51. George, Sir Ernest. (1839-1922).

“Millbank” – Westminster / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

52. George, Sir Ernest. (1839-1922).

“London Bridge” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

53. George, Sir Ernest. (1839-1922).

“Foubert’s Place” – Old Fishshop at Regent Street / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

54. George, Sir Ernest. (1839-1922).

“Drury Lane” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

55. George, Sir Ernest. (1839-1922).

“Crown Court”, Pall Mall / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

56. George, Sir Ernest. (1839-1922).

“Butcher’s Shops” – Aldgate / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

57. George, Sir Ernest. (1839-1922).

“Bartholomew Close” / Old London.

Original Etching. London, The Fine Art Society, 1884. 26 cm x 37 cm. Original, vintage etching by Sir Ernest George. Signed in the plate, not in pencil ! Only very faint signs of some foxing. Mounted, ready to be framed. With descriptive Letterpress by Ernest George (included is a wonderful historic explanation regarding this old location in London by Ernest George).

58. Geissler, Paul. (1881 – 1965).

Philadelphia in 1928 on South Broad Street looking towards City Hall, with traffic and, cars, policemen, construction on buildings.

Original Etching / Originale Radierung aus dem Nachlass von Geissler, Abzug von der Originalplatte. Munich, Geissler, c.1960. Beautifully Framed. Size of frame with etching: 49.5 cm x 57 cm. Size of actual etching: c. 43 cm x 32 cm. Signed in pencil by the executors of the Paul Geissler Estate / Excellent condition (mounted) and framed. Frame with minor signs of wear only. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

59. Geissler, Paul. (1881 – 1965).

Naples with Mount Vesuvius and Pompei in the background / Neapel mit Vesuv und Pompeji im Hintergrund.

Original Etching. Naples, c.1930. Beautifully Framed. Size of frame with etching: 42 cm x 50 cm. Size of actual etching: c. 38 cm x 30 cm. This original etching from the original plate comes from the estate of the artist and was posthumesly titled by the son of Paul Geissler. The etching is signed in the plate and has been produced probably after the 2nd world war. The german art critic Richard Braungart place Geissler “among the german masters of landscape and architectural etching”.

60. France – Mercereau, Charles. (1822 – 1864).

Le Pas de Roland, pres de Combo, (Environs de Bayonne) / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27 cm x 22 cm. Sheet Size: 34.6 cm x 26.3cm. Original lithograph. Excellent condition.

61. France – Maurice.

Costumes des Bressannes / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [c.1860]. Plate Size: 20 cm x 30 cm. Sheet Size: 26.4 cm x 35 cm. Original lithograph. Excellent condition.

62. France – Asselineau, Léon-Auguste. (1808 – 1889).

La Maison Carée, À Nîmes / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.4 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Very good condition with slight amounts of browning to outer margins only.

63. France – Asselineau, Léon-Auguste. (1808 – 1889).

Intèrieur De St. Ètienne Du Mont À Paris / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.3 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Excellent condition.

64. France – Asselineau, Léon-Auguste. (1808 – 1889).

Èglise de St Germain-L’Auxerrois, À Paris / La France de Nos Jours.

Original hand-coloured lithograph. Paris, F. Sinnett, [1860]. Plate Size: 27.4 cm x 24 cm. Sheet Size: 35 cm x 26.4 cm. Original lithograph. Excellent condition

65. Fox Hunting – Sartorius, John Nost / Peltro, J. / Neagle, J. (1759-1828).

Hunting – Plate IV – The Death.

Original hand-coloured engraving. London, John Deeley, [c.1790]. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good- condition. Minor abrasion with slight tear to upper part of engraving.

66. Fox Hunting – Sartorius, John Nost / Peltro, J. / Neagle, J. (1759-1828).

Hunting – Plate III – At Fault.

Original hand-coloured engraving. London, John Deeley, [c.1790]. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good condition. Some minor traces of browning and paper imperfections to outer margins only.

67. Dresden – Probst, Georg Balthasar. (1732 – 1801).

Prospectus Areae Fori Veteris, Ex Parte Arcis Plateae Dresdae.

Original hand-coloured copper engraving of Dresden’s marketplace. Augsburg, Georg Balthasar, [c.1770]. Plate Size: 40 cm x 30 cm. Sheet Size: 42 cm x 31 cm. Original engraving. In very good- condition. Some slight smudges to outer margins. Carefully repaired tear to lower edge.

68. [County Kerry / Original Artwork of Lakes of Killarney] – Newman, John.

View of Muckross Lake from Brickeen Bridge. [Torc Lake, a name commonly used for Muckross Lake or Middle Lake due to the nearby Torc Mountain / Killarney].

Original chalk lithograph mounted on carton / stiff paper. [London], [J.Newman & Co.], c.1850. 32,5 cm x 24 cm. Closely cropped but in very good condition with only mild signs of foxing.

69. Corvisart, Jean-Nicolas – Forestier, Charles.

Original, early 19th-century portrait of french physician and cardiologist, Jean-Nicolas Corvisart [Portrait original du XIXe siècle de Jean-Nicolas Corvisart, médecin et cardiologue français].

Original steelengraving. Pasted on board with two fascimiles of Corvisart’s autograph signature. [Gravure originale. Collé à bord avec deux fac-similés de la signature autographe de Corvisart]. [France], [c. 1850]. Size of the vintage engraving: 16 cm x 20,5 cm. Size of the framed engraving: 29,5 cm x 34,5 cm. Excellent condition (mounted). Frame with minor signs of wear only. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

70. Corvisart, Jean-Nicolas – Engelmann, Godefroy.

Original, early 19th-century portrait of french physician and cardiologist, Jean-Nicolas Corvisart [Portrait original du XIXe siècle de Jean-Nicolas Corvisart, médecin et cardiologue français].

Original lithograph by lithography-pioneer Godefroy Engelmann with detailed biography verso. [Lithographie originale de Godefroy Engelmann avec biographie détaillée au verso]. [Paris], [Vignéron et Doin, Gallerie Médicale], [c. 1825]. Size of the vintage lithograph: 34 cm x 39 cm. Size of the framed lithograph: 26,5 cm x 35,5 cm. Besides some minor signs of foxing, in excellent condition (mounted) and framed front and back with glass, making the description verso readable. Frame with minor signs of wear only. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

71. Corvisart, Jean-Nicolas – Delpech, Francois Seraphin.

Original, early 19th-century portrait of french physician and cardiologist, Jean-Nicolas Corvisart [Portrait original du XIXe siècle de Jean-Nicolas Corvisart, médecin et cardiologue français].

Original lithograph with a fascimile of Corvisart’s autograph signature. [Lithographie originale avec un fac-similé de la signature autographe de Corvisart]. [France], [c. 1820]. Size of the vintage lithograph: 15 cm x 21 cm. Size of the framed lithograph: 26,5 cm x 35,5 cm. Excellent condition (mounted). Frame with minor signs of wear only. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

72. Corvisart, Jean-Nicolas – Anonymous.

Original, late 20th-century watercolour-portrait of french physician and cardiologist, Jean-Nicolas Corvisart [Aquarelle-portrait original de la fin du XXe siècle du médecin et cardiologue français Jean-Nicolas Corvisart].

Original lithograph by lithography-pioneer Godefroy Engelmann with detailed biography verso. [Lithographie originale de Godefroy Engelmann avec biographie détaillée au verso]. [Paris], [c. 1990]. Size of the vintage watercolour: c. 16 cm x 22 cm. Size of the framed watercolour: 27,5 cm x 34 cm. Excellent condition (mounted) and framed. Frame with minor signs of wear only. Price includes international shipping, framed and insured, per courier (3-5 working days guaranteed delivery).

73. Copenhagen – Gottheil, J. / Jessen H. / Tegner, I.W. & Kittendorffs.

Kjöbenhavn – [Copenhagen – with Vignettes of Rosenborg Slot, Runde Taarn, Orlogs Havn, Christiansborg Slot, Kongens Nytorv, Fine Kirke and others].

Original lithograph. Hamborg, Br. Berendsohns Forlag, [no year / c. 1850]. Plate Size: 72 cm x 55 cm. Sheet Size: 73.6 cm x 56.6 cm. Original, very early Lithograph. Excellent condition.

74. California – Homann, Johann Baptist / Landteck, Zacharias.

[California shown as an Island] Geographische Universal-Zeig und Schlag-Uhr.

Original hand-coloured engraving, with the Cartographer showing California as an Island. Nürnberg, Homann, [c.1735]. Plate Size: 57 cm x 48.5 cm. Sheet Size: 60.5 cm x 51.7 cm. Original map. Very good, actually stunning, condition. Some faint trace of browning to upper corners of sheet. Very minor tears to edges at centre-fold.

75. Britain and Ireland – [Anonymous].

Views of Picturesque Locations in the British and Irish Isles – The Giant’s Causeway, Pistyll Rhaeadr, Staffa’s Fingal’s Cave and the Bullers of Buchan

Original engraving. Gentleman’s Magazine, and others, 1750. Plate Size: 13.5 x 9.5 cm – 15 cm x 21.5 cm. Sheet Size: 20 cm x 11.7 cm – 19.5 cm x 24.3 cm. Original engravings. In good- condition. Some browning evident. One sheet has significant tear with section of margin missing.

76. Bohus / Sweden – [Pufendorf, Samuel von] Dahlberg, Erik / Perelle, A. / (1632 – 1694)

BAHVSIA Arx Norwegiae Regi Suecia CAROLO GUSTAVO ex pactis Rodschildensibus traetin enandem …/ Die 30. Martij 1658.

Original copper engraving from Pufendorf’s “De rebus a Carolo Gustavo”, this being Plate No.80 with an inset map of the border-region between Sweden and Norway at the end of the 17th century. Nuremberg, Christoph Riegel, 1696. Beautifully Framed. Size of frame with the copper engraving: 54.5 cm x 45.5 cm. Size of the actual engraving: c. 44 cm x 35.5 cm. Excellent condition.

77. Animals – [Anonymous].

Collection of Animal Prints [with italian subtitles].

Original, hand-coloured copper engravings. Italy, [no year], c.1780. Plate Size: 8 cm x 12.3 cm. Sheet Size: 12.5 cm x 18.5 cm. Original prints. In very good condition. Brightly coloured. Some very minor traces of browning only.

78. Aarts, Johannes Josephus (1871 – 1934).

“Bedelaar” [″Bettler” / “Beggar”].

Rare, antique, vintage, original Lithograph by the dutch artist Johannes Josephus Aarts, showing the scene of an invalid beggar entering a Hamlet of farmers and asking for alms. Striking and beautiful scene in the typical earthy, nature-embedded, strong depiction by Aarts; full of character and gripping through the magnified presence of Aarts subjects, which are “in your face”. Signed in pencil by Johannes Josephus Aarts. [Fine Art-Paper watermarked “TRCHES”]. [Amsterdam], Roeloffzen, Hübner und van Santen, 1903. Size of the framed Picture: 63 cm wide x 53 cm high. Size of the Sheet : 49 cm wide x 41 cm high (the image itself: 22 cm x 30 cm). Excellent condition, beautifully framed. The price for this signed and rare lithograph includes free international courier shipping per UPS Express.

79. Smyth, Nicola Josephine. (*1969)

“Soulmates”.

Original Artwork / Oil on Canvas. Ireland, 2015. Framed: 61 cm wide x 81 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

80. Smyth, Nicola Josephine. (*1969)

“My Forest of Dreams”.

Original Artwork / Acrylic on Canvas. Ireland, 2020. Framed: 46 cm wide x 81 cm high. Artwork (canvas): 35 cm wide x 70 cm high. Signed.

81. Smyth, Nicola Josephine. (*1969)

“Mother”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 74,5 cm wide x 104 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

82. Smyth, Nicola Josephine. (*1969)

“Les Fleurs Malade”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Artwork (canvas): 60 cm wide x 77 cm high. Signed.

83. Smyth, Nicola Josephine. (*1969)

“In the Cornfield II”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Unframed. Artwork (canvas): 90 cm wide x 100 cm high. Signed.

84. Smyth, Nicola Josephine. (*1969)

“In the Cornfield I”.

Original Artwork / Acrylic on Canvas. Ireland, 2012. Framed: 74,5 cm wide x 90,5 cm high. Artwork (canvas): 63 cm wide x 78 cm high. Signed.

85. Smyth, Nicola Josephine. (*1969)

“But you didn’t”.

Original Artwork / Acrylic on Canvas. Ireland, 2011. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

86. Smyth, Nicola Josephine. (*1969)

“At the Crossroads of Growth”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 71 cm wide x 90 cm high. Artwork (canvas): 60 cm wide x 80 cm high. Signed.

87. Smyth, Nicola Josephine. (*1969)

“Alien Trees II”.

Original Artwork / Acrylic on Canvas. Ireland, 2013. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.

88. Smyth, Nicola Josephine. (*1969)

“Alien Trees I”.

Original Artwork / Acrylic on Canvas. Ireland, 2015. Framed: 74 cm wide x 63,5 cm high. Artwork (canvas): 60 cm wide x 50 cm high. Signed.