81. Smyth, Nicola Josephine. (*1969)

“Mother”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 74,5 cm wide x 104 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

82. Gilpin, William. [Castle-Freke Library Bookplates]

Collection of four Volumes (bound in two) by Gilpin – All from the historical library at Castle Freke (Castlefreke, West Cork / Ireland). The Volumes include: I. & II. Observations Relative Chiefly to Picturesque Beauty, Made in the Year 1776, on Several Parts of Great Britain; particularly the High-Lands of Scotland. [Second Edition, with an “Account of the Prints” bound to the rear] / III. Observations on the River Wye and several Parts of South Wales &c. relative chiefly to Picturesque Beauty; Made in the summer of the Year 1770 (Third Edition). / IV. An Essay on Prints – [″The chief intention of the following work was to put the elegant amusement of collecting prints, on a more rational footing; by giving the unexperienced collector a few principles and cautions to assist him”] (Fourth Edition with the printed dedication “To the Honorable Horace Walpole in Deference to his Taste in the Polite Arts; and the Valuable Researches he has made to improve them; the following work is inscribed by his most obedient and very humble servant, William Gilpin”). [Volumes I & II with 40 original illustrations and vintage 18th century maps [correctly 39 illustrations and one table], for example of Loch Lomond and the Firth of Forth/ all illustrations are vintage mezzotint-plates].

Mixed Editions. Four Volumes (bound in two). London, Printed for R. Blamire, Strand, 1792. Octavo. Pagination: Volume I: XI, [1], 221 pages with 24 mezzotints / Volume II: 195, XVI pages with 16 mezzotints and an “Account of the Prints” as well as “Translations of Latin Passages” / [Volume III]: [River Wye]: XVI, 152 pages with 16 (of 17) full – page mezzotints / [Volume IV]: [An Essay on Prints]: XIII, [3], 174 pages plus XI pages Index and 1 page Errata. Hardcover / Early 19th century quarter – morocco with gilt lettering and ornament on spine. Both volumes bound in unison. Very good + condition with only minor signs of external wear. Pages 185 – 191 of Volume I with some stronger browning. Otherwise the interior very clean. All mezzotints in very good or even better condition. This is the original copy from the historical Castle-Freke Library in West Cork (Ireland), with two armorial bookplates to front and rear pastedown with the family’s motto ‘Pro Patria’. With two pages of manuscript annotations by a contemporary hand with a reference between the common name “Tarbet” in Scotland and a place-name in County Kerry in Ireland” (pages 13 of Volume II) / another entry is on page 12 of Volume II regarding the name-sake “Loch-Loung” for a Lake of ships in Scotland and Ireland.

83. Twining, Elizabeth.

Illustrations of the Natural Orders of Plants With Groups and Descriptions. [With 160 full-page chromolithographic plates in colour].

Original Sampson Low Edition – Reduced from the Original Folio Edition. Two Volumes (complete set). London, Sampson Low, Son and Marston, 1868. Slim-Quarto (17 cm x 25 cm). Volume I: XII, 80 plates / Volume II: [6], 80 plates. Both Volumes include the tissue-guards for protecting the plates and all corresponding explanatory text and Index is present. Hardcover / Original publisher’s half-leather with gilt lettering and ornament on spine. One of the earliest and rarest publications with chromolithographic botanical illustrations. Excellent condition besides some mild, faded dampstains to some plates. Important: These bindings are usually broken, which is NOT the case here. While the book came from the library of Daniel Conner (Connerville / Manch House), the book belonged to Henrietta L. Conner [Inscribed by Sophia Perry Hornik to Henrietta L. Conner in 1890].

84. [Somerville & Ross] / Verling, John / [Edith Somerville & Violet Martin].

Somerville & Ross – Portfolio of ten (10) original, large Etchings by John Verling [signed].

Ballydehob / Schull, John Verling & Schull Books, 1984. Folio – Sheets (38.2 cm x 28.5 cm). Ten original etchings in bespoke Folder with original tissue-guards. Original Hardcover-Folder with one additional, signed inlay-etching to frontcover. The ten etchings and the folder with the original inlay-art, are all in mint condition. The etchings all protected by their original tissue guards. A stunning publication of a wonderful West Cork – Artist. A must-have for all collector’s of rare and signed Somerville & Ross collectables, this find is simply an unusual occurance because the artwork was originally designed to be framed. One usually never finds this edition with the artwork still in its original folder !

85. Smyth, Nicola Josephine. (*1969)

“At the Crossroads of Growth”.

Original Artwork / Acrylic on Canvas. Ireland, 2006. Framed: 71 cm wide x 90 cm high. Artwork (canvas): 60 cm wide x 80 cm high. Signed.

86. Smyth, Nicola Josephine. (*1969)

“My Forest of Dreams”.

Original Artwork / Acrylic on Canvas. Ireland, 2020. Framed: 46 cm wide x 81 cm high. Artwork (canvas): 35 cm wide x 70 cm high. Signed.

87. Smyth, Nicola Josephine. (*1969)

“Soulmates”.

Original Artwork / Oil on Canvas. Ireland, 2015. Framed: 61 cm wide x 81 cm high. Artwork (canvas): 61 cm wide x 91 cm high. Signed.

88. Florence / Pisa – Carocci, G. et al.

Collection of six stunning, early 19th-century gouache-aquatints of Florence and Pisa including a rare segment showing a Funerary Procession in front of Giotto’s Campanile, part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy. These very able and fantastically hand-coloured, original artworks, represent the peak of high-quality souvenirs for the European Traveller on their Grand Tour. [Loggia dei Lanzi / Cattedrale di Firenze / Piazza S. Trinita / Campanile Della Cattedrale di Firenze / Ponte S. Trinita / Campanile Di Pisa].

Original Aquatint (hand-applied water-colouring over copper engraving). Florence / Pisa, [c.1820]. Plate Sizes vary: 31 cm x 22.1 cm. Sheet Sizes vary: 34.6 cm x 26.5 cm. Original Gouache-Aquatint (hand-applied water-colouring over copper engraving). Florence/Pisa, [c.1820]. Plate-Sizes vary: c. 31 cm x 22.1 cm. Sheet Sizes vary: c. 34.6 cm x 26.5 cm. Besides some smaller damages to the Ponte S. Trinita-artwork in very good, actually stunning, condition. Clean, crisp and brightly coloured. All of these artworks are beautifully framed and the price includes worldwide free shipping per UPS – courier.

89. [Chester Beatty, Sir Alfred] Holme, Charles (Charles Rennie Mackintosh / Charles Voysey and others).

The Studio: an illustrated magazine of fine and applied art. Alfred Chester Beatty’s personal set of “The Studio”; 97 volumes bound in 69 books with the Register for Vols 1-29 [Lacking Volume 61]. With original artwork by James McNeill Whistler and other important artists of the Belle Époque and Art Nouveau Movement.

97 Volumes (bound in 69 Volumes). London, Offices of The Studio, 1893 – 1929. Quarto. c. 20000 pages with illustrations, photographs, original lithographs, engravings. Contemporary private Hardcover (Uniform deep blue buckram with gilt lettering on spinelabels). Very good condition with only minor signs of external wear. Only a few of the Volumes a little shaky. With the handwritten entry “A. Chester Beatty – 24 Kensington Palace Gardens – W. 8”.