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Alice Curtayne Portrait

Curtayne, Alice.

Alice Curtayne and “The Capuchin Annual”. A collection of essays, contributed by Alice Curtayne to one of Ireland’s most important Periodicals of the 20th century. The collection includes the early 1931 issue with the beautiful portrait of youthful Alice Curtayne. While the collection is still growing, unknown essays and contributions of her are surfacing [Please offer interesting material, letters, signed books etc.]. The Capuchin Annual – Collection of Alice Curtayne Material includes at the moment: 1. Alice Curtayne – “For the Septcentenary of St.Anthony of Padua (1231 – 1931) – A Study of St.Anthony the Preacher” [in: “The Capuchin Annual for the year 1931” / Including the early Curtayne-Portrait and three text-illustrations] / 2. Alice Curtayne – “Five Irish Saints”: “The Living Patrick” / “Saint Colmcille – Irishman” / “Saint Brendan – The Navigator” / “Saint Ita” / “The Method of Saint Columbus” – (In: Capuchin Annual 1945-1946 – with Illustrations in color by Stained Glass Artist, Rísteard Ó Cíonga [Richard King]).

Dublin, The Father Mathew Record Office, 1930 / 1945. Octavo (18 cm x 25 cm). Pagination for the Curtayne – contribution in Capuchin Annual 1931 [Second Year of Publication of the Annual]: 8 pages (pages 18 – 25) / Pagination for the Curtayne – contribution in Capuchin Annual 1945-1946 [Sixteenth Year of Publication of the Annual]: 9 pages (pages 269 – 277) plus Frontispiece and 4 further full-page-illustrations of Saints in color by the Risteárd Ó Cionga [Richard King]. Original illustrated Softcover. Good condition with some signs of wear (fraying to cover).

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[Freke Family Provenance] / [Jacobo Freke [

[Freke Family Provenance] / [Jacobo Freke [″Jacob”] / [Henry Longfield Conner, Manch] Scott, Sir Walter.

Collection of Works by Sir Walter Scott. Armorial Prize bindings with gilted crests to front and rear boards from Trinity-College Dublin, given to First Class Classics – Student [Literis Humanioribus] Jacobo Freke by Vice Provost Henry Wray (signed) between the years 1823 and 1828. The Collection includes: 1. Walter Scott – The Lay of the Last Minstrel – A Poem (The Twelth Edition, London, 1811) / 2. Walter Scott – The Lady of the Lake – A Poem (The Ninth Edition, Edinburgh, 1811 – Plays in the vicinity of Loch Katrine in the Western Highlands of Perthshire / With Notes to the Cantos) / 3. Walter Scott – Marmion: A Tale of Flodden Field. (The Seventh Edition, Edinburgh, 1811) / 4. Walter Scott – Rokery – A Poem (The Third Edition, Edinburgh, 1813) / 5. Walter Scott – The Lord of the Isles – A Poem (The Fourth Edition, Edinburgh, 1815). With the handwritten entry on the first page: “The Freke Books were given to me by the last of his daughter’s Sidney – 1936” [Written by Henry Longfield Conner].

Five Volumes. London / Edinburgh, Printed for Longman, Hurst , Rees, Orme and Brown and A.Constable and Co. Edinburgh; By James Ballantyne & Co. Edinburgh, 1811 – 1815. Octavo. 349, 433, 377, CXXVIII, 413, 443 pages. Hardcover / Original full leather in Mylar. Stunning, Armorial Prize bindings with gilted crests to front and rear boards from Trinity-College Dublin: “Reg. Elizabeth Juxta Dublin Coll. Sanctae Individuae Trinitatis”. Bindings worn and slightly cracked but all holding. From the library of Daniel Conner (Connerville / Manch House).

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Gilpin / Castle Freke Library - Observations Relative Chiefly to Picturesque Beauty, Made in the Year 1776

Gilpin, William. [Castle-Freke Library Bookplates]

Collection of four Volumes (bound in two) by Gilpin – All from the historical library at Castle Freke (Castlefreke, West Cork / Ireland). The Volumes include: I. & II. Observations Relative Chiefly to Picturesque Beauty, Made in the Year 1776, on Several Parts of Great Britain; particularly the High-Lands of Scotland. [Second Edition, with an “Account of the Prints” bound to the rear] / III. Observations on the River Wye and several Parts of South Wales &c. relative chiefly to Picturesque Beauty; Made in the summer of the Year 1770 (Third Edition). / IV. An Essay on Prints – [″The chief intention of the following work was to put the elegant amusement of collecting prints, on a more rational footing; by giving the unexperienced collector a few principles and cautions to assist him”] (Fourth Edition with the printed dedication “To the Honorable Horace Walpole in Deference to his Taste in the Polite Arts; and the Valuable Researches he has made to improve them; the following work is inscribed by his most obedient and very humble servant, William Gilpin”). [Volumes I & II with 40 original illustrations and vintage 18th century maps [correctly 39 illustrations and one table], for example of Loch Lomond and the Firth of Forth/ all illustrations are vintage mezzotint-plates].

Mixed Editions. Four Volumes (bound in two). London, Printed for R. Blamire, Strand, 1792. Octavo. Pagination: Volume I: XI, [1], 221 pages with 24 mezzotints / Volume II: 195, XVI pages with 16 mezzotints and an “Account of the Prints” as well as “Translations of Latin Passages” / [Volume III]: [River Wye]: XVI, 152 pages with 16 (of 17) full – page mezzotints / [Volume IV]: [An Essay on Prints]: XIII, [3], 174 pages plus XI pages Index and 1 page Errata. Hardcover / Early 19th century quarter – morocco with gilt lettering and ornament on spine. Both volumes bound in unison. Very good + condition with only minor signs of external wear. Pages 185 – 191 of Volume I with some stronger browning. Otherwise the interior very clean. All mezzotints in very good or even better condition. This is the original copy from the historical Castle-Freke Library in West Cork (Ireland), with two armorial bookplates to front and rear pastedown with the family’s motto ‘Pro Patria’. With two pages of manuscript annotations by a contemporary hand with a reference between the common name “Tarbet” in Scotland and a place-name in County Kerry in Ireland” (pages 13 of Volume II) / another entry is on page 12 of Volume II regarding the name-sake “Loch-Loung” for a Lake of ships in Scotland and Ireland.

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Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many and related items

Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

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Vere Foster, Publisher's original

Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire] / [Publisher Blackie & Son – Publishing House in Glasgow].

Publisher’s original “Private Library” – Correction-Copy of “The Two Duchesses”, for the “Second Edition”, with necessary alterations and wishes for changes marked by the corrector / publisher in pencil. Comparisons between pages allow to see the changes in effect if one compares the first and second edition. [A sensational find] / Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Excellent, very clean binding. Very good condition with some minor signs of wear only. “Publisher’s Copy” with the publisher’s library sticker and bookplate to pastedown: “Blackie & Son Limited – Private Library – Case Kd – Shelf 5” – Exlibris of Blackie & Son below the library-sticker.

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Fantastic Collection of c. 750 (sevenhundredandfifty !) Issues of 20 important national and international Jazz & Classical Music - Magazines from the George Hitching Classical Music & Jazz Collection.

[Musical Times / Jazz News / and others] / Hitching Collection.

Fantastic Collection of c. 750 (sevenhundredandfifty !) Issues of 20 important national and international Jazz & Classical Music – Magazines from the George Hitching Classical Music & Jazz Collection. The collection includes the following magazines: 1.″Classics” – The Review of Mid-Price and Budget Releases (10 issues / February 1992 – January 1993) / 2. “Music in the USSR” (6 Issues / July 1984 – March 1986) / 3. “Records and Recording” (5 Issues / 1970-1978) / 4. “Classical Music” – The Magazine of the Classical Music Profession (13 Issues / October 1997 – April 1998) / 5. “Opus” – The Classical Music Magazine (10 Issues / October 1986 – April 1988) / 6. “Musical America” – The Journal of Classical Music incorporating “Opus” (basically the follow-up magazine for Opus) (7 Issues – July 1988 – July 1989) / 7. “The Musical Times” (23 Issues (August 1993 – September 1995) / 8. “Organists’ Review” (37 Issues between March 1989 – November 2003) [including several IAO News which came with the “Organist’s Review”] / 9. “International Piano” (98 Issues published between Summer 2000 – October 2017) / 10. “International Record Review” (150 Issues between March 2000 – March 2015 plus one old issue from March 1970) / 11. “Slovak Music (5 Issues from 1990 – 1991) / 12. The Dvorak Society – For Czech and Slovak Music (Year-Book from 1991 – 1996 plus one issue – special edition UK and Ireland Tour 12-29 September 1991) / 13. “Czech Music” (8 Issues between Spring 1989 – Winter 1994) / 14. “The Monthly Letter – A Critical Review of recent Recordings” – (More than 250 Issues from October 1950 – November 1967) AND (January 1971 – December 1979) AND then going forward under a new name: “The Monthly Guide to Recorded Music” – January 1981 – December 1984) / 15. “International Classical Record Collector ICRC / Classical Recordings Quarterly CRQ (The World’s Leading Review of Vintage Classical Recordings” [The Review of Historic Recordings] (70 Issues published between May 1995 – Spring 2012) – This is always the same Magazine – edited by the wonderful Tully Potter with a few new owners in-between issues Autumn 2002 and Spring 2008 / 16. “International Piano Quarterly” – (11 Issues from the first issue in Autumn 1997 – Winter 2000) / 17. “International Opera Collector” – (13 Issues from Autumn 1996 – Autumn 1999) / 18. “The Pianola Journal” – The Journal of the Pianola Institute (21 Issues from No1. in 1987 – No. 21 in 2010 / 19. “Jazz Journal (28 Issues from March 1979 – March 1989) / 20. “Jazz News” – Ireland’s Jazz & Blues Magazine (14 Issues from No.1 in December 1986 – No.4 August 1989)

1950-2015. Octavo – Quarto. More than 30000 pages na dillustrations on classical music and Jazz within some of the most important musical Magazines of the second part of the 20th century. Original Softcover Magazines. All in very good condition with only minor signs of external wear. The price includes an upgrade to worldwide free shipping of the collection per DHL Express Courier.

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Vere Foster, The Two Duchesses - Presentation copy with important manuscript letter [signed and inscribed]

Foster, Vere [Henry Louis / Lewis] / [Georgiana Duchess of Devonshire / Elizabeth, Duchess of Devonshire].

The Two Duchesses – Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire – Family Correspondence of and Relating to Georgiana, Duchess of Devonshire / Elizabeth, Duchess of Devonshire, Earl of Bristol (Bishop of Derby), The Countess of Bristol, Lord and Lady Byron, The Earl of Aberdeen, Sir Augustus Foster Bart, and Others, 1777-1859. First Edition. With 17 illustrations.

London / Glasgow and Dublin, Blackie & Son Limited, 1898. Octavo (16 cm x 22,5 cm). XII, 497 pages with 16 full-page-illustrations and one small vignette, showing the Two Duchesses in cordial embrace. Hardcover / Original, green publisher’s cloth with gilt lettering and ornament to spine and armorial supralibro to cover with the Motto of the “British chivalric Order of the Garter”: “Honi soit qui mal y pense” [″shame on anyone who thinks evil of it”]. Very good condition with some minor signs of wear only. “Presentation Copy of “The Two Duchesses” with Autograph / Manuscript – Letter by Vere Foster to his niece, Emily Albinia “Alba” Foster. With a stunning, unpublished, two-page manuscript letter, revealing several important details about the immediately favorable reviews and reception of the book “Two Duchesses” [″in the Daily Telegraph”] and Vere Foster’s disdain about some criticism from one J.Donohue [which led to an alteration in the second edition of the book]. Vere Foster is also expecting a review to appear in the “Athenaeum” but reports: “the Athenaeum has nothing yet”. Vere Foster apologizes to his niece for the delay in sending the book and explains that he had left 12 “parcels” with Blackie’s agent and gave instructions to send them, but a few days later found they had been “untouched”. One of the most important finds of Vere Foster – Material in recent years with no sign of similar material on offer in the past years on the international market.

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