21. [Kandinsky, Wassily] Weiss, Peg.

Kandinsky in Munich – The Formative Jugendstil Years [The Formative Art Nouveau Years].

Princeton, Princeton University Press, 1985. 8°. XXI, 268 pages text and 156 illustrations on plates. Original Softcover. Excellent condition with only minor signs of external wear.

22. Hamsun, Knut.

La Faim. Traduit du Norvegien.

Première Édition originale française / [First French Edition of ‘Hunger’]. Paris, Albert Langen / Nilsson, 1895. Octavo. 322 pages. Reliure privée du 19ème siècle / Original private Hardcover with gilt lettering on spine. Bon etat / Very good condition with only minor signs of external wear.

23. Beaulieu, Mad. Mallès de / [Robinson Crusoe].

Le Robinson de douze ans – Histoire intéressante d’un jeune Mousse Français abondonné dans une ile déserte. Ornée de Gravures par Mme Mallès de Beaulieu, Auteur des Coules d’une Mère à sa Fille.

Paris, P.-C. Lehuby, no date (approx. 1818). Small – Octavo. Engraved frontispiece, Titlevignette, 288 pages with two further engravings (4 in total). Hardcover. Original, blue paper-covered boards, extensively decorated with gilt floral motifs and an inset illustration of the young Robinson and his dog on a beach. Very good condition. Interior remarkably clean. Fine example of a so-called Robinsonade, a fashionable adaptation of the original Robinson Crusoe story, in this case based on another “Robinsonade”, this is a somewhat modified and inspired version of Johann David Wyss’ famous publication “The Swiss Family Robinson”, which he published initially “to teach his sons about family values, good husbandry, the uses of the natural world and self-reliance” (Wikipedia). In her publication “History and the Construction of the Child in Early British Children’s Literature”, Jackie C. Home writes that “The Bibliothèque Nationale de France online catalogue lists 35 French language editions of Mallès de Beaulieu’s novel, published between 1818 and 1923, suggesting that the novel was one of the most popular titles fro children in nineteenth-century France.”

24. Chesterfield, Philip Dormer Stanhope, 4th Earl of.

Letters written by the late Right Honourable Philip Dormer Stanhope, Earl of Chesterfield, to his son, Philip Stanhope, Esq.; Late Envoy Extraordinary at the Court of Dresden: together with other several pieces on various subjects. Published by Mrs. Eugenia Stanhope, from the originals now in her Possession

The Third Edition. In Four Volumes (complete set). London, J. Dodsley in Pall-Mall, 1774. Octavo. Collation: Volume I: Engraved frontispiece of Stanhope, XVI, 352 pages / Volume II: (2), 355 pages / Volume III: (2), 376 pages / Volume IV: (2), 364 pages. (Collation complete). Hardcover / Original 18th century full calf with gilt lettering on original spinelabels. Very good condition with only minor signs of external wear. Smaller dampstain to lower first and last two pages of two volumes only. The bindings a little shaky but holding. Provenance: From the library of Robert Doyne, with his Exlibris – bookplate to the front pastedown of all four volumes. While he died already in 1733 and these books were published in 1774, it is very likely that the bookplates were still applied by his librarian or family / Sir Robert Doyne (1651-1733) was member of the Irish House of Commons for New Ross from 1692 to 1695, and later a distinguished judge who served as Chief Baron of the Irish Exchequer from 1695 to 1703 and Chief Justice of the Irish Common Pleas from 1703 to 1714. In the latter year like all the senior judges in Ireland appointed under Queen Anne he was removed by the new administration; while allegations of corruption were made, the removal seems to have been a simple matter of politics. Although the Irish House of Commons passed a resolution that he had acted corruptly no further action seems to have been taken against him and he lived in peaceful retirement for many years. (Wikipedia)

25. Kirk, Malcolm / Strathern, Andrew.

Man as Art – New Guinea. [With an essay by Andrew Strathern: “Dress, Decoration and Art in New Guinea”]. Photographs by Malcolm Kirk.

San Francisco, Chronicle Books, 1993. Quarto. 144 pages with photographs throughout the whole book. Original Softcover. Very good condition with only minor signs of external wear. Private giftinscription !

26. Sommer, James van / Spohr, Louis / Keller, Karl / Beethoven, Ludwig van / Hummel, Johann Nepomuk / Weber, Carl Maria von / Eberwein, Traugott Maximilian / etc.

Manuscript of: “Songs &c., chiefly by German Composers. With English Words by James van Sommer, by whom also the Music was ruled and transcribed”. / 19th century Manuscript by british composer James van Sommer with transcriptions of German Lieder in poetry form and score. Marvellous original manuscript with early transcriptions into english of some unusual composers. The manuscript in a beautiful and steady hand in ink/ Originales Manuskript von Transkriptionen teilweise ungewoehnlicher Lieder deutscher und europaeischer Komponisten des spaeten 18. und fruehen 19.Jahrhunderts. Wundervolle, sehr akkurate Handschrift.

[England, possibly Hoxton], James van Sommer, 1837. Octavo. 157 pages. Modern, unsophisticated Hardcover with new endpapers. Excellent condition.

27. [Mielziner, Joseph “Jo”] Henderson, Mary C.

Mielziner – Master of Modern Stage Design. Foreword by Frank Rich.

New York, Back Stage Books, 2001. Oblong-Quarto. 320 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear. Rare Out-of-Print-title !

28. Olympia 1940 – Sysimetsä, Ilmari.

Original Poster – Designed in 1938 during a competition for the XII. Olympic Games in Helsinki, after the Olympic Games in Tokyo were cancelled: “XII. Olimpiskas Speles – Helsinki – Somija – 20.VII – 4.VIII.1940”.

[Helsinki] Finland, A.B.Tilgmann, 1938. Framed Poster measures: 32 cm x 44 cm. Poster itself measures: 25,5 cm x 38,7 cm. The original poster is still in its original frame. Some minor signs of foxing only to the original Poster. Very good condition in strong and bright colours. Very Rare in this condition.

29. Yeats, William Butler / [George [Georgie] Yeats / Mrs. Eva Hempel / Eduard Hempel].

Pages from a Diary Written in Nineteen Hundred and Thirty. [Signed / Inscribed by George Yeats to Mrs. [Eva] Hempel, wife of german ambassador to Ireland during World War II].

No.8 / 200 copies, of the original limited edition. Dublin, The Cuala Press, 1944 [September 1944]. Octavo. 58 pages. Original Hardcover. Inscribed by George Yeats on the front free endpaper: “Mrs. Hempel from George Yeats, April 1944”. This has to be of course “April 1945”. The impossibility of signing/inscribing a book in April 1944 if it was only published in September 1944 is easily explained with the classic everyday-mistake of still writing the previous year in the first few months of the following year. A stunning association. The signature and inscription is a solid match to George Yeats’ autographs in her later hand and William Butler Yeats and George Yeats were frequent visitors to the Hempel’s in Dublin. In addition, the low number of the edition (8/200) suggests this being one of the reference copies given to George Yeats, who contributed heavily to the volume and even added an explanatory note (in print) verso the titlepage. This copy is near fine, bound in the publisher’s quarter buckram over yellow, paper-covered boards. The books pages remained unopened. Eva Hempel’s husband Eduard Hempel is one of the most controversial figures in modern Irish history, excoriated by some as ‘Hitler’s man’, defended by others such as the country’s first President, Eamon De Valera. Certainly, Hempel presented William Butler Yeats in 1938 with a copy of ‘Germany Speaks’ whose inscription described an ‘unforgettable afternoon’ spent together by Yeats and Hempel. Eduard Hempel and his wife were accepted socialites in the Dublin world of World War II, famously receiving a condolence call by de Valera upon the death of Hitler. Eduard Hempel and his wife Eva were granted asylum in Ireland after world war II and stayed way beyond the end of World War II.

30. Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive information like “Sold to:…..” / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.