21. Accademia Nazionale dei Lincei.

Rendiconti – Classe di Scienze morali, storiche e filigiche. Volume XXXV – Fasciolo 1-2 et 3-4.

Roma, Academia Nazionale dei Lincei, 1980. 4°. 263 pp. Softcover. Editione Italiano. / Italian edition. Very good condition. [Atti della Accademia Nazionale dei Lincei – Serie Ottava – Volume XXXV – Fasciolo 1-2 et 3-4 / Includes also: Volume IX – Fasciolo 6 / Volume III – Fasciolo 9 / Volume III – Fasciolo 10 /]

22. Ace, Patricia.

Fabulous Beast.

First Edition. Glasgow, Freight Books, 2013. Octavo. 70 pages. Original Softcover. Very good condition with only minor signs of external wear.

23. Achmatowa, Anna.

Ich lebe aus dem Mond, du aus der Sonne – Liebes-Gedichte / Hundert Gedichte über die Liebe. Aus dem Russischen von Alexander Nitzberg Herausgegeben und mit einem Nachwort versehen von Olaf Irlenkauser.

Frankfurt am Main, Suhrkamp Verlag, 2000. 12.5 cm x 20.5 cm. 118 pages. Cover image – drawing by Amedeo Modigliani. Image on back flap – photograph of Anna Akmatova in 1910. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear.

24. Achmetsin, Ruslan / Kluge, Rolf-Dieter [Hrsg.].

Veränderungsprozesse in den Literaturen und Kulturen Osteuropas (der ehemaligen UdSSR[Russland]).

Tübingen, Slav. Seminar der Univ., 1997. 8°. 111 Seiten. Softcover. Mit handschriftlicher Widmung des Herausgebers Rolf-Dieter Kluge an die Romanistin Maria Moog-Grünewald. Sehr guter, neuwertiger Zustand mit nur ganz geringen, äußerlichen Gebrauchsspuren. [Skripten des Slavischen Seminars der Universität Tübingen ; Nr. 31]

25. Ackermann, Kathrin [Hrsg.].

Gespannte Erwartungen. Beiträge zur Geschichte der literarischen Spannung.

Wien/Berlin/Münster, Lit, 2007. 8°. 282 Seiten. Softcover / Kartoniert. Sehr guter Zustand mit nur ganz geringen, äußerlichen Gebrauchsspuren. KEINE Anstreichungen. KEIN Besitzvermerk. KEIN Mängelexemplar. [Austria: Forschung und Wissenschaft : Literatur ; Bd. 7]

26. Adair, Yvonne.

Music through the Percussion Band. A comprehensive scheme of work from the earliest stages, with games and exercises for playing, listening, reading and conducting.

Second Edition. London etc., Boosey & Co. Ltd., 1954. 14 cm x 22 cm. VII, 225 pages. Original hardcover. Excellent condition with only very minor signs of external wear.

27. Adams, Ansel.

La Fotografia di Ansel Adams – Vol. I – La Fotocamera / Vol II – Il Negativo / Vol III – La Stampa. Con la collaborazione di Robert Baker.

Edizione Italiano / Italian Edition. 3 Volumes (complete set). Bologna, Nicola Zanichelli Editore S.p.A, 1989. 25,5 cm x 19,5 cm. Vol I, 201 pages / Vol II, 273 pages / Vol III, 212 pages. With black-and-white photographs and illustrations. Original Hardcover with dustjackets in original slipcase. Excellent condition with only minor signs of external wear. Including free UPS worldwide !

28. [Adams, Ansel] Szarkowski, John.

Ansel Adams at 100. Foreword by Sandra S. Phillips.

Boston, New York, London, Little, Brown and Company in Association with the San Francisco Museum of Modern Art, 2001. 27.5 cm x 24.5 cm. 200 pages with 114 tritone and 23 duotone photographs. Softcover. Designed by J. Abbott Miller and Jeremy Hoffman, Pentagram. Cover photograph; ‘Grass and Water, Tuolumne Meadows, Yosemite National Park, ca. 1935’ Ansel Adams. Very good condition with only minor signs of external wear.

29. Adams, James.

Ambush, the war between the SAS and IRA. James Adams, Robin Morgan, Anthony Bambridge.

London, Pan Books, 1988. 18 cm. viii, 200 pages. Softcover. Very good condition with only minor signs of external wear.

30. Adams, Marcus.

Child Studies. [Album with seven (7) vintage silver gelatin prints – all signed in a signature album with Adams’ gilted emblemata / supralibro].

London, Marcus Adams, c.1929. Folio. 7 pages. Original Art Deco flexible Hardcover in original slipcase. Extremely beautiful and rare original binding ! Two small coffee-stains on cover of the Volume itself. Slipcase with some minor rubbing and occasional discoloration only. Otherwise in excellent condition with only minor signs of external wear. Besides the vintage photographs all being signed by Marcus Adams, he also signed and dated the Volume on the endpaper: “Marcus Adams – 11/29”.