221. [Newton, Sir Isaac] Voltaire [François-Marie Arouet] / Leibniz / Baker, David Erskine / [Berkeley, George].

The Metaphysics of Sir Isaac Newton : Or, A Comparison between the Opinions of Sir Isaac Newton and Mr. Leibnitz [Gottfried Wilhelm Leibniz]. By M. De Voltaire. Translated from the French by David Erskine Baker / [Bound together with a First Edition of George Berkeley’s Miscellaneous Tracts which also include “De Motu ; sive de motus principio & natura, & de causa communicationis motuum” in which Berkeley rejected Sir Isaac Newton’s absolute Space, Time and Motion. (″With this essay, Berkeley is considered to be the “precursor of Mach and Einstein” – Karl Popper)].

First English Edition. London, Printed for R.Dodsley, 1747. Octavo. 72 pages. Modern cloth. The bookblock with signs of stitching to the inner margin (possibly used to be part of a Sammelband). Last three leaves with paper-restoration and manuscript inscription to last page (looks like a 18th century gift-inscription). With numerous manuscript – annotations in the tracts of George Berkeley, namely in “A Word to the Wise”, “Farther Thoughts on Tar-Water”, “The Querist”. From the library of Daniel Conner, Manch House, County Cork.

222. Arbuthnot, John / [Daniel Conner Library].

Tables of Antient Coins, Weights and Measures – Explained And Exemplified in Several Dissertations [Including: “A Dissertation concerning the Doses of Medicines given by Ancient Physicians” / Including “Of the Jewish Coins in which their weights are likewise considered”]. The Second Edition – To which is added, An Appendix, containing Observations on Dr.Arbuthnot’s Dissertations on Coins, Weights and Measures by Benjamin Langwith.

London, Printed for D. Browne, without Temple-Bar; A.Millar, in the Strand; and J.Whiston and B.White, in Fleet-Street, 1754. Quarto (24 cm x 29 cm). Collation [complete as called for by Index]: Title, 11 unnumbered pages, 327 pages plus 18 plates (partly folded) with Weights, Measures and Values of Several Foreign Coins explained. Original 18th-century binding, recently rebacked in 18th-century-style by two english master-bookbinders. Excellent condition with only minor signs of external wear. Front free endpaper with faded dampstain. Only very minor signs of foxing. Some minor wormhole – damage to the inner margins but not effecting the text. Wide margins. Extremely Rare Publication, now beautifully restored ! From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate to pastedown.

223. Edwards, Jonathan.

A careful and strict Enquiry into the Modern Prevailing Notions of that Freedom of Will, which is supposed to be essential to Moral Agency, Virtue and Vice, Reward and Punishment, Praise and Blame.

First British Edition. Boston / London, Re-Printed for Thomas Field, 1762. Octavo. IX, [5], 414, [8] pages plus two pages of advertising for Jonathan Edwards’ “Treatise concerning Religious Effections”. Hardcover / Original 18th century calf, rebacked with new spine and spinelabel. Interior all original and besides some minor signs of foxing in very good condition. Name of preowner in ink on titlepage. Binding overall excellent with only minor signs of external wear. A very rare and important book.

224. Fleckenstein, Josef.

Sonderdruck-Sammlung / Kleinschriften-Sammlung / Offprint-Collection of Prof.Dr.Josef Fleckenstein, one of the worlds most eminent historians for the medieval period / middle Ages (Mittelalter), and especially the development and background of knights, knighthoods, chivalry. The collection includes roughly 5000 (fivethousand) offprints and pamphlets in 166 folders, alphabetized, neatly sorted and assisted by a special, old-fashioned card catalog. Most of the offprints and pamphlets were sent to Prof.Fleckenstein by international colleagues in his field of medieval studies, history and related studies. The majority of the publications are in german but many are also in italian, french and english as well. Many of the publications are signed and beautifully inscribed to Fleckenstein.

Germany, different publishers, c.1960 – 2002. Octavo. More than 100000 pages (onehundredthousand pages). Original Softcovers. Very good condition with only minor signs of external wear. Ask for images. Price includes international shipping per courier.

225. [Rowe, Walter T.].

Original Numerology-Manuscript – Deciphering the Bible, Deciphering the Esoteric, Jewish, Christian, Biblical & Astrological Prophecies // Manuscript / Astrology – Occulta – Manuscript on c. 400 pages with an astonishing, meticulous Chronology and source-comparison on Prophecy, Pyramidology [″Mystery of the Great Pyramid”], Numerology, Astronomy, Astrology, Drawings and Plans of Pyramids versus Occult – Proof and meditations on the Number 666 and 888: “666 v 888 in relation to Israel”, “the opposing numbers from the original Hebrew with the “Pi sign” etc. etc. The Manuscript reads like a Self-Instruction and Proof of Thought by an Esoteric, highly religious “Truth-Seeker”, ranging from early Biblical Explanations of Historical Events to elaborate comparisons of “Bible Metallurgy” showing the “relation between practical metal work and the Bible” by comparing the architectural design of a “Blast Furnace” to “The Image of Daniel”, and continuing all the way to explanations for the Rise of Tyrants like Hitler. “Great Pi—Ratio in regard to Great War”, the “Atomic Scale” is discussed as well as the “Luciferian Sudama or Nigode Cave Temple”. The amount of connections to Jewish History is interesting: “Tracing Israel to Britain by Old Coinage”, “The Jewish Question”, “Testimony of Men of Letters as to Nationality of the British Race”, “Objections to British Israel” “The Statesmanship of Jesus”, “Fulness of the Gentiles”, “Reference to the lost House of Israel”, “Battle of the Gold Standard” etc. etc.

[Brixton], c. 1935 – 1950. Octavo (19 cm x 22,5 cm). 362 pages plus 58 pages, later inserted between page 304 and 305, plus XVIII pages of a thorough Index. With numerous illustrations and diagrams throughout the manuscript. Original Hardcover – Binder with manuscript / autographed pages. Very good condition with some minor signs of wear only. “Peel”-Memo Binder with Name-Label of the author to pastedown: “Walter T Rowe, 106, Dalberg Road, Brixton, SW2”.

226. Cordus, Euricius / Brasavola, Antonio Musa / [Hieronymus Schreiber / Jerôme Schreiber]

Botanologicon (Euricii Cordi Simesusii Medici Botanologicon) – Angebunden / Bound with: Antonio Musa Brasavola – Examen omnium simplicium medicamentorum, quorum in officinis usus est. Addita sunt Insuper Aristotelis problemata, quae ad stirpium genus, & oleracea pertinent.

Cologne (Köln) / Leyden (Lyon), Johann Gymnicus (Gymnich) / Johannes and Franciscus Frellon, 1534 / 1537. Octavo. Collation complete: I. Euricius Cordus – Botanologicon: Title with the woodcut device of Cologne-printer Johann Gymnicus, including his Motto, the first line of a Verse from the Aeneid by Virgil ‘Discite Iustitiam Moniti’, 183, [21] pp., 2 blank leaves. The titlepage of the Botanologicon bears the manuscript ownership-entry of Nuremberg’s Astronomer, Philosopher and Mathematician Hieronymus Schreiber [also called Jerôme Schreiber], student-friend of Euricius Cordus’ son Valerius Cordus in Wittenberg and later trustee of Valerius Cordus’ scholarly estate after Valerius Cordus’ premature death in Rome. Dated in the same hand on the titlepage also the entry ‘Anno 1539’, when Valerius Cordus matriculated at Wittenberg and Schreiber already had studied there since May 1532. With several contemporary manuscript annotations throughout both titles (the Botanologicon and Examen) / II. A. M. Brasavola – Examen omnium simplicium medicamentorum: Title, [1], [‘Reverendissimo to Ioannes Argenterius’, 4 pp.], [‘Ad Illustris & Sereniss. (‘Epistola Nuncupatoria’) to the Duces of Ferrara’ 17 pp.], [Epigramma, 1 p.], [Examen & Aristotelis Problemata 542 pages, [Dedication to Franciscus Frellaeus, 2 pp.], [Index copiosissimus in Examen Omnium, 13 pp.], [1]. With several manuscript annotations. Original, contemporary blind-stamped pigskin over wooden boards with some stronger signs of running to the corners, with partially bevelled edges and both of the original metal clasps intact. Very good condition with only minor signs of external wear. Title in ink to upper spine and also to top of fore-edge. Very few pressed plants loosely inserted. Interior in excellent condition with some minor staining to very few pages only.

227. Dante Alighieri / Cockerell, Douglas / North, John William / Ashendene Press Circle /

Original Devotional Manuscript to Dante [La Divina Commedia / The Divine Comedy – Manoscritto dell’inizio del XX secolo della Divina Commedia di Dante – con strofe manoscritte da “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso”] – The Manuscript is titled: “Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace” – Illuminated Devotional Manuscript of section of “L’Inferno / Inferno” – “Purgatorio” – “Il Paradiso / Paradiso” – with excerpts of Dante’s Divina Comedia, in the style of medieval illuminated manuscripts. The manuscript is a strictly themed Dante Devotion and is of magical quality if one considers the fantastic, original calligraphy artwork, the composition of the manuscript and the coded meaning to the composer of this manuscript. The Folio – size manuscript is massive and has 216 pages, of which 109 pages are with illuminated, original watercolour-paintings in the style of the medieval masters, sometimes collages with watercolour and original etchings, engravings etc. The miniature paintings are juxtaposed with 105 vintage 19th century photographs of famous Italian Art – pieces that are somehow related to Dante’s world or have an allegorical assoziation. Besides the early photographs other juxtaposed artwork or integrated artwork to the illuminations are: an original watercolour depicting the dying Dante, a sensational copper-engraving, depicting an allegorical Dante-scenario, possibly referring to the Divine Comedy, a small photograph of the famous Michelino Fresco encapsulated in one of the illuminations, an artprint attributed “Burne-Jones”, two lithographs, a large steel-engraving, a smaller steel-engraving. Most of the photographs show allegorical sculpture or art by famous italian artists like Giotto, Carpaccio, Andrea Castagna, Luca delkla Robbia, Bellini, Titian, Dosso Dossi, Orgagna, Andrea del Sarto, Fra Angelico, Paul Veronese, Botticelli, Raphael, Michelangelo, Bonifazio, Neri dei Bicci, Francesco Traini, Benozo Gozzoli, etc. etc. and other juxtaposed refer in code to Dante’s Divina Comedia or even depict himself in artform. The photographs also include some breathtaking 19th century Albumen prints of Verona, Lake Garda, Mantua and other Italian landscapes.

England, [Douglas Cockerell / John William North], no year [c.1910]. Folio (34 cm wide x 42.5 cm high). 216 pages. Hardcover / Binding in full green morocco with lettering and Dante’s head as bronze sculpture per inlet to front cover. Binding by Douglas Cockerell, signed “WHS”, during his directorship of W.H.Smith & Son (1905 – 1914). The manuscript is on excellent paper, watermarked O.W.P. & A.C.L. [O.W. Paper & Arts Co. Ltd., established by English painter John William North (1842-1924) in 1895]. The binding rubbed and with some small damages, in need of some minor restoration but overall still very good. The interior, the paper and the artwork all in excellent condition besides one of the juxtaposed photographs (Filippina Lippo) removed from the manuscript with some residue of the photograph remaining and some of the photographs with some dogears and minimal discoloration. All the original artwork in spectacular and fresh condition. The manuscript is a spectacular find and the quality of its execution is of utmost interest for any lover of rare books, manuscripts and special bindings. The circle of Douglas Cockerell, his involvement in one of the most beautiful books ever printed: the Ashendene Press Dante, as well as Cockerell being the binder of this unique manuscript, the fantastic paper used for the manuscript by one of the idyllist movement’s central figures, John William North, and the wonderful Dante – theme of the manuscript with illuminated poetry from the Divine Comedy and the unique style of collage art, lets us rightfully dream that the anonymous composer of the manuscript was an important or at least peripheral member to either the Arts and Crafts Movement, the Ashendene Press or it was someone who worked in the style of the calligraphy schools that were inspired by William Morris or even earlier epigones like Owen Jones.