261. Rosenstock, Gabriel.

Susanne sa seomra folctha. [Signed and inscribed by the author]

Baile Átha Cliath, Clodhanna Teo, [1973]. 22 cm. iv, 48 pages. Illustrated. Illustrated Softcover. Very good condition with only minor signs of external wear.

262. [Rossetti] Beerbohm, Max / [John Gilbert “Jack” Bohun Lynch].

Rossetti and his Circle [Association Copy – Inscribed / Signed by Max Beerbohm to his friend, Biographer and fellow Caricaturist, (John Gilbert)″Jack [Bohun] Lynch”].

First Edition. London, William Heinemann, 1922. Quarto. Frontispiece, IX, [1] pages with 23 tipped-in plates (including the now famous Oscar Wilde – Caricature) with lettered tissue-guards. Original Hardcover with original dustjacket. The dustjacket very poor and fragmented but the Volume itself in excellent, firm condition. All colour-plates with tissue-guards in place and in wonderful condition. Excellent association-copy with the personal inscripton by Max Beerbohm to his friend Jack Lynch by incorporating the half-title: “Jack Lynch’s copy of [Rossetti and his Circle] from Max – 1923”.

263. Sawyer, Sir James.

Points of practice in Maladies of the Heart – [INSCRIBED / SIGNED – with a signed (monogrammed) portrait-postcard of Sir James Sawyer] – Lumleian lectures at the Royal College of Physicians of London.

First Edition. Birmingham, Cornish Brothers, 1908. Small Octavo. VIII, 96 pages. Hardcover / Original, red publisher’s cloth with gilt lettering on spine. Very good condition with only minor signs of external wear. Vintage portrait-postcard of Sir James Sawyer tipped in verso endpaper. The postcard is monogrammed in ink “J.S.”. The book is inscribed by Sir James Sawyer: “W.V.Bramington, Eng. [..] from the author”. Very Rare ! [Lumleian Lectures].

264. Schell, Jonathan.

The Fate of the Earth. [Signed / Inscribed]

First Edition. New York, Knopf, 1982. 21.7cm x 15cm. 244 pages. Original Hardcover in original dustjacket. In protective Mylar. Very good in publisher’s cloth covered boards, in like dust jacket. Beautiful, lengthy inscription by Schell to the previous owner, Northeastern Univeristy philosophy Professor Dr. Hugh Moorehead.

265. Schlesinger Jr., Arthur M.

Robert Kennedy and his Times. Illustrated with Photographs.

Boston, Houghton Mifflin, 1978. Large-8°. XVII, 1066 pages. Hardcover / Decorative red quarter morocco with gilt lettering on spine. In original slipcase. One of 500 signed copies of the Collector’s Edition. With two pages dogeared and only absolutely minor signs of wear. The book itself unread ! Signed by Schlesinger on front free endpaper.

266. [Schneemann, Carolee] Eshleman, Clayton.

Bearings. [Two fantastic association copies of this limited edition / Both copies from the library of Carolee Schneemann / Both, beautifully inscribed by Clayton Eshleman to Carolee Schneemann and one copy with an annotation and several interesting textmarkings by Carolee Schneemann].

First Edition. Santa Barbara, Capricorn Press, 1971. 22.5cm x 15.3cm. 22 (6) pages. Original illustrated softcover. Excellent condition of noth editions, with only minor signs of external wear. This is one of Eshleman’s most personal works, which explains why he inscribed it in two consecutive years to Carolee Schneemann. Clayton Esleman writes about the impact Rilke’s “Letters to a Young Poet” had on him in 1959. Carolee Schneemann has marked several passages which were important to her, among which is: “for in the sense that what is deeply sick in man today is his hate for his body, in that he has loaded the most energetic word he has for love-making with all the hostility he feels against the act of love. Don’t fuck with me, we say. Keep your fucking hands off. Fuck you. And that word, like a jungle interwoven with all kinds of lianas and vines of tensions, desires, and hate, can’t now possibly convey just its erotic energy – “. / Eshleman also leaves a short biographical note (in print) at the end of this Volume in which he critically describes his consequential status quo: “…..Moved to New York City the summer of 1966…..the bottom fell out: I left my family, moved into a hole in the corner of Greenwich Avenue and Bank Street and entered Reichian Therapy…..Presently living in Sherman Oaks, California, with my wife Caryl – and, as of last week, loaned orgone accumulator sitting expectantly in Garage….– 28 January 1971”.

267. [Schneemann, Carolee] Fraser, Kathleen.

Something (even human voices) in the foreground, a lake. [Association Copy] –

Berkeley, Kelsey St. Press, 1984. 22.9cm x 17.8cm. (10) 34 (4) pages. Original illustrated softcover. Cover stained. Otherwise very good. From the library of Carolee Schneemann, with her ownership – stamp to the endpaper (New Paltz – New York) / Inscribed by the author to Carolee Schneemann: “for Carolee – twenty years later – wonder/full to have survived all this and to live, still, in the imagining moment – love – Kathleen – San Francisco – 11.15.84”.

268. Scholem, Gershom / [Paul Avraham & Betty Alsberg].

Die Erforschung der Kabbala von Reuchlin bis zur Gegenwart.

Pforzheim, Selbstverlag der Stadt Pforzheim, 1969. 12.3 cm x 21.2 cm. 24 Seiten. Original Softcover in publisher’s printed wrappers. Very good condition with only minor signs of wear. First edition of this brief text, a prize lecture delivered before the Reuchlin Society of the city of Pforzheim. Inscribed by Scholem to the wife of one of the founding members of Yad Vashem, Paul Avraham Alsberg: “Für Betty Alsberg, in die Kabbala-Ecke mit vielem Dank Gershom Scholem. 17.4.1975 Jerusalem.” Scholem inscriptions are quite uncommon.

269. Schreiber, Boris.

La traversée du dimanche. Roman.

Première Édition. Paris, Luneau Ascot Éditeurs, 1987. 20.5 x 14 cm. 198 pages. Broché. Bon état général. Couverture impeccable. Intérieur un peu jauni mais bon. Envoi autographe signé de l’auteur: ″ A Mary Gegerias en la remerciant de son remarquable article que j’ai eu la chance de lire – Boris Schreiber “.

270. Schweik, Susan.

A Gulf So Deeply Cut. American Women Poets and the Second World War.

Madison, The University of Wisconsin Press, 1991. 15 x 23 cm. 385 pages. Paperback. With an emotional inscription/dedication from the author to american poet, Jane Cooper. Very good condition with only minor signs of usage.

271. Scott, Patrick / [Pearce, Eric (Publisher)].

PATRICK SCOTT – COLOUR [Signed and Inscribed by Eric Pearce] / [Fantastic Catalogue and Reference-Work – Published by Eric Pearce on the Occasion of the Exhibition “PATRICK SCOTT – COLOUR” at the Doswell Gallery, Rosscarbery, Co.Cork, 24 August – 24 September 2018]. Text by Eric Pearce – Introduction by Christina Kennedy, Senior Curator Head of Collections IMMA. Graphic Design by edit+ (Stuart Coughlan).

First Edition. [Rosscarbery], Doswell Gallery / Impress, 2018. Quarto (20.2 cm wide x 29 cm high). 119 pages, illustrated throughout. Original, illustrated Softcover. Absolutely stunning, near mint condition with only minor signs of wear. Signed / Inscribed by Eric Pearce on the titlepage. Extremely rare publication !

272. Scully, Sean.

FIGURE / ABSTRACT – [Signed and INSCRIBED by Sean Scully] – With texts by / Mit Beiträgen von Marc O’Sullivan. Beate Reifenscheid and / und Sean Scully. With 180 Illustrations.

First Edition. Ostfildern, Hatje/Cantz Verlag, 2015. Quarto (24.5 cm wide x 30.3 cm high). 200 pages with 180 illustrations of Artwork by Sean Scully throughout the Volume. Original, illustrated Hardcover. Excellent, firm condition with only minor signs of wear to the rear cover only. Signed in full by Sean Scully on the titlepage and inscribed to a friend.

273. Self, Will.

The Quantity Theory of Insanity.

London, Bloomsbury, 1991. 19.8cm x 12.7cm. (8) 211 pages. Original illustrated softcover (Paperback). Very good condition with only minor signs of external wear. Titlepage signed by the Will Self.

274. Sendak, Maurice (1928 – 2012).

Collection / Archive of three (3) very large gicleé prints of original drawings from the book “Where the Wild Things are” by Maurice Sendak of which one is beautifully signed by Maurice Sendak. The collection includes: ‘Off to Bed without their Supper’ (signed) / ‘Let the Wild Rumpus Start’ (I and II).

Gicleé prints. [New York], [Harper and Row], c.1975. Two prints measure: 37 cm x 60 cm / The signed print measures: 28 cm x 50 cm. Very good condition.

275. Sendak, Maurice (1928 – 2012).

Collection / Archive of two very rich and personal, handwritten & signed letters on cards by Sendak, plus a rare, multi-folded, advertising-leporello of Maurice Sendak’s publications, together with a wonderful collection of fourteen (14) loose gicleé prints of original drawings by Maurice Sendak in colour or black and white: ‘A Kiss for Little Bear’ x 2 (26.5 cm x 34.5 cm) / ‘Zlateh the Goat’ x 2 (24 cm x 30 cm and 37.5 cm x 30 cm) / ‘Mr. Rabbit and the Lovely Present’ x 1 (33.4 cm x 41.5 cm) / Lullabies and Night Songs’ x 2 (35 cm x 26.5 cm and 44.5 cm x 33.5 cm) / ‘Hector Protector’ x 1 (46 cm x 26 cm) / ‘In the Night Kitchen’ x 4 (50 cm x 36 cm) / Higglety Pigglety Pop x 2 (28 cm x 35.5 cm). The two cards are addressed to “Minnie” [that is “Minnie Kate”] and were written at Christmas 1986 and Christmas 1987. According to a colleague in the trade, who helped us to identify the recipient “Minnie”, Minnie Kate, together with her mother, maintained a long friendship with Maurice Sendak by sending him colored stones or rocks that they sourced from local beaches in the northwest of the United States (Washington Statel). Most of Maurice Sendak’s correspondence with Minnie Kate and her mother, is preserved at the Rosenbach Museum & Library, Philadelphia. Both cards are similar in content. One of the cards featuring Sendak’s art from the cover of Nutcracker and addressed to Minnie, reading in part “I worked all year on a picture-book – a Grimm tale (my first book in 8 years !!). I am in love with it and it gets published next year….my wild things celebrate their 25th anniversary. I hope i enjoy it all. Am hoping for a quiet year ahead illustrating a Grimm tale and staying put – I am tired of travelling and theatre projects. And look forward to creeping back into my old role as book illustrator” / “The rocks arrived while I was away working in England. They are wonderful, of course, and very much appreciated. Thank you again and again. My animals. I have but one. My darling Golden Retriever, Io, had to be put to sleep 2 weeks ago. She was 15 1/2 and I held her and stayed with her to the end. It is so sad, naturally, but the memory fills me with a kind of joy. I have a 3 1/2 year old German Shepherd named Runge after a German painter (19th century). It was anything but a lazy year – too full! This coming year will be lazy-ish”.

Letters: 4 pages on two cards / Gicleé prints: 15 sheets (unsigned). [New York], 1986 – 1987. Very good condition.

276. Simon, Pierre-Henri.

L’Homme en Procès. Malraux – Sartre – Camus – Saint-Exupéry.

Première Edition. Neuchatel, Editions de la Baconnière, 1950. 14 x 19 cm. 154 pages. Broché / Softcover. Bon état général. Avec Banderole originale (″La Relève des Humanistes”). Avec une dédicacion de l’auteur sur page de garde: ″ A René Jasinski – Tout cordialement – PHenri Simon”. [Malraux- Sartre-Camus-Saint-Exupèry].

277. Smiley, Jane.

A Thousand Acres.

First Edition. New York, Alfred A. Knopf, 1991. 16.5 cm x 24 cm. 371 pages. Original Hardcover with illustrated dustjacket in protective collector’s Mylar. Deckled fore edge. Excellent, close to new condition with only minor signs of external wear to the Mylar ! Signed by Jane Smiley on the titlepage. In 1992 Jane Smiley won the Pulitzer Prize for Fiction for this publication !

278. Smiley, Jane.

Ordinary Love & Good Will. Two Novellas.

New York, Alfred A. Knopf, 1989. 15 cm x 22 cm. 197 pages. Original Hardcover with illustrated dustjacket in protective collector’s Mylar. Very good+ condition with only minor signs of external wear. Signed by Jane Smiley on the titlepage.

279. [Somerville & Ross] / Verling, John / [Edith Somerville & Violet Martin].

Somerville & Ross – Portfolio of ten (10) original, large Etchings by John Verling [signed].

Ballydehob / Schull, John Verling & Schull Books, 1984. Folio – Sheets (38.2 cm x 28.5 cm). Ten original etchings in bespoke Folder with original tissue-guards. Original Hardcover-Folder with one additional, signed inlay-etching to frontcover. The ten etchings and the folder with the original inlay-art, are all in mint condition. The etchings all protected by their original tissue guards. A stunning publication of a wonderful West Cork – Artist. A must-have for all collector’s of rare and signed Somerville & Ross collectables, this find is simply an unusual occurance because the artwork was originally designed to be framed. One usually never finds this edition with the artwork still in its original folder !

280. Somerville, Edith / Ross, Martin (that is Violet Martin).

Notions in Garrison. [SIGNED by Edith Somerville]. Illustrated Edith Œ. S[omerville].

First Edition. London, Methuen & Co., 1941. Octavo (17.8 cm wide x 21.3 cm high). IX, 134 pages with ten illustrations throughout. Original Hardcover with original dustjacket in protective collector’s mylar. The very rare dustjacket with some fraying and staining. Beautifully signed by Edith Somerville on the titlepage.