61. [John Minihan Collection] – [Beckett, Samuel] Minihan, John. (*1946)

Samuel Beckett, photographed from the back after directing his Masterpiece ‘Waiting for Godot’ at The Riverside Studios, Hammersmith – London, 1984”.

Rare, modern print of the 1984 Original / Vintage Photograph on archival paper. London, c. 2016. Photograph: c. 38 cm wide x 50 cm high / Framed: 47 cm wide x 60 cm high. Titled and signed by John Minihan. From John Minihan’s personal library. Mounted and framed.

62. [John Minihan Collection] – [Beckett, Samuel] Minihan, John. (*1946)

“Samuel Beckett photographed at the Hyde Park Hotel, Room 604, London 1980. Beckett was in London to direct ‘Endgame’ at the Riverside Studios, Hammersmith”.

Rare, modern print of the 1980 Original / Vintage Photograph on archival paper. London, c. 2016. Photograph: c. 38 cm wide x 50 cm high / Framed: 47 cm wide x 60 cm high. Titled and signed by John Minihan. From John Minihan’s personal library. Mounted and framed.

63. [John Minihan Collection] – [Beckett, Samuel] Minihan, John. (*1946)

“Samuel Beckett looking at one of his books that featured drawings by the Paris Artist Avigdor Arikha – Riverside Studios, London 1984”.

Rare, modern print of the 1984 Original / Vintage Photograph on archival paper. London, c. 2017. Photograph: c. 38 cm wide x 50 cm high / Framed: 47 cm wide x 60 cm high. Titled and signed by John Minihan. From John Minihan’s personal library. Mounted and framed.

64. Curtayne, Alice.

Alice Curtayne Collection: Alice Curtayne and “The Capuchin Annual”. A collection of essays, contributed by Alice Curtayne to one of Ireland’s most important Periodicals of the 20th century. The collection includes the early 1931 issue with the beautiful portrait of youthful Alice Curtayne. While the collection is still growing, unknown essays and contributions of her are surfacing [Please offer interesting material, letters, signed books etc.]. The Capuchin Annual – Collection of Alice Curtayne Material includes at the moment: 1. Alice Curtayne – “For the Septcentenary of St.Anthony of Padua (1231 – 1931) – A Study of St.Anthony the Preacher” [in: “The Capuchin Annual for the year 1931” / Including the early Curtayne-Portrait and three text-illustrations] / 2. Alice Curtayne – “Five Irish Saints”: “The Living Patrick” / “Saint Colmcille – Irishman” / “Saint Brendan – The Navigator” / “Saint Ita” / “The Method of Saint Columbus” – (In: Capuchin Annual 1945-1946 – with Illustrations in color by Stained Glass Artist, Rísteard Ó Cíonga [Richard King]).

Dublin, The Father Mathew Record Office, 1930 / 1945. Octavo (18 cm x 25 cm). Pagination for the Curtayne – contribution in Capuchin Annual 1931 [Second Year of Publication of the Annual]: 8 pages (pages 18 – 25) / Pagination for the Curtayne – contribution in Capuchin Annual 1945-1946 [Sixteenth Year of Publication of the Annual]: 9 pages (pages 269 – 277) plus Frontispiece and 4 further full-page-illustrations of Saints in color by the Risteárd Ó Cionga [Richard King]. Original illustrated Softcover. Good condition with some signs of wear (fraying to cover).

65. Curtayne, Alice.

Alice Curtayne and “The Furrow” – Monthly Journal published by the Leinster Leader, Naas and Edited by Rev. J.G.McGarry. A Collection of 56 issues of the Journal, including two issues with Curtayne – publications: 1. “Saint Patrick in his Confession” – (In: “The Furrow” from March 1951) / 2. “Marillac Manor” (in “The Furrow” from July 1959) / 3. “Ecumenism in Dublin” (In “The Furrow” from February 1966).

Naas, The Furrow / Leinster Leader, 1951 – 1969. Octavo. 56 Issues with different amounts of pages and content. Overall c. 2200 pages. Original Softcover. Excellent condition with some minor signs of wear only. Some of the issues with annotations and some with a former library-stamp. Very rare run of these periodicals which invited contributions from other women writers like Mairin Allen, Anna Dundurs etc.

66. Curtayne, Alice.

Alice Curtayne and “Studies – An Irish Quarterly Review” – Irish Quarterly Scholarly Journal, historically published since the year 1912 by The Educational Company of Ireland / The Talbot Press / Messenger Publications for the Jesuits of Ireland. A Collection of momentarily 53 issues plus Index (1912-1961) of the Journal, including currently one identified issue with an Alice Curtayne – publication: 1. “Dante” – (In: “Studies” Summer/Autumn – Issue 1965).

Dublin, The Educational Company of Ireland / The Talbot Press, 1912 – 1969. Octavo. 53 Issues plus Index, with different amounts of pages and content. Overall c. 2800 pages. Original Softcover. Very good condition with some issues with some stronger signs of wear but the majority of issues in firm and excellent condition. Some of the issues with annotations and some with a former library-stamp. Very rare run of this periodicals which invited contributions from other women writers like Mary M. Macken, Pamela Reilly, Helen Landreth, Eleanor Knott, Ethna Kavanagh, Lorna Reynolds, etc.

67. Foster, Vere [Henry Louis / Lewis].

Vintage 19th Century Vere Foster Pen Nib-Box – “The Vere Foster Finest Quality Steel Pens – The Best Pen for Schools – Medium Points”.

England, The Educational Co., Ltd. no year (c. 1880). 6 cm x 4 cm x 2,4 cm. Softcover. Overall very good with a minor dent to top.

68. Foster, Vere [Henry Louis / Lewis].

Vere Foster’s Landscape Painting for Beginners. Two Volumes (complete set): [Volume I: First Stage – Teaching the Use of One Colour – Ten Facsimiles of Original Studies in Sepia by J.Callow and Numerous Illustrations in Pencil with Full Instructions in Easy Language. / Second Stage – Teaching the Use of Seven Colours – Twenty Facsimiles of Original Drawings by J.Callow and Many Illustrations in Pencil. With Full Instructions in Easy Language].

London / Glasgow and Bombay, Blackie & Son Limited, no year (c. 1890). Octavo (19 cm x 24 cm). Volume I: 40 pages with tipped in plates. / Volume II: 76 pages with tipped-in plates plus 4 pages of a Bookseller-Catalogue by Blackie & Son, to the rear of the Volume, listing all of Vere Foster’s Water-Colour Books, Vere Foster’s Drawing-Books etc. Hardcover / Original, very decorative publisher’s cloth with colourful illustrations to the front covers. Unusuall excellent condition (see images).

69. Foster, Vere [Henry Louis / Lewis].

Vere Foster’s Copy Books: Lettering Plain and Ornamental.

London and Glasgow, Blackie & Son Limited, no year (c. 1870). Oblong – Octavo (21 cm x 17 cm). 24 pages with typographical Alphabets in Italic, Roman, Egyptian, Engrossing, Old English, German [Fraktur], Old English Ornamented, German Ornamented, Italic Ornamented, Roman Ornamented, Gothic Initials, Church Text, French, Celtic [also Gaelic, “Gaeilge”], Children’s Alphabet, etc. Softcover. Some fraying to wrapper. A little dusty but overall very good.

70. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Very good condition with some minor signs of wear only. “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page manuscript letter, revealing several important details about the immediately favorable reviews and reception of the book “Two Duchesses” [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports: “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels” with Blackie’s agent and gave instructions to send them, but a few days later found they had been “untouched”. One of the most important finds of Vere Foster – Material in recent years with no sign of similar material on offer in the past years on the international market.

71. Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire] / [Publisher Blackie & Son – Publishing House in Glasgow].

Publisher’s original “Private Library” – Correction-Copy of “The Two Duchesses”, for the “Second Edition”, with necessary alterations and wishes for changes marked by the corrector / publisher in pencil. Comparisons between pages allow to see the changes in effect if one compares the first and second edition. [A sensational find] / Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Excellent, very clean binding. Very good condition with some minor signs of wear only. “Publisher’s Copy” with the publisher’s library sticker and bookplate to pastedown: “Blackie & Son Limited – Private Library – Case Kd – Shelf 5” – Exlibris of Blackie & Son below the library-sticker.

72. [Foster, Vere / Sir Augustus Foster] Beauvoisins, Joseph Eugène.

Notice sur la cour du Grand Seigneur, son Sérail, son Harem, la Famille de Sang Impérial, sa Maison militaire, et ses Ministres [Personal copy of irish educationalist and philanthropist, Vere Foster, a gift from his father, Sir Augustus Foster, possibly only inscribed in a secretarial hand, on the titlepage].

Seconde édition. Paris, Chez Gabriel Warée, Libraire, quai Voltaire, 1807. Octavo (13 cm x 19,5 cm). 110 pages. Hardcover / Original half-leather with original spine-label and ornament to spine. Binding rubbed and bumped. Old stamp “de la Calmette” on titlepage. The inscription reads: “Vere Henry Foster from Sir A.F. – London, 1845”.

73. Spottiswoode, Raymond.

A Grammar of the Film. An Analysis of Film Technique.

Second Edition. London, Faber and Faber, 1955. 14 x 21 cm. 326 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with minor signs of external wear. Rare publication.

74. [Puttnam, David] / Hornby, Nick.

Fever Pitch. [Stunning association between Nick Hornby and David Puttnam].

First Edition, 7th Impression. London, Victor Gollancz Ltd., 1992. 8°. 247 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition. Signed and inscribed by Nick Hornby to David Puttnam. From the personal library of producer David Puttnam.

75. Puttnam, David.

Collection of Film / Movie & Music – Memorabilia with rare, inscribed/signed books, photographs and promotional ephemera as well as related materials from the private library of Lord David Puttnam and few other sources. The collection includes a large amount of international publications and important monographs on the History of Film and Movies and also several signed and/or inscribed/dedicated Vinyl-Records by early friends of David Puttnam (Ringo Starr, Barbra Streisand etc.) together with some publications on Literature, History, Photography. Also included are several amazing association-copies from David Puttnam’s time as producer at Columbia Studios; like a signed and spectecularly inscribed book by important Director Spike Lee, Director and friend Alan Parker etc. etc. We list here a few items but the complete list of items, described in detail and photographed, will be visible over time on our website under “Libraries & Collections”. Among the titles are for example: 1. A xeroxed copy of the second draft of “Chariots of Fire”, which David Puttnam signed in 2019 and to which he added a wonderful manuscript note and story of the Script: “This is a very interesting early Draft of ‘Chariots of Fire’ – A year later we started shooting the film in Cambridge – Almost exactly two years later the film won the BAFTA Best Picture Award and a few weeks later The ‘Oscar’ ! – Colin Welland also won for Best Screenplay that same evening. Reading this you can see why. Regards – David Puttnam”/ 2. Collection of signed vintage Vinyl owned by Lord David Puttnam, signed and inscribed Records by famous artists and musicians like Barbra Streisand, Ringo Starr, Jean-Michel Jarre as well as soundtracks of his own films (included are Local Hero [not signed by Mark Knopfler but signed by David Puttnam], Midnight Express) etc. / 3. Amazing, absolutely wonderful association copy of Alan Parker’s “Cartoon Version” of his movie “Evita” with which he thanked his cast and crew. This being a personally inscribed copy from Alan Parker to his friends David & Patsy Puttnam. Accompanied by a two-page letter, signed by Parker and citing a quote of David Puttnam reflecting on his own experiences in the movie-business with a bit of ironic advice for his friend Alan Parker on how to exit the movie-business. / 4. Collection of books by writers befriended to David Puttnam, often signed and/or inscribed (Nick Hornby – Fever Pitch etc.) / 5. Collection of monographs and biographies on and by Actors, Directors, Film and Movie-MakingTechnique, Sociology of Film etc. etc. / 6. Large collection of photographical stills as well as portraits of Directors on set during the act of directing, etc. etc.

London / UK / USA, c.1968-1996. Octavo. Original Hardcover with the rare illustrated dustjacket in protective collector’s Mylar. Very good condition with only minor signs of external wear.

76. [Puttnam, David].

A xeroxed copy of the second draft of “Chariots of Fire”, which David Puttnam signed in 2019 and to which he added a wonderful manuscript note: “This is a very interesting early Draft of ‘Chariots of Fire’ – A year later we started shooting the film in Cambridge – Almost exactly two years later the film won the BAFTA Best Picture Award and a few weeks later The ‘Oscar’ ! – Colin Welland also won for Best Screenplay that same evening. Reading this you can see why. Regards – David Puttnam”.

[London], [2019]. Quarto. Original softcover. Excellent condition.

77. Parker, Alan / [Puttnam, David].

Evita – A Cartoon Version by Alan Parker. Association copy of Alan Parker’s “Cartoon Version” of his movie “Evita” with which he thanked his cast and crew. This being a personally inscribed copy from Alan Parker to his friends David Puttnam & Patsy Puttnam. Accompanied by a two-page-letter, signed by Parker and citing a quote of David Puttnam reflecting on his own experiences in the movie-business with a bit of ironic advice for his friend Alan Parker on how to exit the movie-business.

Limited Edition (hand-numbered by Parker). London, Alan Parker, 1996. Duodecimo. 46 pages. Illustrated with cartoons. Original Hardcover. Binding slightly bumped. Otherwise in very good condition with only minor signs of external wear. From the personal library of producer David Puttnam.

78. [Lee, Spike / Puttnam, David / Columbia Pictures].

Spike Lee’s Gotta Have it : Inside Guerilla Filmmaking [Inscribed and signed by Spike Lee to british producer Davis Puttnam (then Columbia CEO / Chairman of Columbia Pictures) who was instrumental in green-lighting Spike Lee’s ‘first major studio film’ (see Patrick Goldstein’s article in the LA Times in Feb.,1988) “School Daze”. The inscription reads: “To David Puttnam / Thanks for Everything / I appreciate it / Fuck Columbia !!! / love, Spike Lee” and is reflective of Spike Lee’s and David Puttnam’s experiences at Columbia (according to the Patrick Goldstein – article, Lee later complained that he constantly faught with Columbia, accusing them of trrying to ‘ghettoize’ his film.

First Edition. New York, Simon and Schuster, 1987. Octavo. 366 pages, illustrated throughout. Illustrated softcover in Collector’s Mylar and bespoke made Solanderbox. Excellent condition with only minor signs of wear. Extremely rare, stunning association-copy between two icons of film-making.

79. Gaskill, A. L. / Englander, D.A.

How to Shoot a Movie Story – Technique of Pictorial Continuity.

New York, Morgan & Morgan, 1960, 12 cm x 18 cm, 135 pages. Original Softcover with sellotape-reinforcement to spine. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes.

80. Puttnam, David.

First Day Cover “British Film Year” – signed by David Puttnam (with a Broadside inserted, touching on a selective History of British Film) / Stamps of Peter Sellers / David Niven / Charlie Chaplin / Vivien Leigh / Alfred Hitchcock.

Original envelope –[No. 0010]. London, J & M Arlington Ltd., 8th of October,1985. 22 cm x 11 cm. Excellent condition of the envelope and the signature.