281. Self, Will.

The Quantity Theory of Insanity.

London, Bloomsbury, 1991. 19.8cm x 12.7cm. (8) 211 pages. Original illustrated softcover (Paperback). Very good condition with only minor signs of external wear. Titlepage signed by the Will Self.

282. Sendak, Maurice (1928 – 2012).

Collection / Archive of three (3) very large gicleé prints of original drawings from the book “Where the Wild Things are” by Maurice Sendak of which one is beautifully signed by Maurice Sendak. The collection includes: ‘Off to Bed without their Supper’ (signed) / ‘Let the Wild Rumpus Start’ (I and II).

Gicleé prints. [New York], [Harper and Row], c.1975. Two prints measure: 37 cm x 60 cm / The signed print measures: 28 cm x 50 cm. Very good condition.

283. Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

284. Simon, Pierre-Henri.

L’Homme en Procès. Malraux – Sartre – Camus – Saint-Exupéry.

Première Edition. Neuchatel, Editions de la Baconnière, 1950. 14 x 19 cm. 154 pages. Broché / Softcover. Bon état général. Avec Banderole originale (″La Relève des Humanistes”). Avec une dédicacion de l’auteur sur page de garde: ″ A René Jasinski – Tout cordialement – PHenri Simon”. [Malraux- Sartre-Camus-Saint-Exupèry].

285. Smiley, Jane.

A Thousand Acres.

First Edition. New York, Alfred A. Knopf, 1991. 16.5 cm x 24 cm. 371 pages. Original Hardcover with illustrated dustjacket in protective collector’s Mylar. Deckled fore edge. Excellent, close to new condition with only minor signs of external wear to the Mylar ! Signed by Jane Smiley on the titlepage. In 1992 Jane Smiley won the Pulitzer Prize for Fiction for this publication !

286. Smiley, Jane.

Ordinary Love & Good Will. Two Novellas.

New York, Alfred A. Knopf, 1989. 15 cm x 22 cm. 197 pages. Original Hardcover with illustrated dustjacket in protective collector’s Mylar. Very good+ condition with only minor signs of external wear. Signed by Jane Smiley on the titlepage.

287. [Somerville & Ross] / Verling, John / [Edith Somerville & Violet Martin].

Somerville & Ross – Portfolio of ten (10) original, large Etchings by John Verling [signed].

Ballydehob / Schull, John Verling & Schull Books, 1984. Folio – Sheets (38.2 cm x 28.5 cm). Ten original etchings in bespoke Folder with original tissue-guards. Original Hardcover-Folder with one additional, signed inlay-etching to frontcover. The ten etchings and the folder with the original inlay-art, are all in mint condition. The etchings all protected by their original tissue guards. A stunning publication of a wonderful West Cork – Artist. A must-have for all collector’s of rare and signed Somerville & Ross collectables, this find is simply an unusual occurance because the artwork was originally designed to be framed. One usually never finds this edition with the artwork still in its original folder !

288. Somerville, Edith / Ross, Martin (that is Violet Martin).

Notions in Garrison. [SIGNED by Edith Somerville]. Illustrated Edith Œ. S[omerville].

First Edition. London, Methuen & Co., 1941. Octavo (17.8 cm wide x 21.3 cm high). IX, 134 pages with ten illustrations throughout. Original Hardcover with original dustjacket in protective collector’s mylar. The very rare dustjacket with some fraying and staining. Beautifully signed by Edith Somerville on the titlepage.

289. Somerville, Edith / Ross, Martin (that is Violet Martin).

Through Connemara in a Governess Cart. [Inscribed / Signed by Violet Martin] Illustrated by W.W. Russell, from ‘Sketches by Edith Œ. Somerville’.

London, W.H. Allen & Co., Ltd., 1893. 19.8cm x 13cm. vii, 200 (33) pages with several illustrations. Original publisher’s binding (the red cloth variant),decoratively illustrated hardcover with gilt lettering on spine and front board. Good condition still with the binding shaky and the cover stroonger rubbed. Front free endpaper sellotaped. One of the very rare occasions in which Violet Martin signed with her full name, a few months prior to the books official publication in November 1892. Very rare, early Edith Somerville and Martin Ross (Violet Martin) title !

290. Sprague de Camp, L.

The Continent Makers and other Tales of the Viagens. [Destination: Future Shock. One of the Great Mind-Blowing SF Flights of all time !] With a Foreword by Isaac Asimov.

The New American Library, 1971. 8°. 255 pages. Original, illustrated Softcover. Excellent, near fine condition with only minor signs of wear. Beautifully signed by the author on the titlepage.

291. [Stanley Cavell Collection] – Cavell, Stanley [Stanley Louis Goldstein].

Collection of important and rare publications by and on american philosopher Stanley Cavell. The books in this collection originate from the personal library of Stanley Cavell, his friends Victor and Jacqueline, as well as from the library of philosopher Graham Parkes [Please see each title described and photographed in our section “Libraries & Collections” and search for “Stanley Cavell Collection”]. The collection includes: 1. Must We Mean What We Say ? – Modern philosophical essays in morality, religion, drama, music and criticism. First Edition, 1969. Signed and inscribed by Stanley Cavell / 2. Stanley Bates and Ted Cohen – More on what we say. First Edition. Chicago, Middlebury College, 1972 / 3. Cavell, Stanley – Themes out of School. Effects and Causes. San Francisco, North Point Press, 1984. Signed and inscribed by Stanley Cavell / 4. Cavell, Stanley. The World Viewed – Reflections on the Ontology of Film. New York, The Viking Press, 1971. Signed and inscribed by Stanley Cavell in the year 1971, to his friends Victor and Jacqueline / 5. [Cavell, Stanley] Oksenberg Rorty, Amélie. The Many Faces of Philosophy. Reflections from Plato to Arendt. First Edition. Oxford and others, Oxford University Press, 2003. Signed and inscribed by the Editor to Cavell. / 6. [Cavell, Stanley] – Massimo Cacciari – Architecture and Nihilism: On the Philosophy of Modern Architecture – Stanley Cavell’s personal copy with notes and annotations. / 7. [Cavell, Stanley] Desan, Wilfrid – The Tragic Finale – An Essay on the Philosophy of Jean-Paul Sartre – with interesting annotations and textmarkings by Stanley Cavell / 8. Cavell, Stanley. Pursuits of Happiness – the Hollywood Comedy of Remarriage. Massachusetts, Harvard University Press, 1981. From the librray of philosopher Graham Parkes / 9.Cavell, Stanley. The World Viewed- Reflections on the Ontology of Film. Enlarged Edition. Massachusetts, Harvard Universaity Press, 1979. From the library of philosopher Graham Parkes.

New York / Cambridge / and others, Charles Scribner’s Sons / Harper / Yale University Press / Oxford University Press / Viking Press etc., 1969-2003. Large Octavo (17 cm x 23,5 cm). XXIX, 365 pages. Hardcover / Original cloth / Softcover. All books in very good or better condition; many signed or inscribed. A rare opportunity to look into the mind of an important philosophical thinker through his annotations and notes, especially in the book on Sartre.

292. Swain, Elaine.

Shadows of Thought. Illustrations by R.B.Swain.

Napa (California), Napa Metaphysical Book Publishers, 1982. 8°. 43 pages. Original, illustrated wrappers. Very good condition with only minor signs of wear. Beautifully inscribed and signed by Elaine Swain (full page, personal inscription from 1986). Very rare, metaphysical poetry from a poet with a very moving and interesting biography.

293. Tapscott, Stephen.

Penobscot.

First Edition. Roslindale, Pym-Randall, 1983. 12,5 x 21 cm. Unpaginated. Approximately 20 pages. Original Softcover in original paper wrappers. Very good+ condition. One of only 500 printed copies with the author’s signature on the edition page. Near fine.

294. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

295. [Tey, Josephine / Daviot, Gordon] / [Gielgud, John].

Josephine Tey – John Gielgud Collection of stunning Association copies of Plays which crucially defined both of their careers as writers and actors. The collection includes important, signed and inscribed association – copies of the two significant productions “Richard of Bordeaux” and “Queen of Scots”, both from John Gielgud’s personal library and with manuscript inscriptions to John Gielgud [and Laurence [Larry] Olivier] by Josephine Tey, aka Gordon Daviot, aka Elizabeth MacKintosh. The collection includes: 1. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux – A Play in Two Acts” – With John Gielgud’s Bookplate (Ex Libris). The ultimate Association-copy, warmly and lengthy inscribed by Josephine Tey to John Gielgud. First Edition. London, Victor Gollancz, 1933 / 2. “Richard of Bordeaux” – Original Programme of “The Streatham Hill Theatre”, 1934. Signed by John Gielgud / 3. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – Original File-copy with dustjacket and Publisher’s wrapper “The Play of the Year” at the New Theatre” – First Edition, 1933 / 4. Gordon Daviot [Josephine Tey] Gordon Daviot – “Richard of Bordeaux – A Play in Two Acts” – [Fifth Edition, 1933] – Special Cast, Producer and Production-Signed copy and inscribed to one “Eileen Grainger”, with the most interesting dedications in manuscript signatures – Signed and inscribed by lead actor and producer John Gielgud [Richard II], Signed and inscribed by leading Lady, actress Gwen Ffrangcon-Davies, Signed and inscribed by Gordon Daviot [Josephine Tey], Also beautifully signed and inscribed with a musical score by Shakespeare-composer and Musical Director for John Gielgud, Herbert Menges OBE ! / 5. “Queen of Scots – A Play in Three Acts” – The Ultimate Association-copy, inscribed by Josephine Tey to her producer: “John Gielgud – from ‘his Gordon Daviot’ / July 1934” / 6. Gordon Daviot – “Queen of Scots – A Play in Three Acts” – Association-copy, signed and warmly and lengthy inscribed by Josephine Tey to Laurence Olivier / 7. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – A Softcover-Version of the Play in Fourth Impression, 1933 / 8. Josephine Tey – “The Daughter of Time” – First Edition, Second Impression (Second Printing). London, Peter Davies, July 1951 [The First Edition was in June 1951]. Original Hardcover with the slightly frayed original dustjacket in Mylar / 9. John Gielgud – “Early Stages” – New and Revised Edition. London, The Falcon Press, 1948. With pages of detail about the work of John Gielgud with Gordon Daviot [Josephine Tey] / 10. Jennifer Morag Henderson – “Josephine Tey – A Life” – With a Foreword by Val McDermid. Sandstone Press, 2015 //

London, Victor Gollancz, 1933 – 1948. Octavo. Hardcover / Original Publisher’s cloth. Very good condition with only minor signs of wear.

296. Theroux, Paul.

Picture Palace.

Boston, Houghton Mifflin Company, 1978. 15 cm x 21.5 cm. 359 pages. Original hardcover with original dustjacket in protective Mylar. Excellent condition with only very minor signs of external wear. Signed by the author.

297. Tingle, Tim.

Walking the Choctaw Road: Stories from Red People Memory.

El Paso, Cinco Puntos Press, 2003. 15 x 23cm. 142 pages, with black and white photographs. Original softcover. Excellent condition with only very minor signs of external wear. Handwritten dedication by the author to Chuck Kruger on title page.

298. Torres Bodet, Jaime.

Poemas.

Mexico, Herrero, 1924. 12.5 cm x 19 cm. 237 pages. Art Deco style decoration on every page. Original Hardcover in protective collector’s Mylar. Cloth bound with textured endpapers. Very good- condition with only minor signs of external wear. Foxing and smudges to edges and isolated incidences to a few internal pages. Minor tear on inside hinge. Signed and inscribed by the author Jaime Torres Bodet to french author Paul Morand in 1927.

299. Tracy, Spencer / [Hal Phyfe]. (American Actor 1900 – 1967).

Vintage black and white photograph of a young Spencer Tracy, by famous Broadway photographer Hal Phyfe, signed and inscribed by Tracy “To L.I. Bergman with best wishes – Spencer Tracy – 7/1/33”.

Brussels, J.Ganz, c.1880. 20 cm x 25 cm. Excellent condition. Wonderfully rare autograph by one of America’s most beloved actors of Classic Hollywood Cinema.

300. [Ungerer, Tomi].

TomiScope / No. 13 – Décembre 2011 – Numéro Spécial 80 Ans de Tomi. [Spezial – Ausgabe zu Tomi Ungerers 80. Geburtstag – SIGNIERT]

Robert Walter, 2011. 8°. 198 Seiten. Softcover. Very good condition with only minor signs of wear. Beautifully signed twice in his calligraphic hand by Tomi Ungerer. / Von Tomi Ungerer auf dem Umschlag und auf Seite 7 kalligraphisch signiert.