11. Pierre, Frédéric.

Du Coin De L’Oeil La Pleine Lune. [With thirteen (13) stunning, original and signed erotic, colour-engravings]. Gravé et imprimé par Frédéric Pierre à l’atelier de l’été Juin – Septembre 1991. Texte par A. Kallur / C. Aldridge / F. Pierre.

Henley-on-Thames / Stockholm, Published by Artwenty, September 1991. Folio (31.3 cm wide x 41.4 cm high). (3), 27, (1) sheets of finest BFK Rives Velin Paper with deckled edges. Hardcover / Original blue cloth with gilt lettering on spine and ornament on board. Excellent, as new condition. No.10 of only 21 copies, signed by the artist. The entire edition of this artist-book comprised of 28 copies of which 7 copies were numbered in roman numerals from I – VII and accompanied by an original, unique and signed engraving [please enquire for one of the roman numbered editions]. This is one of the 21 copies without the additional engraving. EXTREMELY Rare !!!

12. Florence / Pisa – Carocci, G. et al.

Collection of six stunning, early 19th-century gouache-aquatints of Florence and Pisa including a rare segment showing a Funerary Procession in front of Giotto’s Campanile, part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy. These very able and fantastically hand-coloured, original artworks, represent the peak of high-quality souvenirs for the European Traveller on their Grand Tour. [Loggia dei Lanzi / Cattedrale di Firenze / Piazza S. Trinita / Campanile Della Cattedrale di Firenze / Ponte S. Trinita / Campanile Di Pisa].

Original Aquatint (hand-applied water-colouring over copper engraving). Florence / Pisa, [c.1820]. Plate Sizes vary: 31 cm x 22.1 cm. Sheet Sizes vary: 34.6 cm x 26.5 cm. Original Gouache-Aquatint (hand-applied water-colouring over copper engraving). Florence/Pisa, [c.1820]. Plate-Sizes vary: c. 31 cm x 22.1 cm. Sheet Sizes vary: c. 34.6 cm x 26.5 cm. Besides some smaller damages to the Ponte S. Trinita-artwork in very good, actually stunning, condition. Clean, crisp and brightly coloured. All of these artworks are beautifully framed and the price includes worldwide free shipping per UPS – courier.

13. Twining, Elizabeth.

Illustrations of the Natural Orders of Plants With Groups and Descriptions. [With 160 full-page chromolithographic plates in colour].

Original Sampson Low Edition – Reduced from the Original Folio Edition. Two Volumes (complete set). London, Sampson Low, Son and Marston, 1868. Slim-Quarto (17 cm x 25 cm). Volume I: XII, 80 plates / Volume II: [6], 80 plates. Both Volumes include the tissue-guards for protecting the plates and all corresponding explanatory text and Index is present. Hardcover / Original publisher’s half-leather with gilt lettering and ornament on spine. One of the earliest and rarest publications with chromolithographic botanical illustrations. Excellent condition besides some mild, faded dampstains to some plates. Important: These bindings are usually broken, which is NOT the case here. While the book came from the library of Daniel Conner (Connerville / Manch House), the book belonged to Henrietta L. Conner [Inscribed by Sophia Perry Hornik to Henrietta L. Conner in 1890].

14. Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

15. [Building News].

The Building News and Engineering Journal – Six Volumes bound in Five – With c. 600 original, stunning Lithographs of Architectural Buildings and Designs [Volume XIV (which is the complete Year 1867, January to December, but erroneously says 1868 on spine) / Volume XXII and Volume XXIII (which is the complete Year 1872, January to December) PLUS: Three Volumes with hundreds of plates / illustrations for the years 1873, 1877 and 1878. Being the very rare Illustrations / Plates – Volumes only (no text) for 1873: Volume The Twenty-Fourth / Volume Twenty-Fifth and 1877: Volume The Thirty-Second / Volume The Thirty-Third and 1878: Volume The Thirty-Fourth and Volume The Thirty-Fifth.

London, Office for Publication and Advertisements, 1868 / 1872 / 1873 / 1877 / 1878. (23 cm x 32.5 cm). All Five Volumes together contain c. 600 stunning lithographs / plates of which c. 180 are large, double-page-plates. [c. 60 plates missing or defect.] Original Hardcover / Original half leather with gilt lettering to spine. Overall very firm and in very good condition of the five volumes with occasional pages missing or some illustrations torn (see detailed descriptions of pagination). The 1873 Volume excellent. The Volumes 1877 and 1878 with some stronger fraying and dampstain-damage to the corners (Illustrations NOT effected). The price for these 5 heavy Volumes includes international free UPS Express shipping.

16. [Arabian Nights] Forster, Edward / [Provenance: Daniel Callaghan of Lotabeg].

The Arabian Nights, in Five Volumes. [Including “The History of Aladdin, or the Wonderful Lamp” / The History of Ali Baba and of the Forty Robbers, killed by one Slave” / etc.] Translated by The Reverend Edward Forster [based on the French version of Antoine Galland]. With [24] Engravings, from Pictures by Robert Smirke.

First Edition [Large Paper Quarto Edition]. Five Volumes (complete set with all engravings). London, Printed for William Miller, 1802. Quarto (21.5 cm x 27.5 cm). Volume I: LXI, (7), 385 pages with 5 copper-engravings including Errata-Leaf and “Directions for placing the Plates” for all four volumes / Volume: 432 pages with 5 copper-engravings / 405 pages with 5 copper-engravings / 461 pages with 5 copper-engravings / 474 pages with 5 copper-engravings. Hardcover / Original, early 19th century full leather with gilt lettering and date on lower spine [″London, 1802”]. Beautiful, richly ornamented master-bindings. All Volumes in strong, protective collector’s Mylar, which invites the reader/collector to use the work without fear of handling. Armorial Bookplates / ExLibris of Daniel Callaghan, Esquire of Lotabeg (MP for Cork City 1830-1849) to all five pastedowns (Motto: “Fidus et Audax”). Marbled endpapers a little dusty but beautiful. Volume 1, 2 and 5 with some weakening to the spine (slightly cracked), but holding and still firm overall. All plates present. As known and always found with this scarce edition, the original, titled tissue-guards all in place, have created stronger signs of foxing to the plates but in sharp contrast the text in all the five Volumes in bright and clean condition with only occasional faint staining. Endpapers with some minor browning. Very good+ condition overall with some rubbing and minor bumping to the Volumes but really only minor signs of external wear. Extremely sought after publication, not to be confused with the later, much more common Octavo Editions !

17. 18th century Illustrated Edition of Paradise Lost – Milton, John.

Paradise Lost – A Poem in Twelve Books. A New Edition, with Notes of various Authors, by Thomas Newton [Complete with two Portraits and 12 plates].

Two Volumes (complete set). London, Printed for J. and R. Tonson and S.Draper, 1749. Large Quarto (23 cm x 27.5 cm). Pagination of Volume One: Frontispiece-Portrait of a young John Milton, [18 unnumbered pages of Dedication and Preface], LXI pages of “The Life of Milton”, [5 unnumbered pages of Homage in Verses by Samuel Barrow [Physician to Charles II. and admirer of Milton] and also the important poem on Milton’s Paradise Lost by Andrew Marvell [English Metaphysical Poet and Milton’s ‘Latin Secretary’], 16 pages of “A Critique upon the Paradise Lost – By Mr.Addison” [Joseph Addison], 459 pages with six (6) full-page engravings / Pagination of Volume Two: Frontispiece-Portrait of an elder John Milton (dated 1670), 444 pages including six (6) full-page engravings plus 132 unnumbered pages of Index. Hardcover / Modern, stunning half-leather bound to 18th-century style with gilt lettering and ornament on spine. Both Volumes now in protective Mylar. Excellent condition with only a few signs of foxing. The paper in fantastic condition, illustrations and portraits impressive; wide margins make this a great collectable. A rare opportunity to acquire this important publication in a firm and beautiful binding. The exceptional restoration was done by an english master-bindery.

18. [Mozart, Wolfgang Amadeus] Göbel, E. F. [C. Jäger].

Wolfgang Amadeus Mozart (1756 – 1791).

Original 19th century Gouache after an 1870 painting by C. Jäger. German, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 44 cm x 36,5 cm. Outer margins slightly frayed only. Extraordinary painting with some minor repairs. Just like the Beethoven Gouache we also offer by this gifted artist, a very fresh impression of this wonderful musical inspirer.

19. [Beethoven, Ludwig van] Göbel, E. F. [C. Jäger].

Ludwig van Beethoven (1770 – 1827).

Stunning, original 19th century Gouache of Beethoven by E.F. Göbel; after a painting of Beethoven by Carl Jaeger (1833-1887), which is now in the possession of the Library of Congress. Germany, 1897. Beautifully Framed. Size of frame with Gouache: 53 cm x 65 cm. The Gouache itself measures: 48 cm x 34,5 cm. Outer margins slightly frayed only. Extraordinary 19th century painting with fresh impression of the signature-face of this timeless composer.

20. Le Brocquy, Louis / Montague, John / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / C. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France).

France / Ireland, Carros / Cork, 1980-1981. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.