101. [Dawson, Miles Menander / Meynell, Alice] Rittenhouse, Jessie B.

The Little Book of American Poets 1787-1900 [Association copy: Inscribed by american Poet and Philosopher Miles Menander Dawson and his wife to english Poet Alice Meynell: “To Mrs. Alice Meynell with the best regards of her friends Mr. + Mrs. Miles M. Dawson”].

First Edition. Boston and New York, Houghton Mifflin Company, 1915. Small Octavo. XX, 306 pages. Hardcover / Original publisher’s cloth. Very good condition with only minor signs of wear. Very rare and beautiful association between these two Poets.

102. Wakoski, Diane / [Clayton Eshleman].

The Magellanic Clouds. [Association Copy] –

First Edition. Los Angeles, Black Sparrow Press, 1970. 16 x 24 cm. 150 pages. Original Hardcover with cloth spine. In protective Mylar. Very good+ condition. Association copy with the author’s signed dedication to Clayton and Caryl Eshleman on the title page: “For Clayton & Caryl – friends in this galaxy”. Signed and numbered by the author on the edition page. This is number 238 of 250. Minor discolorations on the cover.

103. Rich, Adrienne / [Jane Cooper].

The School Among the Ruins – Poems 2000-2004. [Association Copy] –

First Edition. New York, W.W. Norton & Co. 2004. 14,5 x 21,5 cm. 113 pages. Original Hardcover in original Dustjacket. Very good+ condition. Beautiful association copy with the author’s dedication to poet Jane Cooper as well as her full signature on the title page. Minimal signs of wear on the dustjacket only.

104. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Very good condition with some minor signs of wear only. “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page manuscript letter, revealing several important details about the immediately favorable reviews and reception of the book “Two Duchesses” [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports: “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels” with Blackie’s agent and gave instructions to send them, but a few days later found they had been “untouched”. One of the most important finds of Vere Foster – Material in recent years with no sign of similar material on offer in the past years on the international market.

105. Habermas, Jürgen.

Theorie und Praxis – Sozialphilosophische Studien [Signiert / Widmung / Widmungsexemplar des Philosophen Jürgen Habermas an den amerikanischen Philosophen Victor Gourevitch].

21. – 32. Tausend. Frankfurt, Suhrkamp, 1963. Oktav. 466 Seiten. Original Softcover. Sehr guter Zustand / Excellent condition with some minor signs of wear only. Inscribed / signed by german philosopher Jürgen Habermas to american philosopher Victor Gourevitch:″Victor Gourevitch mit herzlichem Dank – Jürgen Habermas – 12.I.72”.

106. Ben-Zion.

Thirty Six Odes. Translated from the Hebrew by the Artist.

Haifa, 1975. 13 cm x 25.5 cm. 76 pages. Original Softcover in protective Mylar. Very good condition with only minor signs of wear. Beautifully inscribed and signed by Ben-Zion to american writer Ben Malamud. Very Rare !

107. [John Minihan Collection] – [Minian, John] Bushe, Paddy.

To Ring in Silence. New and Selected Poems. [Inscribed and signed by Paddy Bushe to irish photographer John Minihan]. Introduction by Bernard O’Donoghue.

Dublin, Dedalus Press, 2008. 8°. XVII, 217 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition.

108. Murphy, Gerry.

Torso of an Ex-Girlfriend.

First Edition. Dublin, The Dedalus Press, 2002. 15 x 21 cm. 64 pages. Original Softcover. Excellent condition with only minor signs of external wear. With a signed dedication by the author to fellow Adam Wyeth on the title page: “To Adam, the first and the last – Gerry Murphy”. Beautiful association copy of this rare, out-of-print book.

109. [Fermor, Patrick Leigh] Doughty, Charles M.

Travels in Arabia Deserta. With an Introduction by T. E. Lawrence. [Patrick Leigh Fermor’s personal copy] / [Also including all three Volumes of his autobiographical journey (one of them signed), on foot across Europe from the Hook of Holland to Constantinople in the years 1933 – 1934].

Second Impression of the ‘New and definitive Edition’. Two Volumes (complete set). London, Jonathan Cape, 1943. 20 cm x 26 cm. Volume I: Frontispice- Portrait of Doughty, 674 pages. Volume II: 696 pages. With both Volumes including each the beautiful large colour-fold-out-map in the rear showing “North Western Arabia and Negd”. Hardcover / Publisher’s original buckram with gilt lettering on spine and original dustjackets in protective collector’s Mylar. Deckled fore- and tail-edges. Coloured top edges. Very good condition with only minor signs of external wear. Dustjackets slightly stained and price-clipped. Interior is bright and clean. Patrick Leigh Fermor’s personal copy with his name in ink on the endpaper of Volume II: “Patrick Leigh Fermor. London, July 1945.”. Leigh Fermor obviously rewarded himself with the purchase of Doughty’s masterpiece directly after World War Two. Stunning item, manifesting Doughty’s heavy influence on Patrick Leigh Fermor’s Travel writing. The set includes also three first editions in original dustjackets, of Patrick Leigh Fermor’s famous Travel writings: A Time of Gifts, Between the Woods and the Water [SIGNED], The Broken Road (with the second book, “Between the Woods and the Water” signed by Patrick Leigh Fermor.

110. Wakoski, Diane / [Clayton Eshleman].

Trilogy – Coins & Coffins. Discrepancies and Apparitions. The George Wahington Poems. [Association Copy] –

First Edition. New York, Doubleday & Co., 1974. 14 x 21 cm. 166 pages. Original cloth in original dustjacket. In protective Mylar. Very good+ condition. Association copy with the autor’s dedication to Clayton and Caryl Eshleman on the front free endpaper: “For the Eshlemans – the moon obviously resided in her face. The Tissues were obviously saturated with milk. The feeling of polished stone established itself against her ears, and her cheek was rewound with metal tape. Living in the caves of her throat were pictures, not words. Her hand dound clay to squeeze into bowls. An object as white and soft as pork. An object as silent as pillows. She was as still as wet paper. The moon obviously resided in her face. And walked noiselessly to the sky each night.” Minimal discolorations on the dustjacket.

111. [John Montague Collection] – [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

112. Wakoski, Diane / [Clayton Eshleman].

Virtuoso Literature for Two and Four Hands – New Poems by Diane Wakoski. [Association Copy] –

First Edition. New York, Doubleday & Co., 1975. 14,5 x 21,5 cm. 85 pages. Original Hardcover in original dustjacket. In protective Mylar. Very good+ condition. Association copy with the author’s signed dedication to Clayton and Caryl Eshleman on the front free endpaper: “For the Eshlemans – It is precision that defines beauty. Beauty is either contrast or subtleties, the unexpected or the inevitable.” Minor signs of rubbing on the dustjacket.

113. [Marti de Cid, Dolores] Ungaretti, Giuseppe.

Vita d’un Uoma – Traduzioni II: Da Góngora e da Mallarmé.

Italia, Arnoldo Mondadori Editore, 1948. 19cm x 13cm. 124 (4) pages. Original softcover in protective Mylar. Very good condition with only minor signs of external wear. Con dedica autografa di Ungaretti a Dolores Marti de Cid / Inscribed and signed by Giuseppe Ungaretti to famous cuban theatre and literature expert Dolores Marti de Cid. With the library stamp of her famous theatre library “Biblioteca Cid-Marti- Set 21 1957 – La Habana, Cuba”. [Lo ‘Specchio’ – I poeti del Nostro Tempo / Vita d’un Uoma – Traduzioni II].

114. [Marti de Cid, Dolores] Ungaretti, Giuseppe.

Vita d’un Uomo – Poesie I: 1914 – 1919 L’Allegria.[Inscribed and signed by Giuseppe Ungaretti to famous cuban, Dolores Marti de Cid].

Quatro Edizione. Italia, Arnoldo Mondadori Editore, 1954. 19cm x 13cm. 115, (10) pages. Original softcover in protective Mylar. Very good condition with only minor signs of external wear. Con dedica autografa di Ungaretti a Dolores Marti de Cid / Inscribed and signed by Giuseppe Ungaretti to famous cuban, Dolores Marti de Cid. With the library stamp of her famous theatre library “Biblioteca Cid-Marti- Set 21 1957 – La Habana, Cuba”. [Vita D’Un Uomo Poesie I. L’allegria 1914-1919.]

115. [Adorno, Theodor W. / Horkheimer, Max / Benjamin, Walter] Haag, Karl-Heinz / Schweppenhäuser, Prof. Dr. Hermann.

Wichtige Frankfurter Schule-Sammlung von sehr bedeutenden Arbeitsexemplaren / Widmungsexemplaren / Autorenexemplaren, Autographen und Manuskript-Notiz-Zetteln des deutschen Philosophen Karl-Heinz Haag. Die Arbeitsexemplare (Sieben Buchtitel in neun (9) Bänden) und handschriftlichen Notizen und Autographen (Postkarten), stammen aus der privaten Bibliothek des Adorno und Horkheimer- Schülers, Karl-Heinz Haag. Die in der Sammlung enthaltenen Manuskript-Notizen und Autographen (Postkarten von Horkheimer) sind inhaltsreich und teilweise auch deshalb sehr bedeutend, weil es unter Insidern bekannt ist, dass Haag auch während seiner aktiven Zeit innerhalb der Frankfurter Schule notorisch wenig veröffentlicht und schriftlich kommentiert hat. Beiliegt ausserdem ein Zeitungsausschnitt zur Adorno-Lehrstuhl-Nachfolge. / Important, stunning collection of seven, signed or/and annotated association-copies (working-copies) from the private library of german philosopher Karl-Heinz Haag. Haag was pupil, friend and colleague of Adorno and Horkheimer and was one of the members of the Frankfurt School of Social Theory and Social Research. The collection of annotated books (Seven Booktitles in nine (9) volumes) also includes ephemera (Autograph postcards, newspaper-clipping, as well as several manuscript – pages of significant notes and thoughts by Karl-Heinz Haag regarding topics discussed in some of these publications). The collection is especially important because Haag published and commented notoriously little during and after his tenure in Frankfurt. [See complete set of photographs of this collection on our website].

Frankfurt u.a., Suhrkamp / Institute of Social Research / Kohlhammer etc., 1955 – 1972. Octavo. Paginierung / Collation: 1. Adorno – Aspekte der Hegelschen Philosophie (Inscribed, signed): 59 Seiten mit zahlreichen Annotationen /59 pages, heavily annotated / 2. Haag – Kritik der neueren Ontologie (Author’s copy): 59 Seiten / 59 pages / 3. Adorno – Drei Studien zu Hegel (Inscribed, signed): 172 Seiten mit zahlreichen Annotationen / 172 pages with annotations / 4. Horkheimer – Zur Kritik der instrumentellen Vernunft (Inscribed, signed): 353 Seiten mit vielen Anmerkungen und Anstreichungen / 353 pages, heavily annotated / 5. Horkheimer – Kritische Theorie (Inscribed, signed): XIV, 376, XI, 358 Seiten mit zahlreichen Anmerkungen und Anstreichungen / XIV, 376, XI, 358 pages, heavily annotated / 6. Schweppenhäuser – Tractanda (Inscribed, signed): 141 Seiten / 141 pages. Original Softcover and Hardcover – Volumes. Sehr guter Erhaltungszustand aller Publikationen mit teilweise eingelegten, handschriftlichen Notizen sowie ein alter Zeitungsartikel in dem der Zersetzungsprozess der Frankfurter Schule kommentiert wird. / All publications in very good condition with minor signs of wear. Amazing provenance and possibly one of the last important collections surfacing from the library of a member of the Frankfurt School. The inter-connection between Adorno – Haag – Horkheimer, reflected in Haag’s annotations, lends itself for study and new publications of criticism.

116. Crymble, Phillip.

Wide Boy.

First Edition. Belfast, Lapwing Publications, 2007. 14 x 20,5 cm. 39 pages. Original Softcover. Excellent condition with only minor signs of external wear. Association copy with a signed dedication by the author to fellow poet Adam Wyeth on the title page.

117. Palmer, Michael / [Clayton Eshleman].

Without Music. [Association Copy] –

First Edition. Santa Barbara, Black Sparrow Press, 1977. 15,5 x 23,5 cm. 128 pages. Original Hardcover with cloth spine and paper-covered boards. In protective Mylar. Excellent condition. Beautiful association copy with the author’s dedication to Clayton Eshleman on the front free endpaper. With Palmer’s full signature on the edition page. Number 146 of 200 printed copies.

118. Rich, Adrienne / [Jane Cooper].

Women and Honor: Some Notes on Lying. [Association Copy].

First Edition. Pittsburg, Motheroot Publications, 1977. 14 x 22 cm. Unpaginated. Approximately 20 pages. Original Softcover in protective Mylar. Stapled. Very good+ condition. Association copy with the author’s heartfelt inscription to poet Jane Cooper on the title page: “For Jane – with always growing love and admiration – from Adrienne”. Clean and tight copy with some fading near the spine. Also included an advertising flyer on Adrienne Rich’s “Women and Honor – Some Notes on Lying”.

119. Atwood, Margaret.

You Are Happy.

First Edition. New York, Harper & Row, 1973. 14 x 21 cm. 96 pages. Original Hardcover with blue cloth spine and orange paper-covered boards. With original dustjacket in protective Mylar. Very good+ condition. Beautiful association copy, inscribed by Margaret Atwood’s to Jerry Buckley and his wife Elizabeth on the half title.