401. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

402. [Schneemann, Carolee] Eshleman, Clayton.

Bearings. [Two fantastic association copies of this limited edition / Both copies from the library of Carolee Schneemann / Both, beautifully inscribed by Clayton Eshleman to Carolee Schneemann and one copy with an annotation and several interesting textmarkings by Carolee Schneemann].

First Edition. Santa Barbara, Capricorn Press, 1971. 22.5cm x 15.3cm. 22 (6) pages. Original illustrated softcover. Excellent condition of noth editions, with only minor signs of external wear. This is one of Eshleman’s most personal works, which explains why he inscribed it in two consecutive years to Carolee Schneemann. Clayton Esleman writes about the impact Rilke’s “Letters to a Young Poet” had on him in 1959. Carolee Schneemann has marked several passages which were important to her, among which is: “for in the sense that what is deeply sick in man today is his hate for his body, in that he has loaded the most energetic word he has for love-making with all the hostility he feels against the act of love. Don’t fuck with me, we say. Keep your fucking hands off. Fuck you. And that word, like a jungle interwoven with all kinds of lianas and vines of tensions, desires, and hate, can’t now possibly convey just its erotic energy – “. / Eshleman also leaves a short biographical note (in print) at the end of this Volume in which he critically describes his consequential status quo: “…..Moved to New York City the summer of 1966…..the bottom fell out: I left my family, moved into a hole in the corner of Greenwich Avenue and Bank Street and entered Reichian Therapy…..Presently living in Sherman Oaks, California, with my wife Caryl – and, as of last week, loaned orgone accumulator sitting expectantly in Garage….– 28 January 1971”.

403. [Saadi of Shiraz] Sa’di / Abu-Muhammad Muslih al-Din bin Abdallah Shirazi.

Golestan [Gulistan / Rose Garden] – Original 19th century printed version in Persian / Farsi with some contemporary manuscript notes in pencil. Complete title: Great praise and admiration be upon the Creator of the earth, human kind and spirit Infinite blessings and greetings to the God’s beloved court that in this time with the songs of nightingale in the magic and harmonious flower garden of Honourable Sheikh Saadi Shirazi, may God have mercy on him, and great acknowledgement of the book Golestan. Thanks to the great number of believers, God’s follower Qazi Ibrahim Hajji, the noble pious Hajji Qazi Nour Mohammad Milpabadi and Nour-e-Din Bin Heikhakhan, for the second time.

Bombay, In the Printing House Heydari, 1875. Octavo. 252 pages. Hardcover / Contemporary 19th century half leather with marbled paper-covered boards. It is clear from three consecutive little wholes to the bookblock that this version of the Rose Garden was previously bound as a blockbook and rebound in 19th century boards. First 9 and last 7 pages with a faded stain, possibly from the glue of a former wrapper. Otherwise in very good condition with only minor signs of external wear. Some occasional manuscript notes in pencil in english.

404. Rath, Hanns Wolfgang [d.i. Carl Friedrich Schulz-Euler].

Seelen, Die Ein Klang Umspinnt – Verse.

Frankfurt am Main, Verlag Carl Fr. Schulz, 1916. Oktav. Frontispiz mit einem photographischen Portrait von Rath [Lichtbildaufnahme von Hugo Erfurth=Dresden], 36 nn. Seiten. Stoffeinband. Limitierte Auflage: Fünfzehn Exemplare wurden auf Büttenpapier abgezogen und handschriftlich bezeichnet. Die trägt die Nummer 8. Von nur fünfzehn Exemplaren ! Voll signiert von Hanns Wolfgang Rath. Gedruckt im Sommer 1916. Aussergewöhnlich gut erhalten. Von grosser Seltenheit.

405. O’Sullivan, M.L. [Michael John] / [Moore, Thomas].

A Fasciculus of Lyric Verses : By the Late M.J.O’Sullivan, Esq., Barrister at Law, dedicated, (by Permission), to Thomas Moore, Esq. [With a Memoir of the Author and a “Biographical Sketch of the Late Joseph Augustine Wade – The Last Production of the AUthor, written a few days before his death”].

First Edition. Cork, From the Machine of W. Scraggs, 102, Patrick-Street, 1846. Octavo. 84 pages. Private half cloth – binding of the time. Bookblock nearly detached form binding. Some rubbing to corners and spine. Interior, pages and titlepage in excellent condition and very clean. Signed and dated by the preowner in the year 1847 (″JSA” or “HA”). Extremely Rare !

406. [Morrison, John / Midleton / Castlemartyr] / [Prior, Matthew].

Poems on Several Occasions by the late Matthew Prior [Including “Memoirs of the Life of Mr.Prior” / Including: “Solomon on the Vanity of the World” / “An Ode Humbly Inscrib’d to the Queen, on the Glorious Success of her Majesty’s Arms, MDCCVI. Written in Imitation of Spenser’s Style” / “Alma, or the Progress of the Mind – In three Cantos” / “Downhall – A Ballad – To the Tune of King John and the Abbott of Canterbury” ].

First and Forurth Edition. Two Volumes (complete set). London, J.R.Tonson and S.Draper and H.Linto / C.Hitch at the Red Lyon and J. Hodges at the Looking-Glass, 1754. Small-Octavo (10,5 cm x 16,5 cm). Volume I [First Edition, printed by Tonson]: [11], 402, [3] pages with two title-pages/ Volume II: [Fourth Edition, printed by C. Hitch and J.Hodges], Frontispiece, LXXII, 356 pages with two full-page copper-engravings by van Gucht (plus engraved Frontispiece). Original Hardcover. Very good condition with only minor signs of wear. With the name “John Morrison” on the titlepage of both Volumes [possibly the 18th century – Architect John Morrison from Midleton, with a connection to Castlemartyr]. These books came subsequently from, the Library of Daniel Conner, Connerville / Bandon / Manch House in which also a set of Buffon, from the library of Richard Boyle Bernard, Dean of Leighlin and MP for Bandon Bridge was included.

407. Meister, Ernst.

Ausstellung – Gedichte von Ernst Meister [Originalausgabe / wahrscheinlich das originale Korrekturexemplar des Autors oder Verlags].

Erste Ausgabe. Marburg, Verlag Marburger Flugblätter, 1932. Oktav. 64 Seiten. Original Softcover (cremefarbene Englisch-Broschur mit roter Betitelung). Der Buchblock minimal von der Broschur gelöst. Sonst in sehr gutem Zustand, mit Merkmalen eines Korrekturexemplars: Der obere Schnitt etwas uneben, einige Seiten mit handschriftlicher, zusätzlicher Numerierung (und auch Anmerkung) die eine andere Paginierungsfolge oder Reihenfolge der Gedichte suggeriert. Einige Textstellen mit handschriftlicher Änderung einzelner Buchstaben. Kurze Widmung auf dem Vorsatzblatt: “f. Ulla” (nicht verifizierbar ob von Meister). Das Gedicht “Der Gebückte” mit einer handschriftlichen Anmerkung die eine eventuelle, dreimalige Wiederholung des ersten Teiles (‘Er geht’) mit zwei Fragezeichen erwägt. Sehr seltene, erste Veröffentlichung von Ernst Meister. Der Fund dieser Ausgabe ist eine kleine Sensation da Ernst Meister die Auflage persönlich vernichtete nachdem der Verlag Ihm die Bücher zurückgesendet hatte. Seine Ehefrau Else Meister rettete, laut einigen Quellen, nur einige wenige Exemplare aus der Mülltonne. / Als Zugabe zu der Ausgabe liegt dem Band eine Sammlung von sehr seltenen “Mitteilung[en] für Freunde” bei. Ernst Meister hat diese “Im Handsatz als Manuskript gedruckt”. Beiliegen No.2 – 6 der Mitteilungen”. Diese sind signiert mit dem Namenszug “Ernst Meister” versehen und der Jahreszahl der Herausgabe auf der Titelbroschur.

408. Kayser, Rudolf / [Ilse Löwenthal-Einstein Kayser / Zohn, Harry / Eva Urgiss-Kayser / Walter ?]

Ilse – Ein Requiem – Signed and inscribed by Rudolf Kayser: “Für Walter zur Erinnerung an uns beide ! – Rudolf Kayser” – [From the library and collection of Harry Zohn with TLS loosely inserted: Typed Letter – signed by Eva Urgiss and addressed to Harry Zohn in New York, 1967. The amazing letter refers to Harry Zohn having alerted her to have found this book in the Rare Book Catalogue of Rare Book Dealer Rosenthal (possibly Bernard & Ruth Rosenthal) and Eva Urgiss is outraged about the fact that this very personal, only privately printed publication, which was only handed out to very few close friends, would have been sold to a rare book dealer and this rare bookdealer having the audacity to offer the book for sale. Eva Urgiss continues to speculate that she knows only of three Walter’s who could have been the recipients and she will investigate. She expresses how happy she is that Harry Zohn has purchased the book.]

[Holland], Privatdruck, 1936. Duodecimo (11 cm x 15 cm). 56 pages. Original Hardcover,professionally restored with new endpapers. Excellent condition in protective Mylar. Beautifully signed and inscribed. Unbelievably rare exile-publication.

409. Hecht, Anthony.

The Venetian Vespers. [SIGNED – Limited Edition]. Etchings by Dimitri Hadzi.

First Edition. Boston, David R. Godine, 1979. 14 cm x 24.3 cm. Frontispiece. 25 pages. With black and white illustrations throughout. Original Hardcover with dustjacket in protective collector’s Mylar. Very good+ condition with only minor signs of external wear. Some minor wear to dustjacket only. Otherwise bright and clean. One hundred and sixty-five copies were designed and printed at Warwick Press, Easthampton, Massachusetts, by Carol J. Blinn. The type is Dante, composed by Michael and Winifred Bixler, Boston, and the paper is Falloden Ivory Laid. R.E. Townsend, Inc., Boston, printed the etchings on Rives Lightweight. The binding is by Gray Parrot, Hancock, Maine, with paste paper by Carol J.Blinn. Fifteen copied are hors de commerce. This is copy number 96. SIGNED by author on rear endpaper.

410. [Castlemartyr Library – Supple’s Court] Churchill, Charles.

Poems by Charles Churchill in Three Volumes with Large Corrections and Additions. To which is added, the Life of the Author. Adorned with Cuts.

The Sixth Edition. Three Volumes (complete set). London, Printed for J.Wilkes, 1767. Small-Octavo (10 cm x 16.7 cm). Volume I: Frontispiece-Portrait of Charles Churchill, XII, 184 pages / Volume II: Frontispiece-Portrait of John Wilkes, 179 pages / Volume III: Frontispiece-Portrait of William Hogarth, 208 pages. Hardcover / Original 18th century full calf with gilt lettering and spinelabels. Excellent condition with minor tear to the corner of one of the contents-pages. Interior bright and clean on excellent paper. Provenance: From the library of Edward Supple [Supple’s Court near Castlemartyr, County Cork], with the name “Ed Supple” in ink to the titlepages of each Volume. / Subsequently from the library of Daniel Conner.

411. [Byron Circle] Haygarth, William.

Greece, A Poem, In Three Parts; With Notes, Classical Illustrations, And Sketches Of The Scenery.

First Edition. London, Printed by W,Bulmer and Co., 1814. Quarto (24 cm wide x 30 cm high). 304 pages with all 9 original sepia-aquatint-plates by Charles Turner after Haygarth. Disbound due to broken binding. Halftitle and bookblock available with all 9 plates included. Needs rebinding. Bookblock firm, halftitle detached. All nine plates with faded dampstain but still in beautiful and strong impression. The wide-margined Text in excellent, clean condition besides the faded dampstain. Last page of the Volume with some browning. Very minor wormhole-damage to the last 14 pages. One illustration cleanly detached. Extremely Rare Book !

412. Beckett, Samuel.

Poems in English. [The very rare Limited Edition (one of only 100) – signed by Samuel Beckett].

First Edition. London, John Calder, 1961. 8°. 53 pages. Original Hardcover in protective Mylar. Top edge gilt. Deckled edges. Excellent, close to new condition. No. 51 of only 100 copies on untrimmed, handmade paper [Vergé pur fil]. Signed by Samuel Beckett. Extremely rare in this condition !

413. 18th century Illustrated Edition of Paradise Lost – Milton, John.

Paradise Lost – A Poem in Twelve Books. A New Edition, with Notes of various Authors, by Thomas Newton [Complete with two Portraits and 12 plates].

Two Volumes (complete set). London, Printed for J. and R. Tonson and S.Draper, 1749. Large Quarto (23 cm x 27.5 cm). Pagination of Volume One: Frontispiece-Portrait of a young John Milton, [18 unnumbered pages of Dedication and Preface], LXI pages of “The Life of Milton”, [5 unnumbered pages of Homage in Verses by Samuel Barrow [Physician to Charles II. and admirer of Milton] and also the important poem on Milton’s Paradise Lost by Andrew Marvell [English Metaphysical Poet and Milton’s ‘Latin Secretary’], 16 pages of “A Critique upon the Paradise Lost – By Mr.Addison” [Joseph Addison], 459 pages with six (6) full-page engravings / Pagination of Volume Two: Frontispiece-Portrait of an elder John Milton (dated 1670), 444 pages including six (6) full-page engravings plus 132 unnumbered pages of Index. Hardcover / Modern, stunning half-leather bound to 18th-century style with gilt lettering and ornament on spine. Both Volumes now in protective Mylar. Excellent condition with only a few signs of foxing. The paper in fantastic condition, illustrations and portraits impressive; wide margins make this a great collectable. A rare opportunity to acquire this important publication in a firm and beautiful binding. The exceptional restoration was done by an english master-bindery.

414. [Longley, Michael] – Minihan, John (*1946 –)

The Poet Michael Longley, photographed by John Minihan at the Listowel Writers-Week, County Kerry, 2018.

Original / Vintage black and white photograph on archival paper. Ireland, 2018. 35.5 cm wide x 38 cm high. From the library of John Minihan, with his blindstamped initials and copyright – stamp on the back. Signed and titled by John Minihan below the photograph and on the back.