1. [Zelnik, Friedrich / Morel, Emma] Brugmans, H. / Loosjes, A.

Amsterdam in Beeld. [From the library of Frederic Zelnik] Met 613 Afbeeldingen.

Zesde Vermeerdere Druk. Amsterdam, Scheltema & Holkema, (ca.1925). 4°. VIII, 372 pages with 613 photographs of Old Amsterdam, prior to the second world war. Original illustrated Hardcover. Very good condition with only minor signs of external wear. Hinge slightly shaky. From the library of Frederic Zelnik / Friedrich Zelnik. Inscribed to Frederic Zelnik by one of his silent cinema actresses, Emma Morel, during the filing of “Vadertje Langbeen”, based on a Novel from Jean Webster and adapted fror the screen by Rudolph Bernauer, the film was made by Zelnik and filmed in Amsterdam. Emma Mourel was one of the stars of the Movie and inscribed the book to Zelnik: “Van ouren voorbeeldigen Regisseur den Heer Friedrich Zelnik, her herinnering van Amsterdam Augustus 1938. Voor alle….Gross-aufnahmen !! Met reeht-hartelycken dank en auf Wiedersehen von Emma Morel”.

2. [Tey, Josephine / Daviot, Gordon] / [Gielgud, John].

Josephine Tey – John Gielgud Collection of stunning Association copies of Plays which crucially defined both of their careers as writers and actors. The collection includes important, signed and inscribed association – copies of the two significant productions “Richard of Bordeaux” and “Queen of Scots”, both from John Gielgud’s personal library and with manuscript inscriptions to John Gielgud [and Laurence [Larry] Olivier] by Josephine Tey, aka Gordon Daviot, aka Elizabeth MacKintosh. The collection includes: 1. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux – A Play in Two Acts” – With John Gielgud’s Bookplate (Ex Libris). The ultimate Association-copy, warmly and lengthy inscribed by Josephine Tey to John Gielgud. First Edition. London, Victor Gollancz, 1933 / 2. “Richard of Bordeaux” – Original Programme of “The Streatham Hill Theatre”, 1934. Signed by John Gielgud / 3. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – Original File-copy with dustjacket and Publisher’s wrapper “The Play of the Year” at the New Theatre” – First Edition, 1933 / 4. Gordon Daviot [Josephine Tey] Gordon Daviot – “Richard of Bordeaux – A Play in Two Acts” – [Fifth Edition, 1933] – Special Cast, Producer and Production-Signed copy and inscribed to one “Eileen Grainger”, with the most interesting dedications in manuscript signatures – Signed and inscribed by lead actor and producer John Gielgud [Richard II], Signed and inscribed by leading Lady, actress Gwen Ffrangcon-Davies, Signed and inscribed by Gordon Daviot [Josephine Tey], Also beautifully signed and inscribed with a musical score by Shakespeare-composer and Musical Director for John Gielgud, Herbert Menges OBE ! / 5. “Queen of Scots – A Play in Three Acts” – The Ultimate Association-copy, inscribed by Josephine Tey to her producer: “John Gielgud – from ‘his Gordon Daviot’ / July 1934” / 6. Gordon Daviot – “Queen of Scots – A Play in Three Acts” – Association-copy, signed and warmly and lengthy inscribed by Josephine Tey to Laurence Olivier / 7. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – A Softcover-Version of the Play in Fourth Impression, 1933 / 8. Josephine Tey – “The Daughter of Time” – First Edition, Second Impression (Second Printing). London, Peter Davies, July 1951 [The First Edition was in June 1951]. Original Hardcover with the slightly frayed original dustjacket in Mylar / 9. John Gielgud – “Early Stages” – New and Revised Edition. London, The Falcon Press, 1948. With pages of detail about the work of John Gielgud with Gordon Daviot [Josephine Tey] / 10. Jennifer Morag Henderson – “Josephine Tey – A Life” – With a Foreword by Val McDermid. Sandstone Press, 2015 //

London, Victor Gollancz, 1933 – 1948. Octavo. Hardcover / Original Publisher’s cloth. Very good condition with only minor signs of wear.

3. Rojas, Gonzalo.

Materia de testamento.

Espana (Spain), Hiperion, 1988. 20cm x 13.5cm. 192 pages. Original Softcover. Very good condition with only minor signs of wear. Inscribed and signed by Gonzalo Rojas on the endpaper: “A mi Hermano Arturo Tienken , poeta, músico, alumbrado – mi abrazo grande – Gonzalo Rojas”

4. [Viereck, Peter] Acton, Harold / Yi-Hsieh, Lee.

Four Cautionary Tales [Inscribed by Harold Acton to George Sylvester Vviereck]. Translated from the Chinese by Harold Acton and Lee Yi-Hsieh. With an introduction by Arthur Waley.

First John Lehmann Edition. London, John Lehmann Ltd., 1947. 13 cm x 19 cm. XIII, 159 pages. Original Hardcover with the rare, illustrated, original dustjacket in protective collector’s mylar. Very good condition with minor signs of external wear. The dustjacket shows some tears and fraying with minor loss to the edges. Traces of foxing on the pages and on the edges. Signed and inscribed by Harold Acton: “To the great Mr. Viereck with homage and fervent best wishes – Harold Acton”. [Second Collection of a trilogy compiled and edited by Feng Menglong in 1624].

5. Gellner, Ernest.

Saints of the Atlas.

First Edition. London, Weidenfeld and Nicolson, 1969. Octavo. 317 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Very good copy in publisher’s cloth covered boards in like dust jacket. Author’s presentation card loosely inserted. Inscribed and signed by Gellner on the half title :″With all the best wishes, Ernest.”

6. [Collection Tomi Ungerer] – [Bonet, Jordi / Ungerer, Tomi] Folch-Ribas, Jacques.

“The Sign and The Earth / Le Signe et la Terre / El Signe i la Terra / El Signo Y la Tierra” – [Book with an “Original drawing of two Nudes” on the endpaper of the publication. Signed and inscribed by Jordi Bonet to Tomi Ungerer: “A Tomi – Jordi”].

First Edition. Montreal, Editions du Centre de Psychologgie et de Pedagogie, 1964. Quarto (21.7 cm x 22 cm high). Hardcover / Original Publisher’s cloth. Very good condition with only minor signs of wear. Extremely Rare Nude Drawing dedicated by Jordi Bonet to Illustrator Tomi Ungerer during their time living in Newfoundland.

7. [Dawson, Miles Menander / Meynell, Alice] Rittenhouse, Jessie B.

The Little Book of American Poets 1787-1900 [Association copy: Inscribed by american Poet and Philosopher Miles Menander Dawson and his wife to english Poet Alice Meynell: “To Mrs. Alice Meynell with the best regards of her friends Mr. + Mrs. Miles M. Dawson”].

First Edition. Boston and New York, Houghton Mifflin Company, 1915. Small Octavo. XX, 306 pages. Hardcover / Original publisher’s cloth. Very good condition with only minor signs of wear. Very rare and beautiful association between these two Poets.

8. Habermas, Jürgen.

Theorie und Praxis – Sozialphilosophische Studien [Signiert / Widmung / Widmungsexemplar des Philosophen Jürgen Habermas an den amerikanischen Philosophen Victor Gourevitch].

21. – 32. Tausend. Frankfurt, Suhrkamp, 1963. Oktav. 466 Seiten. Original Softcover. Sehr guter Zustand / Excellent condition with some minor signs of wear only. Inscribed / signed by german philosopher Jürgen Habermas to american philosopher Victor Gourevitch:″Victor Gourevitch mit herzlichem Dank – Jürgen Habermas – 12.I.72”.

9. [John Montague Collection] – [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

10. [Palme, Olof]

Fataburen – Nordiska Museets och Skansens Arsbok [signed and inscribed by former swedish prime minister Olof Palme to english theatre director Peter Ashmore: “To Peter – A Great Englishman and a true friend of Sweden – Your friend Olof Palme”].

1973. Octavo. 206 pages with several photographs. Original, illustrated Hardcover. Very good condition with only minor signs of external wear.

11. [Holton, Gerald] / Wheeler, John Archibald.

Elementary Particle Physics – Original Offprint from the library of John Archibald Wheeler and subsequently from the library of Gerald Holton, with a postcard attached which Holton sent/addressed to Wheeler, requesting this offprint and which Wheeler subsequently sent to Holton.

[Princeton], Reprinted from “American Scientist”, 1947. Octavo. 20 pages. Original Softcover. Very good condition with only minor signs of external wear. Manuscript entry of titles Holton requested from Wheeler on the postcards / in ink. Postcard stamped with “Jefferson Physical Laboratory – Harvard University”

12. Derrida, Jacques.

Du Droit á la philosophie. [Envoi autographe signé de Jacques Derrida].

Paris, Galilée, 1990. Large Octavo. 658 pages. Original Softcover / Broché in Mylar. Envoi autographe signé de Jacques Derrida. / Excellent condition. Inscribed, signed and dated on the half-title by Jacques Derrida to his friend André in New York.

13. Behring, Emil von.

Gesammelte Abhandlungen – Neue Folge. [Originales, ehemaliges Beleg-Exemplar der Behringwerke Marburg].

Erste Ausgabe. Bonn, A.Marcus & E.Weber, 1915. Octavo. XVIII, 246 Seiten. Original Hardcover / Wunderbare Original-Ausgabe, ein Beleg-Exemplar der Behringwerke in der schoenen Verlagsbindung mit dem Exlibris des dänischen Wissenschaftlers Vilhelm Jensen auf dem Innendeckel [Vilhelm Jensen war in Kopenhagen Mitarbeiter des Bakteriologen und Robert Koch-Schüler’s Carl Julius Salomonsen]. Exzellente Erhaltung / Unusually excellent condition, this copy comes from the library of danish scientist Vilhelm Jensen (Co-worker of danish bacteriologist Carl Julius Salomonsen). Rare and special !

14. [Marti de Cid, Dolores] Ungaretti, Giuseppe.

Vita d’un Uoma – Traduzioni II: Da Góngora e da Mallarmé.

Italia, Arnoldo Mondadori Editore, 1948. 19cm x 13cm. 124 (4) pages. Original softcover in protective Mylar. Very good condition with only minor signs of external wear. Con dedica autografa di Ungaretti a Dolores Marti de Cid / Inscribed and signed by Giuseppe Ungaretti to famous cuban theatre and literature expert Dolores Marti de Cid. With the library stamp of her famous theatre library “Biblioteca Cid-Marti- Set 21 1957 – La Habana, Cuba”. [Lo ‘Specchio’ – I poeti del Nostro Tempo / Vita d’un Uoma – Traduzioni II].

15. Schweik, Susan.

A Gulf So Deeply Cut. American Women Poets and the Second World War.

Madison, The University of Wisconsin Press, 1991. 15 x 23 cm. 385 pages. Paperback. With an emotional inscription/dedication from the author to american poet, Jane Cooper. Very good condition with only minor signs of usage.

16. [Schelling, Friedrich Wilhelm Joseph] Wirth, Jason M.

The Conspiracy of Life. Meditations on Schelling and His Time.

First Edition. Albany, State University of New York Press, 2003. 15 x 22,5 cm. 290 pages. Original Softcover. Excellent condition with only minor signs of external wear. From the library of philosopher Graham Parkes. Inscribed / Association copy with the author’s signed dedication to Parkes on the half title.

17. Pitt-Kethley, Fiona.

Selected Poems.

First Edition. Cambridge, Salt Publishings, 2008. 14,5 x 22 cm. 126 pages. Original Hardcover in original dustjacket. Excellent condition with only minor signs of external wear. Association copy with the author’s dedication on the endpaper to fellow poet Adam Wyeth.

18. O’Connell, Eugene.

Diviner.

First Edition. Cork, Three Spires Press, 2009. 13,5 x 21,5 cm. 64 pages. Original Softcover. Excellent condition with only minor signs of external wear. Association copy of a very rare book with a signed dedication by the author to Adam Wyeth on the title page.

19. Murphy, Gerry.

Torso of an Ex-Girlfriend.

First Edition. Dublin, The Dedalus Press, 2002. 15 x 21 cm. 64 pages. Original Softcover. Excellent condition with only minor signs of external wear. With a signed dedication by the author to fellow Adam Wyeth on the title page: “To Adam, the first and the last – Gerry Murphy”. Beautiful association copy of this rare, out-of-print book.

20. Laws, J.A. / Peacock, H.L.

Political Parties – A comparative Survey on Communism, Conservatism, Fascism [The British Union of Fascists], I.L.P., Labour and Liberalism. [Signed and inscribed by author H.L.Peacock to his colleague and fellow historian L.M.Goldthorpe].

Cambridge, W.Heffer & Sons, [1937]. Octavo. 54 pages. Original Softcover. Very condition with only minor signs of external wear to upper and lower spine. Signed under the preface !