401. George, Stefan [Hilsdorf, Theodor].

Originales Portrait des Dichters Stefan George.

Originales Silbergelatine Print / [Silver Gelatine Print] durch den Photographen Theodor Hilsdorf. Im originalen Karton-Umschlag montiert (Originalumschlag der photographischen Kunstanstalt Friedrich Müller, Inh. Hofphotograph Theodor Hilsdorf, Amalienstrasse 15, München – mit kleinem Adress-schildchen) Der Abzug durch Seidenpapier geschützt. Rückseitig mit Stempel und Nummer: (VIII/2) und unter der Photographie mit Bleistift signiert “Müller-Hilsdorf, 1928”. München, Kunstanstalt Friedrich Müller, 1928. Image / Photographie: 21 x 16,5 cm. Sheet / Blatt: 30 x 22,5 cm. Excellent condition. Very rare ! / Sehr seltene Originalphotographie.

402. Goldsmith, Oliver/ [Washington Irving] / [Sara Jeffares (Landscape, 1886)].

A History of The Earth and Animated Nature – With an Introductory View of the Animal Kingdom. Translated from the French of Baron Cuvier and with copious Notes, embracing Accounts of New Discoveries in Natural History. [Includes a Biographical Sketch of Oliver Goldsmith: “A Life of the Author”, by Washington Irving]. (Illustrated Edition with full-page portrait of Goldsmith, 45 (of 46) full-page hand-coloured Plates of Butterflies, Birds, Rhonocerous etc. as well as two hand-coloured, additional Titlepages with animal-scenes [plate XXVI (Crocodile) is missing and plates XXXI and XXXVIII were never inteded to be bound with the work]).

First Edition with the Biography of Goldsmith by Washington Irving. Six Parts in Two Volumes (complete set). London, Edinburgh and Dublin, A. Fullerton and Co., 1846-1848. Large Octavo. Pagination: Frontispiece-Portrait of Oliver Goldsmith by S. Freeman from a painting by Sir Joshua Reynolds, Engraved and hand-coloured Titlepage (with tissue-guard), LIV, Hardcover / Original, decorative half-leather with gilt lettering and ornament on spine. Plate 40 with a minor defect to the outer margins only (no image effected). Bindings in wonderful and firm condition. From the library of one Sara Jeffares (Landscape, 1886), her full name, year and place of lodgings signed by her on the titlepage.

403. [Homer] Rollin, Charles.

The Method of Teaching and Studying The BELLES LETTRES ; Or An Introduction to Languages, Petry, Rhetorick, History, Moral Philosophy, Physicks, &c. with Reflections on Taste ; And Instructions with regard to the Eloquence of the Pulpit, the Bar and the Stage. The Whole Illustrated with Passages from the most famous Poets and Orators, Ancient and Modern, with Critical Remarks on them. Designed more particularly for Students in the Universities. By Mr. [Charles] Rollin, Late Principal of the University of Paris, Professor of Eloquence in the royal College, and Member of the Royal Academy of Inscriptions and Belles Lettres. Translated from the French.

The Seventh Edition. Four Volumes [complete Set]. London, Printed for W.Strahan, J. and F. Rivington etc., 1770. Octavo (11 cm wide x 17.8 cm high). Pagination: Volume I: VIII, [3], 346 pages / Volume II: [4], 372 pages plus 4 unnumbered pages of an Advertising for “Books printed for L.Hawes, W.Clarke, and R.Collins, in Pater-Noster-Row, London” / Volume III: [4], 318 pages / Volume IV: [5], 392 pages. Hardcover / Original full leather with gilt lettering and ornament on spine and boards. Only the first Volume with some unfortunate wormhole-damage up to page 54 and then with one tiny wormhole at the lower margins to page 161. Very few dogears. Otherwise this very rare set in very good condition with only minor signs of wear. From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate loosely inserted in Volume II.

404. Addison, Joseph / Steele, Richard ] [Pope, Alexander etc.].

The Spectator. [Authors of this 1798-edition in Eight Volumes include Joseph Addison, Sir Richard Steele, Eustace Budgell, Thomas Tickell, John Hughes, Dr.Thomas Parnell, Alexander Pope, Laurence Eusden, Richard Ince, Henry Martin, John Byrom, Gilbert Budgell, Rev. Richard Parker, Henry Grove, Henley and others / Of the remaining contributors to this work, we may remark that their papers are either so few or so littlea ccount can be given of them with certainty, that we shall rest satisfied with annexing their names to the pieces that are respectively ascribed to them. The most noted, however, of these are, Dr.Zachary Pearce, Bishop of Rochester, who furnished Nos. 572 and 623; and the Lord Chancellor Hardwicke, who wrote the Letter on Travelling, No.264].

Eight Volumes (complete set). London, Printed for C.Bathurst, C.Nourse, T.Carnan, F.Newbery, W.Johnstone, P.Valliant, T.Davies, and R.Tonson, 1798. Small Octavo (11 cm wide x 17.8 cm high). Volume I: XVI, [2], 327 pages / Volume II: 338 pages / Volume III: 311 pages / Volume IV: 292 pages / Volume V: 294 pages / Volume VI: 307 pages / Volume VII: 328 pages / Volume VIII: 286 pages. Hardcover / Original, full 18th century leather with gilt lettering and ornament to spine. Endpaper of Volume I missing. The bindings a little rubbed and bumped to upper spine. Rare in this original binding. Very good and especially firm condition of all Volumes.

405. Dubuffet, Jean.

La botte à nique.

Genève, Albert Skira, 1973. Slim Fpolio Box with Oxtcavo Volume and Slim-Folio Screen-print separate. 112 pages (collation complèt) plus une sérigraphie (Silkscreen: ‘Quatre Figures’) dans une chemise séparée. Original Hardcover in original box with additional folder for the silkscreen. Complete, a fantastic publication ! Some signs of foxing ! Otherwsie in EXCELLENT condition with only minor signs of wear and including the often missing screen-print in the separate chemise. / Edition originale, Exemplaire No.38 des 165 exemplaires numérotés sur vélin d’Arches. Notre exemplaire est bien complet de sa sérigraphie présentée sous une chemise à part.

406. 18th century Illustrated Edition of Paradise Lost – Milton, John.

Paradise Lost – A Poem in Twelve Books. A New Edition, with Notes of various Authors, by Thomas Newton [Complete with two Portraits and 12 plates].

Two Volumes (complete set). London, Printed for J. and R. Tonson and S.Draper, 1749. Large Quarto (23 cm x 27.5 cm). Pagination of Volume One: Frontispiece-Portrait of a young John Milton, [18 unnumbered pages of Dedication and Preface], LXI pages of “The Life of Milton”, [5 unnumbered pages of Homage in Verses by Samuel Barrow [Physician to Charles II. and admirer of Milton] and also the important poem on Milton’s Paradise Lost by Andrew Marvell [English Metaphysical Poet and Milton’s ‘Latin Secretary’], 16 pages of “A Critique upon the Paradise Lost – By Mr.Addison” [Joseph Addison], 459 pages with six (6) full-page engravings / Pagination of Volume Two: Frontispiece-Portrait of an elder John Milton (dated 1670), 444 pages including six (6) full-page engravings plus 132 unnumbered pages of Index. Hardcover / Modern, stunning half-leather bound to 18th-century style with gilt lettering and ornament on spine. Both Volumes now in protective Mylar. Excellent condition with only a few signs of foxing. The paper in fantastic condition, illustrations and portraits impressive; wide margins make this a great collectable. A rare opportunity to acquire this important publication in a firm and beautiful binding. The exceptional restoration was done by an english master-bindery.

407. [Castlemartyr Library – Supple’s Court] Churchill, Charles.

Poems by Charles Churchill in Three Volumes with Large Corrections and Additions. To which is added, the Life of the Author. Adorned with Cuts.

The Sixth Edition. Three Volumes (complete set). London, Printed for J.Wilkes, 1767. Small-Octavo (10 cm x 16.7 cm). Volume I: Frontispiece-Portrait of Charles Churchill, XII, 184 pages / Volume II: Frontispiece-Portrait of John Wilkes, 179 pages / Volume III: Frontispiece-Portrait of William Hogarth, 208 pages. Hardcover / Original 18th century full calf with gilt lettering and spinelabels. Excellent condition with minor tear to the corner of one of the contents-pages. Interior bright and clean on excellent paper. Provenance: From the library of Edward Supple [Supple’s Court near Castlemartyr, County Cork], with the name “Ed Supple” in ink to the titlepages of each Volume. / Subsequently from the library of Daniel Conner.

408. [Cumberland, Richard] Anonymous.

Henry. By the Author of “Arundel”. In Two Volumes.

First Irish Edition. Dublin, Printed for P.Wogan, P. Byrne, W.Jones etc., 1795. Small Octavo (12 cm x 17 cm). IX, 440, VIII, 411 pages. Hardcover / Modern half-leather, bound to style of the 18th-century with spine-labels. Housed in a bespoke Solander Box. Excellent condition. From the library of Richard Meade (Ballymartle), with his Exlibris / Bookplate to pastedown of Volume Two. Name of Richard Meade to both titlepages.

409. [Doyle, Arthur Conan] / Newnes, George.

The Strand Magazine – 23 Volumes in total. With first printings of “The Adventures of Sherlock Holmes” in Volumes III, IV, V, XII and XIII. [Volumes I, II and VI missing] Of the missing Volumes only Volume II and VI contained Stories of Doyle].

First Edition. 23 Volumes (of 26). London, George Newnes, 1892-1903. 8°. c. 13500 pages with numerous illustrations. Original Hardcover. Excellent condition with only minor signs of external wear. All bindings firm !

410. Kotzebue, August von / [Plumptre, Anne].

The Constant Lover; Or, William and Jeanette: A Tale. From the German of Augustus von Kotzebue. To which is prefixed “An Account of the Literary Life of the Author” [with the printed dedication by Kotzebue to his friend Charles Georg Graumann] / Also included (separately bound): “Pizarro – The Spaniards in Peru; or, The Death of Rolla. A Tragedy, in Five Acts:. The original of the play, Performing at the Theatre-Royal, Drury Lane, under the title of PIZARRO. Translated from the German by Anne Plumptre – Translator of Kotzebue’s “Virgin of the Sun”, &c.

First Edition. Three Volumes in one Solander Box. Dublin, Printed by William Porter / Printed for J. Moore, 1799. Small Octavo (11 cm x 17 cm). Pagination of the two Volume-Set: “The Constant Lover / Account of the Literary Life of Kotzebue”: Volume I: XIV, 203 pages / Volume II: 216 pages / Pagination for the accompanying Volume: “Pizarro”: 102 pages. Hardcover / Stunning, recent half leather and marbled-paper-covered-boards with gilt lettering and ornament to spine, bound to style of the 18th/19th century. All three Volumes housed in a bespoke built Solander Box (see plenty of images on our website). Excellent condition. From the library of Susannah Townsend-Meade (Ballymartle), with her name to titlepage. The accompanying Volume bears the name of one Mary Johnston. The “Constant Lover”, with the “Account of Kotzebue’s Life” is a very scarce publication !

411. Montemayor, Jorge de.

Los Siete Libros de la Diana de George de Montemajor. Où sous le nom de Bergers & Bergeres sont compris les amours des plus signalez d’Espagne. Traduicts [sic] d’Espagnol en François, & conferez és deux langues. P.S.G.P. [édition bilingue française and castellane de ‘Diana’ de Jorge de Montemajor].

[Bilingual French-Castellan / Edição bilingue castelhano-francês]. Paris, De l’imprimerie d’Anthoine du Brueil, 1613. Small Octavo. Collated complete: Engraved titlepage, [6], 347, [21] pages. [Pagecount of 347 is incorrect and should be “694”, because only every second page is imprinted with progressing numeration]. Beautiful, recent Hardcover / Modern half-leather with gilt lettering on spine and marbled, paper-covered boards. New endpapers. Bookblock and interior in very good and firm condition. Faded dampstain to some of the text only. Very rare and important renaissance-publication.

412. Moore, John.

A Journal During a Residence in France, From the Beginning of August, To the Middle of December, 1792. To Which is Added an Account of the Most Remarkable Events That Happened at Paris from That Time to the Death of the Late King of France. [Including the Hand-coloured Map].

First Irish Edition. Two Volumes (complete set). Dublin, Printed for P.Byrne, J.Moore, B.Dugdale, W.Jones, Colbert and J.Rice, 1793. Small-Octavo (11.5 cm x 17.5 cm). 303, 570 pages plus a Hand-coloured “Map of General Dumourier’s Campaign on the Meuse” (showing the area between Metz and Reims as well as Sedan and Nancy). Hardcover / Modern half-leather bound to the style of the 18th-century with spinelabels. Both Volumes in protective Mylar and now housed in a bespoke Solander Box. Bookplate / Exlibris of Richard Meade of Ballymartle attached to pastedown of Volume I. Excellent condition !

413. Pasternak, Boris.

Doktor Zhivago. [Rare Original Russian Edition]

Ann Arbor, The University of Michigan Press, 1959. Thick Octavo. [iv], 567, [1] pages. Original Hardcover / Publisher’s terra-cotta cloth with gilt lettering on spine. No jacket was issued for this book. In protective collector’s mylar. Excellent condition with only very minor signs of wear. Second printing of the first authorized edition in Russian (preceded only by two CIA-sponsored, and virtually unobtainable, editions printed in Italy and distributed at the Brussels World Fair in the summer of 1958). Exlibris Janice Clark. Wonderful collectable !

414. [Rees-Mogg, William / Cholwell House] [Lever, Charles].

Arthur O’Leary – His Wanderings and Ponderings in Many Lands. Edited by his friend, Harry Lorrequer and Illustrated by George Cruikshank. [William Rees-Mogg’s personal copy from his library at Cholwell House and with his armorial Bookplate / Exlibris to pastedown].

New Edition. London, Henry Colburn, 1845. Octavo. Frontispiece-Portrait of Arthur O’Leary, 364 pages with ten illustrations by Cruikshank (including the Frontispiece). Hardcover / Original 19th century half leather with two spine-labels, professionally rebacked and restored by a professional bookbindery. Original pastedowns retained with the original bookbindery-label of C.T.Jefferies & Sons from Bristol. Some of the Cruikshank-plates very good, some with strong foxing (as usual). The text fresh and clean. After the restoration, this Volume is now in excellent condition with some minor signs of wear only.

415. Roche, Regina Maria [Author of “The Children of the Abbey”].

Clermont – A Tale.

Second Edition. Two Volumes (complete set). Dublin, Printed by William Porter, 1799. Small-Octavo (11,5 cm x 17,5 cm). Volume I: 269 pages / Volume II: 326 (of 329) pages [3 pages missing at the end]. Hardcover / Modern, very decorative half-leather bindings with replicated spinelabels in the style of the 18th century. Both Volumes in protective Mylar and now housed in a bespoke Solander Box. Name of Richard Meade of Ballymartle on titlepage of both Volumes. Minor lesion and tear to titlepage of Volume II. Overall very good ! Extremely scarce publication in first or second edition !

416. [Scott, Sir Walter].

Novels and Tales of The Author of Waverley (12 Volumes) / Novels and Romances of The Author of Waverley (7 Volumes) / Historical Romances of The Author of Waverley (6 Volumes).

The Third Edition. 25 Volumes (complete set). Edinburgh, Printed for Archibald Constable, 1822. Octavo (14 cm x 21,5 cm). c. 12000 pages including 25 Vignettes of Historical Illustration in steel-engravings on each titlepage by W. Archibald after Alexander Nasmyth. Hardcover . Original, very decorative half – leather with gilt lettering on spine and original spine-labels. All Volumes from the library of a “Robert Barker”, with his Exlibris. Minor signs of wear only. All Volumes with some slight foxing and very few with a faded dampstain but all Volumes also firm and in very good or even better condition with some minor signs of wear only. Excellent paper and typography. A wonderful reading experience of classics like Ivanhoe.

417. Smith, Charlotte.

Montalbert – A Novel.

First Irish Edition. In Two Volumes (complete set). Dublin, Printed for P.Wogan, P.Byrne, J.Moore, J.Rice, G. Folingsby etc. etc., 1795. Small-Octavo (11 cm x 17 cm). 270, 276 pages. Hardcover / Original 18th-century leather with original spinelabels. Both Volumes in protective Mylar and now housed in a bespoke Solander Box. Bindings in excellent condition with only minor signs of wear. Bookplate / Exlibris of Richard Meade of Ballymartle attached to pastedown of Volume I.

418. [Steele, Richard] Bickerstaff, Isaac.

The Tatler; Or, Lucubrations of Isaac Bickerstaff, Esq. [With four engravings by F.Haymandel / C.Grignion].

Four Volumes (complete set). London, Printed for J. and R. Tonson, J.Buckland, H. Woodfall, etc., 1764. Small Octavo (11 cm x 17 cm). Frontispiece, [2], 300, [14], Frontispiece, [3], 336, [13], Frontispiece, [5], 318, [16], Frontispiece, [7], 320, [12] pages. Hardcover / Oiginal 18th century full leather with original spinelabels and gilt lettering on spine. All four Volumes complete and in protective Mylar. Housed in a wonderful, bespoke Solander-Box. Excellent condition with some minor signs of wear only. From the library of Daniel Conner (Connerville / Manch House), with his Exlibris / Bookplate to pastedown of each Volume.

419. Strickland, Agnes / [and Elizabeth Strickland].

Lives of the Queens of England, From the Norman conquest. Now first published from official records and other authentic documents, private as well as public. A new edition, revised and greatly augmented, embellished with Portraits of every Queen.

8 Volumes (complete set). London, Colburn & Co., 1851. Octavo. Volume I: Frontispiece-Portrait of Agnes Strickland and engraved titlepage, XXII, 614 pages with 15 illustrations (including Froontispiece and Vignette on Title) / Volume II: Frontispiece-Portrait of Isabella of Valois, engraved titlepage, VIII, 704 pages with 16 illustrations (including Frontispiece and Vignette on Title) / Volume III: Frontispiece-Portrait of Jane Seymour, engraved titlepage, [4], 588 pages with 10 illustrations (including Frontispiece and Vignette on Title) / Volume IV: Frontispiece-Portrait of Queen Elizabeth, engraved titlepage, [4], 790 pages with 4 illustrations (including Frontispiece and Vignette on Title) / Volume V: Frontispiece-Portrait of Anne of Denmark, engraved titlepage, [4], 703 pages with 8 illustrations (including Frontispiece and Vignette on Title) / Volume VI: Frontispiece-Portrait of Mary of Modena, engraved titlepage, [2], 672 pages with 5 illustrations (including Frontispiece and Vignette on Title) / Volume VII: Frontispiece-Portrait of Mary II when Princess of Orange, engraved titlepage, [3], 466 pages with 4 illustrations (including Frontispiece and Vignette on Title) / Volume VIII: Frontispiece-Portrait of Queen Anne, engraved titlepage, [2], 556 pages with 3 illustrations (including Frontispiece and Vignette on Title) // Original, very decorative half-leather bindings with gilt lettering and ornaments on spines, marbled-paper-covered-boards and marbled edges. Excellent, firm condition with only minor signs of wear. The set comes frm the private library of Major General Cosmo Alexander Richard Nevill, with his armorial bookplate / Ex Libris to the pastedown of each Volume, bearing his family-motto: “Ne Vile Velis” [″Wish for nothing Vile”].

420. [Webb, William Livingston / United Irishmen] [Muralt, Béat Louis de (1665-1749)].

Lettres sur les Anglois et les François et sur les Voiages [Voyages].

Three Volumes bound in Two (complete set). [Paris], 1726. Small-Octavo (10 cm x 16 cm). 200, 200, 224 pages. Hardcover / Original 18th century leather with gilt lettering on spine. New Spine-Label applied to Volume I. Both Volumes housed in a bespoke built Solander Box. Some minor rubbing. Provenance: From the library of a member of the 1798 Rebellion under Wolfe Tone, William Livingston Webb, with Webb’s name in ink to the titlepage of Volume I and his name also to the first page of Volume II. Webb notes in Volume two that he purchased the books in Lille. While other Protestant Leaders of the Rebellion were hanged, William Livingston Webb was exiled. With a manuscript-poem in english and remarks in french, citing “Voltaire” to rear endpaper of Volume II: “Les Tome auteur n’art de l’esprit qui autart qu’il enfant, ny le recherchant jamais pensent avec priment avec clarte” (?) – Voltaire (?).

421. [Dryden, John] / [Philips, John] / [Walsh, William] / [Waller, Edmund] / [Hobbes, Thomas] / [Addison, Joseph] / [Yalden, Thomas] a.o. Tonson, Jacob .

The Annual Miscellany : For the Year 1694 Being The Fourth Part of Miscellany Poems. Containing great Variety of New Translations and Original Copies, by the Most Eminent Hands.

The Second Edition. London, Printed for Jacob Tonson, 1708. Octavo. [6], 406 pages. Plus 89 pages of Philips’ “Cyder – A Poem”, bound to the rear. Hardcover / Original full tooled leather with new spine-label in the style of the time. The binding is now in protective Mylar. page 405/406 a little frayed and loosely inserted. Complete edition with the wonderful “Cyder” by Philips bound to the rear. Overall a very good condition with only minor signs of wear. Very minor signs of wormhole-damage to the margins. Text beautifully clean. If there was a Frontispiece included to “Cyder”, it is not incldued in this Volume ! A very rare example of “Tonson’s Miscellany”.

422. [Defoe, Daniel].

Bibliographical account / Robinson Crusoe Collection / Daniel Defoe – Robinson Crusoe Bibliography – Privately documented and bound collection of 576 different versions of Robinson Crusoe editions in 40 languages. Among them Gaelic, Hindi, Afrikaans, Arabic etc. etc. / The Life and Strange surprising Adventures of Robinson Crusoe.

Germany, c.1998. Folio. c. 580 pages. (Xeroxed coverpages with bibliographical accounts attached). Hardcover (half cloth). Very good condition with only minor signs of external wear. Minor dampstain to lower spine. This xerox compilation was done in preparation of selling a private collection in the 1990’s by a german antiquarian bookdealer. Very Rare, probably unique account / bibliography (we are not aware of more copies of this record).

423. Boccaccio, Giovanni / [Gabriele Giolito de Ferrari].

L’amorosa fiammetta di M. Giovanni Boccaccio, di Nuovo Corretta et Ristampata, con La Tavola et le Postille delle cose Piu Notabili.

Venetia, Appresso I Gioliti, 1584. 9.5 cm x 15.4 cm. 107, [1] pages including illustrated titlepage with Giolito’s printer mark and Giolito’s stunning colophon of Phoenix rising from the ashes and the Motto: “Semper eadem” (″Always the same”). Hardcover in custom – made solanderbox. Recently rebound in half-leather with marbled paper-covered-boards. The bookblock in very good condition with some minor, contemporary inkstains. Name of preowner “Exlibris Bernard Rielliae [″Bernard Reilly”] in contemporary ink (16th or 17th century entry). Small lesion to titlepage and first three pages only. Very faint, faded dampstain to the outer margins of a few pages.

424. Original Earl 20th century German Expressionism in Original Woodcuts – Mann, Thomas.

Der kleine Herr Friedemann.

München, Phantasus-Verlag, 1920. Quarto. [4], 58, [3] Seiten. Mit elf (11) ganzseitigen Original-Bleischnitten und vier (4) kolorierten Bleischnitt-Initialen von Otto Nückel. Hardcover / Originales Halbpergament. Einband minimal fleckig. Sonst in sehr gutem Zustand mit nur geringen Gebrauchsspuren.

425. [Viereck, Peter] Acton, Harold / Yi-Hsieh, Lee.

Four Cautionary Tales [Inscribed by Harold Acton to George Sylvester Vviereck]. Translated from the Chinese by Harold Acton and Lee Yi-Hsieh. With an introduction by Arthur Waley.

First John Lehmann Edition. London, John Lehmann Ltd., 1947. 13 cm x 19 cm. XIII, 159 pages. Original Hardcover with the rare, illustrated, original dustjacket in protective collector’s mylar. Very good condition with minor signs of external wear. The dustjacket shows some tears and fraying with minor loss to the edges. Traces of foxing on the pages and on the edges. Signed and inscribed by Harold Acton: “To the great Mr. Viereck with homage and fervent best wishes – Harold Acton”. [Second Collection of a trilogy compiled and edited by Feng Menglong in 1624].

426. Taylor, Tom / [Abraham Lincoln].

Exquisite collection of six (6) items/original, vintage and personal materials by/of Tom Taylor. The collection includes a 2 1/2 page, signed manuscript letter [MLS] by Tom Taylor to an unknown recipient , discussing a memorial he sent to Robert Browning’s patron, John Kenyon and mentioning former Prime Minister Lord Aberdeen [George Hamilton-Gordon, 4th Earl of Aberdeen]. The collection also includes two vintage 19th century cabinet photographs [Carte de Visite’s] of Tom Taylor, a later edition of Ballads and Songs of Brittany and two beautifully inscribed and signed presentation copies of his major works: 1. The first edition of Ballads of Brittany – London/Cambridge, MacMillan and Co.,1865 with many illustrations by Tissot, Tenniel etc. (This first edition is signed and inscribed by Tom Taylor to Emilia Ventana at Xmas 1864, before the publication of the book commenced) and 2. Tom Taylor’s Historical Dramas. London, Chatto & Windus, 1877. Signed and inscribed by Tom Taylor to Marie de Beauvoisier in March 1879.

London / Cambridge etc., Chatto & Windus / Routledge & Sons / etc., c. 1850-1879. Octavo. Ballads and Songs of Brittany (1865 edition): Frontispice, XXII, 239 pages / Ballads and Songs of Brittany (Later Routledge edition): XVI, 176 pages / Tom Taylor’s Historical Dramas: VIII, 466, 32 pages. / Manuscript Letter: 2 1/2 pages. Original Hardcover / The manuscript letter in a Folder, it includes an A4 manuscript leaf from a 19th century autograph-collector describing the letter by Taylor. / The two vintage cabinet photographs of Taylor included in the Folder with the autograph. Very good condition with only minor signs of external wear.

427. [Lehmann, John] / [Liddell Hart, Adrian] / [Harold Acton] / [Manuscript Postcards from Lehmann to Liddell Hart].

Provenance: From the personal library of Adrian Liddell Hart / Collection of three personal autograph/manuscript-postcards from John Lehmann to Adrian Liddell Hart, together with 28 Volumes of John Lehmann’s “New Writing”, some bearing the name of Adrian Liddell Hart, including Volume I (includes George Orwell’s “Shooting an Elephant” in second edition). Besides the 28 Volumes of Lehmann’s “New Writing”, the collection also includes: 1. John Lehmann’s personal copy of Sean O’Faolain’s “Vive Moi!” – An Autobiography (First Edition, London, Rupert Hart-Davies, 1965), with John Lehmann’s name on the front free endpaper and some markings in the text. / 2. John Lehmann – Pleasures of New Writing – An Anthology of Poems, Stories and other Prose Pieces from the pages of NEW WRITING. Edited by John Lehmann. (First Edition, London, John Lehmann, 1952). [Even though this Volume is also from Liddell Hart’s library, it bears a different name of a pre-owner on the half-title].

Mixed Editions. 30 Volumes. London, John Lehmann / Allen Lane – Penguin Books / Rupert Hart-Davis, 1940-1965. Octavo. [The Postcards written from Venice, Florence and Santa Barbarabetween the years 1952 and 1977 / Postcard I: From John Lehmann in Venice to Adrian Liddell Hart: “This city does not boast a supply of the “Sunday Dispatch”, and as the writer was gripped and enthralled by the last installment on June 1st, he hopes you will keep copies of the …for him to read on his return in ten Days time – J.” / Postcard II: From John Lehmann in Florence to Adrian Liddell Hart: “Am staying with [Sir] Harold Acton here in his marvellous Villa – calme luxe [″Villa La Pietra”], all night……pity, you aren’t with me. Off to the sea this afternoon – may post this in Porto Ercole. Your old friend is relaxing. Gracefully – Love J.” [Date hard to decipher, possibly in 1962] / 3. Postcard III: From John Lehmann in Santa Barbara in California to Adrian Liddell Hart: “Terribly sorry to hear about the broken leg, may it mend quickly, as surely it must undo the ministrations of Florence …..Nightingale. I expect to be in England all March, but then off again – to Jimmy Carter Country – Love J.” [20.2.77]. Hardcover and Softcover. Of the series of 28 Volumes of the “New Writing ″ Series, only three with stronger signs of wear and in poorer condition. All others in very good condition with only minor signs of wear. Lehmann’s personal copy of Sean O’Faolain’s Autobiography with the original dustjacket in poor condition but the Volume itself very good.

428. [Dawson, Miles Menander / Meynell, Alice] Rittenhouse, Jessie B.

The Little Book of American Poets 1787-1900 [Association copy: Inscribed by american Poet and Philosopher Miles Menander Dawson and his wife to english Poet Alice Meynell: “To Mrs. Alice Meynell with the best regards of her friends Mr. + Mrs. Miles M. Dawson”].

First Edition. Boston and New York, Houghton Mifflin Company, 1915. Small Octavo. XX, 306 pages. Hardcover / Original publisher’s cloth. Very good condition with only minor signs of wear. Very rare and beautiful association between these two Poets.

429. Robinson, Mary.

Walsingham; or The Pupil of Nature, A Domestic Story. By Mary Robinson, Author of Angelina – Hubert de Sevrac – The Widow – Vancenza, &c. &c.&c.

First Irish Edition. In Two Volumes (complete Set). Dublin, Printed by B. Smith for P.Wogan, C.Brown, H.Colbert, W.Porter and J.Rice, 1798. Octavo (12 cm x 17,5 cm). 336, 322 pages. Hardcover / Modern half-leather bound to the style of the 18th-century with spinelabels. Both Volumes in protective Mylar and now housed in a bespoke Solander Box. Very good condition with some minor signs of wear only to the edges and two tiny lesions to the titlepage of the first Volume. Faded dampstain to some pages of the lower bookblock of Volume II. While the bookblock is generally used and has the occasional very faint stain and a minor tear to a page, the set is in very good or even better condition ! Extremely scarce !

430. [Calder, Alexander] Wilbur, Richard.

A BESTIARY – [One of 50 copies on luxurious Rives-mould, signed by Alexander Calder and Richard Wilbur].

New York, Printed at the Spiral Press for Pantheon Books, 1955. Folio (24 cm wide x 32.5 cm high). Original Hardcover / Half red morocco, beige buckram boards with gilt lettering on spine and gilt stamped illustration to front board. A very fine copy in the original board slipcase with very minor signs of shelfwear to the slipcase only. Spine very sightly sunned. A fantastic book with quotes from Yeats and Kafka and many other writers, illustrated by Calder!

431. [Arabian Nights] Forster, Edward / [Provenance: Daniel Callaghan of Lotabeg].

The Arabian Nights, in Five Volumes. [Including “The History of Aladdin, or the Wonderful Lamp” / The History of Ali Baba and of the Forty Robbers, killed by one Slave” / etc.] Translated by The Reverend Edward Forster [based on the French version of Antoine Galland]. With [24] Engravings, from Pictures by Robert Smirke.

First Edition [Large Paper Quarto Edition]. Five Volumes (complete set with all engravings). London, Printed for William Miller, 1802. Quarto (21.5 cm x 27.5 cm). Volume I: LXI, (7), 385 pages with 5 copper-engravings including Errata-Leaf and “Directions for placing the Plates” for all four volumes / Volume: 432 pages with 5 copper-engravings / 405 pages with 5 copper-engravings / 461 pages with 5 copper-engravings / 474 pages with 5 copper-engravings. Hardcover / Original, early 19th century full leather with gilt lettering and date on lower spine [″London, 1802”]. Beautiful, richly ornamented master-bindings. All Volumes in strong, protective collector’s Mylar, which invites the reader/collector to use the work without fear of handling. Armorial Bookplates / ExLibris of Daniel Callaghan, Esquire of Lotabeg (MP for Cork City 1830-1849) to all five pastedowns (Motto: “Fidus et Audax”). Marbled endpapers a little dusty but beautiful. Volume 1, 2 and 5 with some weakening to the spine (slightly cracked), but holding and still firm overall. All plates present. As known and always found with this scarce edition, the original, titled tissue-guards all in place, have created stronger signs of foxing to the plates but in sharp contrast the text in all the five Volumes in bright and clean condition with only occasional faint staining. Endpapers with some minor browning. Very good+ condition overall with some rubbing and minor bumping to the Volumes but really only minor signs of external wear. Extremely sought after publication, not to be confused with the later, much more common Octavo Editions !

432. Radcliffe, Ann.

The Mysteries of Udolpho – A Romance; interspersed with some pieces of Poetry.

First Dublin Edition / First Irish Edition. 3 Volumes [complete set]. Dublin, , by Hillary and Barlow, for Messrs. P. Wogan, W. Jones, and H. Colbert, 1794. Small Octavo (17.5 cm x 11 cm). Collation complete: Volume I: 310 pages / Volume II: 321 pages / Volume III: 357 pages. [Few pages with misprinted numerals, as often the case, but all pages in order and complete]. Original, unaltered, 18th-century full leather with gilt lettering on original spinelabels. Very rare, complete set of the first Dublin Edition. Very good- condition with stronger signs of external wear but all three Volumes in firm, original condition. Lesions to the leather-covered-boards and some stronger rubbing to extremeties. Interior with only very few problems. All three Volumes used to have two endpapers before and after the text and some of these endpapers are torn or missing. Textblock in general very good with some very minor and only occasional staining only. In Volume I, tear to corner of page 101/102 and 135/136. Faded stain to only the outer margins of pages 239 to 310 (text never affected). Volume II with small tear to pages 21/22 / Volume III with lesion to page 281/282 and tear to corner 305. These all sound worse than they are and the set is still in very good- condition. From the library of the Meade family in Ballymartle, the titlepage of each Volume bears the name of Helena Meade. An extremely rare and highly collectable set of one of the rarest titles in english literature.

433. [David Hockney Collection] – Hockney, David.

David Hockney – Collection of rare and important publications as well as an original photograph of Hockney. The collection includes: 1. “Fax Dibujos / Fax Cuadros” / 2. An Original Black-and-White Photograph of David Hockney on archival paper / 3. “The Blue Guitar” – Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso – “The Man with the Blue Guitar” – Wallace Stevens / 4. David Hockney – “A Retrospective” / 5. “Billboards” by Sally Henderson & Robert Landau with an Introduction by David Hockney / 6. David Hockney – “Some very new Paintings” / 7. David Hockney prints 1954-1977 / 8. “David Hockney” by David Hockney (with several interesting newspaper-clippings on Hockney loosely inserted).

Mexico, Centro Cultural/Arte Contemporáneo, 1990. Quarto (24.4 cm wide x 28 cm high). 120 pages. Softcover / Original spiral bound. Unusually excellent, FINE condition of Fax Dibujos, with only very minor signs of wear. Extremely rare, especially in this condition / [The Hockney Portrait-Photograph, which comes with the FAX Dibujos-publication, is stamped verso with Copyright by Universal Pictorial Press and Agency Ltd. in London and dated in 1976. – Provenance of the Photo: This photograph comes from the private Press-Photgraphs-Collection of irish photographer John Minihan, accumulated during his early years as photographer on Fleet Street, London] / The other monographs on or by Hockney are all in excellent condition. Find the David Hockney-Collection on our website under “Library & Collection”, where you will see a full list, with all books catalogued and with corresponding images.

434. [Homer] Lectius, Jacobus.

Poetae Graeci Veteres Carminis Heroici Scriptores, Qui Extant, Omnes / Homerus [Iliad and Odysseae Bilingual in Greek and Latin], Hesiodus, Orpheus, Callimachus, Aratus, Nicander, Theocritus, Moschus, Bion, Dionysus, Coluthus, Tryphiodorus, Musaeus, Theognis, Phocyclides, Pythagorae aurea carmina cum fragmentis alioru, Apollonius Rhodius, Oppianus, Cointus, Smyrnaeus, Nonni Dionysiaca. Apposita Est E Regione Latina Interpretatio. Nota item & variae lectiones margini adscriptae, Cura & recensione Iac. Lectii V.CL [Jacobi Lectii]. Accessit & Index verum & verborum locupletissimus. / [Dedication: “Illustrissimo et Potentissimo Principittera Ac D. Domino Mauritio Landgravio Hassiae, Comiti In Katzenelnbogen, Dietz, Zigenhaim [Ziegenhain], Nidda, &c. Domino suo Clementissimo].

[Bilingual Edition / Greek / Latin / Parallel text in Greek and Latin]. Avreliae Allobrogum [Genève/Geneva/Genf], Petrus De la Rouiere, 1606. Quarto (24 cm wide x 35 cm high). Titlepage (in red and black), [22 unnumbered pages of Dedicatio etc.], 739, 624, [46 unnumbered pages including Colophon] pages. Hardcover / Original 17th century full leather with original spine-label and embossed gilted supralibros to both boards. Binding firm and with only minor signs of wear. Interior with some minor browning. Overall in a very much very good+ condition. Wonderful bilingual edition of the classics, published still during Shakespeare’s lifetime.

435. Meister, Ernst.

Ausstellung – Gedichte von Ernst Meister [Originalausgabe / wahrscheinlich das originale Korrekturexemplar des Autors oder Verlags].

Erste Ausgabe. Marburg, Verlag Marburger Flugblätter, 1932. Oktav. 64 Seiten. Original Softcover (cremefarbene Englisch-Broschur mit roter Betitelung). Der Buchblock minimal von der Broschur gelöst. Sonst in sehr gutem Zustand, mit Merkmalen eines Korrekturexemplars: Der obere Schnitt etwas uneben, einige Seiten mit handschriftlicher, zusätzlicher Numerierung (und auch Anmerkung) die eine andere Paginierungsfolge oder Reihenfolge der Gedichte suggeriert. Einige Textstellen mit handschriftlicher Änderung einzelner Buchstaben. Kurze Widmung auf dem Vorsatzblatt: “f. Ulla” (nicht verifizierbar ob von Meister). Das Gedicht “Der Gebückte” mit einer handschriftlichen Anmerkung die eine eventuelle, dreimalige Wiederholung des ersten Teiles (‘Er geht’) mit zwei Fragezeichen erwägt. Sehr seltene, erste Veröffentlichung von Ernst Meister. Der Fund dieser Ausgabe ist eine kleine Sensation da Ernst Meister die Auflage persönlich vernichtete nachdem der Verlag Ihm die Bücher zurückgesendet hatte. Seine Ehefrau Else Meister rettete, laut einigen Quellen, nur einige wenige Exemplare aus der Mülltonne. / Als Zugabe zu der Ausgabe liegt dem Band eine Sammlung von sehr seltenen “Mitteilung[en] für Freunde” bei. Ernst Meister hat diese “Im Handsatz als Manuskript gedruckt”. Beiliegen No.2 – 6 der Mitteilungen”. Diese sind signiert mit dem Namenszug “Ernst Meister” versehen und der Jahreszahl der Herausgabe auf der Titelbroschur.

436. [John Montague Collection] – [Montague, John] Dorgan, Theo.

Typescript Draft MS for a book of poetry by Theo Dorgan. With occasional manuscript corrections / suggestions / annotations by Dorgan’s early mentor John Montague, the Typescript MS was held among the private papers of John Montague in his West Cork Home. The typescript includes poems like “Closed Circuit”, “The Promised Garden”. Montague is approving several of the poems by simply applying a tick. John Montague made suggestions in pencil on the structure of “Elegy for a Schoolfriend” and more in depth-suggestions on “Nasty Archer”, “Her Body”,″The Width of a Room Between Us”, “Return”, “Reconciliation”, “Sunday Afternoon”. When asked about helping to date this early draft of his poetry, Theo Dorgan immediately gets back to us and he places it from memory into the early 1980’s. Theo Dorgan was surprised and seemingly chuffed that John Montague held on to this Manuscript and he recalls: “These poems, some in revised versions, make up the backbone of my first published collection, ‘The Ordinary House of Love’.” Dorgan continues: “I’m happy to say that most of them survived Montague’s eagle eye, which was of course a great comfort to me at the time. Still is!” Some of these poems selected had previously been published as broadsheets etc. but the skeleton of the Draft hints already at readying it for publication. Theo Dorgan graciously gives us even more information: “Some of the poems in the eventual book go back to when I was a student, others were definitely written in the second half of the 80s. The bulk of it, however, is in this MS. I base my estimation in part on the fact that what you have is a typescript produced, it appears, on the IBM golfball machine that was the pride and joy of Triskel Arts Centre. That machine was bought in 1980 or 1981, I’m fairly sure of that. I was Literature Officer there, then.” Theo Dorgan was part of John Montague’s circle of mentored poets, even though in an email-exchange with him about this typescript he mentions that “John Montague worked far more with Thomas McCarthy, Maurice Riordan and Gregory O’Donoghue than he did with me, and in many ways Gregory O’Donoghue was at that stage the most accomplished of us all – the only one included in JM’s Faber Book.” What followed then in our conversation with Theo Dorgan is a great example why manuscripts, letters, autographs, typescripts and the connections we often make with documents from the past have such meaning in explaining our emotional ties with people who matter to us on our way of forming personality. They are memories transforming into images, floods of empathy and nostalgia for personal moments lost but treasured because they helped us form our values. Presented with the old typescript, Theo Dorgan’s emotionality is tangible and he confesses more in an internal dialogue with himself and John Montague than with us: “I’m sorry to say that the reason John Montague worked with those others more than he did with me is because, in my shameful, youthful arrogance, I much preferred to trust my own judgement, and also, I suspect, because I was closest to John in temperament and feared coming unduly under his influence. That said, there was no-one whose good opinion of a poem I valued more, and we were close all our lives after. Very likely it was a case of old stag/young stag ! Montague taught us by indirection, he made his extensive library of modern and contemporary poetry available to us without stint, would wait for us to find an affinity (as, e.g. mine with Robert Graves and Galway Kinnell) and would then, in a long, ongoing conversation, help us to understand what it might mean for our own poems that we felt such affinities. A guided companionship in reading and making, if you will.”

Ireland, c.1981-1982. A4. 43 pages typescripts. Paperclipped. Very good condition with only minor signs of external wear. Some fingerstaining and residue of rust from the paperclip. Wonderful and extremely valuable document of not only a collaboration between two of Ireland’s landmark writers but moreover witness to the becoming, the birth of a true poet. Also included (from a different source) is a second printing of the first edition of the subsequent publication “The Ordinary House of Love” – signed by Theo Dorgan. Right at the beginning of the printed version, instead of a dedication to John Montague, Theo Dorgan placed a quote from Montague’s poem “Wine Dark Sea”: ‘For there is no sea / it is all a dream there is no sea / except in the tangle / of our minds; / the wine dark / sea of history on which we all turn / turn and thresh / and disappear.’ (Collected Poems, page 255). Provenance of the annotated typescript: From the private collection of John Montague’s papers in his recently sold West Cork Home.

437. Viereck, George Sylvester / [Frederick Franklin Schrader] / [Mentioning of Oscar Wilde / Lord Alfred Douglas].

Collection of early Manuscript Material (which is a Manuscript Ballad / Poem), a two-page Manuscript Letter (which is a MLS mentioning Oscar Wilde, Lord [Alfred] Douglas, Viereck’s literary tastes etc.) and the personal copy of “House of the Vampire”, all by the controversial german-american author George Sylvester Viereck. The collection includes: 1. One six-page, hitherto unpublished Manuscript – Ballad [Poem], called “Die Ballade vom Sündigen Glück” [Translates: “The Ballad of sinful Pleasure”]/ 2. A lengthy and extremely insightful Two-Page Manuscript Letter, signed in New York, 1902, which accompanied and talks about the enclosed Six-Page Manuscript – Ballad [The letter and Poem was not conclusively but very likely addressed by Viereck to Frederick Franklin Schrader, then editor of the New York Dramatic Mirror and shortly thereafter co-founder with George Sylvester Viereck of “The Fatherland” / 3. The collection also includes Viereck’s personal copy of his publication “The House of the Vampire” with handwritten, manuscript entry of his name, address in New York City as well as a pasted statement on the endpaper by the author Viereck: “Concerning “The House of the Vampire” : This book went through several editions when it was first published and was dramatized. It played for eight weeks in New York and for two years on the road under the management of the Shuberts. Critics have compared it to such books as Dr.Jekyll and Mr.Hyde, Lady Into Fox, and Dorian Gray”]. The two-page letter is of great value and touches on Viereck’s admiration for Schrader and his “Blatt” [Newspaper]. Viereck is advertising himself to Schrader by introducing himself as a critical admirer with substantial references (Viereck details his working for numerous newspapers in America). Viereck mentions his secessionist tendencies and name-drops Oscar Wilde, Rosetti and Lord Douglas (whom he claims to know personally). This amazing, autographed/signed Manuscript-Material was created by Viereck directly during his transition from writer to propagandist and is an example of his early, bullish personality, which wants to be heard, which needs attention and it is here, in 1912, where his career begins to develop. This large Archive of manuscript material [8 pages in total] is stunning and unpublished (see partial Transcription of the original german material on our website). Viereck’s close friends included Nikola Tesla and even Theodore Roosevelt was among his acquaintances.

New York, Moffat, Yard & Company, 1902-1912. Play and Letters: 20.3 cm x 25.3 cm / Book: 13 cm x 19,5 cm. Pagination: Balld (Poem): 6 pages / Manuscript Letter (MLS): 2 pages / Book: 190 pages. Original Hardcover / Blue publisher’s cloth with gilt lettering on spine in protective collector’s mylar / The play protected in clear folder. The manuscript pages overall in excellent condition besides page IV of the play which has two abrasions with small parts of the text missing only. The book in excellent condition with only minor signs of external wear. Viereck’s usual vanity made him add the lovely littel note of critical success. The personal copy of this controversial author’s most interesting book is a unique possibility for each collector of unusual Vampire material. Extraordinary collection !

438. [Joyce, James].

Collection of interesting and important publications by and on James Joyce. Including a portrait of Joyce, First editions and essential Textversions of his Masterpieces and literary criticism etc. etc. [Please enquire for access to excellent photographs and descriptions to each title, included in this collection]. The collection includes: 1. Ulysses [The Corrected Text]. The Corrected Text – Edited by Hans Walter Gabler with Wolfhard Steppe and Claus Melchior and with a New Preface by Richard Ellmann. Corrected Edition of the critical and synoptic edition from 1984. / 2. Ulysses [A Reader’s Edition]. Edited by Danis Rose. Completely revised edition. / 3. McHugh, Roland. Annotations to Finnegans Wake. / 4. The Restored Finnegans Wake. Edited and with a Preface and Afterword by Danis Rose and John O’Hanlon. Note by Seamus Deane. / 5. Ellmann, Richard. James Joyce. New and Revised Edition [The First Revision of the 1959 Classic]. / 6. Ellmann, Richard. Selected Letters of James Joyce. / 7. Joyce, James. Chamber Music. / 8. Eco, Umberto. The Middle Ages of James Joyce – The Aesthetics of Chaosmos. Translated from the Italian by Ellen Esrock. / 9. Freund, Gisèle. Three Days with Joyce – Photographs by Gisèle Freund. Preface by Richard Ellmann. / 10. Bowker, Gordon. James Joyce – A Biography. / 11. James Joyce – Poems and Shorter Writings – Including ‘Epiphanies’, ‘Giacomo Joyce’ and ‘A Portrait of the Artist’. Edited by Richard Ellmann, A Walton Litz and John Whittier-Ferguson. / 12. [Joyce, James] Synge, John Millington. Riders to the Sea. La Cavalcata al Mare. Italian translation James Joyce and Nicolo Vidacovich. Introduction and Notes Dario Calimani. / 13. [Joyce, James] Krewani, Angela [Hrsg.]. Artefacts, artefictions. crossovers between contemporary literatures, media, arts and architectures = Artefakte, Artefiktionen ; for Christian W. Thomsen on the occasion of his 60th birthday [Including articles on Joyce: Kurt Otten – James Joyce and the Rise of Early Modernism in English Literature / Ralf Schnell – Beuys and Joyce]. Articles in english and german. / 14. Gilbert, Stuart. James Joyce’s Ulysses. A Study. / 15. [Joyce, James] Beach, Sylvia / Laughlin, James (Introduction). Shakespeare and Company. New Edition. Lincoln, 1991. / Joyce, James. Pomes Penyeach. London, Faber & Faber, 1952. / 16. Joyce, James. The Mime of Mick, Nick and the Maggies – A Fragment from Work in Progress. [The Initial Letter, Tail-Piece and Cover were specially designed by the author’s daughter, Miss Lucia Joyce]. No. 564 of a limited edition of 1000 copies. The Hague / New York, The Servire Press / Gotham Book Mart, 1934. /

London and other places, Penguin / Picador / Oxford University Press / etc., 1975 – 1997. Octavo. More than 2000 pages. Original Hardcover / Original Softcover. Very good condition with only minor signs of wear. The price of the collection includes free international shipping per UPS Express.

439. [Cullen, Stephen] Anonymus.

The Haunted Priory: or, The Fortunes of The House of Rayo. A Romance founded partly on historical Facts.

The Second Edition / [Original Edition – This is NOT a reprint]. London, Printed for J. Bell, 1794. Small Octavo. 256 pages. Hardcover / Modern half-leather with gilt lettering on spine and paper-covered boards. In bespoke made clamshell-box / solander-box. Beautifully restored and bound by a master bookbinder. Including the original endpapers and the original half-title. Front free endpaper and halftitle with dampstain to lower corner only. Dampstain in lower corner of the titlepage only faintly present. One of the rarest titles of Irish Literature and one of the rarest, early gothic-novels / horror-novels. Extremely, sbsolutely scarce publication and in excellent condition after the beautiful restoration.

440. [Disraeli, Benjamin] Blake, Baron Robert Norman William.

Disraeli by Robert Blake [SIGNED First Edition].

First Edition. London, Eyre & Spottiswoode, 1966. Large Octavo. Frontispiece-Portrait of Disraeli, XXIV, [1], 819 pages with 16 illustrations and two maps within the text. Hardcover / Original publisher’s cloth without the dustjacket [Price includes the preparation of a custom-made clamshell-box for the buyer of this extremely rare book]. Private giftinscription on endpaper. Binding a bit fragile and rear gutter starting. Boards slightly stained and a bit grubby. Still in very good condition. Interior very clean. This is one of the rare opportunities to buy this Magnus Opus in a signed version, which is nearly impossible to find ! Signed and dated by Baron Blake on the titlepage: “Robert Blake – March 31st 1970”.

441. [John Montague Collection] – Montague, John / Louis le Brocquy / [Dupin, Jacques] / [Samuel Beckett].

Small Archive of personal correspondence between irish-american writer John Montague and irish artist Louis Le Brocquy plus many related items. The correspondence also includes John Montague touching on Samuel Beckett. The core of the collection includes 1. Extremely insightful and important, very personal manuscript-letter from John Montague to Louis Le Brocquy – Inside an envelope addressed by John Montague to Louis Le Brocquy at his french residence ‘Domaine des Combes’ with Louis Le Brocquy’s answer carefully tucked into the same envelope, treasured by John Montague. The densely filled, very personal 4-page-manuscript letter from John Montague, is dated Christmas 1981, written after “a sabbatical [..] on a long tour which led me as far as Los Angeles” and is a strong reflection of John Montague’s personal struggles, thoughts and influences as a writer; he talks about his ten years of teaching in the US “after O’Riada’s death led to a vacuum” and “enduring the semi-bourgeois limbo of Cork”. Montague speaks about the time “after the harness came off” and he “felt quite strange, and after thirty years my stammer returned in painful, nearly uncontrollable force”. Montague even touches on his fears about his health and continues “I clocked into a clinic for a rest cure….so far liver excellent, so it is not Sean or Brendan all over again (in any case, loving the stuff, as you do, I can’t overdrink; the tastebuds are against it)”. Montague dives into comparisons with Samuel Beckett: “″Did you realize that Sam Beckett was under analysis at the Tavistock Clinic for two years ? – The early Beckett is a smart alec; the break comes when he has to survive in post-war France and accept “his own darkness”. Montague also touches on his struggle with his mother “Isn’t it terrible that we spend up to nearly middle-[a]ge coping with the traumas of youth, with no way round it ? – I have cleared/cleaned/buried & forgiven my mother in my next book “The Dead Kingdom”….” – The letter continues to talk about books, “the Landslide Manuscript”, poetry and his work etc. etc. He mentions a Dupin “play” which “will travel in my Paris luggage”. Montague also touches on the subject of the Irish Troubles and writes “I have always, by the way, believed that 1916 may have been a mistake as Yeats said: “For England may keep faith – For all is said and done” / Montague speaks about “My own area of Tyrone is blessedly free from all but minor incidents” – Amazing document of confidence and trust between two irish landmark personalities. 2. Louis Le Brocquy’s answer to John Montague is dated “New Year’s Day 1981”[which should have been 1982]: A. Very personal manuscript Letter – a direct answer to Montague’s letter from “Christmas 1981” (1 sheet with both pages filled in ink and signed “Louis”) in which Le Brocquy reflects on the tense political situation with Northern Ireland and the overall worldwide tension of a looming war / Le Brocquy writes that he did have a “wild hope that when Charlie took office…that he and Thatcher might between them opted a ‘Rhodesian’ solution in the North” / Le Brocquy also writes about the eagerly awaited publication of “Selected Poems” of John Montague and he also asks John if “you thought of collecting Esteban’s and Dupin’s poems in French with your translations ?” – Le Brocquy offers to help with illustrations etc. – Both letters together in an envelope which suggests that John Montague received his letter to Louis le Brocquy back from the Le Brocquy-estate after Le Brocquy’s death. / Also included: B. A manuscript postcard with Le Brocquy’s “Girl in White” as a postcard-reproduction in which Le Brocquy suggests a project with John Montague and sends greetings to Montague’s wife Evelyn and the kids (in envelope from Carros,France) / 3. In his function as chairman of Amnesty International, Le Brocquy sends a callout by Amnesty International to John Montague and kindly asks him to support the cause. He sends the callout to John by adding a few manuscript, personal lines of affection (in envelope from Carros,France). 4. Manuscript Letter by Jacques Dupin of John Montague in which he also speaks of Louis le Brocquy / 5. Collection of eight Letters, one Postcard and some ephemeral items among which is the original catalogue “Ireland’s Literary Renaissance – 20th Century Portraits [including the Portraits of John Montague (and Thomas Kinsella) by Louis le Brocquy on page 62/63] created by James White for the Irish Promotion Exhibition called “Irish Ways” at Marshall Field’s in Chicago between 15th September – 4th October 1980. Includes a manuscript letter by James White to John Montague, dated 26/11/1980 / Also included in this lot is the very interesting letter by John Montague’s friend at Brown University, Elinor Shaffer, reporting to Montague about the large Writing programme at Brown with “shoals of Poets and Novelists representing different schools and regions”. Elinor Shaffer is very much enthusiastic that even Publisher’s in Residence are now present at Brown and she gives an example in Jay Loughlin [James Laughlin (1914-1997) American poet and the influential founder of New Directions Publishing] who “is the present incumbent and who is giving a seminar on his own list and is praised fro his public-spirited charity in handing out Pound and Williams.” Elinor Shaffer continues: “Gone are the days when students would riot at the hint of capitalist monopolygoverning the choice of texts. It seem Pound told him [James Laughlin] inthe twenties that he would one day make a good publisher (on being shown his poems). These ensconced and laundered literary figures seem a far cry from the old SF’ Berkeley poetic scene of the ‘60’s – Love, Elinor” / 6. Original State of New York Legislative Resolution No.1230 by Senator Daly, “Recognizing the distinguished author and poet John Montague” (John Montagu’s personal copy / 7. Three XXL – original Photographs showing John Montague and colleagues in honorary degree- Cloaks at UCC Cork, including a newspaper-article //

France / Ireland, Carros / Cork, 1980-1983. A4. 4 pages on two sheets (main Montague-letter), 2 pages on 1 sheet (Le Brocquy – answer), 1 postcard, 1 manuscript-letter from Jacques Dupin to John Montague (25.10.1978) about a translation of “L’Éboulement” (Dupin also speaks about Louis le Brocquy in the letter), several pages of letters (mostly typed and signed) from other figures in irish and international literature and art, collection of vintage photos of honorary doctorate degree-Montague at UCC Cork. Original Envelopes. Very good condition with only minor signs of external wear. Besides some ephemeral materials from personalities in Literature and Art, addressed to John Montague, the small collection includes several vintage photographs of John Montague, taken during his acceptance of a honorary Doctorate of Literature at UCC, Cork, as well as a Legislative Resolution by the State of New York (Senator Daly), recognizing and thanking the distinguished author and poet John Montague with this decree on May 26, 1987. Among the lesser interesting materials is a pamphlet titled “Ireland’s Literary Renaissance – 20th century Portraits” in which portraits by Louis Le Brocquy of John Montague and Thomas Kinsella are included. The pamphlet is accompanied by a letter from James White to John Montague in which he explains this being a publication that was released for an exhibition in Chicago and he apologises for the entries being “necessarily short but hopefully reasonably correct”. Provenance: From the private collection of John Montague’s papers in his recently sold West Cork Home.

442. Radcliffe, Ann.

The Mysteries of Udolpho.

First Edition. 4 Volumes [complete set]. London, Printed for G. G. and J.Robinson, 1794. Octavo. Collation complete with all four half-titles: Volume I: 428 pages / Volume II: 478 pages / Volume III: 463 pages / Volume IV: 428 pages. Original, unaltered, 18th-century half leather with gilt lettering on original spinelabels. All four bindings with vintage paper-covered boards and their original, reinforced corners. The set is now housed in a custom-made solander-box / clamshell-box. Excellent, firm condition of all four volumes with minor lesions to hinges and some rubbing to extremeties only and some general, neglectable external wear to corners and upper spines. In Volume I, two sentences partly censored with manuscript editing in ink. Interior very good with the occasional lesion (I, p.109), minor tear (II, p.93), and stains to a page here or there and a faded, very mild dampstain in the background of some pages of Volume IV. Two excellent provenance signs: Bookplate / Exlibris of “William Tennant, Ashton Hall” to the pastedown of each Volume / Previous owner-stamp of “O.W.O’Grady Young – Castlerea”. A fantastic, in this state, unbelievably rare version, of one of the most desirable books in the english language. The seminal gothic novel, a most desirable collectable and the best copy of this first edition we have ever handled.

443. [Alexander Calder Collection] – [Calder, Alexander].

“Calder’s Universe” – Large Collection of seventyone (71) Books and Lithograph-Portfolios on and by American Artist Alexander “Sandy” Calder. The collection includes not only rare Monographs, Volumes of Biography and Autobiography and some very rare Exhibition-catalogues but also a collection of wonderful issues of eleven Derriere Le Mirroir [with 54 original Lithographs by Calder (36 single-page-Lithos and 19 double-page Lithos). Also included is the very rare, signed Artist Book: “A BESTIARY” – [One of 50 copies on luxurious Rives-mould, signed by Calder and Wilbur]. The collection includes early monographs as well as later catalogues and is a perfect chance to acquire some good understanding of his works in Mobiles, Stabiles, Oil Paintings, Gouches, Toys and other art. See detailed descriptions and images of every single item within this collection listed under “Libraries & Collections” on our website.

Quarto. The collection includes books in different bindings: Original Hardcover with illustrated dustjacket / Original Softcover / Hardcover without dustjacket. Very good condition with only minor signs of wear. Most books in excellent condition. The price of this collection includes traceable, international UPS Express Saver shipping.

444. [Hope, Thomas] / [Anastasius Hope].

Anastasius : Or, Memoirs of a Greek ; Written at the close of the Eighteenth Century.

First Edition. In Three Volumes. London, John Murray, 1819. Octavo (12.2 cm wide x 19 cm high). Pagination: Volume I: III, 376 pages/ Volume II: 429 pages / Volume III: 457 pages. Hardcover / Original half-leather with gilt lettering on spine and marbled-paper-covered boards. Dampstain fading from pastedown, endpapers to page 80 of Volume I. All Volumes in beautifully firm and strong bindings and with some rubbing to the marbled paper covered boards with some lesions to the paper. Interior in general very good with occasional foxing. A very, very rare set in its orginal bindings and the only version of the frst edition of this important publication we ever were able to handle in our 32 years as antiquarian bookdealers.

445. [Tey, Josephine / Daviot, Gordon] / [Gielgud, John].

Josephine Tey – John Gielgud Collection of stunning Association copies of Plays which crucially defined both of their careers as writers and actors. The collection includes important, signed and inscribed association – copies of the two significant productions “Richard of Bordeaux” and “Queen of Scots”, both from John Gielgud’s personal library and with manuscript inscriptions to John Gielgud [and Laurence [Larry] Olivier] by Josephine Tey, aka Gordon Daviot, aka Elizabeth MacKintosh. The collection includes: 1. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux – A Play in Two Acts” – With John Gielgud’s Bookplate (Ex Libris). The ultimate Association-copy, warmly and lengthy inscribed by Josephine Tey to John Gielgud. First Edition. London, Victor Gollancz, 1933 / 2. “Richard of Bordeaux” – Original Programme of “The Streatham Hill Theatre”, 1934. Signed by John Gielgud / 3. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – Original File-copy with dustjacket and Publisher’s wrapper “The Play of the Year” at the New Theatre” – First Edition, 1933 / 4. Gordon Daviot [Josephine Tey] Gordon Daviot – “Richard of Bordeaux – A Play in Two Acts” – [Fifth Edition, 1933] – Special Cast, Producer and Production-Signed copy and inscribed to one “Eileen Grainger”, with the most interesting dedications in manuscript signatures – Signed and inscribed by lead actor and producer John Gielgud [Richard II], Signed and inscribed by leading Lady, actress Gwen Ffrangcon-Davies, Signed and inscribed by Gordon Daviot [Josephine Tey], Also beautifully signed and inscribed with a musical score by Shakespeare-composer and Musical Director for John Gielgud, Herbert Menges OBE ! / 5. “Queen of Scots – A Play in Three Acts” – The Ultimate Association-copy, inscribed by Josephine Tey to her producer: “John Gielgud – from ‘his Gordon Daviot’ / July 1934” / 6. Gordon Daviot – “Queen of Scots – A Play in Three Acts” – Association-copy, signed and warmly and lengthy inscribed by Josephine Tey to Laurence Olivier / 7. Gordon Daviot [Josephine Tey] – “Richard of Bordeaux” – A Softcover-Version of the Play in Fourth Impression, 1933 / 8. Josephine Tey – “The Daughter of Time” – First Edition, Second Impression (Second Printing). London, Peter Davies, July 1951 [The First Edition was in June 1951]. Original Hardcover with the slightly frayed original dustjacket in Mylar / 9. John Gielgud – “Early Stages” – New and Revised Edition. London, The Falcon Press, 1948. With pages of detail about the work of John Gielgud with Gordon Daviot [Josephine Tey] / 10. Jennifer Morag Henderson – “Josephine Tey – A Life” – With a Foreword by Val McDermid. Sandstone Press, 2015 //

London, Victor Gollancz, 1933 – 1948. Octavo. Hardcover / Original Publisher’s cloth. Very good condition with only minor signs of wear.