371. [Bonnard, Pierre] Anet, Claude.

Notes Sur L’Amour. Illustrated by Pierre Bonnard and engraved by Yvonne Mailliez.

Exemplaire non numéroté sur Alfa bouffant. Paris, G. Crès & Cie, 1922. 26cm x 21.3cm. 74 pages. With beautiful, intimate illustrations. Hardcover / Modern half cloth with marbled-paper-covered-boards in slipcase. Bound with the original wrappers Excellent condition.

372. Stroobant, François. (1819-1916)

Nürnberg (Baiern) – Nuremberg (Baviere) – Nuremberg (Bavaria).

Originale Lithographie von Stroobant, gedruckt bei Simonau & Toovey bei Charles Muquardt ca. 1850 – Details [Brüssel/Brussels/Bruxelles], Imp. Simonau & Toovey [Charles Muquardt], [1850]. Mounted overall size: 45.7 cm x 48.5 cm. Lithograph-Image only: 29.5 cm x 27.7 cm. Very good condition with only very minor signs of foxing.

373. Buchner, Ernst / Feuchtmayr, Karl.

Oberdeutsche Kunst der Spätgotik und Reformationszeit [Including a section on Jerg Ratgeb’s “Passover Meal”, one of the earliest depictions of Passover in the History of Art].

Augsburg, Benno Filser, 1924. Quarto (25 cm wide x 32 cm high). 322 pages with Illustrations throughout. Hardcover / Original Publisher’s cloth. [Provenance: Ex Libris Julius Böhler. With a rare original Bookplate showing Pallas Athena in front of the “Cathedral of our dear Lady” in Munich (Frauenkirche zu München)]. Very good condition with only minor signs of wear. [Beiträge zur Geschichte der Dt. Kunst, Band I].

374. Porter, William Henry [Irish Surgeon (1790-1861)].

Observations on the Surgical Pathology and Treatment of Aneurism – Being the Substance of a Course of Lectures on That Disease – Delivered in the School of the Royal College of Surgeons in Ireland During the Session, 1839-40. Part I [possibly all which was ever published because we could only establish Part I in Worldwide Libraries].

First Edition. Dublin, Printed by Joshua Porter, 72, Grafton-Street, no year (c.1840). Octavo (15 cm wide x 23.3 cm high). XV, 214 pages. Original Hardcover with rebacked spine. Excellent condition with only minor signs of wear. Frome the library of irish cardiologist Eoin O’Brien.

375. [Harris and Sons].

Old English Furniture – Designers and Craftsmen.

Third Edition. London, M. Harris and Sons, 1947. Octavo. 107 pages with many plates and drawings of ornament. Original Hardcover. Excellent condition with only minor signs of external wear.

376. Dante Alighieri / Cockerell, Douglas / North, John William / Ashendene Press Circle /

Original Devotional Manuscript to Dante [La Divina Commedia / The Divine Comedy – Manoscritto dell’inizio del XX secolo della Divina Commedia di Dante – con strofe manoscritte da “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso”] – The Manuscript is titled: “Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace” – Illuminated Devotional Manuscript of section of “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso” – with excerpts of Dante’s Divina Comedia, in the style of medieval illuminated manuscripts. The manuscript is a strictly themed Dante Devotion and is of magical quality if one considers the fantastic, original calligraphy artwork, the composition of the manuscript and the coded meaning to the composer of this manuscript. The Folio – size manuscript is massive and has 216 pages, of which 109 pages are with illuminated, original watercolour-paintings in the style of the medieval masters, sometimes collages with watercolour and original etchings, engravings etc. The miniature paintings are juxtaposed with 105 vintage 19th century photographs of famous Italian Art – pieces that are somehow related to Dante’s world or have an allegorical assoziation. Besides the early photographs other juxtaposed artwork or integrated artwork to the illuminations are: an original watercolour depicting the dying Dante, a sensational copper-engraving, depicting an allegorical Dante-scenario, possibly referring to the Divine Comedy, a small photograph of the famous Michelino Fresco encapsulated in one of the illuminations, an artprint attributed “Burne-Jones”, two lithographs, a large steel-engraving, a smaller steel-engraving. Most of the photographs show allegorical sculpture or art by famous italian artists like Giotto, Carpaccio, Andrea Castagna, Luca delkla Robbia, Bellini, Titian, Dosso Dossi, Orgagna, Andrea del Sarto, Fra Angelico, Paul Veronese, Botticelli, Raphael, Michelangelo, Bonifazio, Neri dei Bicci, Francesco Traini, Benozo Gozzoli, etc. etc. and other juxtaposed refer in code to Dante’s Divina Comedia or even depict himself in artform. The photographs also include some breathtaking 19th century Albumen prints of Verona, Lake Garda, Mantua and other Italian landscapes.

England, [Douglas Cockerell / John William North], no year [c.1910]. Folio (34 cm wide x 42.5 cm high). 216 pages. Hardcover / Binding in full green morocco with lettering and Dante’s head as bronze sculpture per inlet to front cover. Binding by Douglas Cockerell, signed “WHS”, during his directorship of W.H.Smith & Son (1905 – 1914). The manuscript is on excellent paper, watermarked O.W.P. & A.C.L. [O.W. Paper & Arts Co. Ltd., established by English painter John William North (1842-1924) in 1895]. The binding rubbed and with some small damages, in need of some minor restoration but overall still very good. The interior, the paper and the artwork all in excellent condition besides one of the juxtaposed photographs (Filippina Lippo) removed from the manuscript with some residue of the photograph remaining and some of the photographs with some dogears and minimal discoloration. All the original artwork in spectacular and fresh condition. The manuscript is a spectacular find and the quality of its execution is of utmost interest for any lover of rare books, manuscripts and special bindings. The circle of Douglas Cockerell, his involvement in one of the most beautiful books ever printed: the Ashendene Press Dante, as well as Cockerell being the binder of this unique manuscript, the fantastic paper used for the manuscript by one of the idyllist movement’s central figures, John William North, and the wonderful Dante – theme of the manuscript with illuminated poetry from the Divine Comedy and the unique style of collage art, lets us rightfully dream that the anonymous composer of the manuscript was an important or at least peripheral member to either the Arts and Crafts Movement, the Ashendene Press or it was someone who worked in the style of the calligraphy schools that were inspired by William Morris or even earlier epigones like Owen Jones.

377. Greenaway, Kate.

Original Friendship Album / Album Amicorum with 4 colour-lithographs.

[London], ca. 1880. Oblong-12°. / Miniature Children’s Book (11 cm long x 7,3 cm high). 28 pages with 4 colour lithographs. Original, decorative and illustrated Publisher’s Hardcover. First page and two illustrations cleanly detached. Several entries of children in this friendship-album. The illustrated binding in very good condition. A Kate Greeneway Album Amicorum is extremely rare in any condition !

378. 19th century European Travel – Ireland (Carrick-A-Rede / Giant’s Causeway / Bideford (Devon) / Torrington (Devon) / Lynton (Devon) / Lynmouth (Devon) / Watersmeet (Devon) / Ilfracombe (Devon) / Carnarvon Castle (Wales) / Forth Bridge – (Wales)/

Original Photoalbum from ca. 1870 / 1880 with 37 original Albumen Print / Albumen Silver Print – Photographs of a Tour through Europe. With very interesting photographs of Ireland’s favourite attractions in County Antrim , a large section of the Devon Region in England (The DEVON – Section includes 15 photographs alone), and some beautiful and rare early colour photographs of Luzern in Switzerland: Examples of images: 8. Bideford in Devon (Promenade with ships and people) / 9. Torrington – Devon (Town Mill Bridge) / 10. Torrington – Devon (Northern Bridge) / Two smaller photographs on one board: 11. Torrington – Devon (Castle Ruins) / 12. Torrington – Devon – (Near Railway Station) / Two smaller photographs on board: 13. Torrington – Devon – (The Avenue) / 14. Torrington – Devon (Valley of Rocks / Castle Rock) / 15. Lynton – North Devon / 16. Lynton – North Devon (Castle Rock) / 17. Lynmouth – Watersmeet / 18. Lynmouth (Bridge /Watersmeet near Lynmouth) / 19. Lynmouth (Picturesque Harbourscene with old fisherhuts on left) / 20. Ilfracombe – North Devon (from the Tours Walk – Top of the Hill) / 21. Ilfracombe – Tour Walk / 22. Ilfracombe – View from Capstone Hill /

Devon, ca.1870/1880/1890. Oblong – Quarto. 37 plates. Hardcover. Recently, professionally rebound in half leather with gilt lettering on spine. The large photographs in very good condition.

379. Olympia 1940 – Sysimetsä, Ilmari.

Original Poster – Designed in 1938 during a competition for the XII. Olympic Games in Helsinki, after the Olympic Games in Tokyo were cancelled: “XII. Olimpiskas Speles – Helsinki – Somija – 20.VII – 4.VIII.1940”.

[Helsinki] Finland, A.B.Tilgmann, 1938. Framed Poster measures: 32 cm x 44 cm. Poster itself measures: 25,5 cm x 38,7 cm. The original poster is still in its original frame. Some minor signs of foxing only to the original Poster. Very good condition in strong and bright colours. Very Rare in this condition.

380. Horological Illustration of the 18th century – [Scanavacca, Bartolomeo] Horologium / Orologio / Horology.

Original, 18th century italian manuscript on how to build a vertical clock with sound: “Come si Dissegni in practica un Orologio Verticale Italiano a suonodella Campana secondo le regole del Scanavacca” [Translates: “How to Draw an Italian Vertical Clock with the sound of the Bell in practice according to the rules of [Bartologmeo] Scanavacca”].

Italy, c.1750. A4. 22 pages with text, diagrams or drawings (partly in colour). Original Softcover Folder with original manuscript papers and drawings inside. Majority of the pages with damages and some with loss of text to outer margins. Extremely rare and interesting manuscript, also dealing with “Orologi a Sole Guili”.