Catalogue No.7 – Religion (229 items)

[Anonymous] Dante Alighieri / Cockerell, [La Divina Commedia] - "Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace" - Illuminated Devotional

204. Dante Alighieri / Cockerell, Douglas / North, John William / Ashendene Press Circle /

Original Devotional Manuscript to Dante [La Divina Commedia / The Divine Comedy – Manoscritto dell’inizio del XX secolo della Divina Commedia di Dante – con strofe manoscritte da “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso”] – The Manuscript is titled: “Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace” – Illuminated Devotional Manuscript of section of “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso” – with excerpts of Dante’s Divina Comedia, in the style of medieval illuminated manuscripts. The manuscript is a strictly themed Dante Devotion and is of magical quality if one considers the fantastic, original calligraphy artwork, the composition of the manuscript and the coded meaning to the composer of this manuscript. The Folio – size manuscript is massive and has 216 pages, of which 109 pages are with illuminated, original watercolour-paintings in the style of the medieval masters, sometimes collages with watercolour and original etchings, engravings etc. The miniature paintings are juxtaposed with 105 vintage 19th century photographs of famous Italian Art – pieces that are somehow related to Dante’s world or have an allegorical assoziation. Besides the early photographs other juxtaposed artwork or integrated artwork to the illuminations are: an original watercolour depicting the dying Dante, a sensational copper-engraving, depicting an allegorical Dante-scenario, possibly referring to the Divine Comedy, a small photograph of the famous Michelino Fresco encapsulated in one of the illuminations, an artprint attributed “Burne-Jones”, two lithographs, a large steel-engraving, a smaller steel-engraving. Most of the photographs show allegorical sculpture or art by famous italian artists like Giotto, Carpaccio, Andrea Castagna, Luca delkla Robbia, Bellini, Titian, Dosso Dossi, Orgagna, Andrea del Sarto, Fra Angelico, Paul Veronese, Botticelli, Raphael, Michelangelo, Bonifazio, Neri dei Bicci, Francesco Traini, Benozo Gozzoli, etc. etc. and other juxtaposed refer in code to Dante’s Divina Comedia or even depict himself in artform. The photographs also include some breathtaking 19th century Albumen prints of Verona, Lake Garda, Mantua and other Italian landscapes.

England, [Douglas Cockerell / John William North], no year [c.1910]. Folio (34 cm wide x 42.5 cm high). 216 pages. Hardcover / Binding in full green morocco with lettering and Dante’s head as bronze sculpture per inlet to front cover. Binding by Douglas Cockerell, signed “WHS”, during his directorship of W.H.Smith & Son (1905 – 1914). The manuscript is on excellent paper, watermarked O.W.P. & A.C.L. [O.W. Paper & Arts Co. Ltd., established by English painter John William North (1842-1924) in 1895]. The binding rubbed and with some small damages, in need of some minor restoration but overall still very good. The interior, the paper and the artwork all in excellent condition besides one of the juxtaposed photographs (Filippina Lippo) removed from the manuscript with some residue of the photograph remaining and some of the photographs with some dogears and minimal discoloration. All the original artwork in spectacular and fresh condition. The manuscript is a spectacular find and the quality of its execution is of utmost interest for any lover of rare books, manuscripts and special bindings. The circle of Douglas Cockerell, his involvement in one of the most beautiful books ever printed: the Ashendene Press Dante, as well as Cockerell being the binder of this unique manuscript, the fantastic paper used for the manuscript by one of the idyllist movement’s central figures, John William North, and the wonderful Dante – theme of the manuscript with illuminated poetry from the Divine Comedy and the unique style of collage art, lets us rightfully dream that the anonymous composer of the manuscript was an important or at least peripheral member to either the Arts and Crafts Movement, the Ashendene Press or it was someone who worked in the style of the calligraphy schools that were inspired by William Morris or even earlier epigones like Owen Jones.

EUR 48.000,-- 

Show details   Add to cart

Shuckford, The Sacred and Profane History of the World connected

209. Shuckford, Samuel.

The Sacred and Profane History of the World connected, Frome the Creation of the World to the Dissolution of the Assyrian Empire at the Death of Sardanapalus, and to the Declension of the Kingdoms of Judah and Israel, under the Reigns of Ahaz and Pekah. [Together with: “The Creation and Fall of Man” – “A Supplemental Discourse to the Preface of the First Volume of the Sacred and Prophane History of the World connected”].

The Third Edition. 3 Volumes (of 4). London, Printed for J. and R. Tonson and S. Draper in the Strand, 1753. Octavo. LXIV,366, [10], LV, 461, [10], CXXXII, 295, [16] pages. Each Volume with its own Index. Includes two folded maps in Volume One: First Map: “A Plan of the present Chanels [sic] of the Rivers Hiddekel or Tigris and Euphrates exhibiting the Site of Moses Garden and River of Eden” / Second Map: “The Situation of the Land & Garden of Eden together with the Rivers of Paradise as they are imagined to have been Situate by some Writers who thought that the Garden of Eden was planted in that which was afterwards called the Holy Land”. Original Hardcover / 18th century full leather with new spinelabels. All three Volumes are now in protective Mylar. with dustjacket. All Volumes with some damage to spine but all still firm and holding. Overall some faint staining and foxing only at very few locations because of the excellent paper-quality of this publication. From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate to pastedown.

EUR 275,-- 

Show details   Add to cart

Blackwall, The Sacred Classics Defended and Illustrated

218. Blackwall, Anthony.

The Sacred Classics Defended and Illustrated: Or, an Essay Humbly offer’d towards proving the Purity, Propriety, and True Eloquence of the Writers of the New Testament. In Two Parts. In the First of which Those Divine Writers are vindicated against the Charge of barbarous Language, false Greek, and Solecisms. In the Second is shewn, That all the Excellencies of Style, and sublime Beauties of Language and genuine Eloquence do abound in the Sacred Writers of the New Testament. With an Account of their Style and Character, and a Representation of their Superiority, in several Instances, to the best Classics of Greece and Rome. To which are subjoin’d proper Indexes. [The Second and Last Volume – In Three Parts. Containing: I. A farther Demonstration of the Propriety, Purity and sound Eloquence of the Language of the New Testament Writers. / II. An Account of the wrong Division of Chapters and Verses, and faulty Translations of the Divine Book, which weaken its Reasonings, and spoil its Eloquence and Native Beauties. / III. A Discourse on the Various Readings of the New Testament. With a Preface, wherein is shewn the Necessity and Usefulness of a New Version of the Sacred Books. By the late Reverend and Learned A.Blackwall, A.M. – AUthor of the First Volume. To which is annex’d a very copious Index.].

The Second Edition. Two Volumes (complete set). London, Printed for C.Rivington, 1727. Octavo. 432, [16], Portrait-Frontispiece of A. Blackwall by G.Vertue, XXXI, 359, [24] pages. Original Hardcover / 18th-century full leather with new spine-labels in the style of th eperiod. Excellent condition with some minor signs of wear only. From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate to pastedown.

EUR 275,-- 

Show details   Add to cart

Anderton, The Protestants Apology for the Roman Church

219. Anderton, James.

The Protestants Apology for the Roman Church. [incomplete 17th century version of the 1608 edition / With manuscript annotations and dating by the owners of the book on page 512: Father John Coyne / Richard Power in 1683]. [Deuided into three seuerall tractes. VVherof the first concerneth the antiquity & continuance of the Roman Church & religion, euer since the Apostles times. The second 1. that the Protestants religion was not so much as in being, at, or before Luthers first appearing. 2. that the marks of the true church are apperteyning to the Roman, and wholy wanting to the seuerall churches, begun by Luther & Caluin. The third that Catholicks are no lesse loyall, and dutifull to their soueraigne, than Protestants. All which is vndertaken, & proued by testimonies of the learned Protestants themselues. VVith a conclusion to the reuerend iudges, and other the graue and learned sages of the law. By Iohn Brereley priest.]

[St. Omer], Permissu Superiorum, no year [c.1683]. Small Quarto. Pages 1 – 104 missing, pages 105 – 751 complete. Contemporary pigskin binding with original title in manuscript hand to spine. Poor condition with many damaged pages, frayed and traces of dried mold. Prt II and III of the book are complete: The Second Chapter: That the true Church must have her Pastours administration of the word and Sacraments evermore to continue / The Third Tract – Conteining the confessed Antiquity of Catholicke Priesthood, Confession, Absolution, Masse &c. and of the penall lawes made against them.

EUR 220,-- 

Show details   Add to cart

Cordus, Euricius - Botanologicon / Brasavola, Antonio Musa - Examen omnium simplicium medicamentorum

221. Cordus, Euricius / Brasavola, Antonio Musa / [Hieronymus Schreiber / Jerôme Schreiber]

Botanologicon (Euricii Cordi Simesusii Medici Botanologicon) – Angebunden / Bound with: Antonio Musa Brasavola – Examen omnium simplicium medicamentorum, quorum in officinis usus est. Addita sunt Insuper Aristotelis problemata, quae ad stirpium genus, & oleracea pertinent.

Cologne (Köln) / Leyden (Lyon), Johann Gymnicus (Gymnich) / Johannes and Franciscus Frellon, 1534 / 1537. Octavo. Collation complete: I. Euricius Cordus – Botanologicon: Title with the woodcut device of Cologne-printer Johann Gymnicus, including his Motto, the first line of a Verse from the Aeneid by Virgil ‘Discite Iustitiam Moniti’, 183, [21] pp., 2 blank leaves. The titlepage of the Botanologicon bears the manuscript ownership-entry of Nuremberg’s Astronomer, Philosopher and Mathematician Hieronymus Schreiber [also called Jerôme Schreiber], student-friend of Euricius Cordus’ son Valerius Cordus in Wittenberg and later trustee of Valerius Cordus’ scholarly estate after Valerius Cordus’ premature death in Rome. Dated in the same hand on the titlepage also the entry ‘Anno 1539’, when Valerius Cordus matriculated at Wittenberg and Schreiber already had studied there since May 1532. With several contemporary manuscript annotations throughout both titles (the Botanologicon and Examen) / II. A. M. Brasavola – Examen omnium simplicium medicamentorum: Title, [1], [‘Reverendissimo to Ioannes Argenterius’, 4 pp.], [‘Ad Illustris & Sereniss. (‘Epistola Nuncupatoria’) to the Duces of Ferrara’ 17 pp.], [Epigramma, 1 p.], [Examen & Aristotelis Problemata 542 pages, [Dedication to Franciscus Frellaeus, 2 pp.], [Index copiosissimus in Examen Omnium, 13 pp.], [1]. With several manuscript annotations. Original, contemporary blind-stamped pigskin over wooden boards with some stronger signs of running to the corners, with partially bevelled edges and both of the original metal clasps intact. Very good condition with only minor signs of external wear. Title in ink to upper spine and also to top of fore-edge. Very few pressed plants loosely inserted. Interior in excellent condition with some minor staining to very few pages only.

EUR 48.000,-- 

Show details   Add to cart

Page: 1 2 3
: