguerite Maeght must have realized the lithographic covers were part of the appeal for collectors and they followed suit with the same pagination book-publications were paginated with this standard (first page after title is paginated as “3”). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

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Small Collection / Small Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, together with a wonderful collection of fourteen (14) loose gicleé prints

148. Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

EUR 1.280,-- 

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David Hockney - Fax Dibujos / Fax Cuadros [Together with an Original Black-and-White Photograph of David Hockney

165. [David Hockney Collection] – Hockney, David.

David Hockney – Collection of rare and important publications as well as an original photograph of Hockney. The collection includes: 1. “Fax Dibujos / Fax Cuadros” / 2. An Original Black-and-White Photograph of David Hockney on archival paper / 3. “The Blue Guitar” – Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso – “The Man with the Blue Guitar” – Wallace Stevens / 4. David Hockney – “A Retrospective” / 5. “Billboards” by Sally Henderson & Robert Landau with an Introduction by David Hockney / 6. David Hockney – “Some very new Paintings” / 7. David Hockney prints 1954-1977 / 8. “David Hockney” by David Hockney (with several interesting newspaper-clippings on Hockney loosely inserted).

Mexico, Centro Cultural/Arte Contemporáneo, 1990. Quarto (24.4 cm wide x 28 cm high). 120 pages. Softcover / Original spiral bound. Unusually excellent, FINE condition of Fax Dibujos, with only very minor signs of wear. Extremely rare, especially in this condition / [The Hockney Portrait-Photograph, which comes with the FAX Dibujos-publication, is stamped verso with Copyright by Universal Pictorial Press and Agency Ltd. in London and dated in 1976. – Provenance of the Photo: This photograph comes from the private Press-Photgraphs-Collection of irish photographer John Minihan, accumulated during his early years as photographer on Fleet Street, London] / The other monographs on or by Hockney are all in excellent condition. Find the David Hockney-Collection on our website under “Library & Collection”, where you will see a full list, with all books catalogued and with corresponding images.

EUR 2.400,-- 

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