1. [Mondriaan, Piet] Henkels, Herbert (Redactie / Editor).

Gedurende een wandeling van buiten naar de stad.

Set of 2 volumes. Den Haag, Haags Gemeentemuseum, 1986. 32 cm x 26,5 cm. Vol I, 88 pagina’s / Vol II, 79 pagina’s. Met talrijke illustraties in kleur en zwartwit / Vol I, 88 pages, Vol II, 79 pages. With many black-and-white and colour illustrations throughout book. Original Softcover. Komt met kartonnen hoes ter bescherming / Comes in presentation slipcase (Softcover). In zeer goede staat met slechts weinig sporen van slijtage / Very good condition with only minor signs of external wear.

2. Paris – [Anonymous].

A View of the Royal Palace of the Fontainbleau.

Original engraving. [no place], [no year / c.1780]. Plate Size: 23.3 cm x 19 cm. Sheet Size: 26.5 cm x 20.5 cm. Original engraving. In very good condition.

3. London – [Anonymous].

Ansicht der Westminster Abbey zu London.

Original hand engraving. Germany, [no year / c. 1795]. Plate Size: 19 cm x 15 cm. Sheet Size: 23 cm x 20 cm. Original engraving. In good+ condition with only some browning to outter margins.

4. Animals – [Anonymous].

Collection of Animal Prints [with italian subtitles].

Original, hand-coloured copper engravings. Italy, [no year], c.1780. Plate Size: 8 cm x 12.3 cm. Sheet Size: 12.5 cm x 18.5 cm. Original prints. In very good condition. Brightly coloured. Some very minor traces of browning only.

5. Britain and Ireland – [Anonymous].

Views of Picturesque Locations in the British and Irish Isles – The Giant’s Causeway, Pistyll Rhaeadr, Staffa’s Fingal’s Cave and the Bullers of Buchan

Original engraving. Gentleman’s Magazine, and others, 1750. Plate Size: 13.5 x 9.5 cm – 15 cm x 21.5 cm. Sheet Size: 20 cm x 11.7 cm – 19.5 cm x 24.3 cm. Original engravings. In good- condition. Some browning evident. One sheet has significant tear with section of margin missing.

6. [Anonymous].

Guide to Killarney and Glengariff. With a Map and Six Plates.

New Edition, revised and corrected. Dublin, William Curry, Jun. and Company, 1835. 11 cm x 17 cm. Frontispiece, [4], 130 pages. Hardcover / Original publisher’s cloth with spinelabel and label on frontcover. Some staining to the binding but otherwise firm and with the original endpapers intact. Interior in very good condition besides some pages and illustrations being a little dusty. Few illustrations with faded dampstain. Rare and early publication for the tourist in 19th century Ireland. With name of prewoner in ink on titlepage: “Robert Morrison, Shanakiel, Cork”.

7. Italy – [Anonymous].

Two Views of Italy – Florence and Naples.

Original engraving. [no place], [no year / c.1780]. Plate Size: 19.5 cm x 15 cm / 25 cm x 19.5 cm. Sheet Size: 21.3 cm x 21 cm / 27.2 cm x 20.5 cm. Original engraving. In very good condition.

8. [Arabian Nights] Forster, Edward / [Provenance: Daniel Callaghan of Lotabeg].

The Arabian Nights, in Five Volumes. [Including “The History of Aladdin, or the Wonderful Lamp” / The History of Ali Baba and of the Forty Robbers, killed by one Slave” / etc.] Translated by The Reverend Edward Forster [based on the French version of Antoine Galland]. With [24] Engravings, from Pictures by Robert Smirke.

First Edition [Large Paper Quarto Edition]. Five Volumes (complete set with all engravings). London, Printed for William Miller, 1802. Quarto (21.5 cm x 27.5 cm). Volume I: LXI, (7), 385 pages with 5 copper-engravings including Errata-Leaf and “Directions for placing the Plates” for all four volumes / Volume: 432 pages with 5 copper-engravings / 405 pages with 5 copper-engravings / 461 pages with 5 copper-engravings / 474 pages with 5 copper-engravings. Hardcover / Original, early 19th century full leather with gilt lettering and date on lower spine [″London, 1802”]. Beautiful, richly ornamented master-bindings. All Volumes in strong, protective collector’s Mylar, which invites the reader/collector to use the work without fear of handling. Armorial Bookplates / ExLibris of Daniel Callaghan, Esquire of Lotabeg (MP for Cork City 1830-1849) to all five pastedowns (Motto: “Fidus et Audax”). Marbled endpapers a little dusty but beautiful. Volume 1, 2 and 5 with some weakening to the spine (slightly cracked), but holding and still firm overall. All plates present. As known and always found with this scarce edition, the original, titled tissue-guards all in place, have created stronger signs of foxing to the plates but in sharp contrast the text in all the five Volumes in bright and clean condition with only occasional faint staining. Endpapers with some minor browning. Very good+ condition overall with some rubbing and minor bumping to the Volumes but really only minor signs of external wear. Extremely sought after publication, not to be confused with the later, much more common Octavo Editions !

9. [Arnoux, Thérèse] Jacques Prevert et Joseph Kosma.

CHANSONS – Illustrations de Thérèse Arnoux.

FIRST EDITION (No.00177 / 1500). Quarto. Original Hardcover with illustrated dustjacket. Very good condition with only minor signs of wear.

10. [Ashton, Frederick] Dominic, Zoe and Gilbert, John Selwyn.

Frederick Ashton. A Choreographer and his ballets.

First Edition. London a. o, George G. Harrap and Company Limited. 1971. 21.5cm x 28.5cm. 256 pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear. From the collection of Margot Fonteyn – photographer and artist Keith Money. Inscribed / Signed by Frederick Ashton to Keith Money. Additionally monogrammed by Ashton on the frontispiece (Monogramm in exchange for his photographed head). With some ephemera (Programme for Ashton’s funeral together with an amusing newspaper-clipping in which the co-author of the book on Ashton, John Selwyn Gilbert, writes to a newspaper and complains about being omitted as the co-author in a recent article).

11. Medical Illustration of 19th century Books on Ophthalmology – [Augenheilkunde / Brillen] Anonymus.

Ueber Augen, Augenübel, Kurzsichtig- und Weitsichtigkeit, Brillen und Ferngläser. Oder: Kurze Anweisung, ein gutes Gesicht zu erhalten und ein mangelhaftes zu verbessern. Aus den Schriften bewährter Augenärzte und Optiker gezogen. Mit einem ausgemalten Kupfer über den Bau des menschlichen Auges.

Eichstädt / Leipzig, bei J.M.Beyer / bei J.A.Barth, 1824. Octav (11,5 cm x 19,5 cm). VI, [1], 94 Seiten mit einer hand-kolorierten Tafel. Softcover / Originale Interims-Broschur. Unbeschnitten. Sehr guter Zustand mit nur geringen, rein aeusserlichen Gebrauchsspuren. Innen minimal stockfleckig.

12. [Baines, Thomas].

The Birds of South Africa Painted by Thomas Baines (1820 – 1875) – Comprising the complete collection of ninety plates executed by Thomas Baines, together with descriptions from the text of C.J.Andersson’s ‘Notes on the Birds of Damara Land and the adjacent Countries of South-West Africa’, with a biographical Essay by R.F.Kennedy. [Includes an excellent illustration of the Red-necked Falcon (Falco chiquera) – see image].

Limited Hand-Numbered Edition [No.404 of only 500]. Johannesburg, Winchester Press, 1975. Quarto (28.4 cm wide x 33.5 cm high). Frontispiece-Portrait of Thomas Baines (see image), 204 pages with 90 colourful illustrations / plates. Original Hardcover with glassine jacket in original slipcase. Excellent condition with only minor signs of wear. A wonderful and now rare publication in excellent condition.

13. [Barry, James] Pressly, William L.

James Barry’s Murals at The Royal Society of Arts – Envisioning a New Public Art.

Cork, CUP (Cork University Press), 2014. Folio (24.5 cm wide x 33.4 cm). Frontispiece, XVIII, 395 pages. Original Hardcover with illustrated dustjacket. Excellent condition with only minor signs of wear.

14. [Beethoven, Ludwig van] Göbel, E. F. [C. Jäger].

Ludwig van Beethoven (1770 – 1827).

Stunning, original 19th century Gouache of Beethoven by E.F. Göbel; after a painting of Beethoven by Carl Jaeger (1833-1887), which is now in the possession of the Library of Congress. Germany, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 48 cm x 34,5 cm. Outer margins slightly frayed only. Extraordinary 19th century painting with fresh impression of the signature-face of this timeless composer.

15. [Bell, Charles] Simons, Phillida Brooke.

The Life and Work of Charles Bell. Including The Art of Charles Bell: An Appraisal by Michael Godby.

Vlaeberg South Africa, Fernwood Press, no year (c.1998). 28 cm x 24.5 cm. Frontispiece, 176 pages. Numerous coloured and monchrome illustrations. Hardcover / publisher’s original half leather with slate gray boards. Gilt lettering on spine with raised bands. Gilt pictoral on front board. Housed in grey cloth-covered book case with coloured vignette on front board. Fine, absolutely excellent condition throughout. Interior in excellent condition. Hand-numbered 21 of a collectors’ special edition of only 100 copies. Signed by author on the certification page. Presentation inscription in calligraphy to Christopher Robin White. Front endpaper beautifully embossed. Superbly produced work.

16. [Walter Benjamin Collection] – [Benjamin, Walter] Haas, Willy / [Stefan Zweig / Heinrich Mann / Thomas Mann / etc.].

Die literarische Welt. [Mit zahlreichen Erstdrucken von Essays und Rezensionen von Walter Benjamin: “Die Technik des Schriftstellers in dreizehn Thesen” / Walter Benjamin – “Skandal im Théatre-Français” / Buch-Chronik der Woche von Walter Benjamin: “C.A.Bernoulli – Johann Jakob Bachofen und das Natursymbol” / Walter Benjamin – “J.P.Hebel – Ein Bilderrätsel zum 100.Todestag des Dichters” / Buch-Chronik der Woche von Walter Benjamin: “Franz Hessel” / Walter Benjamin – “Der Kaufmann im Dichter” / Walter Benjamin – “Aussicht ins Kinderbuch” (mit Abbildungen von Titeln aus der Sammlung Benjamin) / Walter Benjamin – “Noch ein Paar Neue Kinderreime” / Walter Benjamin – “Kinder” [I.Karussellfahrendes Kind / II. Zu Spaet gekommenes Kind / III. Verstecktes Kind”] / Titelseite als Kalenderblatt mit Karikatur-Portraits von Mitarbeitern der “Literarischen Welt”: u.a. Walter Benjamin, Walter Mehring, Willy Haas u.v.a. “Zum Neuen Jahr lasst Blumen sprechen” / “Wandkalender der “Literarischen Welt” fuer 1927 – Verse von Walter Benjamin / Zeichnungen von Rudolf Grossmann / Walter Benjamin – “Der Regisseur Meyerhold – In Moskau erledigt ?” – “Ein literarisches Gericht wegen der Inszenierung von Gogols ‘Revisor’” / Walter Benjamin – “Zur Lage der Russischen Filmkunst” / Walter Benjamin und Oscar A.H.Schmitz – “Eine Diskussion ueber russische Filmkunst und kollektivistische Kunst ueberhaupt” [Schmitz eroeffnet die Diskussion mit “Potemkinfilm und Tendenzkunst” – Walter Benjamin antwortet daraufhin dem “Bildungsphilister” Schmitz mit einer Polemik].

First Edition. Two Volumes with 94 Issues in total (31 issues in duplicate / 31 Hefte doppelt). Berlin, Ernst Rowohlt, 1925 – 1927. Folio. Pagninierung / Pagination of both Volumes: Volume I: The following 42 issues available in this collection are: 1. Jahrgang / Annual (1925): Nr. 2 und Nr. 4 / 2. Jahrgang (1926): Nr. 14, 19, Nr. 36 – Nr. 52 (17 Issues) / 3. Jahrgang / Annual (1927): Nr. 1-21 [Each issues with 8 pages with illustrations] / [Jedes Heft mit 8 Seiten incl. Abbildungen] / Volume II: 3. Complete Third Annual of 52 Issues for 1927): Kompletter 3. Jahrgang: Nummer 1-52. [Each issues with 8 pages with illustrations]. Illustrations in original woodcut-textillustrations are by Rudolf Großmann (several), Lili Réthi, B. F. Dolbin (several), Frans Masereel (several), George Grosz (Kinderzeichnungen), Renée Sintenis, Alfred Kubin, Max Beckmann, Man Ray and others. Hardcover (original title-wrappers inside a privately printed half-cloth binding) / Hardcover / Privater Halbleinenband der 20er Jahre. Small cutout to page 5 of Issue 2 (Advertising ? 8.4 x 14.5 cm) / (1 cm-tear to outer margin of all issues in Volume one – text not effected) / Titlepage of Issue 49, IInd Annual (1926), missing. Otherwise in very good condition with only minor signs of wear. While it would usually be desirable to have these issues in their original, unbound form, these two privately bound Volumes are actually a blessing and led to these issues to be preserved in unusually excellent condition. A Rare run of this peridocal, with a provenance of one “Frl. Nippoldt” (Miss Nippoldt), Weissenburgstr. 17 / Kleiner Ausschnitt auf Seite 5 der Nummer 2 von 1925 (Werbung) / (1 cm Einriss in den Rand der Nummern von Band 1 – Text nicht betroffen) / Titelblatt der Nummer 49 des II.Jahrgangs (1926) fehlt / Sonst sehr gut erhalten. Auch wenn eine ungebundene Broschur-Version dieser seltenen Zeitschrift einer Privatbindung normalerweise vorzuziehen ist, so ist in diesem Fall die Wahl der Bindung sehr gelungen und man ist fast dankbar wie gut die einzelnen Ausgaben dadurch erhalten wurden. Einige der Ausgaben haben einen alten Besitzvermerk: “Frl. Nippoldt” – “Weissenburgstr.17”, sowie gelegentliche, interessante Kommentare und Annotationen im Text (mit Bleistift)”.

17. [Bonnard, Pierre] Chauveau, Léopold.

Les Histoires Du Petit Renaud.

Paris, Librairie Gallimard, 1927. Quarto (23 cm wide x 28.5 cm high). 93 pages. Original Softcover Brochure with illustrations by Pierre Bonnard / Broché originale et illustree. Excellent, near fine condition with only minor signs of wear / Avec cinquante illustrations dessinées et coloriées au pochoir, en bleu et en rouge, par Pierre Bonnard. Exemplaire 226 des 322 exemplaires sur vélin d’Arches de ces cinq histoires pour enfants. Les seuls contes pour enfants jamais illustrés par Pierre Bonnard. Tres bon exemplaire !!

18. [Bonnard, Pierre] Anet, Claude.

Notes Sur L’Amour. Illustrated by Pierre Bonnard and engraved by Yvonne Mailliez.

Exemplaire non numéroté sur Alfa bouffant. Paris, G. Crès & Cie, 1922. 26cm x 21.3cm. 74 pages. With beautiful, intimate illustrations. Hardcover / Modern half cloth with marbled-paper-covered-boards in slipcase. Bound with the original wrappers Excellent condition.

19. [Brassai] (that was Gyula Halász).

The Secret Paris of the 30’s. Translated from the French by Richard Miller.

First American Edition. New York, Pantheon Books, 1976. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May, 1977.

20. [Bruegel, Peter] Claessens, Bob / Rousseau, Jeanne / Chevalier, Haakon [trans.]

Our Bruegel.

Antwerp, Mercatorfonds, 1969. 26 cm x 34 cm. Portrait frontispiece, 233 pages. 97 paintings, 28 drawings and 6 plates. Some fold-out illustrations. Hardcover [publisher’s original brown buckram boards] with gilt lettering on white spine. Gilt design on front board. Pastedowns and endpapers beautifully illustrated with rustic scenes. Very good condition with only minor signs of external wear. Interior is in excellent condition that allows for the proper consideration of the lavishly produced and stunningly presented illustrations, many of which are tipped-in.

21. [Buckland-Wright, John / Golden Cockerel Press] Swinburne, Algernon Charles.

Hymn to Proserpine. Engravings by John Buckland-Wright.

London, Golden Cockerel Press, 1944. Octavo (16.8 cm wide x 23.7 cm high). 20 pages with seven woodcuts. Original Hardcover (Burgundy cloth). Spine slightly sunned. Otherwise in absolutely excellent, firm condition with only minor signs of wear.

22. [Building News].

The Building News and Engineering Journal – Six Volumes bound in Five – With c. 600 original, stunning Lithographs of Architectural Buildings and Designs [Volume XIV (which is the complete Year 1867, January to December, but erroneously says 1868 on spine) / Volume XXII and Volume XXIII (which is the complete Year 1872, January to December) PLUS: Three Volumes with hundreds of plates / illustrations for the years 1873, 1877 and 1878. Being the very rare Illustrations / Plates – Volumes only (no text) for 1873: Volume The Twenty-Fourth / Volume Twenty-Fifth and 1877: Volume The Thirty-Second / Volume The Thirty-Third and 1878: Volume The Thirty-Fourth and Volume The Thirty-Fifth.

London, Office for Publication and Advertisements, 1868 / 1872 / 1873 / 1877 / 1878. (23 cm x 32.5 cm). All Five Volumes together contain c. 600 stunning lithographs / plates of which c. 180 are large, double-page-plates. [c. 60 plates missing or defect.] Original Hardcover / Original half leather with gilt lettering to spine. Overall very firm and in very good condition of the five volumes with occasional pages missing or some illustrations torn (see detailed descriptions of pagination). The 1873 Volume excellent. The Volumes 1877 and 1878 with some stronger fraying and dampstain-damage to the corners (Illustrations NOT effected). The price for these 5 heavy Volumes includes international free UPS Express shipping.

23. [Calder, Alexander] Lipman, Jean / Aspinwall, Margaret.

“Alexander Calder and his Magical Mobiles”.

New York, Hudson Hills Press in association with the Whitney Museum of American Art, 1981. Quarto (18.5 cm wide x 26 cm high). 96 pages / Illustrated. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, as new condition with only minor signs of wear.

24. [Calder, Alexander].

“Calder – Autobiographie”.

Paris, Maeght Éditeur, 1972. Quarto. 209 pages / Illustrated. Reliure originale / Original, illustrated Hardcover. Extremely rare, as new condition in original shrinkwrap from the publisher (Unopened !!!).

25. [Alexander Calder Collection] – [Calder, Alexander].

“Calder’s Universe” – Large Collection of seventyone (71) Books and Lithograph-Portfolios on and by American Artist Alexander “Sandy” Calder. The collection includes not only rare Monographs, Volumes of Biography and Autobiography and some very rare Exhibition-catalogues but also a collection of wonderful issues of eleven Derriere Le Mirroir [with 54 original Lithographs by Calder (36 single-page-Lithos and 19 double-page Lithos). Also included is the very rare, signed Artist Book: “A BESTIARY” – [One of 50 copies on luxurious Rives-mould, signed by Calder and Wilbur]. The collection includes early monographs as well as later catalogues and is a perfect chance to acquire some good understanding of his works in Mobiles, Stabiles, Oil Paintings, Gouches, Toys and other art. See detailed descriptions and images of every single item within this collection listed under “Libraries & Collections” on our website.

Quarto. The collection includes books in different bindings: Original Hardcover with illustrated dustjacket / Original Softcover / Hardcover without dustjacket. Very good condition with only minor signs of wear. Most books in excellent condition. The price of this collection includes traceable, international UPS Express Saver shipping.

26. [Calder, Alexander] Sweeney, James Johnson.

“Calder” – Catalogue des Oeuvres exposees. [Du 2 Avril Au 31 Mai 1969] – Fondation Maeght – 06 Saint Paul] / [Avec Texte du Jean-Paul Sartre]. Le texte de J.J.Sweeney a ete traduit de l’anglais par Annick Baudoin, celui de G.Carandente de l’italien par Alain Veinstein.

Fondation Maeght, 1969. Quarto. 226 pages. Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

27. [Calder, Alexander] Archives Maeght.

“calder” – the artist, the work.

First english edition. Boston, Boston Book & Art, publisher, 1971. Quarto. 136 pages. Illustrated. Original Hardcover with original dustjacket in protective collector’s mylar. The dustjacket frayed and woth some tearing. Overall in very good condition with only minor signs of wear.

28. [Calder, Alexander].

“Calder” [at Chateau de Biron / Dordogne].

Dordogne, Le Chateau de Biron, 1986. Quarto. 88 pages. Original, illustrated Softcover. Very good condition with only minor signs of wear.

29. [Calder, Alexander] Wilbur, Richard.

A BESTIARY – [One of 50 copies on luxurious Rives-mould, signed by Alexander Calder and Richard Wilbur].

New York, Printed at the Spiral Press for Pantheon Books, 1955. Folio (24 cm wide x 32.5 cm high). Original Hardcover / Half red morocco, beige buckram boards with gilt lettering on spine and gilt stamped illustration to front board. A very fine copy in the original board slipcase with very minor signs of shelfwear to the slipcase only. Spine very sightly sunned. A fantastic book with quotes from Yeats and Kafka and many other writers, illustrated by Calder!

30. [Calder, Alexander] Hulten, Pontus.

Alexander Calder – Die Grossen Skulpturen / Der Andere Calder.

[Bonn], Edition Cantz, 1993. Quarto. 167 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear.

31. [Calder, Alexander] Prather, Marla.

Alexander Calder 1898–1976.

Yale University Press, 1998. Quarto (27.5 cm wide x 30 cm high). 366 pages / Illustrated. Original Hardcover with illustrated dustjacket. Mint condition / Still shrink-wrapped.

32. [Calder, Alexander].

Alexander Calder and Joan Miró.

Dublin, IMMA [Irish Museum of Modern Art], 2007. Quarto. 80 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

33. [Calder, Alexander] Marter, Joan M.

Alexander Calder. With 170 Illustrations.

Cambridge / New York / Port Chester / Melbourne / Sydney, Cambridge University Press, 1991. Quarto. XVI, 302 pages. Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear.

34. [Calder, Alexander] Sweeney, James Johnson.

Alexander Calder.

First Edition. New York, The Museum of Modern Art, 1943. Quarto (19.6 cm wide x 26 cm high). 64 pages. Original Hardcover with illustrated dustjacket. Very good condition with only minor signs of wear.

35. [Calder, Alexander].

Animal Sketching.

Third Edition. New York, Dover Publications, 1973. Octavo. 62 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

36. [Calder, Alexander].

autobiographie. Traduction de Jean Davidson.

[Edition française de “Calder – an Autobiography with Pictures]. Paris, Atelier Maeght, 1972. Quarto. 208 pages / Illustrated. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear.

37. [Calder, Alexander].

Calder – [Texte: Jacques Prevert / Jean-Paul Sartre / Fernand Leger / Michel Butor / Henri Pichette / Jean Davidson / Gerard-Georges Lemaire //

Paris, edition Maeght, 1992. Octavo. 115 pages (with illustrations throughout). Original, illustrated softcover. Excellent condition.

38. [Calder, Alexander] Pirovano, Carlo.

Calder – a cura di Giovanni Carandente. [Retrospettiva, Torino, Palazzo a Vela, 2 luglio-25 settembre 1983].

Milano, Electra Editrice, 1983. Quarto. 250 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Some staining to dustjacket only. Otherwise in very good condition with only minor signs of wear.

39. [Calder, Alexander] Arnason, H.H. / Guerrero, Pedro E.

Calder – A study of the works of Alexander Calder. Text by H.H.Arnason / Photographs by Pedro E. Guerrero.

First Edition. Princeton (New Jersey), D.Van Nostrand Company Inc., 1966. Quarto (21.8 cm wide x 28.2 cm high). 192 pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear.

40. [Calder, Alexander / (and Jean Davidson)].

CALDER – An Autobiography with Pictures.

First Printing. New York, Pantheon Books / A division of Random House, 1966. Quarto (22.3 cm wide x 27.3 cm high). 285 pages with illustrations throughout. Original Hardcover without illustrated dustjacket. Very good condition with only minor signs of wear. Some staining to binding.

41. [Calder, Alexander] Bourdon, David.

CALDER – Mobilist / Ringmaster / Innovator.

New York / London, Macmillan Publishing Co., Inc. / Collier MacMillan Publishers, 1980. Oblong Quarto (26.3 cm wide x 21 cm high). 149 pages with illustrations throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Very good condition with only minor signs of wear.

42. [Calder, Alexander] Mulas, Ugo / Arnason, H.H..

CALDER – Photographs and Design by Ugo Mulas. Introduction by H.Harvard Arnason. With compliments by Alexander Calder.

London, Thames and Hudson, 1971. Quarto. 216 pages with 114 photographs. Original Hardcover with original dustjacket in protective collector’s mylar. Former library-copy (with several Withdrawn-stamps). Very good condition with only minor signs of wear.

43. [Calder, Alexander] Linssen, Werner.

Calder (1898 – 1976) – Retrospective: December 1987 – January 1988.

Bilingual: English / German. Cologne, Linssen Gallery, 1987. Large – Quarto (30.5 cm wide x 32.5 cm high). 120 pages. Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, as new condition with only minor signs of wear.

44. [Calder, Alexander] Bruzeau, Maurice / Masson, Jacques / Feld, Charles.

Calder à Saché. Texte et Poems – Maurice Bruzeau / Photographie – Jacques Masson / Mise en pages – Charles Feld.

Paris, éditions Cercle d’Art, 1975. Quarto. 200 pages avec 252 illustrations [139 en couleurs]. Original Hardcover with see-through dustjacket. Very good condition with only minor signs of wear.

45. [Calder, Alexander] Bellew, Peter.

CALDER.

New Jersey, Chartwell Books, 1969. Small-Quarto. 120 pages / Illustrated. Original Hardcover with original dustjacket in protective collector’s mylar. Small stain from removed price-sticker on dustjacket. Otherwise in excellent condition with only minor signs of wear.

46. [Calder, Alexander] Bruzeau, Maurice.

Calder. Text by Maurice Brazeau / Photographs by Jacques Masson. Translated from the French by I. Mark Paris.

New York, Harry N. Abrams, 1979. Quarto. 171 pages / Illustrated throughout. Original, illustrated Softcover. Very good condition with only minor signs of wear.

47. [Calder, Alexander] Cassou, Jean / Solomon Guggenheim Museum New York.

CALDER. With a Preface by Jean Cassou. [Musee National d’Art Moderne Paris / The Solomon R. Guggenheim Museum New York].

Paris, juillet-octobre, 1965. Folio. 56 pages with four (4) original Lithographs. With photographs of Calder by Andre Kertesz and others. Original, illustrated Softcover. Very good condition with only minor signs of wear.

48. [Calder, Alexander] Galerie Adrien Maeght.

Calder. [Ce Quarante-Huitieme Catalogue a ete a l’occasion de L’Exposition Calder a la Galerie Adrien Maeght].

Paris, Adrien Maeght, 1987. Folio. 32 pages with images of Stabiles and other installations etc. Original, illustrated Softcover. Minor signs of foxing only. Overall in very good condition with only minor signs of wear.

49. [Calder, Alexander] Gibson, Michael.

Calder.

Paris, Fernand Hazan, 1988. Small Octavo. 109 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

50. [Calder, Alexander] Lipman, Jean.

Calder’s Universe [including the important chapter: “Who is Who in Calder’s World “]. By Jean Lipman with Ruth Wolfe, editorial director.

Second Printing. Philadelphia, Pennsylvania, RUNNING PRESS in cooperation with Whitney Museum of American Art, 1989. Quarto. 351 pages. Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Very good, firm condition with only minor signs of wear. Some minor foxing to halftitle and endpapers only.

51. [Calder, Alexander] Prévert, Jacques.

Couleurs de Braque, Calder, Miró. Préface de Jacques Dupin.

Maeght éditeur, 1981. Quarto (23.5 cm wide x 31.3 cm high). 137, 4 pages with illustrations throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only minor signs of wear.

52. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°113 – 1959. [With two (2) fantastic, original double-page lithographs of “Stabiles”]. Avec Essais: “STABILES” par Georges Salles / “LE LURON AUX PROTEGE-GENOUX” par Jean Davidson.

First Edition. Paris, Editions Pierre A Feu – Maeght Editeur [Aimé et Marguerite Maeght], 1959. Folio (27.8 cm wide x 37.8 cm high). 28 pages (Text paginated and each double-page-Lithograph counts as 4 pages). Plus photographic front- and rear-cover with portrait-photograph of Alexander Calder. Original, illustrated softcover / brochure. Very good condition with only minor signs of wear.

53. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°141 – Novembre 1963 [With 8 lithographes originales, including cover / 3 of the lithographs are fantastic double-page lithographs of Stabiles]. Avec Essais: “L’ombre de l’avenir” par James Jones (Traduction d’Henri de Turenne) / Essais: “Qu’est-ce qu’un calder ?” par Michel Ragon / Avec “Comment faire by Calder (juxtaposed to his portrait) / With photographic section of seven pages showing “Stabiles dans l’atelier” (″Tamanoir” / “Tamanoir et Bucephale”.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1963. Folio (27.8 cm wide x 37.8 cm high). 32 pages plus 2 pages of lithographed Cover. (Text paginated up to page 16 and then continued without pagination). Including an excellent full-page-colour-photograph of Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear. One of the most exciting CALDER – editions of Derrière le Miroir.

54. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°156 – Fevrier 1966 [With 8 lithographes originales, including cover / 3 of the lithographs are fantastic double-page lithographs (including cover)]. Avec Essais: “Oiseleur du Fer” (Solomon Grundy) par Jacques Prevert / Essai: “Alexander Calder” [Biographical Essay on Calder and his Mobiles] par Meyer Schapiro / Essai: “Les Gouaches de Calder” par Nicholas Guppy / Essai: “De L’Art’s Students League aux Totems…” par Alexander Calder.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1966. Folio (27.8 cm wide x 37.8 cm high). 28 pages plus 4 pages of lithographed Cover. (Text partially paginated up to page 15 and then continued without pagination). This Volume also includes a large section of black-and-white-photographs of Totems and Gouaches of Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

55. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°173 – Octobre 1968 [With 8 lithographes originales (including front and rear cover) / Two (2) of these lithographs are fantastic double-page lithographs)]. Avec Essais: “Un geant enfant” par Giovanni Carandente / “Note sur les “fleches” par Jacques Dupin /

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1968. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus 4 pages of lithographed Cover. (Text partially paginated up to page 14 and then continued without pagination). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

56. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°190 – Février 1971 [With 5 lithographes originales of “Stabiles” et “Animobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Calder : La Liberté” / “Aux portes de L’Enfer” par Carlos Franqui (Traduction Jean-Franci Reille) / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1971. Folio (27.8 cm wide x 37.8 cm high). 28 pages including lithographed Cover. (In this edition the Text was paginated including the covers until page 26, with covers and front pastedown as well as rear paste-down and rear cover not paginated. Clearly; by the early 1970s, Aimé and Marguerite Maeght must have realized the lithographic covers were part of the appeal for collectors and they followed suit with the same pagination book-publications were paginated with this standard (first page after title is paginated as “3”). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

57. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°201 – Janvier 1973 [With 6 lithographes originales of “Mobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Retour au Mobile” par Maurice Besset et Essai: Calder ou le Poids de L’Air” par Andre Balthazar / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1973. Folio (27.8 cm wide x 37.8 cm high). 30 pages including lithographed Cover (In this edition the Text reverts back to being paginated excluding the cover). This Volume also includes a section of colour-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

58. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°212 – Janvier 1975 [With 8 lithographes originales (including front and rear cover) / Two of these lithographs are fantastic double-page colour-lithographs of which one is figurative (card-players “Les Joueurs de Cartes”)]. Avec Essais: “Un Tournant chez Calder” par Mario Pedrosa.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1975. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus lithographed Cover (In this edition the Text reverts back to being paginated (until page 11 only) excluding the cover). This Volume also includes a section of black-and-white as well as colour-photographs of Sculpture by Calder, all photographs by Clovis Prévost. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

59. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°221 – Decembre 1976 [With 7 lithographes originales of “Mobiles” et “Stabiles” including front cover, rear cover and the Duck) / Two (2) of these lithographs are fantastic double-page colour-lithographs)]. With a special suite (unpaginated) of a portrait-photo of CALDER and an essay by Jean Davidson “Forme Humaine”. Othher Essays are included: “L’Art et la comédie” par Jean Fremon, avec le poeme “La complainte du mobile”.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1976. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus lithographed Cover and 4 pages of suite with Calder’s portrait and Jean Davidson’s homage (In this edition the Text reverts back to being paginated excluding the cover). This Volume also includes a section of colour-photographs of Mobile-Sculpture by Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

60. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°248 – Octobre 1981 [With 10 full-page-colour-illustrations (including covers) and several illustrations and reproductions of letters between Calder and french galerist Daniel Lelong.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1981. Folio (27.8 cm wide x 37.8 cm high). 18 pages plus Cover. (Text partially paginated up to page 16). Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

61. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°31 – Juillet 1950 – Exposition Alexander Calder [52 Mobiles] / [With two colour-lithographs (this being the frontcover and the rear cover of this first CALDER-issue of Maeght’s “Derrière Le Miroir”)].

First Edition. Paris, Editions Pierre A Feu – Maeght Editeur [Aimé et Marguerite Maeght], 1950. Folio (27.8 cm wide x 37.8 cm high). 8 pages (including cover). With two Lithographs. Original, illustrated softcover / brochure. Tear with smaller missing space to frontcover. Otherwise in very good condition with only minor signs of wear.

62. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°69-70 – Octobre-Novembre 1954. [With three (3) fantastic double-page Colour-Lithographs (including cover)][Poeme Offert a Alexander Calder et a Louisa (par Henri Pichette)] / With an Essay: “″Calder” par Frank Elgar.

First Edition. Paris, Editions Pierre A Feu – Maeght Editeur [Aimé et Marguerite Maeght], 1954. Folio (27.8 cm wide x 37.8 cm high). Two double-pages with Lithographic frontcover and rear cover. Plus two double-page Lithographs loosely inserted. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear.

63. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder: Small Scale”. May 15 – June 3, 1982.

New York, M.Knoedler & Co., 1982. Octavo. 16 pages. Original, illustrated Softcover. Very good condition with only minor signs of wear.

64. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder” – “A Retrospective Exhibition” – “Work from 1925 to 1974”. October 26 to December 8, 1974.

Chicago, Museum of Contemporary Art, 1974. Quarto. 32 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

65. [Calder, Alexander]

Exhibition – Catalogue – “Alexander Calder” – “A Survey of Works from the Greenberg Gallery”. With an Introduction about “Radical” Art by Ronald K. Greenberg.

St.Louis, The Greenberg Gallery, 1990. Quarto. 32 pages / With illustrations throughout. Original, illustrated Softcover. Very good condition with only minor signs of wear.

66. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder” – “Bronze Sculptures of 1944”. October 7th – November 8th, 1969.

New York, Perls Galleries, 1969. Quarto. 38 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

67. [Calder, Alexander].

Exhibition – Catalogue – “ALEXANDER CALDER” – “Circus Drawings, Wire Sculptures and Toys”. November 24 to December 13, 1964.

Houston, Texas, The Museum of Fine Arts, 1964. Quarto. 30 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

68. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder” – “Oil Paintings”. October 10 – November 11, 1972.

New York, Perls Galleries, 1972. Oblong Quarto. 28 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

69. [Calder, Alexander] Marshall, Richard.

Exhibition – Catalogue – “Alexander Calder” – “Sculpture of the Nineteen Thirties”.

New York, Whitney Museum of American Art, 1988. Octavo. 56 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

70. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder” – “Stabiles” May 14-June 2.

New York, M.Knoedler & Co. Inc., 1983. Quarto. 20 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

71. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder” – “Stabiles”. “May 5 – June 17, 1989”.

New York, The Pace Gallery, 1989. Quarto. Wonderful Leporello with 13 pages folding out. Original, illustrated Softcover. Very good condition with only minor signs of wear.

72. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder” – “Standing and Hanging Mobiles 1945-1976”.

London, Edward Totah Gallery, 1988. Octavo. 30 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

73. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder” – “Standing Mobiles 1968” (18 February – 15 March 1969).

London, Gimpel/Fils, 1969. Quarto. 8 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

74. [Calder, Alexander]

Exhibition – Catalogue – “Alexander Calder” – “Standing Mobiles”. December 4,1980 – January 2, 1981.

New York, M.Knoedler & Co., 1981. Oblong – Quarto. 20 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

75. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder” – [Lithographs].

London, William Weston Gallery, 1999. Octavo. 14 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

76. [Calder, Alexander].

Exhibition – Catalogue – “Alexander Calder” – Royal Academy of Arts.

London, Royal Academy of Arts, 1992. Oblong Quarto. 32 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

77. [Calder, Alexander] / [Georges Salles].

Exhibition – Catalogue – “Alexandre Calder – Palais des Beaux-Arts, Bruxelles 3 Avril – 1 Mai 1960”. [With an Introduction by Georges Salles].

Brussels, 1960. Quarto. Original, illustrated Softcover. Very good condition with only minor signs of wear.

78. [Calder, Alexander] Calder / Vasarely.

Exhibition – Catalogue – “Calder / Vasarely” – [″Mobile / Stabile”]. July – Sept 1965.

London, Brook Street Gallery, 1965. Octavo. 18 pages (Half of this catalogue is dedicated to Vasarely / Half to Calder). Original, illustrated Softcover. Very good condition with only minor signs of wear.

79. [Calder, Alexander].

Exhibition – Catalogue – “Calder Gouaches”. [Lincoln Gallery Art Editions with colour-images protected by colourful tissue-guards / Designed by Royston Cooper].

London, Chelsea Fine Arts Limited, 1961. Octavo. 20 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

80. [Calder, Alexander].

Exhibition – Catalogue – “CALDER” – “Crags and Critters of 1974”. Oct. 15-Nov. 16,1974.

New York, Perls Galleries, 1974. Oblong-Quarto. 12 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

81. [Calder, Alexander]

Exhibition – Catalogue – “CALDER” – “Mobile et Lithographes” – L’Exposition “Le Mouvement”. Presentee a Dijon dans le cadre de la Biennale des Nuits de Bourgogne 1973.

Paris, 1974. Quarto. 6 pages. Original, illustrated Softcover. Very good condition with only minor signs of wear.

82. [Calder, Alexander]

Exhibition – Catalogue – “CALDER” – Galeria Maeght – Barcelona Febrer-Marc 1989.

Barcelona, Galeria Maeght, 1989. Quarto (23.5 cm x 32 cm high). 28 pages with illustrations. Original, illustrated Softcover. Very good condition with only minor signs of wear.

83. [Calder, Alexander]

Exhibition – Catalogue – “CALDER”. 1 April – 25 April 1981.

London, The Mayor Gallery, 1981. Octavo. 54 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

84. [Calder, Alexander] Fischer, Yona.

Exhibition – Catalogue – “The Jerusalem Stabile” – The Israel Museum. Edited by Yona Fischer.

Jerusalem, The Israel Museum, 1980. Quarto. 84 unnumbered pages with illustrations throughout. Original, illustrated Softcover. Very good condition with only minor signs of wear.

85. [Calder, Alexander].

Exhibition – Catalogue – Arts Council 1962 – “Alexander Calder” – “Sculpture – Mobiles”.

The Arts Council of Great Britain, 1962. Quarto. 30 pages / Illustrated. Original, illustrated Softcover. Original wrappers cleanly detached. Otherwise in very good condition with only minor signs of wear. From the library of Richard Stone, 38 Irving Street Boston

86. [Calder, Alexander] Davidson, Jean.

CALDER at the ZOO – A Gift from the Archives of American Art.

Sache / France, 1974. Quarto. 9 sheets with nine sketches of Animals (printed) and a page of explanations by Jean Davidson. Original, illustrated Softcover-Chemise. Very good condition with only minor signs of wear.

87. [Calder, Alexander].

Exhibition – Catalogue: “MIRO – CALDER” – Gallery Urban – 26 Septembre – 10 Novembre 1989.

Paris, Gallery Urban, 1989. Quarto. 31 pages. Original, illustrated Softcover. Very good condition with only minor signs of wear.

88. [Calder, Alexander].

Fables of Aesop – According to Sir Roger L’Estrange – With Fifty Drawings by Alexander Calder.

New York, Dover Publications, 1967. Small Quarto. 128 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

89. [Calder, Alexander] Cvach, Milos.

Fishbones (Arêtes de poisson).

[Paris], Atelier des enfants et Musée national d`art moderne Centre Georges Pompidou, 1989. Octavo. 38 unumbered pages, some with stenciled features. Illustrated Hardcover. Very good condition with only minor signs of wear.

90. [Calder, Alexander].

Jean de Lafontaine – Selected Fables. Translated by Eunice Clark. With Forty-Eight Illustrations by Alexander Calder.

New York, Dover Publications, 1968. Small Quarto. 88 pages / Illustrated. Original, illustrated Softcover. Very good condition with only minor signs of wear.

91. [Calder, Alexander] Kalman, Maira.

Roarr: Calder’s Circus – A Story by Maira Kalman. Photographs by Donatella Brun / Designed by M & Co.

New York, D.L.Terwilliger / Sterling-Roman, 1991. Quarto (21.7 wide x 28 cm high) 36 unnumbered pages. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent, as new condition with only minor signs of wear.

92. [Calder, Alexander] La Fontaine, Jean.

Selected Fables – Translated by Eunice Clark. Illustrated by Alexander Calder.

First Edition. New York, The Quadrangle Press, 1948. Quarto (23.5 cm wide x 30.5 cm high). 88 pages with line-drawings by Calder throughout. Original Hardcover with illustrated dustjacket. Faded dampstain to edge, else a very good condition with only minor signs of wear.

93. [Calder, Alexander] Galerie Krugler & Cie.

Suites 11 – Alexandre Calder. [En juin 1966, “Suites No 11” – a ete acheve d’imprimer sur les presses de Dumaret & Golay a Geneve au nombre de 2500 exemplaires, a l’occasion del’exposition retrospective des oeuvres d’Alexandre Calder”].

First Edition. Geneve [Switzerland], Galerie Krugler & Cie, 1966. Folio 2(4 cm wide x 32.5 cm high). 23 pages. With two large, double-page Lithographs by Calder. Original, illustrated softcover. Very good condition with only minor signs of wear.

94. [Calder, Alexander] Marchesseau, Daniel.

The Intimate World of Alexander Calder. [With 680 Illustrations, Including 200 in Full Colour]. Translated by Eleanor Levieux and Barbara Shuey.

[English edition of “Calder Intime”]. Paris / New York, Solange Thierry Editeur / Harry N.Abrams, 1989. Quarto. 399 pages / Illustrated. Original Hardcover with original dustjacket in protective collector’s mylar. Minor staining to pastedown / Very good condition with only minor signs of wear.

95. [Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.

96. [Chiari, Giovanni] Vascellini, Gaetano.

Statue di Firenze [incluso: “Catalogo delle Statue del R. Giardino di Boboli colla Notizia dei Loro Autori”, “Catalogo delle Statue nel R. Palazzo de Pitti”, Catalogo delle Statue colla Notizia dei Loro Autori ec.” ec.]

Tres Parti (complete) [Tutto dichiarato come prima parte]. Firenze, Presso Giuseppe Volpini Cartolaro, no year [c. 1765]. Octavo. Collation complete. Pagination: Part I (Primo): Frontispiece copper-engraving with Florence in the background, 8 pages of text with introduction by Giovanni Chiari and the catalogue of statues in Boboli Garden, 25 plates each with 4 copper-engravings of Statues in Boboli Garden. Part II (Seconda): Frontispiece copper-engraving with Florence in the background, 8 pages of text with catalogue of Statues in Palazzo Pitti, 41 plates each with 4 copper-engravings of Statues in Pitti Palace. Part III (Terza): Frontispiece copper-engraving with Florence in the background, 8 pages of text with catalogue of Statues [″Catalogo delle Statue colla Notizia del Loro Autori ec. (incl. Michelangelo Buonarotti, Donatello etc.). Hardcover / Original bookblock rebound by Bayntun in Bath in a subtle and charming modern cloth with gilt lettering on new spine-label. Original endpapers preserved. Exceptional condition of this rare 18th century publication with only very faint signs of foxing. Provenance: Richard Meade, Ballymartle (with the Meade Family – crest as library stamp).

97. [Clarke, Harry] de Burca, Eamonn.

The Harry Clarke Collection – [Catalogue with] A selection of fine watercolours, books, manuscripts, photographs and ephemera items from our Harry Clarke Collection.

Dublin, de Burca Rare Books, 2010. 21 cm x 27 cm. 46 pages with many illustrations. Original, illustrated Softcover. Excellent, as new condition. Wonderful catalogue with 160 numbers, many references, prices and well described books and ephemera. Important reference work for all collectors and lovers of Harry Clarke.

98. [Cobra] Wingen, Ed.

50 Jaar Cobra. De A van Cobra in woord en beeld.

Amsterdam, Jaski Art Gallery, 1999. 33,5 cm x 25 cm. 192 pagina’s / pages. Met talrijke illustraties in kleur en zwart-wit / With many black-and-white and colour illustrations throughout the book. Originele Hardcover met stofomslag / Original Hardcover with original dustjacket in protective collector’s mylar. Afkomstig uit de bibliotheek van de modeontwerper Frans Molenaar. In zeer goede staat met slechts weinig sporen van slijtage / From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear.

99. [Fly Fishing / Angling – Collection] – [Connemara / Fly Fishing in 19th century Ireland] Anonymus [Bowden-Smith, Richard].

Fly Fishing in Salt & Fresh Water. With Six Plates, representing artificial Flies, etc. [Handcoloured]. [With a special chapter on Flyfishing in Connemara – Fly-Fishing Lough Ina, near Clifden, in Bertraghboy Bay, at the Skyard Rocks, at Deer Island and off the Isle of Mweenish and the Isle of Arran].

First and only edition. London, John van Voorst, 1851. Octavo. VIII, 74, (1) pages plus VI plates (including the frontispiece) of which V plates are beautifully handcoloured. Hardcover / Original publisher’s blindstamped cloth. Very good condition with only minor signs of external wear. With some fraying to two pages. Unbelievably rare edition with the excellent handcoloured plates in fresh colours and overall excellent condition.

100. [Connor, Jerome] Ó Murchú, Giollamuire.

Jerome Connor – Irish-American Sculptor (1874-1943). Edited by Fionnuala Croke.

[Dublin], National Gallery of Ireland, 1993. Quarto. 86 pages with llustrations of Coonor’s work throughout. Original, illustrated softcover. Very good condition with only minor signs of wear and some minor damage to spine and frontcover only. A very rare book now !