Library & Collection Building (1182 items)

McKevitt, Christus Rex - An Irish Quarterly Journal of Sociology. A Collection of 24 Volumes

115. [Curtayne, Alice] / McKevitt, P. / Lucey, C. / Conway, J. Jacobus / Christus Rex Society of Irish Diocesan Priests / Rísteard Ó Cíonga [Richard King as Illustrator] / etc.

Alice Curtayne as Contributor to Irish Periodicals / Journals / Digests. The collection aims for completion and collects not only issues of periodicals with contributions by Alice Curtayne but hopes to complete each set of periodicals to which Alice Curtayne contributed between the years of 1930 and 1980, in order to allow for cross-referencing of contributors, study cooperation between illustrators and Alice Curtayne, her influence and acceptance as early female contributor in a men’s world, possibly even deciphering pseudonyms under which Curtayne might have written or essays she might have contributed to but her name was omitted; in general: circumstances which have not been detected yet. The Collection is documented thoroughly in professional images and descriptions on our website and includes to date: I. Alice Curtayne as Contributor to “The Irish Digest”: 1. “The Irish Digest” from September 1940 – including the article: Alice Curtayne – “Lament of an Author” / II. Alice Curtayne as Contributor to “Christus Rex”: “Christus Rex” – An Irish Quarterly Journal of Sociology. A Collection of 24 issues of the important and underrated publication “Christus Rex” including: 1. Volume XX, No.4 of “Christus Rex”: Alice Curtayne – “The Council and Women” ]. / III. Alice Curtayne as Contributor to “The Furrow”: “The Furrow” – Monthly Journal published by the Leinster Leader, Naas and Edited by Rev. J.G.McGarry. A Collection of 56 issues of the Journal, including two issues with Curtayne – publications: 1. “Saint Patrick in his Confession” – (In: “The Furrow” from March 1951) and 2. “Marillac Manor” (in “The Furrow” from July 1959) and 3. “Ecumenism in Dublin” (In “The Furrow” from February 1966) / IV. Alice Curtayne as Contributor to “The Capuchin Annual”. Including: 1. Alice Curtayne – “For the Septcentenary of St.Anthony of Padua (1231 – 1931)” – [including a portrait photograph of Alice Curtayne] / 2. Alice Curtayne – “Five Irish Saints” (″The Living Patrick” / “Saint Colmcille – Irishman” / “Saint Brendan – The Navigator” / “Saint Ita” / “The Method of Saint Columbus” / (In: Capuchin Annual 1945-1946 – with Illustrations in color by Stained Glass Artist, Rísteard Ó Cíonga [Richard King].

Naas, Christus Rex Publications, 1949 – 1967. Octavo. 81 Issues with different amounts of pages and content. Overall c. 4800 pages. Original Softcover. Excellent condition with some minor signs of wear only. Some of the issues with annotations and some with a former library-stamp. Very rare run of these periodicals which invited contributions from other women writers like Ita Meehan.

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[Freke Family Provenance] / [Jacobo Freke ["Jacob"] / Scott, Sir Walter.

127. [Freke Family Provenance] / [Jacobo Freke [″Jacob”] / Scott, Sir Walter.

Collection of Works by Sir Walter Scott. Armorial Prize bindings with gilted crests to front and rear boards from Trinity-College Dublin, given to First Class Classics – Student [Literis Humanioribus] Jacobo Freke by Vice Provost Henry Wray (signed) between the years 1823 and 1828. The Collection includes: 1. Walter Scott – The Lay of the Last Minstrel – A Poem (The Twelth Edition, London, 1811) / 2. Walter Scott – The Lady of the Lake – A Poem (The Ninth Edition, Edinburgh, 1811 – Plays in the vicinity of Loch Katrine in the Western Highlands of Perthshire / With Notes to the Cantos) / 3. Walter Scott – Marmion: A Tale of Flodden Field. (The Seventh Edition, Edinburgh, 1811) / 4. Walter Scott – Rokery – A Poem (The Third Edition, Edinburgh, 1813) / 5. Walter Scott – The Lord of the Isles – A Poem (The Fourth Edition, Edinburgh, 1815). With the handwritten entry on the first page: “The Freke Books were given to me by the last of his daughter’s Sidney – 1936” [Written by Henry Longfield Conner].

Five Volumes. London / Edinburgh, Printed for Longman, Hurst , Rees, Orme and Brown and A.Constable and Co. Edinburgh; By James Ballantyne & Co. Edinburgh, 1811 – 1815. Octavo. 349, 433, 377, CXXVIII, 413, 443 pages. Hardcover / Original full leather in Mylar. Stunning, Armorial Prize bindings with gilted crests to front and rear boards from Trinity-College Dublin: “Reg. Elizabeth Juxta Dublin Coll. Sanctae Individuae Trinitatis”. Bindings worn and slightly cracked but all holding.

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Typed Letter signed from american philosopher John Wild to Philosopher Henry David Aiken

179. [Maluf, Brother Francis] Wild, John / Aiken, Henry D.

Typed Letter signed from american philosopher John Wild to Philosopher Henry David Aiken, informing Aiken: “I missed you especially two weeks ago when I attempted to defend a realistic view of ethics in terms of the concept of natural law. I am not sure, but I think you might have been in agreement with some of the points I tried to make as over against Lewis’ Kantian subjectivism and Demos’ [Raphael Demos] extreme Platonism….”. Besides some further niceties, John Wild talks in this letter intensely about Christian Arab Philosopher Francis Maluf, from Mashrah, Lebanon, who could be in John Wild’s mind the perfect “section man for your Phil A course”. Wild continues to praise the syrian, Maluf, who had been “teaching Mathematics and Physics in a war job out of Worcester and who has been keeping up his interest in philosophy by attenting courses around here, organizing discussion groups and other intellectual activities which amaze me by their versatility and intensity”. John Wild continues: “He has been offered a permanent job at the University of Beirut in Syria to teach Philosophy there (he is a friend of Malik’s) but if possible wants to stay around here for another year to study and learn before he goes back.” [Maluf had converted to catholicism in 1940 and was later known as Brother Francis Maluf.

Cambridge, April 15th, 1945. Octavo. 2 pages. Softcover. Very good condition with only minor signs of wear. Original two-page-letter with original envelope.

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[Middle East with Kuwait] Naylor, Collection of two (2) large boxes of materials regarding Kuwait, Iraq (near Basrah), Lebanon, Jordan (Halat Ammar and Al Mudawwara), Jordan in general, Arava Valley

182. [David Naylor Geology & Petroleum Collection] – [Middle East Collection with Kuwait / Iran (Persia) / Yemen / Jordan] Naylor, David (Dave).

Collection of two (2) large boxes with rare and sometimes inscribed, Printed Materials and very rare Geological Surveys with Maps (for example it includes the very rare Geological Survey of Iran) from the private Reference- library of Geologist Prof. David (Dave) Naylor regarding Kuwait, Iraq (near Basrah), Lebanon, Jordan (Halat Ammar and Al Mudawwara), Jordan in general, Arava Valley (Dead Sea). See a full list of the contents below. These materials are all publications, sometimes official government papers or maps or academic publications from fellow geologists as well as for example official publications of talks given for OAPEC. All publications are revolving around the evaluation of Petroleum Deposits, Petroleum Geology and Stratigraphy or Hydrocarbon in the “Near and Middle East” – Maps and Charts and offprints, all of them rare publications and some only reprinted for private circulation. The focus of the publications ranges from very scientific-geological (″The Fauna of some Recent Marine Deposits near Basrah, Iraq”) to actual problems of prospecting (″Some Problems of Petroleum Geology in Kuwait”). These two boxes are only the Middle East Section of the David Naylor Collection (see all the Materials we own from the David Naylor-Reference library on our website). The collection also includes books related to the region (inquire for separate list).

Amman (Jordan) / Kuwait / Mexico / Potsdam, etc., c.1958 – 2011. Quarto. c. 1200 pages plus maps. Hardcover Boxes / Two bespoke made Boxes for the private reference library of Geologist David (Dave) Naylor. Very good condition with only minor signs of wear.

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Montague / Dorgan - Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections

200. [John Montague Collection] – [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.″

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

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