8121. Twining, Elizabeth.

Illustrations of the Natural Orders of Plants With Groups and Descriptions. [With 160 full-page chromolithographic plates in colour].

Original Sampson Low Edition – Reduced from the Original Folio Edition. Two Volumes (complete set). London, Sampson Low, Son and Marston, 1868. Slim-Quarto (17 cm x 25 cm). Volume I: XII, 80 plates / Volume II: [6], 80 plates. Both Volumes include the tissue-guards for protecting the plates and all corresponding explanatory text and Index is present. Hardcover / Original publisher’s half-leather with gilt lettering and ornament on spine. One of the earliest and rarest publications with chromolithographic botanical illustrations. Excellent condition besides some mild, faded dampstains to some plates. Important: These bindings are usually broken, which is NOT the case here. While the book came from the library of Daniel Conner (Connerville / Manch House), the book belonged to Henrietta L. Conner [Inscribed by Sophia Perry Hornik to Henrietta L. Conner in 1890].

8122. Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive information like “Sold to:…..” / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

8123. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

8124. [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

8125. [Sackville-West / Jekyll, Gertrude / Bowles, E.A. / Beales, Peter and many others]

Collection of 80 books on Garden History & Garden Design, mainly from the collection of Ann Geneva. The collection includes not only classics from Vita Sackville-West or Gertrude Jekyll but also some fantastic publications on the Social History of Gardens, Design of Period Gardens, History of Ancient Roman Gardens etc. etc.

London and others, Michael Joseph / Longmans, Green and many others, c.1906 – 2004. Octavo. More than 5000 pages with numerous illustrations and plans. Original Hardcover and Softcover-Bindings, ften with their illustrated dustjackets in protective collector’s Mylar. Very good condition with only minor signs of external wear. [Please ask for a full list with details and photographs of the books included in this collection]. The price includes an upgrade to worldwide free shipping of the collection per UPS Express Courier.

8126. di Poggibonsi, Niccolo / [Noe Bianchi; Joannes Cola; Piero Ciza].

Viaggio da Venetia al Santa Sepolcro & Al Monte Synai.

Niccolo Zoppino and Vincenzo di Paolo, [1521]. Small Octavo (15.5x11cm). D1-4 (disbound) and E1-O8 (84 leaves) – and therefore lacking entirely the first 3 gatherings, half the fourth and everything after O8. This represents about two thirds of the book as published, which contained 128 leaves. Hardcover / Bound in modern vellum with the armorial bookplate of ‘William Bliss’ and blanks preceding the text amounting to the first 4 gatherings and afterwards. D1-4 are laid in and heavily worn with traces of an early inscription on the first leaf; the bound gatherings are in good to very good condition, a little staining. Overall 116 of the book’s 158 wood cuts are present, none of them the double-page city views. Comparison with other examples of this book suggests that this is one of the editions published by Zoppino in Venice between 1518 and 1538 all of which survive in tiny numbers.

8127. Hickin, Norman / [Naylor, Verney].

Original, Irish Butterfly – Specimen – Collection of entomologist and naturalist, Norman Hickin. 70 boxes with Butterfly – Specimen from the irish countryside in Dromreagh (Durrus, West Cork, Ireland), Ballycommane, Glengarriff, and wider surroundings. Many boxes labelled. The collection was established in the outgoing 1970s and early 1980s and gives an excellent view into the specimens still common at that time in Ireland and its unspoiled, non-industrial countryside. Norman Hickin subsequently published a Field Guide on Butterflies in Ireland (1992), clearly based on the specimens collected here.

West Cork, 1978 – 1982. Folio Box. Original Hardcover. Very good condition with only minor signs of wear. Provenance: The collection was treasured and professionally stored by Norman Hickin’s daughter, renown Garden Designer, Verney Naylor.

8128. [Aiken, Henry David] Demos, Raphael.

Collection of Five (5) Manuscript Letters from Greek-American Philosopher, Raphael Demos to Philosopher Henry David Aiken. Besides very few personal matters (Aiken rented a Lice-infested house from Demos), the letters are lengthy and full of content regarding philosophical questions. Demos thanks Aiken for his “thoughtful comments about my article on ‘Society and the Individual’ and Demos reflects on Aiken: “Now as to your point that goodwill is addressed to me which is capable of joys and sorrows and not just an angel – I will distinguish between respect and goodwill. Angels, because rational, have intrinsic worth, and so claim respect certainly. Value and respectability don’t imply capacity for feeling. But goodwill does imply that the recipient is a striving, failing, succeeding, up-ended individual, who has sorrows & grip – not just an angelic being. While the Greek identify man with his rationality, it is noticeable that common sense proceeds otherwise; when the Radcliffe girls say their Professor is so human, they don’t mean he is intellectual, they mean the opposite – that he has non-rational impulses and feelings…..” / The collection of letters originates from the personal collection of Henry Aiken and also comes with a scathing letter from American Philosopher Arthur Edward Murphy in which Murphy writes to Aiken about Raphael Demos and does not hold back in his evaluation of Demos and his Philosophy: “I just saw your remarks re Demos in the Journal. Very well done ! I think Demos is not very bright, however, and it is perhaps better not to give him too much publicity. I don’t think he will convert any one except for those already suffering from dithers & blithers. And it is a waste to refute him. Intelligent people don’t have to be convinced. And bigots like R.D. can’t be convinced. Strictly speaking, before Demos creates an obligation in others… he ought to say in plain unemotional prose what he means by such concepts as ‘God’ & ‘evidence’. It is perfectly possible that if we knew how he uses these terms, we would agree that what he says is trivially true. This discussion is presumably in the domain of logic. But discussion on that domain when one of the parties refuses to make explicit the rules of his game can never terminate in illumination. Nevertheless, I think you handled him neatly & have done yourself no harm as general opinion is concerned. He is a perfect horrible example of retrogression. Ugh ! A perfectly low grade person morally & intellectually nonregarding as a seer & defender of orthodoxy…… Have you seen Lazerowitz’s [Morris Lazerowitz] paper in Mind on Universals. It is highly provocative. I would like to discuss it with you….”.

Westport Point (Massachusetts), c.1944 – 1967. Octavo. 13 pages of letters by Raphael Demos to Aiken / [Plus:] 1 page of a manuscript letter by Arthur Edward Murphy to Aiken about Demos. Very good condition with only minor signs of wear. Original Letters or anything published by Raphael Demos or Arthur Edward Murphy, are very rare !

8129. [Joyce, James].

Collection of interesting and important publications by and on James Joyce. Including a portrait of Joyce, First editions and essential Textversions of his Masterpieces and literary criticism etc. etc. [Please enquire for access to excellent photographs and descriptions to each title, included in this collection]. The collection includes: 1. Ulysses [The Corrected Text]. The Corrected Text – Edited by Hans Walter Gabler with Wolfhard Steppe and Claus Melchior and with a New Preface by Richard Ellmann. Corrected Edition of the critical and synoptic edition from 1984. / 2. Ulysses [A Reader’s Edition]. Edited by Danis Rose. Completely revised edition. / 3. McHugh, Roland. Annotations to Finnegans Wake. / 4. The Restored Finnegans Wake. Edited and with a Preface and Afterword by Danis Rose and John O’Hanlon. Note by Seamus Deane. / 5. Ellmann, Richard. James Joyce. New and Revised Edition [The First Revision of the 1959 Classic]. / 6. Ellmann, Richard. Selected Letters of James Joyce. / 7. Joyce, James. Chamber Music. / 8. Eco, Umberto. The Middle Ages of James Joyce – The Aesthetics of Chaosmos. Translated from the Italian by Ellen Esrock. / 9. Freund, Gisèle. Three Days with Joyce – Photographs by Gisèle Freund. Preface by Richard Ellmann. / 10. Bowker, Gordon. James Joyce – A Biography. / 11. James Joyce – Poems and Shorter Writings – Including ‘Epiphanies’, ‘Giacomo Joyce’ and ‘A Portrait of the Artist’. Edited by Richard Ellmann, A Walton Litz and John Whittier-Ferguson. / 12. [Joyce, James] Synge, John Millington. Riders to the Sea. La Cavalcata al Mare. Italian translation James Joyce and Nicolo Vidacovich. Introduction and Notes Dario Calimani. / 13. [Joyce, James] Krewani, Angela [Hrsg.]. Artefacts, artefictions. crossovers between contemporary literatures, media, arts and architectures = Artefakte, Artefiktionen ; for Christian W. Thomsen on the occasion of his 60th birthday [Including articles on Joyce: Kurt Otten – James Joyce and the Rise of Early Modernism in English Literature / Ralf Schnell – Beuys and Joyce]. Articles in english and german. / 14. Gilbert, Stuart. James Joyce’s Ulysses. A Study. / 15. [Joyce, James] Beach, Sylvia / Laughlin, James (Introduction). Shakespeare and Company. New Edition. Lincoln, 1991. / Joyce, James. Pomes Penyeach. London, Faber & Faber, 1952. / 16. Joyce, James. The Mime of Mick, Nick and the Maggies – A Fragment from Work in Progress. [The Initial Letter, Tail-Piece and Cover were specially designed by the author’s daughter, Miss Lucia Joyce]. No. 564 of a limited edition of 1000 copies. The Hague / New York, The Servire Press / Gotham Book Mart, 1934. /

London and other places, Penguin / Picador / Oxford University Press / etc., 1975 – 1997. Octavo. More than 2000 pages. Original Hardcover / Original Softcover. Very good condition with only minor signs of wear. The price of the collection includes free international shipping per UPS Express.

8130. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire] / [Publisher Blackie & Son – Publishing House in Glasgow].

Publisher’s original “Private Library” – Correction-Copy of “The Two Duchesses”, for the “Second Edition”, with necessary alterations and wishes for changes marked by the corrector / publisher in pencil. Comparisons between pages allow to see the changes in effect if one compares the first and second edition. [A sensational find] / Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Excellent, very clean binding. Very good condition with some minor signs of wear only. “Publisher’s Copy” with the publisher’s library sticker and bookplate to pastedown: “Blackie & Son Limited – Private Library – Case Kd – Shelf 5” – Exlibris of Blackie & Son below the library-sticker.