1. Christ, Hans D. / Dressler, Iris / Peters, Christine.

Acts of Voicing.

Leipzig, Spector Books in conjuction with Wurttembergischer Kunstverein/Total Museum of Contemporary Art, Seoul. 2014. 17.5 cm x 25 cm. 555 pages. Original Hardcover. (Blue cloth with an embossed illustration in black on front board. Title in black embossed lettering on spine). Very good condition with only minor signs of external wear.

2. Grabner, Sabine / Krapf, Michael.

Aufgeklärt bürgerlich. Porträts von Gainsborough bis Waldmüller 1750 – 1840. Eine Ausstellung der Österreichischen Galerie Belvedere vom 25.10.06 – 18.02.07; [… anläßlich der Ausstellung “Aufgeklärt Bürgerlich: Porträts von Gainsborough bis Waldmüller 1750 – 1840” …].

München, Hirmer, 2006. 322 Seiten. Zahlreiche Illustrationen. Original Hardcover / Illustrierter Pappband. Sehr guter Zustand mit nur geringen Gebrauchsspuren / Excellent condition with only minor signs of wear. [Wechselausstellung der Österreichischen Galerie Belvedere in Wien Bd. 289].

3. Fry, Christopher.

Autographed Manuscript Dialogue from “Venus Observed” – One full – page manuscript, signed.

England, c. 1990. Octavo. 1 pages. Original Softcover. Very good condition with only minor signs of external wear.

4. [Beethoven, Ludwig van] Leitzmann, Albert.

Beethoven’s Briefe. In Auswahl herausgegeben von Albert Leitzmann.

Leipzig, Insel-Verlag, 1924. Octavo. XIX, 307 Seiten. Hardcover / Originaler Leinenband mit verziertem und vergoldetem Einbandrücken. Außergewöhnlich guter Erhaltungszustand. Namenseintrag und Adresse des Vorbesitzers auf dem Vorsatzblatt.

5. [Defoe, Daniel].

Bibliographical account / Robinson Crusoe Collection / Robinson Crusoe Bibliography – Privately documented and bound collection of 576 different versions of Robinson Crusoe editions in 40 languages. Among them Gaelic, Hindi, Afrikaans, Arabic etc. etc. / The Life and Strange surprising Adventures of Robinson Crusoe.

Germany, c.1998. Folio. c. 580 pages. (Xeroxed coverpages with bibliographical accounts attached). Hardcover (half cloth). Very good condition with only minor signs of external wear. Minor dampstain to lower spine. This xerox compilation was done in preparation of selling a private collection in the 1990’s by a german antiquarian bookdealer. Very Rare, probably unique account / bibliography (we are not aware of more copies of this record).

6. Sendak, Maurice (1928 – 2012).

Collection / Archive of three (3) very large gicleé prints of original drawings from the book “Where the Wild Things are” by Maurice Sendak of which one is beautifully signed by Maurice Sendak. The collection includes: ‘Off to Bed without their Supper’ (signed) / ‘Let the Wild Rumpus Start’ (I and II).

Gicleé prints. [New York], [Harper and Row], c.1975. Two prints measure: 37 cm x 60 cm / The signed print measures: 28 cm x 50 cm. Very good condition.

7. Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

8. Mendelssohn Bartholdy / Jakob Ludwig Felix.

Collection / Sammelband of original, printed scores. The Volume contains the following scores: I. “Symphony No. 3” – Composed and Dedicated by Permission to her most gracious Majesty Queen Victoria, by Felix Mendelssohn Bartholdy, arranged as a Piano Forte Duett, by the author. Op. 56 (67 pages) London, Published by J.J.Ewer & Co., [c. 1860] / II. “Overture to Melusine”. Arranged for Piano Forte, composed by Felix Mendelssohn Bartholdy. Op. 32 (17 pages) London, Cramer, Addison & Beale, [c. 1839] / III. “Caprice”, for the Piano Forte, composed by Felix Mendelssohn Bartholdy. (15 pages) London, Cramer, Addison and Beale, [c. 1840] / IV. “Fantasia” on a Favourite Irish Melody for the Piano Forte. Composed by F. Mendelssohn Bartholdy (Op. 15) – 8 pages, London, Cramer, Addison & Beale, [c. 1840] / V. “Two Musical Sketches” for the Piano Forte. Composed by F. Mendelssohn Bartholdy. 7 pages – London, Cramer, Addison & Beale, [c. 1840] / VI. “Capriccio for the Piano Forte. Composed & Dedicated to Miss Honoria Taylor. By F. Mendelssohn Bartholdy (Op. 16) No. 2; 4 pages – London, Cramer, Addison & Beale, [c. 1840] / VII. “The Rivulet” Rondino for the Piano Forte. Composed and Dedicated to Miss Susan Taylor, by F. Mendelssohn Bartholdy (Op. 16) – No. 3; 4 pages – London, Cramer, Addison & Beale, [c.1840] / VIII. “Twenty-Seven Melodies” by Felix Mendelssohn Bartholdy, arranged for the Piano – Forte from his Ops. 8 and 9. In Four Books:– Book I, II, III and IV (13, 13, 13, 13 pages) – London, Ewer & Co., [c. 1840] All the four books have separate titlepages / IX. “Six two-part Songs, for Female Voices with Accompaniments of the Piano – Forte, composed by Felix Mendelssohn Bartholdy (Op. 63) – 29 pages; London, J.J.Ewer * Co., [c. 1840] / X. “The Garland”, by Thomas Moore Esq. Set to Music by Felix Mendelssohn Bartholdy. 5 pages; London, J.J.Ewer & Co., [c. 1840] //

London, Ewer / Addison / Beale and others, [c.1840 – 1863]. Folio. c 180 pages. Modern Hardcover, beautiful half morocco with gilt lettering on spine and marbled paper covered boards. Original Softcover, engraved scores bound in. Very good condition with only minor signs of external wear. Only three of the scores with some tears, one with a dampstain ! Overall an extremely attractive compilation of Mendelssohn’s work in a recent mster-binding. Highly collectable and a beautiful gift ! Ask for multiple images.

9. Viereck, George Sylvester / [Frederick Franklin Schrader] / [Mentioning of Oscar Wilde / Lord Alfred Douglas].

Collection of early Manuscript Material (which is a Manuscript Ballad / Poem), a two-page Manuscript Letter (which is a MLS mentioning Oscar Wilde, Lord [Alfred] Douglas, Viereck’s literary tastes etc.) and the personal copy of “House of the Vampire”, all by the controversial german-american author George Sylvester Viereck. The collection includes: 1. One six-page, hitherto unpublished Manuscript – Ballad [Poem], called “Die Ballade vom Sündigen Glück” [Translates: “The Ballad of sinful Pleasure”]/ 2. A lengthy and extremely insightful Two-Page Manuscript Letter, signed in New York, 1902, which accompanied and talks about the enclosed Six-Page Manuscript – Ballad [The letter and Poem was not conclusively but very likely addressed by Viereck to Frederick Franklin Schrader, then editor of the New York Dramatic Mirror and shortly thereafter co-founder with George Sylvester Viereck of “The Fatherland” / 3. The collection also includes Viereck’s personal copy of his publication “The House of the Vampire” with handwritten, manuscript entry of his name, address in New York City as well as a pasted statement on the endpaper by the author Viereck: “Concerning “The House of the Vampire” : This book went through several editions when it was first published and was dramatized. It played for eight weeks in New York and for two years on the road under the management of the Shuberts. Critics have compared it to such books as Dr.Jekyll and Mr.Hyde, Lady Into Fox, and Dorian Gray”]. The two-page letter is of great value and touches on Viereck’s admiration for Schrader and his “Blatt” [Newspaper]. Viereck is advertising himself to Schrader by introducing himself as a critical admirer with substantial references (Viereck details his working for numerous newspapers in America). Viereck mentions his secessionist tendencies and name-drops Oscar Wilde, Rosetti and Lord Douglas (whom he claims to know personally). This amazing, autographed/signed Manuscript-Material was created by Viereck directly during his transition from writer to propagandist and is an example of his early, bullish personality, which wants to be heard, which needs attention and it is here, in 1912, where his career begins to develop. This large Archive of manuscript material [8 pages in total] is stunning and unpublished (see partial Transcription of the original german material on our website). Viereck’s close friends included Nikola Tesla and even Theodore Roosevelt was among his acquaintances.

New York, Moffat, Yard & Company, 1902-1912. Play and Letters: 20.3 cm x 25.3 cm / Book: 13 cm x 19,5 cm. Pagination: Balld (Poem): 6 pages / Manuscript Letter (MLS): 2 pages / Book: 190 pages. Original Hardcover / Blue publisher’s cloth with gilt lettering on spine in protective collector’s mylar / The play protected in clear folder. The manuscript pages overall in excellent condition besides page IV of the play which has two abrasions with small parts of the text missing only. The book in excellent condition with only minor signs of external wear. Viereck’s usual vanity made him add the lovely littel note of critical success. The personal copy of this controversial author’s most interesting book is a unique possibility for each collector of unusual Vampire material. Extraordinary collection !

10. [de Man, Paul] Durling, Robert M. / Rosiek, Jan / Weiss, T.[Theodore Russell Weiss] / Hughes, Langston / Levin, Harry.

Collection of five books from the library of Paul de Man and Pat de Man. Three of the books inscribed/signed by the author’s. The Collection includes: 1. Robert M. Durling – The Figure of the Poet in Renaissance Epic. [Inscribed by Durling: “For Paul de Man – with fond regards – Bob”] / 2. Jan Rosiek – Figures of Failure – Paul de Man’s Criticism 1953-1970 [Unsigned / Not inscribed] / 3. T. Weiss – The Catch – The Twayne Library of Modern Poetry [Inscribed by Weiss: “To Pat + Paul, for real friendship + a book of their own soon. Ted”] / 4. Edward J. Mullen – Langston Hughes in the Hispanic World and Haiti [Inscribed by Langston Hughes: “Ma cheri Pat, may this slight token of appreciation for your past (and hopefully) future, intellectual ministrations to your petit frère recall to you fond memories of your peregination. Love, Langston – Chritmas, 1979 (Late, as usual)”] / 5. Karry Levin – Grounds for Comparison [Unsigned / Not inscribed].

Cambridge (Mass.) / Aarhus / New York and others, Harvard University Press / Archon Books / Twayne Publishers / Aarhus University Press, 1951 – 1992. 8°. Volume I.: VIII, 280 pages / Volume II: 247 pages / Volume III: 77 pages / Volume IV: 193 pages / Volume V: 423 pages. Three Volumes in original Hardcover with original dustjacket in protective Mylar / One Volume in Softcover / One Volume in Hardcover. Very good condition. From the library of Paul de Man. Especially the Durling – Volume of interest. Inscribed by the author: “For Paul de Man with fond regards – Bob”.