371. Palace Museum.

50 Selected Gems of Cultural Relics – newly collected in the Palace Museum in the last fifty years.

Beijing, Forbidden City Publishing House, 1999. 4°. 361 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, near Fine condition. Extremely Rare publication.

372. Palm House Conservatory Belfast – Anonymus.

Palm House Conservatory – Botanical Garden in Belfast.

Original 19th century Gouache painting with title in ink mounted separately. Belfast, c. 1880. Beautifully framed. The frame with the Gouache measures: 36 cm x 38.5 cm. The Gouache itself measures: 15 cm high x 19 cm wide. Excellent condition of this beautiful original artwork showing the spectacular 19th century Palm House with surroundings.

373. Paolozzi, Eduardo.

The Metallization Of A Dream. Reproductions. With a commentary by Lawrence Alloway.

Handnumbered: No.218 [of c. 400]. London, Lion and Unicorn Press, 1963. Quarto (22 cm wide x 26.5 cm high). Frontispiece, 64 pages with illustrations (some in colour) throughout the publication. With four (4) photo-lithographs. Original, illustrated, blindstamped Hardcover. Unusually excellent condition with only minor signs of wear.

374. Paris – [Anonymous].

A View of the Royal Palace of the Fontainbleau.

Original engraving. [no place], [no year / c.1780]. Plate Size: 23.3 cm x 19 cm. Sheet Size: 26.5 cm x 20.5 cm. Original engraving. In very good condition.

375. Paris – Chereau, Jacques. (1688 – 1776).

Vue de L’Édifice de l’Observatoire et du Collège des Jésuites.

Original hand-coloured engraved vue d’optique. Paris, Jacques Chereau, [c.1700s]. Plate Size: 39.3 cm x 28.5 cm. Sheet Size: 41.5 cm x 29.7 cm. Original print. In very good condition. Clean, crisp and bright impression.

376. Paris – Mondhare, Louis-Joseph. (1734 – 1799).

1er Vue des Boulvard pris de la Porte St Antoine on averty le Public que cette Vuë est graveé pour estre vuë au naturet dans l’Optique.

Original hand-coloured copper engraved vue d’optique. Paris, Mondhare, [c.1750-1780]. Plate Size: 38.7 cm x 23.2 cm. Sheet Size: 44.7 cm x 28. 6 cm Original print. In very good, actually remarkable, condition. Clean and crisp and radiant impression, with only the faintest trace of browning. Some very minor traces of light staining to outer margin corner.

377. Paris in Advertising and Art – Various.

Bottin Mondain, 1951: Tout-Paris, Toute la France (Including ‘Supplement’).

2 Volumes. Paris, Annuaire Du Commerce Didot-Bottin, 1951. 18 cm x 26 cm. 1500, 576 pages. Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of external wear. The illustrated dustjackets with some tears and some fraying to the edges and corners. Some browning of paper. Otherwise clean inside with firm bindings.

378. Parsons, Jack / Beard, Tyler.

Lone Star Living – Texas Homes and Ranches [Signed / Inscribed by PhotographerJack Parsons].

Boston / New York / London, Bulfinch Press, 2003. Quarto (24 cm wide x 28.8 cm high). 230 pages with photographs throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear. Beautifully signed / inscribed by Jack Parsons.

379. Peintner, Max.

Ewigkeit im Tagbau [″Eternity in the Open Pit” / An Artists Monograph on the impact of Industry to everyday Life and City and Landscape].

Linz, Neue Texte, 1977. 24,5 cm x 28,5 cm. 95 seiten. Mit zahlreichen schwarz-weißen und farbigen Abbildungen und Illustrationen. Original Hardcover. Sehr guter Zustand mit nur geringen Gebrauchsspuren. Mit handschriftlicher Widmung des Autors / signiert.

380. Pemberton, H.M. [Hilda Mary]. (1871 – 1957)

Blaawberg Strand [Bloubergstrand] (with shipwreck) and Hermanus.

Two original etchings, signed and titled in pencil. [South Africa], no year [c. 1915]. Beautifully framed. The frames with the etchings measure: 39 cm x 34.5 cm. The etchings themselves measure: c. 26 cm x 24 cm. Excellent condition but with some foxing. Frames with minimal signs of wear.