Greenaway, Kate.

Original Friendship Album / Album Amicorum with 4 colour-lithographs.

[London], ca. 1880. Oblong-12°. / Miniature Children’s Book (11 cm long x 7,3 cm high). 28 pages with 4 colour lithographs. Illustrated Hardcover. First page and two illustrations cleanly detached. Several entries of children in this friendship-album. The illustrated binding in very good condition. A Kate Greeneway Album Amicorum is extremely rare in any condition !

Grossman, Henryk / Grossman, Henryk / Meyer, Gerhard.

Originales, hektagrophiertes Typoskript mit Manuskript – Eintraegen und handschriftlichen Ergaenzungen von Henryk Grossmann: “Marx und die Klassische Oekonomie oder Die Lehre vom Kapitalfetisch” – Von Henryk Grossmann signiert und an seinen Exil – Kollegen, den Ökonom Gerhard Meyer gesendet. [Beiliegend: 11-seitige Kritik von Meyer an Grossman’s Arbeit / Meyer (dokumentiert wurde der Erhalt der Kritik mit einem handschriftlichen Vermerk “received July 3, 1937) / Auf dem Typoskript der Kritik befinden sich bereits auf der ersten Seite handschriftliche Anmerkungen z.B. zu Grossmann’s Buch “Akkumulations- und Zusammenbruchsgesetz des kapitalistischen Systems” nimmt] /

[New York], [1937]. A 4. Paginierung: Das Typoskript hat 192 Seiten, die Arbeit von Gerhard Meyer 11 Seiten, ausserdem beiliegende handschriftliche Aufgabenstellung (3 Seiten). Original Softcover. Sehr selten ! Es handelt sich hier wahrscheinlich um einen Vorlaeufer des hektographierten Typoskripts “Marx, die klassische Nationalökonomie und das Problem der Dynamik” (New York: Institut für Sozialforschung, 1941).

1. Hale, Sir Matthew.

The Primitive Origination of Mankind, considered and examined According to The Light of Nature. [with extensive contemporary manuscript annotations]. Written by the Honourable Sir Matthew Hale Knight: Late Chief Justice of His Majesties Court of King’s Bench.

First Edition. London, Printed by William Godbid, for William Shrowsbery [sic] [Shrewsbury] at the Sign of the Bible in Duke-Lane, 1677. Large Quarto. Frontispiece-portrait (original copper-engraving) of Sir Matthew Hale by dutch print artist Frederick Hendrik Van Hove, [10], 380 pages. All edges painted red (contemporary 17th century speckled red). Hardcover / Splendid recent half-leather with new spinelabel and marbled-paper-covered-boards. Original endpapers and original pastedown with original bookplate/Exlibris of Richard Meade (Ballymartle). Very interesting, contemporary annotations in ink to nearly every paragraph of the pages 1 – 47. The annotations closely cropped with some frequent text-loss to the annotations only (text-loss ranges from only a few letters to full words along each page but the meaning is still conceivable). The extensive annotations reflect not only on Descartes supposition on Epicurus “what colour of evidence have we of the various Configurations of his Atomes”, but also the chapter in which Hale is “Touching the Excellency of the Humane Nature in general” is commented in sections in which the sense of Vegetables is elaborated on as is on the senses: Touching, Smelling, Tasting, Hearing, Seeing. All annotations wonderfully speculative and in a very readable hand. Name of preowner written in ink on titlepage: “Jon. Falkner” [Jonathan Falkner or John Falkner]. Excellent condition after this work was recently beautifully restored by an english master-bookbindery.

Hale, Sir Matthew [William Hayward Roberts / Reverend William Roberts of Worplesdon].

The Primitive Origination of Mankind, considered and examined According to The Light of Nature. [The first ever publication to deal with “Evolution” / With extensive and very interesting, contemporary manuscript annotations by two or three contemporary owners of this book: William Hayward Roberts (English born schoolmaster, poet and biblical critic, cleric and Provost of Eton College), his son, Rev. William Roberts of Worplesdon, fellow and vice-provost of Eton College and one Edward D’Oyly / Bookplate – Exlibris of the “Roberts”-family mounted verso titlepage]. Written by the Honourable Sir Matthew Hale Knight: Late Chief Justice of His Majesties Court of King’s Bench.

First Edition. London, Printed by William Godbid, for William Shrowsbery [sic] [Shrewsbury] at the Sign of the Bible in Duke-Lane, 1677. Large Quarto. Frontispiece-portrait (original copper-engraving of Sir Matthew Hale by dutch print artist Frederick Hendrik Van Hove), [10], 380 pages. Modern Hardcover / Beautiful 20th century quarter-leather-binding with wonderful ornament and gilt lettering on spine. New endpapers and with original Bookplate / Exlibris of the Roberts – family verso the titlepage. With some stunning, extensive contemporary annotations and comments in ink, starting with page 1 and ending with page 355. While the annotations are more intense during the first 180 pages, they get more sparse towards the end. Loosely inserted is also a page of contemporary manuscript-notes reflecting on some of the passages in Hale’s work, outlining some paragraphs on Newton (Astronomy), Navigation (Argo), The Discovery of America etc. Hale’s publication is known to be the first ever publication to deal with “Evolution” [see Garrison-Morton] and the annotations in this superb copy embrace the controversy of the publication by reflecting for example on page 69:″the absurdity of the Hypothesis of the Ancients is refuted, who held that Human Nature had an Origination”. While Hale philosophises on page 76 in his text “That there are in our inferior world divers Bodies, that are concreted out of others, is beyond all dispute. We see it in the Meteors…the insinuations of the Aether and Air….other animals and some Vegetables have a more regular production from Seed as some perfecter sort of Vegetables and the nobler Animals and Men, which seminal Principle is a mixture of the divers particles of Matter and Spirits, derived and elicited from the Plant or Animal.” Our contemporary annotater simply reflects on one paragraph preceding the above with: “Mixed Bodies not eternal”. On page 93 it is reflected n the annotations that “God might have made the world sooner” – “But had he made it Millions of years sooner, it would not have answered his “ultimum posse” [of Almighty God] / Newton is mentioned, Paracelus, Cabalists [Cabbalists], etc. etc. Reflections in the annotations like “The Opinion of Americans with regard to the Being of a God” make this copy an amazing source of dispute, conflict and debate prior to Darwin’s “Origin of Species”. All annotations in a very readable hand. Excellent condition with only the portrait slightly frayed and minor signs of an ink-stain to the outer margins of 10 pages towards the end of the book. This work was beautifully rebound; clearly by a master-bookbinder.

Headlam, Maurice / [Arland Ussher].

Irish Reminiscences [Association – copy between Maurice Headlam and Arland Ussher, not only signed and inscribed in length by Maurice Headlam but also including two 4-page-manuscript letters by Maurice Headlam to Arland Ussher, reflecting on Ussher’s publication “The Face and Mind of Ireland”].

First edition. London, Robert Hale Limited, 1949. Octavo. Frontispiece – Photograph, 244 pages. Hardcover with original dustjacket. Very good condition with only minor signs of wear. Inscribed and signed on endpaper. Two manuscript letters loosely inserted. Manuscript entry, correction/explanation/annotations by Maurice Headlam to Arland Ussher on page 166 and page 175.

Horological Illustration of the 18th century – [Scanavacca, Bartolomeo] Horologium / Orologio / Horology.

Original, 18th century italian manuscript on how to build a vertical clock with sound: “Come si Dissegni in practica un Orologio Verticale Italiano a suonodella Campana secondo le regole del Scanavacca” [Translates: “How to Draw an Italian Vertical Clock with the sound of the Bell in practice according to the rules of [Bartologmeo] Scanavacca”].

Italy, c.1750. A4. 22 pages with text, diagrams or drawings (partly in colour). Original Softcover Folder with original manuscript papers and drawings inside. Majority of the pages with damages and some with loss of text to outer margins. Extremely rare and interesting manuscript, also dealing with “Orologi a Sole Guili”.

Jasinski, René.

Original Manuscript of Jasinski’s work ‘Molière et le Misanthrope’ together with 4 pages of conclusion to the chapters with annotations and extensive corrections by Jasinski.

[Cambridge, Massachusetts], no year [c.1948-1949] Octavo. 94 pages of manuscript notes and chapters 1, 2 and 4 of the final work with the 4 pages of conclusions in an envelope titled “Professor Rene Jasinski – 25 Little Hall, Cambridge 38 – Massachusetts”. With the dedication page planned and outlined: “A ma soeur Cécile affectueusement – R.J.”. Softcover. The paper brittle and several of the pages held together by paperclips. Some of the pages with tears and stronger signs of fraying. The defining work that secured Jasinski a place at Harvard.

Kuryluk, Ewa.

Century 21 [First edition, with a manuscript postcard from Ewa Kuryluk to Brad Morrow, editor of Conjunctions, laid-in. Signed by Ewa Kuryluk].

Normal, IL, Dalkey Archive Press, 1992. Large Octavo. 340 pages with 24 pages of black-and-white photographic illustrations. Original Hardcover with original dustjacket in protective collector’s mylar. Excellent condition with only very minor signs of wear.

Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive information like “Sold to:…..” / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

3. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.