3141. Peynet, Raymond.

Aus lauter Liebe. Ein Bilderbuch für zärtliche Leute.

Erste Auflage. Hamburg, Rowohlt Verlag, 1953. 18 x 24 cm. Unpaginiert, ca. 100 Seiten. Hardcover/ Gebunden. Sehr guter Zustand mit minimalen Gebrauchsspuren.

3142. Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of Louis le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive manuscript-information in Louis le Brocquy’s hand like “Sold to:…..” etc. etc. / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in Louis le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

3143. [John Montague Collection] – [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.″

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

3144. [Inanna / Ishtar] Bart Heimann, Sandra.

The Biography of Goddess Inanna – Indomitable Queen of Heaven, Earth and Almost Everything: Her Story is Women’s Story.

Bloomington, Balboa Press, 2016. Octavo. XXIV, 529 pages. Original, illustrated Hardcover. New / Excellent condition.

3145. [Inanna / Ishtar] Wolkstein, Diana / Kramer, Samuel Noah.

Inanna, Queen of Heaven and Earth – Her Stories and Hymns from Sumer.

Harper Perennial, 1983. Octavo. 256 pages. Original, illustrated softcover. New / Excellent condition.

3146. Puttnam, David.

Collection of Film / Movie & Music – Memorabilia with rare, inscribed/signed books, photographs and promotional ephemera as well as related materials from the private library of Lord David Puttnam and few other sources. The collection includes a large amount of international publications and important monographs on the History of Film and Movies and also several signed and/or inscribed/dedicated Vinyl-Records by early friends of David Puttnam (Ringo Starr, Barbra Streisand etc.) together with some publications on Literature, History, Photography. Also included are several amazing association-copies from David Puttnam’s time as producer at Columbia Studios; like a signed and spectecularly inscribed book by important Director Spike Lee, Director and friend Alan Parker etc. etc. We list here a few items but the complete list of items, described in detail and photographed, will be visible over time on our website under “Libraries & Collections”. Among the titles are for example: 1. A xeroxed copy of the second draft of “Chariots of Fire”, which David Puttnam signed in 2019 and to which he added a wonderful manuscript note and story of the Script: “This is a very interesting early Draft of ‘Chariots of Fire’ – A year later we started shooting the film in Cambridge – Almost exactly two years later the film won the BAFTA Best Picture Award and a few weeks later The ‘Oscar’ ! – Colin Welland also won for Best Screenplay that same evening. Reading this you can see why. Regards – David Puttnam”/ 2. Collection of signed vintage Vinyl owned by Lord David Puttnam, signed and inscribed Records by famous artists and musicians like Barbra Streisand, Ringo Starr, Jean-Michel Jarre as well as soundtracks of his own films (included are Local Hero [not signed by Mark Knopfler but signed by David Puttnam], Midnight Express) etc. / 3. Amazing, absolutely wonderful association copy of Alan Parker’s “Cartoon Version” of his movie “Evita” with which he thanked his cast and crew. This being a personally inscribed copy from Alan Parker to his friends David & Patsy Puttnam. Accompanied by a two-page letter, signed by Parker and citing a quote of David Puttnam reflecting on his own experiences in the movie-business with a bit of ironic advice for his friend Alan Parker on how to exit the movie-business. / 4. Collection of books by writers befriended to David Puttnam, often signed and/or inscribed (Nick Hornby – Fever Pitch etc.) / 5. Collection of monographs and biographies on and by Actors, Directors, Film and Movie-MakingTechnique, Sociology of Film etc. etc. / 6. Large collection of photographical stills as well as portraits of Directors on set during the act of directing, etc. etc.

London / UK / USA, c.1968-1996. Octavo. Original Hardcover with the rare illustrated dustjacket in protective collector’s Mylar. Very good condition with only minor signs of external wear.

3147. Rosenberg, Adolf.

Leonardo da Vinci. Mit 128 Abbildungen nach Gemälden und Zeichnungen.

Erste Auflage. Bielefeld, Velhagen & Klasing, 1898. 18 x 24 cm. 136 Seiten. Softcover/ Kartoniert. Leinen. Sehr guter Zustand mit minimalen Gebrauchsspuren. [Künstler Monographien]

3148. Anonymus [Roorbach, Orville A.]

Northern Regions, or a Relation of Uncle Richard’s Voyages for the Discovery of a North-West Passage and an Account of the Overland Journies of other Enterprizing Travellers.

London, J. Harris, 1825. 17.4cm x 11.1cm. XII, 315 pages. With 11 [of 12] beautiful full-page-plates, (each with two engravings) and a fold-out map of the arctic regions from 1825. Original, illustrated Hardcover. Binding a little distorted. The cover-illustration faded. Otherwise in very good condition with only minor signs of external wear. The fold-out map is cleanly torn (now in two parts).

3149. Perry, Vincent G.

The Boston Terrier. By Vincent G. Perry – International Show Judge. Sketches by G.H.Lederer.

Original, First Edition. Chicago, Judy Publishing Company, 1928. Octavo. 153, (6) pages. Hardcover / Original, illustrated orange cloth with the very scarce original dustjacket in protective Mylar. Unusually excellent condition with only minor signs of external wear to the dustjacket. Name of preowner on endpaper. The dustjacket with some fraying and spotting. A very scarce book and the only true first edition form the year 1928 on the international market at the moment of cataloging !

3150. Avantgarde Cover Art – Nezval, Vítêzslav / Tzara, Tristan / Babel, Isaak / Ježek, Jaroslav / Capek, Josef / Seifert, Jaroslav and others.

Collection of 27 stunning publications of the Czech Avantgarde, Czech Translations of French, Russian and German Literature and Poetry, Photomontage – Dustwrappers as well as wonderful czech avantgarde-typography of the 1930s and 1940s. The collection also includes seven (7) vintage, original scores of sheetmusic by the famous czechoslovakian avantgarde jazz musician, and composer Jaroslav Ježek.

Praze / Prague, Odeon / Olymp (and others), 1920 – 1990. Octavo. More than 1000 pages, some books with illustrations. Original softcover publications, often with the rare illustrated dustjackets in protective collector’s Mylar. Some of the rare publications with some signs of wear, few publications with some loosened pages (ask for complete list). Overall very good condition with only minor signs of external wear.