41. [Rossetti] Beerbohm, Max / [Jack “Bohun” Lynch].

Rossetti and his Circle [Association Copy – Inscribed / Signed by Max Beerbohm to his friend, Biographer and fellow Caricaturist, “Jack [Bohun] Lynch”].

First Edition. London, William Heinemann, 1922. Quarto. Frontispiece, IX, [1] pages with 23 tipped-in plates (including the now famous Oscar Wilde – Caricature) with lettered tissue-guards. Original Hardcover with original dustjacket. The dustjacket very poor and fragmented but the Volume itself in excellent, firm condition. All colour-plates iwith tissue-guards in place and in wonderful condition. Excellent association-copy with the personal inscripton by Max Beerbohm to his friend Jack Lynch: “Jack Lynch”

42. Illustrations for The Odyssey – Rössing, Karl.

Interessante Sammlung von originalen Briefen des Österreichischen Autors Karl Rössing and den künstlerischer Leiter der Bauerschen Gießerei, Dr. Konrad Bauer. Die detaillierten Briefe geben Aufschluss zur Entstehungsgeschichte der Publikation “Bilder zur Odyssee”, welche im Jahr 1955 in Frankfurt herausgegeben wurde. Karl Rössing spricht mit Bauer zum Thema Korrekturen im Satz, Einbanddecken, Mäander, Papierauswahl, Tondruck, Einbandgestaltung, Autorenexemplaren, Ausstellung in Braunschweig, Rezensionsverweigerung von Benno Reiffenberg, Verwendung des Buchs als Geschenk an den Bundespraesidenten (damals Theodor Heuss), “ganz einfach deshalb weil er ein fuer Kunstdinge aufgeschlossener Mensch ist”, etc. etc. Der Sammlung liegt eine originale Tuschzeichnung über Bleistift, sowie ein Probedruck des Titelholzstichs bei. Die fertige Buchausgabe liegt ausserdem hier im Originalschuber vor.

Stuttgart / Frankfurt, Prof.Karl Rössing / Der Goldene Brunnen / Bauersche Gießerei, 1950-1957. Octavo. 9 Briefe, davon einige auch umseitig oder zweiseitig. Zusammen 14 Seiten auf 10 Blatt plus eine Tuschzeichnung und Probedruck des Titelholzschnitts. Das fertige Buch in original Hardcover im Schuber. Sehr guter Zustand. Bedeutende Dokumentation zur Buchproduktion und enger Zusammenarbeit zwischen Illustrator.

43. Heininger, C.P. (Publisher).

Historical Souvenir of San Francisco, California – with Views of Prominent Buildings, the Bay Islands, Stock Exchange etc. [Two Binding – Variations of the Fantastic original Tourist – Panorama of San Francisco / 12 years before the earthquake destroyed most of the buildings displayed in this Leporello / The Souvenir shows also a remarkable Birds Eye View of San Francisco ].

2 volumes ( 2 different editions of the same publications.) San Francisco, C.P. Heininger, 1889 / (ca.1898). 14.5 cm x 19 cm. 44 pages with illustrations (including bird’s eye view of San Francisco), 60-page-booklet with descriptions tipped into rear of the Leporello (the booklet cleanly detached but complete). Original, beautifully illustrated Hardcover Leporello / Accordion / Concertina – tourist publication with blindstamped emblemata “Eureka” to the rear board. Excellent condition with only minor signs of external wear for the later edition. The Leporellos both in unusually, excellent condition. No fraying to the folds of the Leporellos. Binding of the 1889 edition is poorer, The Leporello and the booklet of this version are completely detached. A few tears and damages between the folds. Both interior of booklets are very clean. Overall very good condition and all illustrations are superfresh! Extremely scarce.

44. [Gloucester Cathedral] – Waller, Frederick S.

Gloucester Cathedral – Notes and Sketches by Frederick S.Waller.

Gloucester, John Bellows, 1890. Quarto (22 cm wide x 28 cm high). 14 pages text and six (6) full-page Lithographs, illustrating the Cathedral in detail and also including the wonderful Lithograph of a Birdseye-sketch of the Cathedral’s appearance as Norman Remains. Illustrated Softcover with lithographed wrappers. Very good condition with only minor signs of wear. An extremely rare publication on excellent paper and the plates in wonderful detail and condition. This is not the usual tourist pamphlet but a thorough architectural study of great importance for the History of this Abbey.

45. [Crozier, William (″Bill”)] Crouan, Katharine / Kennedy, S. B. / Vann, Philip.

William Crozier. [Signed by William “Bill” Crozier during a Summer Exhibition at James Wray & Co. (including the invitation to the former owners of this book) and the book comes with a small collection of little catalogues and publications on Crozier, advertising material etc.]. Edited by Katharine Crouan / With Essays by S.B.Kennedy and Philip Vann.

Hampshire / Burlington, Lund Humphries, 2007. 8°. 208 pages. Original Hardcover with dustjacket. Excellent condition with only minor signs of external wear. Signed by Bill Crozier on the titlepage.

46. Couvée, M. M.

19th Century Album with 31 fantastic, large vintage photographs of Germany, Austria and Italy. Many of these early photographs are on Frankfurt am Main, but also Berlin, Heidelberg and classic travel – locations along the Rhine are included / Also interspersed are some other european destinations like Lugano, Venice and Salzburg (these all in colour). – All Photographs original Albumen Prints. / Album mit 31 grossformatigen, fantastischen, originalen Photographien von deutschen und europaeischen Stadtansichten des 19. Jahrhunderts, vorwiegend Frankfurt am Main [mit traumhaften und ungewoehnlichen Ansichten von Frankfurt und Sachsenhausen / Kaiserstrasse mit Strassenbahn / Rossmarkt / Goetheplatz / Alte Oper / Palmengarten / Wiesbaden – Kursaalplatz / Eschenheimer Turm / Kaiser-Wilhelm-Denkmal / Main mit Untermainbruecke und Angler mit zwei Jungen davor / aber auch Stadtansichten von Berlin (″Blick nach den Linden” in Farbe – in colour), Lugano (in Farbe – in colour), Boppard (in Farbe – in colour), Heidelberg (in Farbe – in colour), Salzburg, Königstein im Taunus (in Farbe – in colour), Remagen (in Farbe – in colour), Coblenz, Lahneck, Sooneck, Braubach und Marxburg, Wiesbaden, Bingen und Venedig (in Farbe – in colour)/

La Haye / Dresden, Couvée / Stengel & Co., c. 1895 – 1900. Quer Quart / Oblong Quarto. 31 large photographs mounted on cardboard. Original Hardcover / Exzellente Halblederausgabe mit vergoldetem Titel auf dem Vorderdeckel. / Album with gilt lettering. Ungewoehnlich gut erhaltenes Album mit phantastischen Aufnahmen die auch das buergerliche Leben mit eingefangen haben. / Excellent condition with only minor signs of external wear.

47. Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

48. Haacken, Frans. (1911 – 1979).

Totentanz / [Danse Macabre / Dance of Death – A cycle of nine original Woodcuts – A Danse Macabre] – Einige der Holzschnitte betitelt: Rex Tremendae Majestatis / Agnus Dei / Lux Perpetua / Domine Jesu / Lacrymosa / Dies Irae / Tuba.

Neun originale, signierte Holzschnitte / Holzschnittfolge von Haacken’s Handpresse mit Totentanz – Motiven. [Aachen], c.1950. Gerahmt: c. 28 cm x 35 cm. Holzschnitt: 16 cm x 22 cm. Alle Holzschnitte gerahmt. Sehr guter Zustand mit starken Gebrauchsspuren an den Rahmen von einigen Bildern. / All Woodcuts framed and with some stronger signs of wear to the framing. Price includes free internaional UPS.

49. Christo & Jean-Claude.

Yorkshire Sculpture Park – Sculpture and Projects 1961-96. [SIGNED by Christo and Jean-Claude].

Yorkshire, Exhibition Supported by the Henry Moore Foundation, 1997. Oblong Small-Quarto (21 cm wide x 15 cm high). 36 pages with illustrations (some in beautiful colour). Softcover / Original spiral bound. Unusually excellent condition with only minor signs of wear. Extremely rare now with the beautiful signatures of these two landmark-artists of the 20th century.

50. Chalmers, Alexander.

A History of the University of Oxford, including the Lives of the Founders, by Alex Chalmers, with a Series of Illustrated Engravings by J.Storey & J.Greig. / A History of the College Halls. And Public Buildings, attached to the University of Oxford. [With 31 plates / steel engravings (including frontispiece)].

First Edition. Two Volumes (complete set). Oxford, Printed by Collingwood and Co., 1810. Octavo (14.4 cm wide x 21.7 cm high). Pagination: VolumeI: Frontispiece-Engraving of Oxford, engraved title-page, another title-page with a more explicit title, XVI, 260 pages / Volume II continues the pagination: Halftitle, Title, Pages 261 – 486 plus an Index (13 pages). plus 1 page (List of Plates). Original, very decorative, early 19th century full leather with gilt ornament to boards and masterfully rebacked spine with spine-labels. A superior copy of this often deranged and broken publication. A stunning example of british bindery-craftsmanship and with only minor signs of browning and foxing. The best example of this work we have ever seen. Firm, possible to be handled without fear of breaking, the leather smooth. A perfect gift !