141. Verne, Jules.

Mathias Sandorf [Part I: “The Conspirators of Trieste” / Part II: The Captives of Antekirtta”. Complete set in the very rare Non-Pears’ editions in Light Green and Teal, with Grey Banner and no Pear’s Advertising to the rear of both Volumes]. With Illustrations [by Léon Benett].

Two Volumes (complete set). London, Sampson Low, Marston, Searle & Rivington, 1889. Small Octavo (13 cm wide x 18,6 cm high). Pagination: Volume I: Frontispiece, 192 pages including six illustrations (the Frontispiece included) / Volume II: Frontispiece, 204 pages including six illustrations (the Frontispiece included). Hardcover / Original 19th century publisher’s binding with illustrated front-cover. Both bindings very shaky but holding. Name of preowner J.or F. Crawford on titlepages. Some writing on endpaper of Part I (all writing in pencil !). Overall absolutely in Very good- condition.

142. Rollin, Mr. [Charles].

The History of the Arts and Sciences of Antients [with all 52 plates complete] – Under the following Heads : In Three Volumes. Volume I: Agriculture, Commerce, Architecture, Sculpture, Painting, Music, the Art Military / Volume II: Art Military, Grammar, Philology, Rhetoric, Poetry / Volume III: Poetry, History, Eloquence, Philosophy, Civil Law, Metaphysics and Physics, Physic, Botany, Chymistry [Chemistry], Anatomy, Mathematics, Geometry, Astronomy, Arithmetic, Geography and Navigation. By Mr. Rollin, Late Principal of the University of Paris, Professor of Eloquence in the Royal College and Member of the Royal Academy of Inscriptions and Belles Lettres. Translated from the French. The Second Edition. Illustrated with Fifty-two [52] Copper Plates, representing the Civil and Military Architecture of the Antients, their Temples, Machines, Engines of War, Painting, &c.

3 Volumes (complete set). London, Printed for J. and F. Rivington, 1768. Octavo. Volume I: [12], 374 pages with 12 plates (as called for) / Volume II: [4], 360 pages with 40 plates (as called for) [pages 71 – 74 and the two plates these two pages are holding, loosely inserted], [Plate on page 104 loosely inserted] / Volume III: [4], 516 pages including a thorough Index. Hardcover / Original 18th century full leather with gilt lettering and ornament to spines of all three Volumes. All Volumes in very good condition with only minor signs of wear. All Volumes firm and all plates complete and in really excellent condition and strong imprints. All plates folded beautifully without tears ! From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate to pastedown. Rare in this complete and excellent condition. It is common to find this work with plates missing which makes this complete set extremely scarce.

143. Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

144. [Noël-Antoine Pluche] / [Humphreys, Samuel].

Spectacle de la Nature : Or, Nature Display’d. Being Discourses On such Particulars of Natural History As were thought most proper To Excite the Curiosity, and Form of the Minds of Youth. [With Chapters on The Cultivation and Manner of Pruning Fruit – Trees / The Plantation of Orange – Trees / The Plantation of Fig – Trees / The Plantation of Olive – Trees etc.] / [Including: “A Plate showing Elevation and Sections of a Mill on Boats”, which is basically illustrating the Invention of a Paddle Wheel Boat] / [Including: “A Memoir on the Fabric of Glasses at Saint Gobin”]. Illustrated with [204] Copper Plates. Uniformly bound set of Seven Volumes (complete set in three different editions: Third Edition / Fourth Edition, revised and Corrected / Sixth Edition).

London, Printed for R.Francklin etc., 1743. Small Octavo. Volume I: (in Sixth Edition, 1744): Frontispiece, [3], XVIII, 323 pages plus 13 pages of an Index / Volume II: (in Sixth Edition, 1743): Frontispiece, VIII, [4], 312 pages including Index / Volume III: (in Sixth Edition, 1743): Frontispiece, XVIII, 366 pages including Index / Volume IV: (In Fourth Edition,1743) Frontispiece, 368 pages including Index / Volume V: (In Fourth Edition, 1763): Frontispiece, [2], 329 pages / Volume VI: (In Third Edition, 1763): Frontispiece, [3], XXXII, 308 pages / Volume VII: (In Fourth Edition, 1763): Frontispiece, [4], 323, [1] pages. Hardcover / Original 18th century full leather with gilt lettering and ornament on spine. Very good condition with only minor signs of wear. From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate to pastedown. Extremely beautiful publication with an abundance of illustrations of Insects and Butterflies, Maps, etc. The 204 Plates overall in excellent condition with only very few of them with some tears. Interior and plates really bright and clean ! An exceptional version of this work.

145. [Newbery & Carnan].

A Description of England and Wales [with 240 Plates] – Containing a particular Account of each County, with its Antiquities, Curiosities, Situation, Figure, Extent, Climate, Rivers, Lakes, Mineral Waters, Soils, Fossils, Caverns, Plants and Minerals, Agriculture, Civil and Ecclesiastical Divisions, Cities, Towns, Palaces, Seats, Corporations, Markets, Fairs, Manufactures, Trade, Sieges, Battles and the Lives of illustrious Men each County has produced, Embellished with two hundred and forty Copper Plates of Palaces, Castles, Cathedrals; The Ruins of Roman and Saxon Buildings; And of Abbeys, Monasteries, and other Religious Houses. Besides a Variety of Cuts of Urns, Inscriptions, and other Antiquities.

Ten Volumes (complete set). London, Newbery and Carnan, 1769. Small Octavo. Volume I: XII, 299 pages / Volume II: 286 pages / Volume III: 288 pages / Volume IV: 288 pages / Volume V: 288 pages / Volume VI: 288 pages / Volume VII: 287 pages / Volume VIII: 288 pages / Volume IX: 288 pages / Volume X: 288 pages // Hardcover / Nine Volumes in their original 18th-century full leather with gilt lettering and ornament on spine. Volume One recently bound to style by english master-binders. Faded dampstain to Volume III. Otherwise in very good condition with only minor signs of external wear. Two spine-labels slightly damaged. Bookplate of Daniel Conner to pastedowns of Volumes 2 – 9.

146. [Masereel, Frans] Verhaeren, Émile / Uzanne, Octave.

Quinze Poèmes d’Émile Verhaeren. Illustrés de 57 Gravures sur Bois, Dessinees et Gravées par Frans Masereel et suivis d’un Souvenir a Verhaeren par Octave Uzanne.

Paris, Edtions Georges Cres & Cie, 1917. 4°. CIII pages. Hardcover / Full leather with gilt lettering to spine and gilt decorated boards. Boards with some stronger signs of wear. One of 1350 exemplaires sur papier anglais.

147. Hutchinson, Walter.

Hutchinson’s Britain Beautiful.

Three Volumes. London, Hutchinson & Co. Ltd, No Year [1924]. 20.9 cm x 27.3 cm. Pagination: Volume I: 624 pages / Volume II: 1176 pages / Volume III: 1696 pages. About 2,000 beautiful illustrations in each volume, mainly in 2 colours. Numerous coloured plates and maps in each volume also. Original Hardcovers in protective collector’s Mylar. Bound in Green cloth with extensive gilt decoration and titles to front and spine. Very good+ condition with only minor signs of external wear. Only very minor foxing to edges, pastedowns and endpapers of each volume and to the ocassional page throughout. Corners slightly rubbed. Binding in excellent condition. From the reference library of Hans Christian Andersen-Translator Erik Haugaard.

148. [Haugaard, Erik] Asimov, Isaac and others.

The Horn Book Magazine / [Magazine] About Children’s Books and Reading. With articles by Erik Haugaard, Isaac Asimov [″Views on Science Books” in the June 1963 – copy)] and many others [Edited by Paul Heins, Ethel L. Heins, Anita Silvey].

64 Issues (Duplicates: 1964, 1968, Oct & Dec 1979, 1984). Boston, The Horn Book, 1963, 1967-70, 1973, 1975-81, 1983-1989. 15.3 cm x 22.8 cm. Circa 7500 pages. Featuring black and white frontispieces by book illustrators. With many black and white illustrations throughout by famous illustrators taken from various children’s books. Original Softcover. Very good+ condition with only minor signs of external wear. Only minor discoloration to covers and edges. Some covers have minor pen markings. From the reference library of Hans Christian Andersen-Translator Erik Christian Haugaard.

149. [Hatton, Brian] Cule, W. E.

The White Caravan. Illustrated by Brian Hatton.

London, James Nisbet & Co., Ltd., 1914. 15.5 x 22cm. 184 pages. With four colour illustration plates and decorative endpapers. Original, illustrated hardcover in protective Mylar. The binding in unusually excellent and firm condition. Endpapers undsiturbed and perfect. Foxed on the edges and some mild foxing inside. Very minor lesion to the outer margins of 6 pages only. Private gift-inscription and letter included: Inscribed “To Elsie with best wishes from E.Miller”. An original, signed letter by Aunt Miller to Elsie is loosely inserted. All the wonderful colour-plates by Brian Hatton are in place and in excellent condition. An extremely scarce book.

150. Goldsmith, Oliver/ [Washington Irving] / [Sara Jeffares (Landscape, 1886)].

A History of The Earth and Animated Nature – With an Introductory View of the Animal Kingdom. Translated from the French of Baron Cuvier and with copious Notes, embracing Accounts of New Discoveries in Natural History. [Includes a Biographical Sketch of Oliver Goldsmith: “A Life of the Author”, by Washington Irving]. (Illustrated Edition with full-page portrait of Goldsmith, 45 (of 46) full-page hand-coloured Plates of Butterflies, Birds, Rhonocerous etc. as well as two hand-coloured, additional Titlepages with animal-scenes [plate XXVI (Crocodile) is missing and plates XXXI and XXXVIII were never inteded to be bound with the work]).

First Edition with the Biography of Goldsmith by Washington Irving. Six Parts in Two Volumes (complete set). London, Edinburgh and Dublin, A. Fullerton and Co., 1846-1848. Large Octavo. Pagination: Frontispiece-Portrait of Oliver Goldsmith by S. Freeman from a painting by Sir Joshua Reynolds, Engraved and hand-coloured Titlepage (with tissue-guard), LIV, Hardcover / Original, decorative half-leather with gilt lettering and ornament on spine. Plate 40 with a minor defect to the outer margins only (no image effected). Bindings in wonderful and firm condition. From the library of one Sara Jeffares (Landscape, 1886), her full name, year and place of lodgings signed by her on the titlepage.

151. Gaugain, Mrs. [Jane].

The Lady’s Assistant in Knitting, Netting, And Crochet Work; With an Appendix Containing Directions and Remarks for Working in Embroidery or Worsted Work, Raised Cut Work, Tatting, &c. Illustrated by upward of forty coloured Patterns. Volume II.

Original Edition. Edinburgh / London, Published by I.L.Gaugain and Ackermann & Co., 1843. Oblong Octavo (17 cm x 10,8 cm). Titlepage, 8 handcoloured plates with 46 single illustrations of patterns, instructive hand-movements etc. by the author Jane Gaugain, Dedication-page by Jane Gaugain to Lady Henrietta Fergusson, 422 pages with peface, Index of Signs and 185 instructions. Hardcover / Original publisher’s cloth with gilt lettering on boards. Binding firm with endpaper slightly detached but the whole book overall in very good condition with only minor signs of wear. All plates present with beautiful, original 19th century hand-colouring.

152. Dante Alighieri / Cockerell, Douglas / North, John William / Ashendene Press Circle /

Original Devotional Manuscript to Dante [La Divina Commedia / The Divine Comedy – Manoscritto dell’inizio del XX secolo della Divina Commedia di Dante – con strofe manoscritte da “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso”] – The Manuscript is titled: “Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace” – Illuminated Devotional Manuscript of section of “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso” – with excerpts of Dante’s Divina Comedia, in the style of medieval illuminated manuscripts. The manuscript is a strictly themed Dante Devotion and is of magical quality if one considers the fantastic, original calligraphy artwork, the composition of the manuscript and the coded meaning to the composer of this manuscript. The Folio – size manuscript is massive and has 216 pages, of which 109 pages are with illuminated, original watercolour-paintings in the style of the medieval masters, sometimes collages with watercolour and original etchings, engravings etc. The miniature paintings are juxtaposed with 105 vintage 19th century photographs of famous Italian Art – pieces that are somehow related to Dante’s world or have an allegorical assoziation. Besides the early photographs other juxtaposed artwork or integrated artwork to the illuminations are: an original watercolour depicting the dying Dante, a sensational copper-engraving, depicting an allegorical Dante-scenario, possibly referring to the Divine Comedy, a small photograph of the famous Michelino Fresco encapsulated in one of the illuminations, an artprint attributed “Burne-Jones”, two lithographs, a large steel-engraving, a smaller steel-engraving. Most of the photographs show allegorical sculpture or art by famous italian artists like Giotto, Carpaccio, Andrea Castagna, Luca delkla Robbia, Bellini, Titian, Dosso Dossi, Orgagna, Andrea del Sarto, Fra Angelico, Paul Veronese, Botticelli, Raphael, Michelangelo, Bonifazio, Neri dei Bicci, Francesco Traini, Benozo Gozzoli, etc. etc. and other juxtaposed refer in code to Dante’s Divina Comedia or even depict himself in artform. The photographs also include some breathtaking 19th century Albumen prints of Verona, Lake Garda, Mantua and other Italian landscapes.

England, [Douglas Cockerell / John William North], no year [c.1910]. Folio (34 cm wide x 42.5 cm high). 216 pages. Hardcover / Binding in full green morocco with lettering and Dante’s head as bronze sculpture per inlet to front cover. Binding by Douglas Cockerell, signed “WHS”, during his directorship of W.H.Smith & Son (1905 – 1914). The manuscript is on excellent paper, watermarked O.W.P. & A.C.L. [O.W. Paper & Arts Co. Ltd., established by English painter John William North (1842-1924) in 1895]. The binding rubbed and with some small damages, in need of some minor restoration but overall still very good. The interior, the paper and the artwork all in excellent condition besides one of the juxtaposed photographs (Filippina Lippo) removed from the manuscript with some residue of the photograph remaining and some of the photographs with some dogears and minimal discoloration. All the original artwork in spectacular and fresh condition. The manuscript is a spectacular find and the quality of its execution is of utmost interest for any lover of rare books, manuscripts and special bindings. The circle of Douglas Cockerell, his involvement in one of the most beautiful books ever printed: the Ashendene Press Dante, as well as Cockerell being the binder of this unique manuscript, the fantastic paper used for the manuscript by one of the idyllist movement’s central figures, John William North, and the wonderful Dante – theme of the manuscript with illuminated poetry from the Divine Comedy and the unique style of collage art, lets us rightfully dream that the anonymous composer of the manuscript was an important or at least peripheral member to either the Arts and Crafts Movement, the Ashendene Press or it was someone who worked in the style of the calligraphy schools that were inspired by William Morris or even earlier epigones like Owen Jones.

153. [Daniele, Francesco / Johann Josef von Wilczek / Thomasius, Christian].

Le Forche Caudine – Illustrate con due Appendici. [Compreso “Prospetto Della Valle Caudina Dalla Parte Della Campania”]. Second edition, augmented and, according to Brunet, preferable to the original first edition, which was printed in Caserta in 1778.

Seconda Edizione. Napoli, Appresso Angelo Trani, 1811. Folio (44.5 cm x29 cm). XIII, (3), 102 pages plus (6) pages advertising and Index (Indice). With 22 (twentytwo) illustrations overall. Including a large fold-out-plan (97 x 43 cm) of the Valle Caudine, several Vignettes, Allegorical/Historical Illustrations and four beautiful landscape engravings of the Valle Caudine by Alessandro d’Anna / XIII, (3), 102 pagine più (6) pagine pubblicitarie e Index (Indice). Con 22 (ventidue) illustrazioni in totale. Tra cui una grande illustrazione (97 x 43 cm) della Valle Caudine, diverse vignette, illustrazioni allegoriche / storiche e quattro bellissime incisioni paesaggistiche della Valle Caudine di Alessandro d’Anna. Hardcover / Fantastic modern, Nigerian goatskin with gilt lettering on spine and fine quality late 19th-century cloth over boards. New endpapers and all bound in style by english master-binders. Excellent condition of the binding. The stunning and most wonderful interior with only very occasional signs of an old dampstain to the outer margins and the beautiful, large fold-out-plan with some mild browning to one part of the center-fold. A typographical masterpiece of italian printmaking.

154. [Chiari, Giovanni] Vascellini, Gaetano.

Statue di Firenze [incluso: “Catalogo delle Statue del R. Giardino di Boboli colla Notizia dei Loro Autori”, “Catalogo delle Statue nel R. Palazzo de Pitti”, Catalogo delle Statue colla Notizia dei Loro Autori ec.” ec.]

Tres Parti (complete) [Tutto dichiarato come prima parte]. Firenze, Presso Giuseppe Volpini Cartolaro, no year [c. 1765]. Octavo. Collation complete. Pagination: Part I (Primo): Frontispiece copper-engraving with Florence in the background, 8 pages of text with introduction by Giovanni Chiari and the catalogue of statues in Boboli Garden, 25 plates each with 4 copper-engravings of Statues in Boboli Garden. Part II (Seconda): Frontispiece copper-engraving with Florence in the background, 8 pages of text with catalogue of Statues in Palazzo Pitti, 41 plates each with 4 copper-engravings of Statues in Pitti Palace. Part III (Terza): Frontispiece copper-engraving with Florence in the background, 8 pages of text with catalogue of Statues [″Catalogo delle Statue colla Notizia del Loro Autori ec. (incl. Michelangelo Buonarotti, Donatello etc.). Hardcover / Original bookblock rebound by Bayntun in Bath in a subtle and charming modern cloth with gilt lettering on new spine-label. Original endpapers preserved. Exceptional condition of this rare 18th century publication with only very faint signs of foxing. Provenance: Richard Meade, Ballymartle (with the Meade Family – crest as library stamp).

155. [Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.

156. [Byron Circle] Haygarth, William.

Greece, A Poem, In Three Parts; With Notes, Classical Illustrations, And Sketches Of The Scenery.

First Edition. London, Printed by W,Bulmer and Co., 1814. Quarto (24 cm wide x 30 cm high). 304 pages with all 9 original sepia-aquatint-plates by Charles Turner after Haygarth. Disbound due to broken binding. Halftitle and bookblock available with all 9 plates included. Needs rebinding. Bookblock firm, halftitle detached. All nine plates with faded dampstain but still in beautiful and strong impression. The wide-margined Text in excellent, clean condition besides the faded dampstain. Last page of the Volume with some browning. Very minor wormhole-damage to the last 14 pages. One illustration cleanly detached. Extremely Rare Book !

157. Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

158. Sendak, Maurice (1928 – 2012).

Collection / Archive of three (3) very large gicleé prints of original drawings from the book “Where the Wild Things are” by Maurice Sendak of which one is beautifully signed by Maurice Sendak. The collection includes: ‘Off to Bed without their Supper’ (signed) / ‘Let the Wild Rumpus Start’ (I and II).

Gicleé prints. [New York], [Harper and Row], c.1975. Two prints measure: 37 cm x 60 cm / The signed print measures: 28 cm x 50 cm. Very good condition.

159. Skinner, David.

Wallpaper in Ireland 1700 – 1900.

Tralee, Churchill House Press, 2014. Quarto (25 cm 216 pages. Illustrated throughout. Original Hardcover with original dustjacket in protective collector’s mylar. Unusually excellent, as new condition. A fantastic, extremly important and now very (very) rare publication.

160. Tyler, Anne.

Tumble Tower. Pictures by Mitra Modarressi.

New York, Orchard Books, 1993. 26.5cm x 22.5cm. 29 pages. With beautiful illustrations. Original Hardcover with dustjacket. Excellent, close to new condition. Signed by the author and the illustrator.