1. 19th century European Travel – Ireland (Carrick-A-Rede / Giant’s Causeway / Bideford (Devon) / Torrington (Devon) / Lynton (Devon) / Lynmouth (Devon) / Watersmeet (Devon) / Ilfracombe (Devon) / Carnarvon Castle (Wales) / Forth Bridge – (Wales)/

Original Photoalbum from ca. 1870 / 1880 with 37 original Albumen Print / Albumen Silver Print – Photographs of a Tour through Europe. With very interesting photographs of Ireland’s favourite attractions in County Antrim , a large section of the Devon Region in England (The DEVON – Section includes 15 photographs alone), and some beautiful and rare early colour photographs of Luzern in Switzerland: Examples of images: 8. Bideford in Devon (Promenade with ships and people) / 9. Torrington – Devon (Town Mill Bridge) / 10. Torrington – Devon (Northern Bridge) / Two smaller photographs on one board: 11. Torrington – Devon (Castle Ruins) / 12. Torrington – Devon – (Near Railway Station) / Two smaller photographs on board: 13. Torrington – Devon – (The Avenue) / 14. Torrington – Devon (Valley of Rocks / Castle Rock) / 15. Lynton – North Devon / 16. Lynton – North Devon (Castle Rock) / 17. Lynmouth – Watersmeet / 18. Lynmouth (Bridge /Watersmeet near Lynmouth) / 19. Lynmouth (Picturesque Harbourscene with old fisherhuts on left) / 20. Ilfracombe – North Devon (from the Tours Walk – Top of the Hill) / 21. Ilfracombe – Tour Walk / 22. Ilfracombe – View from Capstone Hill /

Devon, ca.1870/1880/1890. Oblong – Quarto. 37 plates. Hardcover. Recently, professionally rebound in half leather with gilt lettering on spine. The large photographs in very good condition.

2. [Adams, Ansel] Szarkowski, John.

Ansel Adams at 100. Foreword by Sandra S. Phillips.

Boston, New York, London, Little, Brown and Company in Association with the San Francisco Museum of Modern Art, 2001. 27.5 cm x 24.5 cm. 200 pages with 114 tritone and 23 duotone photographs. Softcover. Designed by J. Abbott Miller and Jeremy Hoffman, Pentagram. Cover photograph; ‘Grass and Water, Tuolumne Meadows, Yosemite National Park, ca. 1935’ Ansel Adams. Very good condition with only minor signs of external wear.

3. Adams, Marcus.

Child Studies. [Album with seven (7) vintage silver gelatin prints – all signed in a signature album with Adams’ gilted emblemata / supralibro].

London, Marcus Adams, c.1929. Folio. 7 pages. Original Art Deco flexible Hardcover in original slipcase. Extremely beautiful and rare original binding ! Two small coffee-stains on cover of the Volume itself. Slipcase with some minor rubbing and occasional discoloration only. Otherwise in excellent condition with only minor signs of external wear. Besides the vintage photographs all being signed by Marcus Adams, he also signed and dated the Volume on the endpaper: “Marcus Adams – 11/29”.

4. Barwise, Lucy Weston / [Lucy Chapman, George Chapman, Henry Chapman]

Manuscript Autobiography, Diary and vintage photo album of the Chapman – Barwise Family. A cultured London woman’s autobiography and diary including a first hand account of ‘Fiesche’s attempt to assassinate Louis Phillippe’ which she observed while at school in Paris as a child. The manuscript has a mournful postscript by the man she left behind, her husband: ‘Alas! that I George Chapman should have to finish the record of so dear a Life…’ by Lucy Weston Barwise (1822-1876) wrote in a lockable, lined octavo notebook, crushed morocco, marbled endpapers and edges. Her autobiography was begun in January 1872 at one end of the book (16 pages); her diary appears at the other end of the book from October 22 1871-April 1874 with her husband’s postscript dating from June 1880. There is a second volume of family accounts in a lockable octavo sized ledger and a folio sized volume of family photographs, most unlabelled. Barwise’s autobiography recounts her education in Paris in the Rue Taitbout where she witnessed ‘Fiesche’s attempt to assassinate Louis Phillippe’ while watching from her music master’s house opposite the Porte St Martin, noting ‘the Duc D’Orleans [who] looked very handsome’ but shortly afterwards ‘heard a loud report and then a shout… general commotion but the crowd was so thick and immoveable’ and then ‘the King and stiff rode slowly back along the line but looking very white.’ It was only later that she discovered the casualties of ‘Fieschi’s infernal machine… It was a row of gun barrels arranged along a window so as to be discharged all at once.’ Barwise also watched the subsequent funeral from her attic window, the ‘open hearse with its draperies of black and silver’. The highlight of Chapman’s diary is a detailed account of the deaths she witnessed during the ‘Thanksgiving Day for the recovery of the Prince of Wales’ on February 27th, 1872, as seen from her husband George Chapman’s ‘office windows in Cockspur St’ behind Trafalgar Square which overlooked the procession. There she witnessed the lack of barriers and observes with horror the police charging into the surging crowd ‘The big policemen threw themselves against the men; the horses even made to dance and back heel it was a fearful struggle’with a baby almost crushed to death in front of her. There is an interesting secondhand account of Paris under the Commune via one of her daughters and frequent visits to London art exhibitions as on July 8 1871 where she saw an ‘exhibition of old masters at the Royal Academy… Crome, Ruysdael, heads by Moroni, of Titian’s Schoolmaster, Burgomaster by Rembrandt… the two heads.. by Giorgine belonging to Lord Ashburton, such colour and such expression. There are trips to Ascot and the Boat Race, a curry with friends in Wandsworth and a recitation by ‘Mr Bradman [of] the Merchant of Venice for the benefit of the Workman’s Club. It was very clever… Shylock was good but my recollection of actors, Charles Kemble, C.Kean &c made this more familiar and perhaps a little more like ranting’.

[London], c. 1871 – 1872. Octavo. Diary I: 44 pages / Diary II: 24 pages / Photoalbum: 48 pages with 120 original cabinet photographs (including a photograph of a british Forest School). Hardcover / Original full leather. All three Volumes slightly rubbed but all in very good condition. The cabinet photographs all in excellent condition and from dozens of different victorian photographers in Bath (Friese Greene), Bonn (Emil Koch), Astley (Photograpic Landscape Artist in Astley, Essex), and many others. The one diary is really a cash ledger of George Chapman where he kept track for the Chapman family with listings of expenses for Hampstead House, Henry Chapman, Edward Chapman, Oswald D. Chapman, Mrs. Barrett Chapman, Edith Louisa Chapman.

5. [Bauhaus] Herzogenrath, Wulf.

Bauhausfotografie – Eine Ausstellung des Instituts fuer Auslandsbeziehungen.

Koeln, Dr.Cantz’sche Druckerei, 1983. Quarto (21.4 cm wide x 29.7 cm high). 95 pages. Illustrated. Illustrated Softcover. Einband mit kleineren Einrissen unterhalb des Einband-Fotos. Sonst sehr gut erhalten.

6. [Beckett, Samuel] Haynes, John and Knowlson, James.

“Images of Beckett” [Rare SIGNED by photographer John Haynes and writer James Knowlson].

Cambridge, University Press, 2003. Oblong-Quarto. XXXIII, 159 pages with 146 photographs throughout and six additional plates which highlight arguments of Knowlson’s essays (Caspar Davd Friedrich, Caravaggio, Brueghel etc.). Original Hardcover with original dustjacket. Excellent, as new condition.

7. [Beckett, Samuel] Minihan, John.

Samuel Beckett – Centenary Shadows [Signed]. With Essays by John Wallace / Billie Whitelaw / Desmond O’Grady.

First and only Edition. London, Robert Hale Limited, 2006. Small Quarto (19.6 cm wide x 25.3 cm high). 124 pages. Illustrated with Minihan’s photographs throughout. Original Hardcover with original dustjacket in protective collector’s mylar. SIGNED and dated by John Minihan in the year of publication, 2006. Excellent, close to new condition.

8. [Brassai] (that was Gyula Halász).

The Secret Paris of the 30’s. Translated from the French by Richard Miller.

First American Edition. New York, Pantheon Books, 1976. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May, 1977.

9. Bronsky, Eric / Samors, Neal.

Downtown Chicago in Transition. Foreword by Joel Daly.

Second Edition. Chicago, Chicago’s Books Press, 2007. 22,5 cm x 29 cm. 253 pages with illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Excellent condition with only minor signs of wear.

10. Cahill, Holger and Barr, Alfred H.

Art in America in Modern Times. [With an essay by Lincoln Kirstein – Photography in the United States / With an essay by Henry-Russell Hitchcock: Henry Robson Richardson – The Development of the Skyscraper]. Edited by Holger Cahill and Alfred H Barr Jr.

First Edition. London, Methuen and Co Ltd, 1934. 24cm x 32cm. 110 pages. Original Hardcover without dustjacket. Titlepage with faint staining only. Otherwise overall in very good condition with only very minor signs of wear to the binding.

11. [Cambridge Trinity College / Oxford Magdalen College / Scotland / England – 19th Century Tourism].

Vintage 19th-century Photoalbum with fiftythree (53) Large Albumen Prints of Oxford University and Cambridge University as well as tourist destinations visited in the year 1882 in Scotland and England. The Album shows with visits to Edinburgh, Loch Lomond and its “S.S.Rob Roy – Steamboat with Pier and Ben Venue, Loch Katrine, Callander Bridge and Ben Ledi, The Trossachs, then moves to Hastings and later shows many rare photographs of Cambridge University and Oxford University (including Trinity College and Magdalen College etc. (see complete list below)). Fantastic Album which also shows one magnificent photograph of Stonehenge and one of “The Major Oak” in Sherwood Forest in the year 1885.

Scotland / England, 1882-1885. Quarto. 53 photographs on original boards. Original Hardcover. Very good condition with only minor signs of external wear. Some minor signs of foxing only.

12. Cavalieri, Peppe.

The Other Side – L’Altra Faccia. [Signed / Inscribed].

Limited Edition / Bilingual english / italian. Rome, PEFRACA / Litografica Iride, 2000. Folio. 70 pages with numerous black – and – white photographs. Original Hardcover with original dustjacket in protective Mylar. Excellent condition with only minor signs of external wear. Spine slightly sunned. One of only 1000 copies printed. Signed and inscribed by Peppe Cavalieri on the halftitle.

13. Chlumsky, Milan.

Das Heidelberger Schloss in der Fotografie vor 1900 [The Castle of Heidelberg in 19th century photographs].

Heidelberg, Edition Braus, 1990. 4°. 139 pages with numerous black-and-white-photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only very minor signs of wear.

14. Clergue, Lucien.

Footprints of the Gods. With a Foreword by Lucien Clergue: “Twelve Years at Point Lobos” / With an Essay by Jim Hughes titled: “Sign of Life and Death”.

First US Edition. Boca Raton [Florida], Iris Publications, 1989. Small Folio (23 cm x 30.5 cm). 96 pages with spectacular photographs on 55 color plates throughout. Original softcover. This colour-photographic treatise is devoted entirely to the topography of Point Lobos, California, the beach made famous by Edward Weston, decades earlier. With an introduction by Jim Hughes. A very good copy in publisher’s illustrated wrappers. Spine slightly starting. Inscribed and signed by Lucien Clergue to the great American gallerist, Leo Castelli: “Pour Leo Castelli, son admirateur arlesien, avec l’hommage de Lucien Clergue – Arles, I/VII/89”. A wonderful association, additionally enriched by an artist-postcard of Lucien Clergue’s “Point Lobos” – Photograph, with a personal message to Leo Castelli by someone called “Ames” (?).

15. Collins, Leonora.

London in the Nineties [Victorian London in Photographs]. Edited by Leonora Collins.

London, The Saturn Press, 1950. Quarto (21 cm x 27 cm). 96 pages with many photographs. Original Hardcover with the rare dustjacket. Excellent condition with some minor signs of wear only.

16. [Costain, Harold Haliday] Holme, Geoffrey (Editor).

The Studio – November 1939 – Vol.118 – No.560. [With a two-page-section on Hal Costain’s photographs for advertising].

London, The Studio, 1939. 21 cm x 29 cm. 224 Pages with additional advertising pages. Original Softcover. The wrapper detached ! Back cover slightly ripped. Otherwise in good condition with only very minor signs of external wear.

17. Couvée, M. M.

19th Century Album with 31 fantastic, large vintage photographs of Germany, Austria and Italy. Many of these early photographs are on Frankfurt am Main, but also Berlin, Heidelberg and classic travel – locations along the Rhine are included / Also interspersed are some other european destinations like Lugano, Venice and Salzburg (these all in colour). – All Photographs original Albumen Prints. / Album mit 31 grossformatigen, fantastischen, originalen Photographien von deutschen und europaeischen Stadtansichten des 19. Jahrhunderts, vorwiegend Frankfurt am Main [mit traumhaften und ungewoehnlichen Ansichten von Frankfurt und Sachsenhausen / Kaiserstrasse mit Strassenbahn / Rossmarkt / Goetheplatz / Alte Oper / Palmengarten / Wiesbaden – Kursaalplatz / Eschenheimer Turm / Kaiser-Wilhelm-Denkmal / Main mit Untermainbruecke und Angler mit zwei Jungen davor / aber auch Stadtansichten von Berlin (″Blick nach den Linden” in Farbe – in colour), Lugano (in Farbe – in colour), Boppard (in Farbe – in colour), Heidelberg (in Farbe – in colour), Salzburg, Königstein im Taunus (in Farbe – in colour), Remagen (in Farbe – in colour), Coblenz, Lahneck, Sooneck, Braubach und Marxburg, Wiesbaden, Bingen und Venedig (in Farbe – in colour)/

La Haye / Dresden, Couvée / Stengel & Co., c. 1895 – 1900. Quer Quart / Oblong Quarto. 31 large photographs mounted on cardboard. Original Hardcover / Exzellente Halblederausgabe mit vergoldetem Titel auf dem Vorderdeckel. / Album with gilt lettering. Ungewoehnlich gut erhaltenes Album mit phantastischen Aufnahmen die auch das buergerliche Leben mit eingefangen haben. / Excellent condition with only minor signs of external wear.

18. Curry, Manfred.

Beauty of Flight [SIGNED / INSCRIBED].

New York, The John Day Co., 1931 / 1932. 4°. 100 Pages / 100 photographs (sepia tinted). Original Cloth (gilt Lettering on Spine and Front-Cover, gilt Impression on the Front-Cover). Near fine. Special edition with years 1931/32 stated on titlepage. Inscribed and fully signed by Manfred Curry on the title-page: “W.Helwig zur Erinnerung and die Platensee Regatten 1936 auf “Aero” [″The Aero” was Curry’s private boat]. Includes a beautiful piece of Ephemera: Original advertising-prospectus of Curry’s “Wind und Wasser”.

19. Cushing, Peter / Lee, Christopher / Karloff, Boris.

Collection of 22 vintage film stills from the Archives of the Christopher Lee Fan-Club (run by Gloria Lillibridge in Warwick, Rhode Island). With an extraordinary portrait of Peter Cushing and Christopher Lee in one image.

Vintage Photographic Prints on archival paper. [London], c.1974 – 1977. Most of the images are 20,5 cm x 25,5 cm. Excellent condition with only minor signs of wear. The collection also includes a photograph of Christopher Lee with his fans.

20. [Davey & Hackney] / R.M.S.P. Arcadian.

Two Vintage Photo Albums / Portfolios of “Cruise No. 2 to ‘The Norwegian Fjords’ in June 1913 on the R.M.S.P. Arcadian”. Fantastic combination of two photo logbooks of one of the last trips for this beautiful passenger liner before she served with the Royal Navy and was sunk by a U-boat, the German submarine SM UC-74, in 1917. These luxury photographic records were created by Davey & Hackney, Alexandra Palace, London. I. Album One: On 24 pages (12 stiff cardboards with photographs on both sides) with 44 vintage high-quality photographs, the cruise was documented by not only focusing on the natural beauty of Norway but also by documenting the captain (Captain Custance) and crew of the Arcadian, one large photograph shows the captain and all his officers. Some striking images of the ship itself are showing this liner in all its glory. The ship was built in 1899 by Vickers, Sons & Maxim Ltd. for the Pacific Steam Navigation Company as SS Ortona. This unusually luxury Album also documents in an appendix with a small map of Norway the Itinerary of the cruise. All mileage covered and dates the cruise would reach the scheduled destinations in Norway are mentioned (Grimsby, Wed. 18 June / Leith, 235 miles, Thursday 19 June / Aalesund 493 Miles Sat. 21 June / and so on and so on). The cruise would stop at Molde (Moldefjord), Aandalsnaes (Romsdalfjord) / Oie (Jorundfjord) / Hellesylt (Sunelvsfjord) / Merok (Geirangerfjord) / Olden (Invikfjord) / Loen (Nordfjord) / Mundal (Fjaerlandsfjord) / Balholmen (Sognefjord) / Gudvangen (Naerofjord) / Sundal (Maurangerfjord) / Norheimsund (Hardangerfjord) / Bergen / back to Grimsby on July 2nd, 1913 with a total of 2127 miles covered in 14 days. The photographs of the “Arcadian” are differing in size from a beautiful full ship image in 17.5 cm x 28.7 cm to detailed photographs of the deck in 11.5 cm x 16.4 cm; a nice photo of the “Arcadian’s” Launch (with small steem funnel), interior of the ship (Dining Salon), a photograph of a visiting steam Tender (″The Grimsby Tender”), Deck tennis – scenes, Playing Bull Board, Letting go the Anchor with two crew members. / II. Album Two: This additional, smaller Album, on an additional 24 pages (12 stiff cardboards with photographs on both sides) shows a further 24 vintage, high-quality photographs. These additional photographs show The Hardangerfjord / Folgefond Glacier / An Arcade in the Dining Salon / Photograph of Captain Custance / Sundal / The Landing Stage in Norheimsund / Fysse / The Landing Stage in Trondheim with many locals waiting / The Landing Stage in Forhatten / Digermulen / The Raftsund Fjord / Lyngenfjord / A boat full of Lapps in traditional clothing, showing and offering livestock and handmade dolls for tourists on board the “Arcadian” / Hammerfest / North Cape & Midnight Sun from the “Arcadian” / Tromso, with a large gathering of schoolchildren / A Boxing Match on the “Arcadian”, showing two pugilists fighting it out to the bemusement of bystanders / Pillow Fighting as Pastime for Tourists on the “Arcadian” / Molde from the Hill, showing the “Arcadian” in the Fjord / Aandalsnes / View from Aandalsnes / Bergen and Bergen Harbour with a few nice local Yachts in the foreground // The quality of the photography in both of these Album is excellent.

London / Norway, Davey & Hackney Photo (Alexandra Palace), 1913. Sizes: Vol. I: Folio (25.5 cm x 32 cm) / Vol.II: Oblong Octavo (25 cm x 17 cm). Volume I: 12 cardboard sheets with 24 pages (of which 24 are with photographs) with foldable appendix / Volume II: 12 cardboard sheets with 24 pages (of which 24 are with photographs) Hardcover / Green soft morocco with gilt lettering on cover and ornament around the pastedowns of the inner boards. Some minor rubbing to the binding but overall in excellent, near Fine condition with only minor signs of external wear.