51. Lucian / Lucian of Samosata [Tiberius Hemsterhuis Edition].

Luciani Samosatensis Opera – Graece et Latine – Ad editionem Tiberii Hemsterhusii et Ioannis Frederici Reitzii accurate expressa, cum varietate lectionis et annotationibus. Studiis Societatis Bipontinae.

Ten Volumes (complete) / 10 Volumes (complete). Biponti [Zweibruecken], Ex Typographia Societatis, 1789-1793. Octavo (13.4 cm wide x 20 cm high). Ten Volumes with c. 4500 pages. Hardcover / Original half-leather with gilt lettering and golt ornament to spine. Armorial supralibro on covers of each Volume. Very good condition with only minor signs of wear.

52. Cicero, Marcus Tullius.

M. Tullii Ciceronis Opera, cum delectu commentariorum. Edebat Josephus Olivetus, Academiae Gallicae XLVir.

Editio Tertia, Emendatissima. [9 Volumes – complete set]. Geneva, Fratres Cramer, 1758. Quarto (22 cm x 25 cm). Tomus Primus (Quo Rhetorica continentur.): XXX, 656 pages / Tomus Secundus (Qui Philosophicorum primus): 14, 674 pages / Tomus Tertius (Qui Philosophicorum alter.): 711, (1) pages / Tomus Quartus (Qui Orationum primus): 683 pages / Tomus Quintus (Qui Orationum secundus including “De Lege Agraria”): 687, (1) pages / Tomus Sextus (Qui Orationum tertius): 677, (1) pages / Tomus Septimus (In quo Epistolae ad Familiares): 656, (4) pages / Tomus Octavus (In quo Epistolae ad Atticum): 667 pages / Tomus Nonus (In quo Epistolae ad Q. Fratrem, &c.): 364 pages plus 303 pages of Index Ciceroniani Quatuor // Hardcover / Original parchment with original marbled paper covered pastedowns and endpapers. Bookplate / Exlibris of Daniel Conner to pastedown. Volume One and occasional some of the other Volumes with some signs of an old, faded dampstain but the set generally in very good, original condition with only minor signs of external wear. Wonderful set from the library of a student to Oxford University. The set is full of wonderful text-vignettes and besides the clear and spacious typography, the majority of the text is in clean condition.

53. Dickens, Charles.

The Major Works – Unabridged Cambridge Scholars Classic Texts Edition [The Major Works of Charles Dickens in 29 Volumes].

29 Volumes. Cambridge, Cambridge Scholars Publishing, 2008. Octavo. c.5000 pages in 29 Volumes. Original Softcover / Paperback Edition. Excellent, close to new condition with only minor signs of wear. All the texts have been newly typeset for this edition.

54. [Whyte’s School Dublin] / [Whyte, Samuel] / [Sheridan, Thomas].

Modern Education; or, An Attempt to Explain the Chief Causes and Effects of our Errours and Deficiencies in that Particular. With Practical Proposals for a Reformation. In the Course of which The Female Right to Literature is asserted ; The Supercilious Airs of Vain Pedants Exposed ; Their Wise Objections Exploded ; And the Trite Witticisms, Usual on the Question, Fairly Stated and Confuted : Clearly Demonstrating, That the Weakness and Depravity imputed to the Fair Sex, is wholly owing to our utter Neglect of their Minds ; and that the proper Cultivation of them is the First and Grand Principle of all Human Excellence, as well as of all our social and domestic Felicity. [Bound with: “Lectures On The Art of Reading ; First Part: Containing The Art of Reading Prose. By Thomas Sheridan, A.M., Author of Lectures on Elocution, British Education, &c.”].

First Edition. Dublin, Printed by R.Marchbank, Cole’s Alley, Castle-Street, 1775. Small-Octavo (11.2 cm wide x 17.2 cm high). Pagination: Whyte’s “Modern Education…” is bound to the rear of the Volume: 77 pages plus “Corrigenda” (complete” / Sheridan’s “Lecture on the Art of Reading – Part I” is bound at the start of the Volume: vii, (1), 213 pages plus 1 page “Advertisement” [of Whyte’s “English Grammar-School” in Dublin, Grafton-Street, No.75”]. Hardcover / Original, full 18th century leather with gilt ornament and new spine-label in the style of the 18th century. In protective Mylar. Very good condition with only minor signs of wear. Extremely scarce title !

55. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°221 – Decembre 1976 [With 7 lithographes originales of “Mobiles” et “Stabiles” including front cover, rear cover and the Duck) / Two (2) of these lithographs are fantastic double-page colour-lithographs)]. With a special suite (unpaginated) of a portrait-photo of CALDER and an essay by Jean Davidson “Forme Humaine”. Othher Essays are included: “L’Art et la comédie” par Jean Fremon, avec le poeme “La complainte du mobile”.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1976. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus lithographed Cover and 4 pages of suite with Calder’s portrait and Jean Davidson’s homage (In this edition the Text reverts back to being paginated excluding the cover). This Volume also includes a section of colour-photographs of Mobile-Sculpture by Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

56. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°212 – Janvier 1975 [With 8 lithographes originales (including front and rear cover) / Two of these lithographs are fantastic double-page colour-lithographs of which one is figurative (card-players “Les Joueurs de Cartes”)]. Avec Essais: “Un Tournant chez Calder” par Mario Pedrosa.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1975. Folio (27.8 cm wide x 37.8 cm high). 24 pages plus lithographed Cover (In this edition the Text reverts back to being paginated (until page 11 only) excluding the cover). This Volume also includes a section of black-and-white as well as colour-photographs of Sculpture by Calder, all photographs by Clovis Prévost. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

57. [Calder, Alexander] Aimé et Marguerite Maeght et Adrien Maeght.

Derrière Le Miroir N°201 – Janvier 1973 [With 6 lithographes originales of “Mobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Retour au Mobile” par Maurice Besset et Essai: Calder ou le Poids de L’Air” par Andre Balthazar / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1973. Folio (27.8 cm wide x 37.8 cm high). 30 pages including lithographed Cover (In this edition the Text reverts back to being paginated excluding the cover). This Volume also includes a section of colour-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

58. [Calder, Alexander] Aimé et Marguerite Maeght.

Derrière Le Miroir N°190 – Février 1971 [With 5 lithographes originales of “Stabiles” et “Animobiles” (including front and rear cover) / One of these lithographs is a fantastic double-page colour-lithograph)]. Avec Essais: “Calder : La Liberté” / “Aux portes de L’Enfer” par Carlos Franqui (Traduction Jean-Franci Reille) / [Photos of Stabiles par Clovis Prévost]. [Calder’s Stabiles “Three Bollards” from 1970 look like possible inspirations for Heptapods “Abbott and Costello” in Denis Villeneuve’s Film “Arrival”].

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1971. Folio (27.8 cm wide x 37.8 cm high). 28 pages including lithographed Cover. (In this edition the Text was paginated including the covers until page 26, with covers and front pastedown as well as rear paste-down and rear cover not paginated. Clearly; by the early 1970s, Aimé and Marguerite Maeght must have realized the lithographic covers were part of the appeal for collectors and they followed suit with the same pagination book-publications were paginated with this standard (first page after title is paginated as “3”). This Volume also includes a large section of black-and-white-photographs of Sculpture by Calder. Original, illustrated softcover / brochure. Lower spine with minor damage. Slightly foxed in some locations only. Overall Excellent condition with only minor signs of wear. All Lithographs in excellent condition.

59. [Calder, Alexander] / Aimé et Marguerite Maeght.

Derrière Le Miroir N°141 – Novembre 1963 [With 8 lithographes originales, including cover / 3 of the lithographs are fantastic double-page lithographs of Stabiles]. Avec Essais: “L’ombre de l’avenir” par James Jones (Traduction d’Henri de Turenne) / Essais: “Qu’est-ce qu’un calder ?” par Michel Ragon / Avec “Comment faire by Calder (juxtaposed to his portrait) / With photographic section of seven pages showing “Stabiles dans l’atelier” (″Tamanoir” / “Tamanoir et Bucephale”.

First Edition. Paris, Maeght Editeur [Aimé et Marguerite Maeght], 1963. Folio (27.8 cm wide x 37.8 cm high). 32 pages plus 2 pages of lithographed Cover. (Text paginated up to page 16 and then continued without pagination). Including an excellent full-page-colour-photograph of Calder. Original, illustrated softcover / brochure. Excellent condition with only minor signs of wear. One of the most exciting CALDER – editions of Derrière le Miroir.

60. Atwood, Margaret.

Collection of four important association copies of poetry by Margaret Atwood (plus two signed Novels), given to her friend Jerome Hamilton Buckley, influential Professor of English Literature. All four association copies in first edition and all beautifully inscribed. The Novel only signed. The collection includes: 1. The Animals in that Country (1968 / Hardcover) [Signed and with the printed dedication “For J.” and a personal inscription on the halftitle to Jerome Buckley] / 2. The Journals of Susanna Moodie (1970 / Softcover) [Signed and inscribed] / 3. You are Happy (1973 / Hardcover) [Signed and inscribed] / 4. Murder in the Dark – Short Fictions and Prose Poems (1983 / Softcover) [Signed and inscribed]. / 5. The collection also includes a signed copy of Atwood’s “The Robber Bride” (1993 / Softcover) / 6. The collection also includes a signed and inscribed copy of “The Tent” (signed as “Margaret Atwood”).

Toronto / New York, Oxford University Press / Harper & Row / Coach House Press / Doubleday, 1968 – 1993. Octavo. 69, 64, 96, 62, 466, 155 pages. Original Hardcover and Softcover – publications with the rare illustrated dustjackets in protective collector’s Mylar. Very good+ condition with only minor signs of external wear. All inscriptions beautifully signed as Peggy or Peggy A. or in one case even Peggy Atwood.