31. [Schneemann, Carolee] Fraser, Kathleen.

Something (even human voices) in the foreground, a lake. [Association Copy] –

Berkeley, Kelsey St. Press, 1984. 22.9cm x 17.8cm. (10) 34 (4) pages. Original illustrated softcover. Cover stained. Otherwise very good. From the library of Carolee Schneemann, with her ownership – stamp to the endpaper (New Paltz – New York) / Inscribed by the author to Carolee Schneemann: “for Carolee – twenty years later – wonder/full to have survived all this and to live, still, in the imagining moment – love – Kathleen – San Francisco – 11.15.84”.

32. [Schneemann, Carolee] Eshleman, Clayton.

The Gull Wall. [Annotated Association Copy] –

Los Angeles, Sparrow Press, 1975. 22.7cm x 14.6cm. (5) 111 pages. Original illustrated softcover in protective Mylar. Excellent condition with only minor signs of external wear. With Carolee Schneemann’s ownership-stamp on endpaper. Inscribed by Clayton Eshleman to Carolee Schneemann. Schneemann has annotated and commented on several poems inside the publication.

33. [Schneemann, Carolee] Eshleman, Clayton.

Bearings. [Two fantastic association copies of this limited edition / Both copies from the library of Carolee Schneemann / Both, beautifully inscribed by Clayton Eshleman to Carolee Schneemann and one copy with an annotation and several interesting textmarkings by Carolee Schneemann].

First Edition. Santa Barbara, Capricorn Press, 1971. 22.5cm x 15.3cm. 22 (6) pages. Original illustrated softcover. Excellent condition of noth editions, with only minor signs of external wear. This is one of Eshleman’s most personal works, which explains why he inscribed it in two consecutive years to Carolee Schneemann. Clayton Esleman writes about the impact Rilke’s “Letters to a Young Poet” had on him in 1959. Carolee Schneemann has marked several passages which were important to her, among which is: “for in the sense that what is deeply sick in man today is his hate for his body, in that he has loaded the most energetic word he has for love-making with all the hostility he feels against the act of love. Don’t fuck with me, we say. Keep your fucking hands off. Fuck you. And that word, like a jungle interwoven with all kinds of lianas and vines of tensions, desires, and hate, can’t now possibly convey just its erotic energy – “. / Eshleman also leaves a short biographical note (in print) at the end of this Volume in which he critically describes his consequential status quo: “…..Moved to New York City the summer of 1966…..the bottom fell out: I left my family, moved into a hole in the corner of Greenwich Avenue and Bank Street and entered Reichian Therapy…..Presently living in Sherman Oaks, California, with my wife Caryl – and, as of last week, loaned orgone accumulator sitting expectantly in Garage….– 28 January 1971”.

34. [Marti de Cid, Dolores] Ungaretti, Giuseppe.

Vita d’un Uomo – Poesie I: 1914 – 1919 L’Allegria.[Inscribed and signed by Giuseppe Ungaretti to famous cuban, Dolores Marti de Cid].

Quatro Edizione. Italia, Arnoldo Mondadori Editore, 1954. 19cm x 13cm. 115, (10) pages. Original softcover in protective Mylar. Very good condition with only minor signs of external wear. Con dedica autografa di Ungaretti a Dolores Marti de Cid / Inscribed and signed by Giuseppe Ungaretti to famous cuban, Dolores Marti de Cid. With the library stamp of her famous theatre library “Biblioteca Cid-Marti- Set 21 1957 – La Habana, Cuba”. [Vita D’Un Uomo Poesie I. L’allegria 1914-1919.]

35. Watkins, Vernon / [Provenance: Constantine Fitzgibbon (Major Robert Louis Constantine Lee-Dillon)].

Affinities – Poems by Vernon Watkins [Inscribed Association-copy by Vernon Watkins to fellow writer, Constantine Fitzgibbon: “for Constantine from Vernon”].

First Edition. Norfolk (Connecticut), A New Directions Book, 1962. Octavo. 99 pages. Original Hardcover with illustrated dustjacket. Very good condition with only minor signs of wear. Rare Association !

36. Jacobsen, Josephine.

The Human Climate [Inscribed].

First Edition. Baltimore (Maryland), Contemporary Poetry, 1953. Octavo. 39 pages plus Colophon. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear. From the library of american writer Peter Viereck. Inscribed and signed by Jacobsen to Peter Viereck on the endpaper: “For Peter – with admiration for him + for his work – Josephine Jacobsen”.

37. [Marti de Cid, Dolores] Ungaretti, Giuseppe.

Vita d’un Uoma – Traduzioni II: Da Góngora e da Mallarmé.

Italia, Arnoldo Mondadori Editore, 1948. 19cm x 13cm. 124 (4) pages. Original softcover in protective Mylar. Very good condition with only minor signs of external wear. Con dedica autografa di Ungaretti a Dolores Marti de Cid / Inscribed and signed by Giuseppe Ungaretti to famous cuban theatre and literature expert Dolores Marti de Cid. With the library stamp of her famous theatre library “Biblioteca Cid-Marti- Set 21 1957 – La Habana, Cuba”. [Lo ‘Specchio’ – I poeti del Nostro Tempo / Vita d’un Uoma – Traduzioni II].

38. [Voegelin, Eric] Sebba, Gregor / [Provenance: Henry David Aiken Collection].

Eric Voegelin: From Enlightenment to Universal Humanity.

The Southern Review, 1975. Octavo. 7 pages [pages 918 – 925 of Volume XI, No.4 – Autumn 1975 of the Southern Review. Original Offprint / Stapled. Very good condition with some minor signs of wear and some staining only. Signed and inscribed by Emory Professor, Gregor Sebba, to Henry David Aiken: “For Professor Aiken from a fellow traveller – G. Sebba”.

39. Yeats, William Butler / [George [Georgie] Yeats / Mrs. Eva Hempel / Eduard Hempel].

Pages from a Diary Written in Nineteen Hundred and Thirty. [Signed / Inscribed by George Yeats to Mrs. [Eva] Hempel, wife of german ambassador to Ireland during World War II].

No.8 / 200 copies, of the original limited edition. Dublin, The Cuala Press, 1944 [September 1944]. Octavo. 58 pages. Original Hardcover. Inscribed by George Yeats on the front free endpaper: “Mrs. Hempel from George Yeats, April 1944”. This has to be of course “April 1945”. The impossibility of signing/inscribing a book in April 1944 if it was only published in September 1944 is easily explained with the classic everyday-mistake of still writing the previous year in the first few months of the following year. A stunning association. The signature and inscription is a solid match to George Yeats’ autographs in her later hand and William Butler Yeats and George Yeats were frequent visitors to the Hempel’s in Dublin. In addition, the low number of the edition (8/200) suggests this being one of the reference copies given to George Yeats, who contributed heavily to the volume and even added an explanatory note (in print) verso the titlepage. This copy is near fine, bound in the publisher’s quarter buckram over yellow, paper-covered boards. The books pages remained unopened. Eva Hempel’s husband Eduard Hempel is one of the most controversial figures in modern Irish history, excoriated by some as ‘Hitler’s man’, defended by others such as the country’s first President, Eamon De Valera. Certainly, Hempel presented William Butler Yeats in 1938 with a copy of ‘Germany Speaks’ whose inscription described an ‘unforgettable afternoon’ spent together by Yeats and Hempel. Eduard Hempel and his wife were accepted socialites in the Dublin world of World War II, famously receiving a condolence call by de Valera upon the death of Hitler. Eduard Hempel and his wife Eva were granted asylum in Ireland after world war II and stayed way beyond the end of World War II.

40. [Rossetti] Beerbohm, Max / [John Gilbert “Jack” Bohun Lynch].

Rossetti and his Circle [Association Copy – Inscribed / Signed by Max Beerbohm to his friend, Biographer and fellow Caricaturist, (John Gilbert)″Jack [Bohun] Lynch”].

First Edition. London, William Heinemann, 1922. Quarto. Frontispiece, IX, [1] pages with 23 tipped-in plates (including the now famous Oscar Wilde – Caricature) with lettered tissue-guards. Original Hardcover with original dustjacket. The dustjacket very poor and fragmented but the Volume itself in excellent, firm condition. All colour-plates with tissue-guards in place and in wonderful condition. Excellent association-copy with the personal inscripton by Max Beerbohm to his friend Jack Lynch by incorporating the half-title: “Jack Lynch’s copy of [Rossetti and his Circle] from Max – 1923”.