11. [Mozart, Wolfgang Amadeus] Göbel, E. F. [C. Jäger].

Wolfgang Amadeus Mozart (1756 – 1791).

Original 19th century Gouache after an 1870 painting by C. Jäger. German, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 44 cm x 36,5 cm. Outer margins slightly frayed only. Extraordinary painting with some minor repairs. Just like the Beethoven Gouache we also offer by this gifted artist, a very fresh impression of this wonderful musical inspirer.

12. [Beethoven, Ludwig van] Göbel, E. F. [C. Jäger].

Ludwig van Beethoven (1770 – 1827).

Stunning, original 19th century Gouache of Beethoven by E.F. Göbel; after a painting of Beethoven by Carl Jaeger (1833-1887), which is now in the possession of the Library of Congress. Germany, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 48 cm x 34,5 cm. Outer margins slightly frayed only. Extraordinary 19th century painting with fresh impression of the signature-face of this timeless composer.

13. Le Brocquy, Louis.

Personal copies of an early set of 18 photographs [contacts] of works by Louis le Brocquy, mostly titled and annotated / explained by Louis le Brocquy himself verso. Some of the photographs refer to very early works of Louis le Brocquy. Some have no entries by le Brocquy verso, some have quite extensive manuscript-information in Louis le Brocquy’s hand like “Sold to:…..” etc. etc. / Also included is an original, very early exhibition catalogue (Louis le Brocquy’s personal copy of the catalogue) for an exhibition in Mayfair/″Gimpel Fils” – November 1959. The catalogue has several annotations and underlinings in Louis le Brocquy’s hand and included are most of the original photographs of works le Brocquy selected for the printing of the catalogue.

Loandon / Mayfair, Gimpel Fils, 1959. Octavo. 12 pages plus four photographs directly related to the exhibition catalogue / 18 photographs of earlier works. Original Softcover. Very good condition with only minor signs of external wear. A stunning, really original set of interesting ephemera from the artist’s personal collection, given to his friend John Montague. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

14. [Gore-Booth, Colum Robert] / [Lady Eva Selina Laura Gore-Booth] / [Constance Georgine Markievicz née Gore-Booth] / [Lissadell House County Sligo].

Two Manuscript Sketch-Books [12” x 10”] bearing the Bookplate “Lady Gore Booth – Lissadell, Sligo [No.43]”. Both Folio-Size Sketch Books titled ‘The “Wood” Sketch Book’, both issued by ‘St. John’s Wood Art School’: 29, Elm Tree Road, London, NW 8. [Founded 1878]. Each Sketch-Book has 50 pages and most pages have manuscript sketches with a few loose sketches tipped in. The very accomplished drawings all appear to be in pencil and show landscapes, trees, horses, portraits, male and female figures, skulls. They all appear to be in the same hand. Also, tipped in is a b/w photo, 6” x 4” mounted on a card. It is signed in pencil by Roberts of Paris. Stamped on the back is “Roberts” 11, Rue du Havre. In pencil, it states “Elizabeth aged 11, May 1922”. From our research it is certain, that Colum Robert Gore-Booth (1913-1959) attended St.John’s Wood Art School and these appear to be his Sketch-Pads, the only other member of the Gore-Booth family who went to London in order to become an artist was Colum’s aunt, Constanze Markiewicz, who attended Slade School of Art at the turn of the century but the drawings do not fit her style.

Two Volumes. London, St.John’s Wood Art Schools / Lissadell House County Sligo, c.1920 – 1930. Folio. Volume I: 118 pages (59 perforated sheets), with 87 studies, often with sketching on both sides of the sheets / Volume II: 100 pages (50 perforated sheets), with 46 studies inside the sketch-book plus two portrait-sketches loosely inserted, plus the photograph of one “Elizabeth”, dated May 1922 and signed by photographer “Roberts” 11, Rue du Havre, Paris. Publisher’s illustrated Hardcover. Very good condition with only minor signs of wear.

15. [Walter Benjamin Collection] – Guilleminot, Bœspflug et Cie. / [Paris during the World Exhibition in the Year 1900]

Collection of thirtyfour (34) original photographic glass-slides, allowing us to imagine the surroundings of Walter Benjamin’s “Arcades Project” and the Genesis of his Idea of “Paris as the Capital of the 19th Century”. While the Glass-Slides are NOT from Benjamin’s library or from one of his friends collections, they are contemporary artefacts which allow us to Timetravel into the Paris of Benjamin’s “Arcades” and illustrate Benjamin’s creation of the six sections of his “Arcades Project”: “Fourier, or the Arcades” ; “Daguerre, or the Panoramas”; “Grandville, or the World Exhibitions” ; “Louis-Philippe, or the Interior”; “Baudelaire, or the Streets of Paris”; “Hausmann, or the Barricades”. The slides were produced by Parisien Radio-Brom manufacturer of photographic plates and papers, “Guilleminot, Bœspflug et Cie”. The fantastic slides all produced around the time of the 1900 Paris Exposition (World’s Fair), known in french as “Exposition Universelle” in Paris. Included are photographic plates of the “Theatre Sarah-Bernhardt” at the “Place du Chatelet”, “Le Louvre”, “Paris – Buttes-Chaumont – Le Lac & Le Belvedere”, “Avenue de L’Opera”, “Place de Victoires”, “Gare St.Lazare – Rue de Rome”, L’Institut pris du pont des Arts”, “Gare Montsouris”, “Monument de Pasteur – Avenue de Breteuil”, “La Seine et L’Hotel de Ville”, “Pont au Change”, “Les Tuileries – avec “Charmeur d’Oiseaux”, “Le Conseil d’Etat”, “Avenue des Champs Elysees”, “Palais de Justice, Boulevard du Palais”, “Pont ALexandre III”, “Square d’Anvers”, “Grand Palais”, “Fontaine de Carpeaux”, “Jardin des Plantes” “Galerie de la Plaeontologie”, “Place du Carrousel – Arc de Triomphe”, “De Notre Dame sur l’Hotel Dieu – Tour St.Jacques – Sacre Coeur”, etc. Also included are some private images of family, picnic in the forests etc.

Paris, Exposition Universelle of 1900 / Guilleminot, Bœspflug et Cie., [c.1900]. 10.7 cm x 4.4 cm. 34 slides in three boxes (one of the boxes labelled: “Diapositifs de Verascope Richard”. Original Hardcover Boxes with glass-slides. Excellent condition with some minor signs of wear only.

16. [Luckombe, Philip / Smith, Charles].

Luxury Reprint of “The Compleat Irish Traveller” [With high quality Reproductions of the 31 original Plates of detailed Maps of County Cork in the 18th century, County Kerry in the 18th century and Waterford in the 18th century, as well as some of the earliest engravings of Irish Towns here for the first time reproduced as beautiful Artworks for framing and housed in a special, handmade Folder. The publication was just recently enlarged with a detailed, Topographical Index (July 2023)]. Complete Title: “The Compleat Irish Traveller, containing A general Description of the most Noted Cities, Towns, Seats, Buildings, Loughs &c. in the Kingdom of Ireland, Interspersed with Observations on the Manners, Customs, Antiquities, Curiosities and Natural History of that Country. With Elegant Copper Plates”. [With 31 original Plates after Charles Smith, including Frontispiece, this Reprint / Facsimile is the result of 10 years of research and purchase of three (3) original versions of the First Edition from the year 1788. The first Editions known to Inanna Rare Books all had different quantities of Plates and Maps included. This Reprint by Inanna Rare Books has been produced from an extremely clean version of the original and shows the most complete set of illustrations and XL-Size Maps and Artworks we could find in any of the original editions. The publication shows not only Maps of County Cork, County Kerry and County Waterford but also Views of Irish Cities and Towns in these Counties of the Province of Munster and besides the wonderful Historical Plan of Cork City this set also includes the very rare Plan of the “Grand Canal from Dublin to the River Shannon” (see detailed list of all the illustrations present at the end of this description)].

Luxury Limited-Edition-Reprint of the First Edition by Luckombe in 1788. Two Volumes plus extra Folder with 31 Plates reprinted as Artworks for framing. Skibbereen (County Cork), Inanna Rare Books Publishing, 1788. Octavo (13.5 cm x 21 cm). Pagination: Volume I: Frontispiece, engraved Titlepage, XXX, 189 pages plus recently published Index (July, 2023) / Volume II: Engraved Titlepage, 263 pages plus recently published Index (July, 2023). Plus large, bespoke made Folder with thirtyone (31) Reproductions of the Maps, Plans and Illustrations which usually were folded inside this publication and now for the first time have been liberated from the book and were published as the beautiful works of art they are. Textvolume: Volume I and II of the text bound in one beautiful half-leather-volume with gilt lettering on spine, bound in the style of the 18th century / Illustrations-Folder with 31 reprinted illustrations of Towns and Maps of Ireland but mainly of Munster, bound in bespoke made half-cloth with paper-covered boards and pasted Reprint of the original titlepage. Excellent, new condition. One of only 300 printed. [Inanna Rare Books – Reprint & Facsimile – Series].

17. [David Hockney Collection] – Hockney, David.

David Hockney – Collection of rare and important publications as well as an original photograph of Hockney. The collection includes: 1. “Fax Dibujos / Fax Cuadros” / 2. An Original Black-and-White Photograph of David Hockney on archival paper / 3. “The Blue Guitar” – Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso – “The Man with the Blue Guitar” – Wallace Stevens / 4. David Hockney – “A Retrospective” / 5. “Billboards” by Sally Henderson & Robert Landau with an Introduction by David Hockney / 6. David Hockney – “Some very new Paintings” / 7. David Hockney prints 1954-1977 / 8. “David Hockney” by David Hockney (with several interesting newspaper-clippings on Hockney loosely inserted).

Mexico, Centro Cultural/Arte Contemporáneo, 1990. Quarto (24.4 cm wide x 28 cm high). 120 pages. Softcover / Original spiral bound. Unusually excellent, FINE condition of Fax Dibujos, with only very minor signs of wear. Extremely rare, especially in this condition / [The Hockney Portrait-Photograph, which comes with the FAX Dibujos-publication, is stamped verso with Copyright by Universal Pictorial Press and Agency Ltd. in London and dated in 1976. – Provenance of the Photo: This photograph comes from the private Press-Photgraphs-Collection of irish photographer John Minihan, accumulated during his early years as photographer on Fleet Street, London] / The other monographs on or by Hockney are all in excellent condition. Find the David Hockney-Collection on our website under “Library & Collection”, where you will see a full list, with all books catalogued and with corresponding images.

18. [Arabian Nights] Forster, Edward / [Provenance: Daniel Callaghan of Lotabeg].

The Arabian Nights, in Five Volumes. [Including “The History of Aladdin, or the Wonderful Lamp” / The History of Ali Baba and of the Forty Robbers, killed by one Slave” / etc.] Translated by The Reverend Edward Forster [based on the French version of Antoine Galland]. With [24] Engravings, from Pictures by Robert Smirke.

First Edition [Large Paper Quarto Edition]. Five Volumes (complete set with all engravings). London, Printed for William Miller, 1802. Quarto (21.5 cm x 27.5 cm). Volume I: LXI, (7), 385 pages with 5 copper-engravings including Errata-Leaf and “Directions for placing the Plates” for all four volumes / Volume: 432 pages with 5 copper-engravings / 405 pages with 5 copper-engravings / 461 pages with 5 copper-engravings / 474 pages with 5 copper-engravings. Hardcover / Original, early 19th century full leather with gilt lettering and date on lower spine [″London, 1802”]. Beautiful, richly ornamented master-bindings. All Volumes in strong, protective collector’s Mylar, which invites the reader/collector to use the work without fear of handling. Armorial Bookplates / ExLibris of Daniel Callaghan, Esquire of Lotabeg (MP for Cork City 1830-1849) to all five pastedowns (Motto: “Fidus et Audax”). Marbled endpapers a little dusty but beautiful. Volume 1, 2 and 5 with some weakening to the spine (slightly cracked), but holding and still firm overall. All plates present. As known and always found with this scarce edition, the original, titled tissue-guards all in place, have created stronger signs of foxing to the plates but in sharp contrast the text in all the five Volumes in bright and clean condition with only occasional faint staining. Endpapers with some minor browning. Very good+ condition overall with some rubbing and minor bumping to the Volumes but really only minor signs of external wear. Extremely sought after publication, not to be confused with the later, much more common Octavo Editions !

19. [Calder, Alexander] Wilbur, Richard.

A BESTIARY – [One of 50 copies on luxurious Rives-mould, signed by Alexander Calder and Richard Wilbur].

New York, Printed at the Spiral Press for Pantheon Books, 1955. Folio (24 cm wide x 32.5 cm high). Original Hardcover / Half red morocco, beige buckram boards with gilt lettering on spine and gilt stamped illustration to front board. A very fine copy in the original board slipcase with very minor signs of shelfwear to the slipcase only. Spine very sightly sunned. A fantastic book with quotes from Yeats and Kafka and many other writers, illustrated by Calder!

20. [Greek Philosopher] Schaaffhausen, Carl [Franz Karl Carl Schaaffhausen] (1801 – 1850).

Greek Philosopher Head (Epicurus or Plato).

Stunning, original extra-large 19th century Pencil Drawing on coloured paper. [Germany], 1823. Beautifully Framed. Size of frame with drawing: 61.5 cm x 76 cm. Size of the actual drawing: c. 45 cm x 57 cm. Excellent condition. Signed by C. Schaafhausen, d. 18. December, 1823. Framed in a wonderful Biedermeier style.