61. [John Minihan Collection] – Arikha, Avigdor.

Inks, Drawings and Etchings. February – March 1974.

London, Marlborough Fine Art, (1974). 4°. 30 pages with numerous illustrations Original Softcover. Corners slightly scuffed. Otherwise in very good condition. From the library of irish photographer John Minihan.

62. [John Minihan Collection] – Agee, Chris.

First Light.

Dublin, Dedalus Press, 2003. 8°. 95 pages. Original Softcover. Inscribed and signed by Chris Agee to irish photographer John Minihan. From the library of irish photographer John Minihan.

63. [John Minihan Collection] – 100 Years National Geographic Centennial Issue [1888 – 1988].

Reporting on “the world and all that is in it” [Alexander Graham Bell, 1914] / With the wonderful photo-essay by Jane Livingston: “The Art of Photography at National Geographic”

First Edition. Washington D.C., National Geographic Society, 1988. 24.5cm x 19cm. 433 pages. Original Softcover. Very good condition with only minor signs of wear. From the library of irish photographer John Minihan. Cover signed by John Minihan.

64. Haak, Ken.

Summer Souvenirs.

Köln, Taschen, 1985. 35,5 cm x 28 cm. 71 black-and-white and full colour illustrations. Original Softcover. Very good condition with only minor signs of external wear.

65. Gorham, Maurice.

Ireland from Old Photographs.

London, Batsford, 1979. Quarto (18.7 cm x 24.7 cm). 156 unnumbered pages with 206 stunning, historical photographs of 19th century Ireland. Illustrated Softcover. Excellent condition with only minor signs of wear. Small personal inscription (not by the author).

66. Goin, Peter / Blesse, Robert E.

Stopping Time. A Rephotographic Survey of Lake Tahoe. Essay by C.Elizabeth Raymond.

Albuquerque, Universityof New Mexico Press, 1992. 4°. 134 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear. Private giftinscription on front free endpaper with greeting card inserted. Rare !

67. Elgort, Arthur.

Camera Ready – How to shoot your kids [Signed and beautifully Inscribed by Vogue – Photographer Arthur Elgort].

New York, Universe publishing / Rizzoli, 1997. Slim Quarto (18 cm x 25 cm). Original Hardcover. Excellent condition with only minor signs of wear. Signed and inscribed by Arthur Elgort on the titlepage: “Arthur Elgort – 9/97 – (an Ameline – the Ghost Writer – Good Luck with all the Grandchildren – Snaps – XX!).

68. Eisenstaedt, Alfred.

Aberdeen – Portrait of a City.

Edinburgh, Mainstream Publishing, 1984. 24.5 cm x 32 cm. 91 pages. Original Softcover. Excellent condition with only very minor signs of external wear.

69. Domenech, A. Claude / Ponchel, Jean-Claude (Illus.) / Vitoux, Frederic (Editor)

Au large de Paris, li’le Saint-Louis.

Paris, ACD Productions, 1980. 24.5 cm x 23.8 cm. 37 pages. 37 colour illustrations. Original Hardcover. Poor condition with signs of external wear and staining inside ! Minor rubbing to cover edges and spine. Minor tear to cover film and to upper spine. Moderate foxing to pastedowns, endpapers and pages throughout. Previous owner name and inscription in black ink on front endpaper. Also contains ‘Librairie Ulysse, Paris’ label on front endpaper.

70. Davies, John.

Mist Mountain – Water – Wind [England, Scotland, Ireland]. With an Introduction (a brief Essay titled” Changes of Time and Place”) by Richard Ehrlich.

London, Travelling light, 1986. 21 x 27 cm. Non paginé / Unpaginated 50 pages. Original Softcover. Excellent condition with only minor signs of external wear. Private gift-inscription on titlepage.

71. [Costain, Harold Haliday] Holme, Geoffrey (Editor).

The Studio – November 1939 – Vol.118 – No.560. [With a two-page-section on Hal Costain’s photographs for advertising].

London, The Studio, 1939. 21 cm x 29 cm. 224 Pages with additional advertising pages. Original Softcover. The wrapper detached ! Back cover slightly ripped. Otherwise in good condition with only very minor signs of external wear.

72. Cahill, Holger and Barr, Alfred H.

Art in America in Modern Times. [With an essay by Lincoln Kirstein – Photography in the United States / With an essay by Henry-Russell Hitchcock: Henry Robson Richardson – The Development of the Skyscraper]. Edited by Holger Cahill and Alfred H Barr Jr.

First Edition. London, Methuen and Co Ltd, 1934. 24cm x 32cm. 110 pages. Original Hardcover without dustjacket. Titlepage with faint staining only. Otherwise overall in very good condition with only very minor signs of wear to the binding.

73. Bronsky, Eric / Samors, Neal.

Downtown Chicago in Transition. Foreword by Joel Daly.

Second Edition. Chicago, Chicago’s Books Press, 2007. 22,5 cm x 29 cm. 253 pages with illustrations throughout. Original Hardcover with illustrated dustjacket in protective Mylar. Excellent condition with only minor signs of wear.

74. [Bauhaus] Herzogenrath, Wulf.

Bauhausfotografie – Eine Ausstellung des Instituts fuer Auslandsbeziehungen.

Koeln, Dr.Cantz’sche Druckerei, 1983. Quarto (21.4 cm wide x 29.7 cm high). 95 pages. Illustrated. Illustrated Softcover. Einband mit kleineren Einrissen unterhalb des Einband-Fotos. Sonst sehr gut erhalten.

75. [Adams, Ansel] Szarkowski, John.

Ansel Adams at 100. Foreword by Sandra S. Phillips.

Boston, New York, London, Little, Brown and Company in Association with the San Francisco Museum of Modern Art, 2001. 27.5 cm x 24.5 cm. 200 pages with 114 tritone and 23 duotone photographs. Softcover. Designed by J. Abbott Miller and Jeremy Hoffman, Pentagram. Cover photograph; ‘Grass and Water, Tuolumne Meadows, Yosemite National Park, ca. 1935’ Ansel Adams. Very good condition with only minor signs of external wear.

76. [Walter Benjamin Collection] – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

77. [Ellis, William] Peers, Simon.

Ny Fiasan’Ny Fahagagana – William Ellis: Ny Fakan-Tsary Teto Madagasikara 1853-1865. [The Working of Miracles: William Ellis: Photography in Madagascar 1853-1865].

[Bilingual Edition: English – Malagasy]. London, The British Council, 1995. Oblong Quarto (24.6 cm wide x 21.5 cm high). 70 pages with illustrations throughout. Softcover / Original, illustrated softcover. Excellent condition with only minor signs of wear. Signed / Inscribed on the titlepage by author Simon Peers. Extremely Rare !!

78. [West Highland Line] / [Scottish Railway Line Glasgow to Mallaig] / [Rathad Iarainn nan Eilean – “Iron Road to the Isles”]

Massive Photographic Documentation of The Western Highland Line [Glasgow to Mallaig] in 900 [ninehundred] vintage Photographs, taken over a period of 30 Years by a Railway and Nature-Explorer and placed in four massive XXL Folders with extensive, beautiful and detaild annotations and explanations. The photographs range from smaller formats (10 cm wide x 15.2 cm high) to a huge amount of Extra-Large Vintage Photographs (39.2 cm wide x 29.4 cm high) and many even measure 40 cm x33 cm, filling entire leaves. Many of the photographs are impeccably applied inside these High-End-Archival-Folders with often numerous captions in the handwriting of the Photographer / Highland Explorer. An inexplicably stunning and absolutely unique documentation of the scottish landscape along the West Highland Line between the years 1974 – 2002. The images document Scottish rivers, Lochs and Roads, Mountains and Hills alongside the Railway-Lines but landscapes are also often shown without the Railway present. Besides the nature we also find photographs of architectural features like overpasses or industrial buildings and railway-track-imagery masterfully photographe, bordering on the abilities of a New Objectivity – photographer like Albert Renger-Patzsch. An important, maybe even singular photographic Impact-study of Railway to the Scottish Highlands. The anonymous photographer has injected himself occasionally in the images, beautifully showing his pitched tent and motorcycle in order let the viewer understand the dedication his travels have cost him. The masterful photographer also showcases his love for detail and artistry by ever so often partially and sparsely coloring Railway-Waggons or Locomotives within his black-and-white-photography, highlighting the technology in the vulnerable landscape, giving the whole collection an artistic and critical component of focusing the viewer on the object of his desire, yet contrasting how lost even a magnificent Locomotive and its carriages seems when vanishing in front of the majestic scottish landscape. The documentation is meticulous, often allowing for multiple vintage photographs on one page showing the same location during different times, exhausting all questions of functionality of the Railway opposed to the landscape with or without Railway in the shots. For the conservation-movement of the Scottish Highlands this collection is an unbelievable chance to preserve the memory of this landmark Railway-Line, connecting the extreme remote with the urban. For those who research the scottish landscape this is a unique opportunity to acquire the life’s work of one man’s obsession with “Railway and Landscape” in the Scottish Highland.

Scotland, 1974-2002. Oblong-Folio (44 cm wide x 36 cm high). Hardcover / Original Full-Leather Folders with stong, black cardboards and original tissue-guards. Excellent condition with only minor signs of wear. With hundreds of manuscript annotations on the photography, the photography-technique, film used and with extensive elaborations on each photograph in these albums. More images on request !

79. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

80. Rinehart, Mary Roberts / [The American Agatha Christie].

Original Portrait Photograph Signed by the “Amerian Agatha Christie”, Mary Roberts Rinehart.

[USA], c.1915. Quarto (19.5 cm wide xo 24.3 cm high). 1 sheet. Very good condition with only minor signs of wear.