8401. [David Naylor Geology & Petroleum Collection] – [Bolivia] Naylor, David (Dave).

Collection of Printed Materials on “Areas de Exploracion y Operacion Petrolera (Pan Andian)” – Maps and Charts and offprints, copied articles and scientific publications on area which were either reserved, agreed or negotiated to be permitted for exploration for oil. / Includes for example a perfectly marked “Mapa de la Republica de Bolivia” with all areas colour-coded for exploration or negotiation to be explored (YPFB) / Includes further maps and also “Detalle de la Informacion Tecnica Propriedad de YPFB Entregada a Bishop Petroleum Inc.” etc.

Bolivia, c.1990. Quarto. c. 60 pages plus five large, folded maps of Bolivia with Geological Character. Hardcover Box / Bespoke made Box for the private library of Prof.David (Dave) Naylor. Very good condition with only minor signs of wear.

8402. [Somerville & Ross] / Verling, John / [Edith Somerville & Violet Martin].

Somerville & Ross – Portfolio of ten (10) original, large Etchings by John Verling [signed].

Ballydehob / Schull, John Verling & Schull Books, 1984. Folio – Sheets (38.2 cm x 28.5 cm). Ten original etchings in bespoke Folder with original tissue-guards. Original Hardcover-Folder with one additional, signed inlay-etching to frontcover. The ten etchings and the folder with the original inlay-art, are all in mint condition. The etchings all protected by their original tissue guards. A stunning publication of a wonderful West Cork – Artist. A must-have for all collector’s of rare and signed Somerville & Ross collectables, this find is simply an unusual occurance because the artwork was originally designed to be framed. One usually never finds this edition with the artwork still in its original folder !

8403. Paine, Thomas.

Agrarian Justice, Opposed to Agrarian Law, and to Agrarian Monopoly ; Being a Plan for Meliorating the Condition of Man, by creating in every Nation a National Fund, to pay to every person, when arrived at the age of Twenty-One years, the sum of Fifteen Pounds Sterling, to enable him; or her to begin the world; And Also, Ten Pounds Sterling per annum during life to every person now living of the age of Fifty Years, and to all others when they shall arrive at that age, to enable them to live in old age without Wretchedness, and go decently out of the world. By Thomas Paine, author of Common sense, Rights of man, Age of reason, &c. &c.

First Irish Edition / First Cork Edition. Cork, Printed at the late Gazette-Office, no year [1797]. Octavo. 16 pages. Original half-leather. Binding in very poor condition but interior firm and clean besides the endpaper and first few pages of the Volume which is bound before the work by Thomas Paine. Rear endpaper missing. Very important publication, perfectly protected in the rear of this Volume. The Cork-Print of this important pamphlet is of utmost rarity.

8404. [Sackville-West / Jekyll, Gertrude / Bowles, E.A. / Beales, Peter and many others]

Collection of 80 books on Garden History & Garden Design, mainly from the collection of Ann Geneva. The collection includes not only classics from Vita Sackville-West or Gertrude Jekyll but also some fantastic publications on the Social History of Gardens, Design of Period Gardens, History of Ancient Roman Gardens etc. etc.

London and others, Michael Joseph / Longmans, Green and many others, c.1906 – 2004. Octavo. More than 5000 pages with numerous illustrations and plans. Original Hardcover and Softcover-Bindings, ften with their illustrated dustjackets in protective collector’s Mylar. Very good condition with only minor signs of external wear. [Please ask for a full list with details and photographs of the books included in this collection]. The price includes an upgrade to worldwide free shipping of the collection per UPS Express Courier.

8405. [Mozart, Wolfgang Amadeus] Göbel, E. F. [C. Jäger].

Wolfgang Amadeus Mozart (1756 – 1791).

Original 19th century Gouache after an 1870 painting by C. Jäger. German, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 44 cm x 36,5 cm. Outer margins slightly frayed only. Extraordinary painting with some minor repairs. Just like the Beethoven Gouache we also offer by this gifted artist, a very fresh impression of this wonderful musical inspirer.

8406. Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of Louis le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive manuscript-information in Louis le Brocquy’s hand like “Sold to:…..” etc. etc. / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in Louis le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

8407. Vallancey, Charles / Piers, Sir Henry [Provenance: Abraham Abell (Cork City)].

Collectanea de Rebus Hibernicis – Five-Volume-Set with thirteen (13) Numbers (I – XIII) plus “A Vindication of the Ancient History of Ireland” and “Anecdotes of Chess in Ireland”. [See full list of Numbers, Chapters and Illustrations below and detailed images on our website].

Dublin, Thomas Ewing, 1770 – 1790. Octavo (13,5 cm wide x 21,5 cm high). Pagination: Volume I (contains Numbers I, II, III, IV): Frontispiece-Portrait, XIV, [6 unnumbered pages of “Contents”], 636 pages, [2] pages with the contents-page misbound [2], and 24 pages on “The Brehon Laws of Ireland” to the rear of the Volume. Volume I includes three illustrations (including the Large Folding-Map of Meath)/ Volume II (contains Numbers V, VI, VII, VIII, IX): 562 pages and 10 illustrations (including the Large Folding-Plan of the City of Kilkenny) / Volume III (contains Numbers X, XI, XII): LXX, 682 pages with one illustration (being the Large Fold-Out-Map of “Antient Ireland” by William Beauford) and VI Tables on two large sheets in the rear of the Volume (containing Orthography/Names of Numbers in different Languages, Names of Numbers of some of the Indians of America etc. etc. compared to the antient Irish) / Volume IV (contains Number XIII of Collectanea de Rebus Hibernicis and “A Vindication of the Ancient History of Ireland” by Charles Vallancey”): LX, 161 pages (being the end of Number XIII), plus Pagination for “The Vindication of the Ancient History of Ireland”: Frontispiece-Map of Europe and Asia, XLVIII, 551 pages, followed by 16 unnumbered pages of an Index for “The Ancient History of Ireland”, followed by X (10) Plates (mainly fold-out plates with numerous illustrations for the “Ancient History of Ireland”, aslo included is a text-illustration “Inscription in the Cave of New Grange (page 212). / Volume V of Collectanea de Rebus Hibernicis: 368 pages plus Hardcover / Original 19th century full-leather with gilt lettering and ornament to spine. Very good condition with only minor signs of wear. Spine of Volume Three is coming apart. From the library of Cork Antiquarian Abraham Abell, with an inscription and original manuscript letter by his friend and “Brother Antiquarian”, John Bennett, 9 Academy St., 18th September, 1841.

8408. [John Montague Collection] – [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.″

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

8409. [Lee, Spike / Puttnam, David / Columbia Pictures].

Spike Lee’s Gotta Have it : Inside Guerilla Filmmaking [Inscribed and signed by Spike Lee to british producer Davis Puttnam (then Columbia CEO / Chairman of Columbia Pictures) who was instrumental in green-lighting Spike Lee’s ‘first major studio film’ (see Patrick Goldstein’s article in the LA Times in Feb.,1988) “School Daze”. The inscription reads: “To David Puttnam / Thanks for Everything / I appreciate it / Fuck Columbia !!! / love, Spike Lee” and is reflective of Spike Lee’s and David Puttnam’s experiences at Columbia (according to the Patrick Goldstein – article, Lee later complained that he constantly fought with Columbia, accusing them of trrying to ‘ghettoize’ his film.

First Edition. New York, Simon and Schuster, 1987. Octavo. 366 pages, illustrated throughout. Illustrated softcover in Collector’s Mylar and bespoke made Solanderbox. Excellent condition with only minor signs of wear. Extremely rare, stunning association-copy between two icons of film-making.

8410. O’Connor, Roger / O’Connor, Arthur – [Provenance: Henry Daniel Conner – Manch House].

Roger O’Connor & Arthur O’Connor – Collection. A set of five Titles (in six Volumes) from the Library of Henry Daniel Conner and Daniel Conner at Manch House (Ballineen / Dunmanway]. Rare Volumes connected to the History of the Brothers Roger O’Connor [″Chronicles of Eri”] and Arthur O’Connor [″United Irishmen”]. From the 18th-19th century library at Manch House. The collection includes: 1. [O’Connor, Roger] Captain Rock – Letters to His Majesty, King George the Fourth. [This is the Volume owned by the Conner – Family of Manch House and it bears the Bookplate of Henry Daniel Conner] / 2. O’Connor, Arthur [United Irishman] & O’Connor, Roger [Irish Nationalist and Publisher of The Chronicles of Eri] / 3. G.B. O’Connor – O’Connor, G.B. Irish and other Fragments. [Includes the following essays: Irish Ethical Problems / Marshal Saxe and Diminishing Populations / The Irish Republican Demand / The Anglo-Saxon Myth / Irish Facts and Foreign Fictions / The Irish and the Law / Some Anglo-Irish Writers / A National Delusion / The Irish Lord Lieutenant]. Dublin, Hodges, Figgis & Co., no year (c. 1920). Small Octavo. 73 pages. Original Softcover. Very good condition with only minor signs of external wear. A very rare book ! / 4. [O’Connor, Arthur / United Irishmen] Hayter-Hames, Jane. Arthur O’Connor, United Irishman. Cork, Collins Press, 2001. 24 cm. xi, 338 pages, 8 unnumbered pages of plates : illustrations, portraits. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear / 5. [Fox, Charles James] / [Arthur O’Connor] / Trotter, John Bernard [Late Private Secretary to Mr.Fox] Memoirs of the Latter Years of the Honourable Charles James Fox [with a lengthy report on a meeting with Irish Revolutionary Arthur O’Connor in Calais]. Third Edition. London, Printed for Richard Phillips, 1811. Includes a longer section in which John Bernard Trotter discusses a chance meeting of Fox with irish Revolutionary, Arthur O’Conno, in a section called the “Independent conduct towards Mr.O’Connor [Arthur O’Connor, brother of Roger O’Connor]: ″An incident occured at Calais, which as it excited much remark, and roused a good deal of censure at the time, I shall advert to more length than would otherwise be necessary. It happened that Mr.Arthur O’Connor had arrived at the inn at which we stopped very shortly before. He waited on Mr.Fox, was received by him with that urbanity and openness which distinguished him, and was invited to dinner by him, which invitation he accepted of. It is is well known that, after a long confinement at Fort George, he, and some other Irish gentlemen, agreed with the Irish Government to expatriatethemselves for life. Mr.O’Connor was now on his way to Paris accordingly; when chance brought him to Quillac’s Inn, at the same time with Mr.Fox. His manners were extremely pleasing….″ Trotter continues at length to elaborate on the meeting and conduct of Arthur O’Connor, their subsequent visit to the Theatre and three other times of meeting in Calais.

Dublin / London, 1797-1828. Octavo. Hardcover. Very good condition with only minor signs of wear. See full description of these titles on our website under “Libraries and Collections”.